{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":42,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":42,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"99decafc578b","filters":{"venue":"Revue italienne d’études françaises"}},"results":[{"id":"W3211607680","doi":"10.4000/rief.8122","title":"Rando, trek, promenade… des mots pour quel(s) sport(s) ? De la construction du discours d’autorité dans les blogs de tourisme d’aventure","year":2021,"lang":"fr","type":"article","venue":"Revue italienne d’études françaises","topic":"Digital Games and Media","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Historical Studies in Education","funders":"","keywords":"Humanities; Political science; Philosophy","authors":[{"name":"Stefano Vicari","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01080166505658231,"gpt":0.2499747590377541,"spread":0.2391730939811718,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00330951,0.000392701,0.0003192319,0.001581078,0.007179859,0.01251163,0.0005741264,0.00222321,0.01082864],"category_scores_gemma":[0.009284806,0.0003239904,0.0002981451,0.001400476,0.01425393,0.009145086,0.002960285,0.002947386,0.002822991],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002432161,"about_ca_system_score_gemma":0.003563087,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01267858,"about_ca_topic_score_gemma":0.02717874,"domain_scores_codex":[0.9975802,0.001263862,0.00007037418,0.0003182316,0.0005171985,0.0002501259],"domain_scores_gemma":[0.9932995,0.003594234,0.0008447429,0.0004433123,0.0009567929,0.0008614479],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0002025959,0.000141383,0.02755927,0.0009084424,0.00004738479,0.0009256794,0.4783644,0.0001862125,0.002441771,0.3467937,0.04459569,0.09783345],"study_design_scores_gemma":[0.00003869316,0.00008638048,0.02415927,0.001320628,0.00004164724,0.0006502745,0.2526496,0.0003133308,0.0007540137,0.03799831,0.6818911,0.00009669394],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3187921,0.009775301,0.01335351,0.107132,0.002091808,0.0001194545,0.0002710805,0.0001561701,0.5483087],"genre_scores_gemma":[0.8773376,0.00431116,0.003068021,0.006389422,0.0005483678,0.0001189015,0.00009891601,0.0002226415,0.107905],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01267858,"threshold_uncertainty_score":0.03622544,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3212926146","doi":"10.4000/rief.7273","title":"Traduire Rimbaud en allemand","year":2021,"lang":"fr","type":"article","venue":"Revue italienne d’études françaises","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Historical Studies in Education","funders":"","keywords":"Humanities; Art","authors":[{"name":"Hermann H. Wetzel","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02167222412606321,"gpt":0.2276329592570806,"spread":0.2059607351310174,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004592287,0.000695476,0.0004722413,0.001280248,0.006568763,0.008799228,0.001342673,0.0030992,0.02056507],"category_scores_gemma":[0.007711945,0.0002942844,0.0004661828,0.0009853458,0.01605253,0.007241986,0.005397039,0.004798925,0.004443728],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005782985,"about_ca_system_score_gemma":0.004131776,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01142204,"about_ca_topic_score_gemma":0.0181828,"domain_scores_codex":[0.9959037,0.001979394,0.0001342965,0.0006206362,0.0008950805,0.0004670567],"domain_scores_gemma":[0.9976719,0.0008195865,0.0001508264,0.0007470959,0.0004602478,0.000150363],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006602096,0.0000153151,0.0003099292,0.00009376842,0.000006913717,0.0002781487,0.04255982,0.00008003071,0.000820866,0.9029946,0.01764158,0.03513302],"study_design_scores_gemma":[0.00001176154,0.00003053798,0.0005009238,0.0003323832,0.000008247514,0.0002806386,0.01272637,0.0001250948,0.0008630644,0.04337995,0.9417203,0.00002083311],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.04144717,0.01151442,0.02582513,0.0323455,0.005783579,0.00007693313,0.0000929289,0.000375016,0.8825393],"genre_scores_gemma":[0.5316038,0.003877304,0.0092586,0.00562472,0.001226689,0.00008881604,0.00006909978,0.0007045456,0.4475465],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.02056507,"threshold_uncertainty_score":0.06879699,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2901963366","doi":"10.4000/rief.1893","title":"Hybride, de la bâtardise à l’innovation technologique","year":2018,"lang":"fr","type":"article","venue":"Revue italienne d’études françaises","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Historical Studies in Education","funders":"","keywords":"Political science","authors":[{"name":"Rosa Cetro","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02406022682890173,"gpt":0.2736824636865103,"spread":0.2496222368576086,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003903774,0.0005969006,0.0003809269,0.002316464,0.004672539,0.009973899,0.0007985724,0.002415926,0.007757871],"category_scores_gemma":[0.005285368,0.0002618221,0.000509686,0.002293833,0.02300595,0.005312502,0.00528313,0.002849204,0.001297477],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005205941,"about_ca_system_score_gemma":0.004652987,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007933279,"about_ca_topic_score_gemma":0.01159942,"domain_scores_codex":[0.9949922,0.002709571,0.0001377064,0.0006187778,0.001190121,0.0003515627],"domain_scores_gemma":[0.9958801,0.002207287,0.0004545339,0.0005103791,0.0005928384,0.0003547607],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004240992,0.00002581961,0.002494966,0.0002547849,0.00002956534,0.0002659391,0.04774144,0.0002189139,0.001525561,0.9117186,0.002712239,0.03296969],"study_design_scores_gemma":[0.00003404367,0.0001644486,0.008686511,0.000641651,0.00006678611,0.001768387,0.04179458,0.0009934503,0.001825689,0.1921799,0.7517636,0.00008101622],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1141967,0.009211456,0.05800373,0.02356127,0.000947504,0.0001337043,0.00013018,0.0002159306,0.7935996],"genre_scores_gemma":[0.9107872,0.002633029,0.01424157,0.001877083,0.0002405438,0.0001607858,0.00005563204,0.0000812849,0.06992293],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.009973899,"threshold_uncertainty_score":0.03777194,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2990480489","doi":"10.4000/rief.3020","title":"Beckett traducteur de Joyce : Anna Lyvia Pluratself","year":2019,"lang":"fr","type":"article","venue":"Revue italienne d’études françaises","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Historical Studies in Education","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Francesca Milaneschi","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02960841498289015,"gpt":0.2346676312793576,"spread":0.2050592162964674,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001263415,0.0005144224,0.0002993337,0.0009486828,0.008345465,0.005294715,0.0004388369,0.001227148,0.01090409],"category_scores_gemma":[0.002532342,0.000220062,0.0001692322,0.0009937354,0.008766624,0.003470438,0.002642006,0.004585276,0.00245191],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006227239,"about_ca_system_score_gemma":0.004409808,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02783717,"about_ca_topic_score_gemma":0.05068406,"domain_scores_codex":[0.9988292,0.0004719932,0.00002568473,0.0001808211,0.0003028692,0.0001894241],"domain_scores_gemma":[0.9992342,0.0003518762,0.0000609823,0.00005297365,0.0001803817,0.0001196815],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005734456,0.00002134814,0.0005798598,0.0001056885,0.000006212373,0.0003038885,0.04422994,0.00005664849,0.0004394004,0.6003599,0.3083587,0.04548112],"study_design_scores_gemma":[0.0000018835,0.000005591525,0.000363414,0.0001268501,0.000001568063,0.00008738721,0.004180328,0.00001677025,0.0001438217,0.006657433,0.9884071,0.000007906867],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.02317064,0.1231032,0.002834731,0.1871741,0.01674707,0.00002949976,0.0001166391,0.0001173254,0.6467068],"genre_scores_gemma":[0.3491886,0.03339069,0.00108037,0.02410233,0.003857095,0.00006898106,0.00005552307,0.00025439,0.588002],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02783717,"threshold_uncertainty_score":0.05535024,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3102513977","doi":"10.4000/rief.6777","title":"Le facteur Houellebecq","year":2020,"lang":"fr","type":"article","venue":"Revue italienne d’études françaises","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Historical Studies in Education","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Francesca Lorandini","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02358744354820916,"gpt":0.2088078275870213,"spread":0.1852203840388122,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001400263,0.0005814576,0.0004531341,0.001359337,0.01107003,0.006262883,0.0007273161,0.00335481,0.02305737],"category_scores_gemma":[0.003723859,0.0002691636,0.0003887265,0.001533751,0.005613003,0.002544689,0.001586921,0.004305835,0.001813416],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.03583815,"about_ca_system_score_gemma":0.0241146,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.8325164,"about_ca_topic_score_gemma":0.8755812,"domain_scores_codex":[0.9980304,0.0005633128,0.00003074884,0.0002845236,0.0006452083,0.0004459432],"domain_scores_gemma":[0.9985883,0.0004868169,0.00007648201,0.00006962271,0.0005976668,0.0001810995],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005584341,0.00001056712,0.001109972,0.0001024446,0.00001322497,0.0004266667,0.01318817,0.000185865,0.0004231181,0.8453676,0.1135656,0.02555088],"study_design_scores_gemma":[0.000006568458,0.000006463491,0.002232949,0.0001518877,0.00000451611,0.00009726748,0.002852225,0.00008432012,0.0001797778,0.007219633,0.9871458,0.00001853709],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.03584239,0.03118527,0.003290076,0.1289056,0.003806734,0.00005121917,0.0004978744,0.0001116965,0.796309],"genre_scores_gemma":[0.3935183,0.00918743,0.0017828,0.01905453,0.00066412,0.00008740894,0.0001481102,0.000154096,0.5754032],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8325164,"threshold_uncertainty_score":0.3369398,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4388726210","doi":"10.4000/rief.11495","title":"« Sujet Némirovsky » : questions et réflexions d’un biographe","year":2023,"lang":"fr","type":"article","venue":"Revue italienne d’études françaises","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Historical Studies in Education","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Olivier Philipponnat","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03719617208408309,"gpt":0.2865064957849318,"spread":0.2493103237008487,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005223383,0.0004653514,0.0005210102,0.001784633,0.01018876,0.01018044,0.0008920251,0.003614024,0.005418344],"category_scores_gemma":[0.01335846,0.0003637723,0.0003749829,0.001681722,0.02585963,0.01499235,0.004369774,0.006912056,0.001033441],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007271667,"about_ca_system_score_gemma":0.004156777,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01164409,"about_ca_topic_score_gemma":0.01511513,"domain_scores_codex":[0.99472,0.003576444,0.0001602428,0.0005835725,0.0007471741,0.0002126676],"domain_scores_gemma":[0.9938452,0.004494585,0.0003532042,0.0004783795,0.0006218291,0.00020674],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002072058,0.00000670461,0.0003794078,0.00005155693,0.000005759563,0.0001279031,0.05351454,0.00005940117,0.0002044506,0.9257832,0.01259912,0.007247294],"study_design_scores_gemma":[0.0000099065,0.00001219989,0.00106602,0.0004109999,0.00001094054,0.0003040925,0.04200367,0.000362321,0.0008163765,0.3557186,0.5992503,0.00003453213],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.09091975,0.05247705,0.03965714,0.3798309,0.007303386,0.00005807361,0.000279542,0.00016714,0.4293071],"genre_scores_gemma":[0.872843,0.01155763,0.005040941,0.01316218,0.001653572,0.0001016143,0.0001099953,0.000283421,0.09524767],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01164409,"threshold_uncertainty_score":0.05275983,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3213761859","doi":"10.4000/rief.8727","title":"Mesurer l’horizon de son pas. La marche dans l’écriture (XVIIIe-XXIe)","year":2021,"lang":"fr","type":"article","venue":"Revue italienne d’études françaises","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Historical Studies in Education","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Françoise Rigat","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03338051606841987,"gpt":0.2621141937598547,"spread":0.2287336776914348,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008836982,0.0005265222,0.0001901965,0.0006593748,0.005044038,0.00558909,0.0004862851,0.001263417,0.01402677],"category_scores_gemma":[0.001229917,0.0002031331,0.0003272968,0.0008519462,0.00478788,0.002921266,0.001438446,0.002118546,0.001890611],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006067283,"about_ca_system_score_gemma":0.002582752,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0510373,"about_ca_topic_score_gemma":0.1219486,"domain_scores_codex":[0.9994422,0.0001860578,0.00001604122,0.00009002783,0.00009781687,0.0001678472],"domain_scores_gemma":[0.9996397,0.00008370274,0.00005415926,0.0000299792,0.0001011506,0.00009132862],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001198625,0.0000311274,0.006433499,0.0003324274,0.00001991662,0.001157302,0.09376675,0.0003039564,0.002039781,0.6673915,0.1282662,0.1001377],"study_design_scores_gemma":[0.000002474187,0.00002372507,0.004628061,0.0001962524,0.000003493625,0.0002267668,0.008157994,0.00004604192,0.0001830053,0.007386711,0.9791349,0.00001050976],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.1270655,0.07847859,0.009379841,0.08116247,0.007340692,0.00008008051,0.0005049952,0.0001557901,0.695832],"genre_scores_gemma":[0.6361057,0.0136019,0.002652494,0.00339596,0.001168191,0.00004636208,0.0001613143,0.0001777866,0.3426904],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.0510373,"threshold_uncertainty_score":0.1014805,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2989767091","doi":"10.4000/rief.3414","title":"Le Rondeau parfaict de Clément Marot","year":2019,"lang":"fr","type":"article","venue":"Revue italienne d’études françaises","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Historical Studies in Education","funders":"","keywords":"Art; Humanities","authors":[{"name":"Marco Villa","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01693201122030088,"gpt":0.2342114067418808,"spread":0.2172793955215799,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002091703,0.00123646,0.0006770061,0.001687985,0.004350008,0.005656064,0.0009163094,0.003018678,0.01898466],"category_scores_gemma":[0.006867159,0.0005245456,0.0006419013,0.001079293,0.008142278,0.004868244,0.002354655,0.0058961,0.006490953],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006202829,"about_ca_system_score_gemma":0.003068015,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02331885,"about_ca_topic_score_gemma":0.02778597,"domain_scores_codex":[0.9970048,0.001205802,0.0001153673,0.0006954581,0.000736712,0.0002417257],"domain_scores_gemma":[0.9979178,0.00107799,0.0001610784,0.0002010974,0.0005224932,0.000119487],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000642197,0.000007319945,0.0003173872,0.0001241691,0.00001045262,0.0001992168,0.006170253,0.0001370929,0.0005169042,0.9176915,0.06315589,0.01160564],"study_design_scores_gemma":[0.000009488139,0.00002171293,0.0006087699,0.0002306629,0.000009011823,0.0002871197,0.001313651,0.0002650758,0.0005367832,0.03319767,0.963497,0.0000230033],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01518947,0.02654578,0.04568674,0.1008495,0.01881998,0.000134199,0.0008068387,0.0006508872,0.7913166],"genre_scores_gemma":[0.4041728,0.01181151,0.01697523,0.02221845,0.005533282,0.0002944845,0.0004182101,0.001509193,0.5370668],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02331885,"threshold_uncertainty_score":0.06351006,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3106165522","doi":"10.4000/rief.6441","title":"Avis de Marianne, vérité de Marivaux","year":2020,"lang":"fr","type":"article","venue":"Revue italienne d’études françaises","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Historical Studies in Education","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Philippe Roger","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03045948652074529,"gpt":0.2530207258341877,"spread":0.2225612393134424,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008986035,0.0005375727,0.0002760094,0.0003979573,0.00609927,0.004503655,0.0006121005,0.001705802,0.01048093],"category_scores_gemma":[0.002263775,0.0002895302,0.0003009837,0.0003678731,0.008079911,0.00255142,0.002834183,0.003344328,0.002486689],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006354246,"about_ca_system_score_gemma":0.003314534,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02270305,"about_ca_topic_score_gemma":0.05638604,"domain_scores_codex":[0.9989604,0.0003622239,0.00002411294,0.000272716,0.0002242368,0.000156426],"domain_scores_gemma":[0.9996245,0.000121405,0.00006528506,0.00005716889,0.00007759391,0.00005408277],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005443678,0.000008359551,0.001057069,0.0000843912,0.000007824477,0.0001768867,0.04615822,0.00007120494,0.001149015,0.9185354,0.01414352,0.01855382],"study_design_scores_gemma":[0.000005187075,0.00003083067,0.001933219,0.0001654782,0.000006127778,0.0002570013,0.005746461,0.00009344463,0.0007935797,0.02099936,0.9699486,0.0000208111],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.06603072,0.01358423,0.007286958,0.02519416,0.001509161,0.00004179024,0.0001370637,0.000160182,0.8860556],"genre_scores_gemma":[0.5613543,0.002456746,0.00224423,0.002449487,0.0002802716,0.0000696337,0.00003812927,0.0001562828,0.430951],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.02270305,"threshold_uncertainty_score":0.04610348,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3214706804","doi":"10.4000/rief.7654","title":"Napoléon Arlequin ou la métaphore théâtrale","year":2021,"lang":"fr","type":"article","venue":"Revue italienne d’études françaises","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Historical Studies in Education","funders":"","keywords":"Humanities; Art","authors":[{"name":"Katherine Astbury","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0280462735373984,"gpt":0.2731456098058552,"spread":0.2450993362684568,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006792494,0.0005143718,0.0002205252,0.0005272293,0.004131174,0.002281137,0.0004550224,0.001174788,0.006921089],"category_scores_gemma":[0.0009042193,0.0001013297,0.0001870759,0.0004760002,0.009033537,0.001898081,0.001301158,0.002185963,0.0007805753],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005069136,"about_ca_system_score_gemma":0.001568753,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0387495,"about_ca_topic_score_gemma":0.06671926,"domain_scores_codex":[0.9992755,0.000424308,0.000009550181,0.0001046036,0.00009682926,0.00008921264],"domain_scores_gemma":[0.9997123,0.0001724614,0.00002908715,0.00002044592,0.00004424285,0.0000215167],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006463322,0.000008958423,0.0003720009,0.0001467793,0.000004773808,0.0004663117,0.1065189,0.00007596244,0.0009537421,0.8647966,0.01104814,0.01554323],"study_design_scores_gemma":[0.000009271013,0.00003643583,0.001128682,0.0001981442,0.00000696913,0.0003817083,0.02199799,0.0001007512,0.0003033728,0.02102312,0.954798,0.00001556481],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.0679348,0.03996449,0.003623974,0.01936276,0.001646757,0.00003282012,0.00009052917,0.00005859424,0.8672852],"genre_scores_gemma":[0.8317783,0.006204671,0.0009096242,0.001979834,0.0001970522,0.00002663199,0.00003458856,0.00005138501,0.1588178],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.0387495,"threshold_uncertainty_score":0.07704794,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3099538578","doi":"10.4000/rief.5377","title":"L’Invraisemblable comme vérité du particulier : le double enjeu de l’écriture mémorialiste","year":2020,"lang":"fr","type":"article","venue":"Revue italienne d’études françaises","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Historical Studies in Education","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Francesco Pigozzo","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04953230391097597,"gpt":0.2281443369947242,"spread":0.1786120330837482,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003857443,0.0004114447,0.0002608638,0.001192258,0.01397824,0.008965452,0.0009492388,0.002224369,0.008179829],"category_scores_gemma":[0.005760399,0.0002435557,0.0002042421,0.001287999,0.02480688,0.005603359,0.005006986,0.003055883,0.0007788616],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0131123,"about_ca_system_score_gemma":0.009169622,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.05296782,"about_ca_topic_score_gemma":0.09314667,"domain_scores_codex":[0.9957754,0.002637689,0.0000621935,0.0003580293,0.0004311752,0.0007355601],"domain_scores_gemma":[0.996612,0.001907008,0.0003910332,0.0003080679,0.0003998982,0.0003820247],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000275219,0.00001246042,0.0007136798,0.00008573199,0.000005200342,0.0003108059,0.2039954,0.00009530861,0.0003214908,0.7742229,0.007261083,0.01294838],"study_design_scores_gemma":[0.00001244786,0.00005124215,0.003410327,0.0005787244,0.00001583223,0.0003948025,0.1540995,0.0002301008,0.0008516219,0.0515702,0.7887526,0.00003265977],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2122713,0.01958629,0.0112079,0.07444253,0.001191503,0.00003437228,0.00006646587,0.00008805322,0.6811116],"genre_scores_gemma":[0.9442975,0.001799829,0.0005527115,0.001235661,0.00015884,0.00001814485,0.00001117302,0.00005574548,0.05187042],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.05296782,"threshold_uncertainty_score":0.105319,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2991401226","doi":"10.4000/rief.4512","title":"Le vertige intertextuel. Une lecture de Kamel Daoud, Meursault, contre-enquête","year":2019,"lang":"fr","type":"article","venue":"Revue italienne d’études françaises","topic":"African history and culture studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Historical Studies in Education","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Véronic Algeri","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01009231760547382,"gpt":0.2358412540235194,"spread":0.2257489364180456,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00260549,0.0006317981,0.0003225672,0.000970392,0.01081832,0.0103119,0.0005057573,0.002909044,0.01016748],"category_scores_gemma":[0.006623514,0.000257142,0.0002575117,0.001257124,0.01852727,0.01022821,0.004341677,0.005269946,0.002077806],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005747894,"about_ca_system_score_gemma":0.003608752,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01283947,"about_ca_topic_score_gemma":0.01624766,"domain_scores_codex":[0.9968401,0.001568512,0.00008559583,0.0003481935,0.0006844516,0.0004731257],"domain_scores_gemma":[0.9977319,0.001117341,0.0002397281,0.0002011748,0.0004173208,0.0002925678],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004638414,0.00001384724,0.0005556181,0.000124858,0.000007538204,0.0004538308,0.1010553,0.00004632437,0.0006047414,0.7891428,0.0756662,0.03228256],"study_design_scores_gemma":[0.00000566512,0.00001389802,0.0004511041,0.0001918509,0.000003904368,0.0003152856,0.02169779,0.00005026278,0.0002784151,0.02637992,0.950601,0.00001087902],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.04190765,0.09484325,0.005581589,0.3227121,0.01885711,0.00003297814,0.0001090306,0.0001098308,0.5158466],"genre_scores_gemma":[0.6957342,0.02019808,0.001333516,0.02301265,0.004523163,0.00003961558,0.00006307976,0.0001751542,0.2549205],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01283947,"threshold_uncertainty_score":0.04170412,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3104314999","doi":"10.4000/rief.5433","title":"Traduction réciproque : Jean-Charles Vegliante &amp; Chetro De Carolis","year":2020,"lang":"fr","type":"article","venue":"Revue italienne d’études françaises","topic":"Linguistics and language evolution","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Historical Studies in Education","funders":"","keywords":"Humanities; Philosophy; Art","authors":[{"name":"Jean-Charles Vegliante","is_ca":true},{"name":"Chetro De Carolis","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03421566985463642,"gpt":0.2357339583895497,"spread":0.2015182885349133,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00066004,0.001468957,0.0005799117,0.001693587,0.003638015,0.003676915,0.001048706,0.001990971,0.1136118],"category_scores_gemma":[0.002156617,0.0003979731,0.0004550118,0.001602919,0.002420095,0.002586824,0.001906459,0.003258897,0.03657369],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005000386,"about_ca_system_score_gemma":0.002818071,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.05088772,"about_ca_topic_score_gemma":0.06054686,"domain_scores_codex":[0.9991452,0.000198254,0.00004844667,0.0002642309,0.0002794885,0.0000643378],"domain_scores_gemma":[0.9993392,0.0001712677,0.00004813129,0.00007539939,0.0003042592,0.00006172481],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001063483,0.00002970108,0.0003835804,0.0003562276,0.00001481042,0.0004297186,0.002247846,0.0002356515,0.001542709,0.1449734,0.7949803,0.05469963],"study_design_scores_gemma":[0.000003962508,0.000004442151,0.0001480557,0.00004047281,0.000001349588,0.00009532311,0.0001246734,0.00004030045,0.000223865,0.001235574,0.998075,0.000006948239],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.006141892,0.03865197,0.01765694,0.05715623,0.04347877,0.0002401096,0.003431862,0.001666267,0.8315759],"genre_scores_gemma":[0.03863155,0.009149356,0.00652298,0.00799046,0.004061398,0.0001855037,0.001000998,0.002230695,0.930227],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1136118,"threshold_uncertainty_score":0.3800694,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4388727033","doi":"10.4000/rief.11453","title":"Irène Némirovsky et la « génération inaperçue » des écrivains russes de Paris : une prise de distance mutuelle ?","year":2023,"lang":"fr","type":"article","venue":"Revue italienne d’études françaises","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Historical Studies in Education","funders":"","keywords":"Humanities; Art","authors":[{"name":"Marco Caratozzolo","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02785935549218255,"gpt":0.2660523191622388,"spread":0.2381929636700563,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009271601,0.000369247,0.0002663549,0.0005982119,0.005661202,0.004122983,0.0004950013,0.001052486,0.005109641],"category_scores_gemma":[0.00130981,0.0001207079,0.0001529475,0.0006016186,0.009680382,0.002857873,0.002142485,0.002277717,0.0004368163],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003950436,"about_ca_system_score_gemma":0.002194609,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03359909,"about_ca_topic_score_gemma":0.04488305,"domain_scores_codex":[0.9993217,0.000369128,0.00001196605,0.00008015283,0.00007203267,0.0001450852],"domain_scores_gemma":[0.9995155,0.0002203826,0.0001027699,0.00002946272,0.000056565,0.00007525738],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005326237,0.00001939121,0.005789593,0.0001281015,0.00001651471,0.001132256,0.3894842,0.0001810421,0.0005338985,0.561295,0.01121671,0.03015009],"study_design_scores_gemma":[0.00001272933,0.00007260337,0.02191184,0.0003780697,0.0000243538,0.0008811022,0.34325,0.0001403237,0.0005613235,0.03355053,0.599169,0.00004797165],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.5510421,0.04175425,0.003272583,0.08076828,0.001383355,0.00002217266,0.00008618148,0.00004170136,0.3216293],"genre_scores_gemma":[0.9642095,0.006274404,0.0002389534,0.001487266,0.0001635282,0.00001049301,0.00001500022,0.00001745291,0.02758339],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.03359909,"threshold_uncertainty_score":0.06680703,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4388732718","doi":"10.4000/rief.11579","title":"Némirovsky lit Maurois : un texte en langue russe méconnu des Français","year":2023,"lang":"fr","type":"article","venue":"Revue italienne d’études françaises","topic":"Diverse Cultural and Historical Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Historical Studies in Education","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Marco Caratozzolo","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03547799217540726,"gpt":0.2609720999901106,"spread":0.2254941078147033,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001295983,0.0005869545,0.0004044664,0.001255528,0.005798946,0.00343181,0.0007011931,0.001732813,0.003853232],"category_scores_gemma":[0.002236174,0.0002029717,0.0002804702,0.001372654,0.006903077,0.002939573,0.001527599,0.003089977,0.0005613838],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007497285,"about_ca_system_score_gemma":0.004514046,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0708947,"about_ca_topic_score_gemma":0.1214118,"domain_scores_codex":[0.9992583,0.0003168862,0.00003690031,0.0001064316,0.0001403386,0.0001410231],"domain_scores_gemma":[0.999171,0.0004941254,0.00008660753,0.00003040425,0.0001505189,0.00006737569],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001300527,0.00003031561,0.00472633,0.0005888753,0.00003520185,0.001008715,0.1940767,0.0002619019,0.001888382,0.591242,0.1536934,0.0523182],"study_design_scores_gemma":[0.000006560691,0.00002089542,0.004296956,0.000520538,0.00001059742,0.0001971089,0.01802971,0.00009452915,0.00057136,0.01024848,0.965977,0.00002624554],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.1662269,0.2672878,0.006278797,0.2800708,0.01755718,0.00005353086,0.0006979075,0.000151914,0.2616751],"genre_scores_gemma":[0.8276057,0.04062716,0.001285448,0.01439416,0.002472353,0.00005382651,0.0001963258,0.0001481324,0.1132169],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.0708947,"threshold_uncertainty_score":0.1409642,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4242965822","doi":"10.4000/rief.5106","title":"Présentation","year":2019,"lang":"fr","type":"article","venue":"Revue italienne d’études françaises","topic":"Translation Studies and Practices","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Historical Studies in Education","funders":"","keywords":"Humanities; Philosophy; The Renaissance; Art; Art history","authors":[{"name":"Concetta Cavallini","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02828835713540163,"gpt":0.2603001018154702,"spread":0.2320117446800686,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.005035074,0.0008421628,0.0006107917,0.001559414,0.004131364,0.009572587,0.001945567,0.004765956,0.3759587],"category_scores_gemma":[0.02225116,0.0002858402,0.0008062922,0.00132811,0.002076664,0.005568491,0.00546418,0.004700471,0.1583657],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003896003,"about_ca_system_score_gemma":0.006175315,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004103804,"about_ca_topic_score_gemma":0.004923683,"domain_scores_codex":[0.9959403,0.001061992,0.0002209392,0.0006312515,0.001639717,0.0005057512],"domain_scores_gemma":[0.9910328,0.002309619,0.0003373059,0.0009632364,0.004023514,0.001333599],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007949355,0.00003300389,0.000208906,0.0002213535,0.000006096931,0.0002586005,0.001033671,0.00006246825,0.0002915842,0.04298168,0.9045135,0.05030982],"study_design_scores_gemma":[0.000006257909,0.00001200601,0.0001312746,0.0001777505,0.000002180976,0.000139893,0.0005281735,0.00002267505,0.0000998482,0.003640503,0.9952337,0.000005683585],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.003271719,0.008648446,0.006476899,0.1563597,0.1107963,0.0004553316,0.003428335,0.00103703,0.7095264],"genre_scores_gemma":[0.02349939,0.006568458,0.002684782,0.04170111,0.01996269,0.0004309124,0.002377053,0.0006809485,0.9020945],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.3759587,"threshold_uncertainty_score":0.8901193,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3104108618","doi":"10.4000/rief.6392","title":"Pour un réalisme acoustique : Un de Baumugnes de Jean Giono","year":2020,"lang":"fr","type":"article","venue":"Revue italienne d’études françaises","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Historical Studies in Education","funders":"","keywords":"Humanities; Philosophy; Art","authors":[{"name":"Maria Chiara Gnocchi","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1210633183391132,"gpt":0.2714991703348957,"spread":0.1504358519957826,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001419378,0.0006299879,0.0003091864,0.001009811,0.005814819,0.005516001,0.0004161604,0.002400113,0.006897296],"category_scores_gemma":[0.004183134,0.0002628812,0.000202755,0.001097969,0.01438183,0.005161839,0.002237341,0.003975665,0.001522832],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007407395,"about_ca_system_score_gemma":0.003835313,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04875291,"about_ca_topic_score_gemma":0.0532569,"domain_scores_codex":[0.9982334,0.0009955185,0.00002757628,0.0002195344,0.0003595036,0.0001643476],"domain_scores_gemma":[0.9988349,0.0007390546,0.00007514189,0.00006638854,0.0001742457,0.0001103681],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005745137,0.00001310084,0.0006557365,0.00008425723,0.000005019562,0.0002009429,0.04258979,0.0001728055,0.0003837665,0.9051405,0.0295455,0.02115114],"study_design_scores_gemma":[0.00001184971,0.00002181427,0.001211434,0.0002587362,0.000004702722,0.000184569,0.01065127,0.0002531974,0.000304898,0.1016271,0.8854418,0.00002856378],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.05203155,0.08381439,0.01152544,0.1969478,0.002851472,0.00003456507,0.0001269585,0.0001139208,0.6525539],"genre_scores_gemma":[0.771219,0.02376143,0.003158623,0.01394666,0.002383767,0.00007472565,0.00005120716,0.000251784,0.1851528],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.04875291,"threshold_uncertainty_score":0.09693825,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3105620903","doi":"10.4000/rief.6173","title":"Cacher le genre par la contrainte pour dire l’indicible : du lipogramme de Perec au « lipogenre » de Garréta ","year":2020,"lang":"fr","type":"article","venue":"Revue italienne d’études françaises","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Historical Studies in Education","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Michele Costagliola d’Abele","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03075554513401814,"gpt":0.237627053150355,"spread":0.2068715080163369,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002375267,0.0006946904,0.0006593708,0.002371622,0.003062494,0.005857078,0.0008822259,0.001250718,0.009262153],"category_scores_gemma":[0.006840897,0.0005759167,0.0004084938,0.00194778,0.0073339,0.008519245,0.003837028,0.002129921,0.002040742],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004968005,"about_ca_system_score_gemma":0.003019551,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03496023,"about_ca_topic_score_gemma":0.02815434,"domain_scores_codex":[0.9973369,0.001332901,0.0001607562,0.000541642,0.0004668269,0.0001610451],"domain_scores_gemma":[0.9964023,0.001628252,0.0002742505,0.0006811511,0.0008653334,0.0001487327],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.0003239892,0.00002867429,0.006420321,0.0005667729,0.00002751257,0.000734621,0.11218,0.0008770664,0.01621139,0.7351857,0.00836919,0.1190749],"study_design_scores_gemma":[0.00003390949,0.0001062549,0.008828222,0.0007825177,0.00008929395,0.00139863,0.03683193,0.007344889,0.01519344,0.06363771,0.8655865,0.0001668165],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.364494,0.004353884,0.3319613,0.009911614,0.0006894211,0.0003418105,0.001241757,0.003653169,0.283353],"genre_scores_gemma":[0.8643389,0.0008647076,0.0925847,0.0004620945,0.00008275682,0.0001382059,0.0006374912,0.001165038,0.03972613],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.03496023,"threshold_uncertainty_score":0.0695135,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4388725056","doi":"10.4000/rief.11179","title":"« Nouvelles pour temps de guerre et après » : le style documentaire dans les nouvelles de guerre d’Irène Némirovsky","year":2023,"lang":"fr","type":"article","venue":"Revue italienne d’études françaises","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Historical Studies in Education","funders":"","keywords":"Art; Humanities","authors":[{"name":"Christelle Reggiani","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02572633890433718,"gpt":0.2583753532072891,"spread":0.2326490143029519,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001750593,0.0006868506,0.0004101752,0.001750223,0.01203955,0.006383483,0.0007242282,0.002586221,0.00570459],"category_scores_gemma":[0.003179674,0.0002694465,0.0003284725,0.001262669,0.01110432,0.003145674,0.00187333,0.003805604,0.0008710905],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.02129702,"about_ca_system_score_gemma":0.00769145,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.2427918,"about_ca_topic_score_gemma":0.3573842,"domain_scores_codex":[0.9985639,0.0006872895,0.00005723708,0.0002524352,0.0001929008,0.0002462714],"domain_scores_gemma":[0.9989103,0.0005835993,0.0001096776,0.00006301405,0.0002095169,0.0001240002],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000644937,0.00001380981,0.001358965,0.0002414086,0.00001037084,0.0006048222,0.1827001,0.0001395718,0.0005415091,0.7230169,0.06574228,0.02556589],"study_design_scores_gemma":[0.000003197721,0.000009440071,0.002945568,0.0003360201,0.000005138957,0.0001591179,0.02311016,0.00004712277,0.0002810478,0.007531225,0.9655514,0.00002048309],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1055495,0.1248491,0.005020628,0.1546307,0.007963406,0.00007665304,0.0006198834,0.0001325845,0.6011577],"genre_scores_gemma":[0.7309113,0.01452998,0.001928026,0.005892895,0.0009619487,0.00006118989,0.0001183669,0.0001424043,0.2454539],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.2427918,"threshold_uncertainty_score":0.4827573,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4388727173","doi":"10.4000/rief.10943","title":"Marie Darrieussecq et le roman de formation au féminin : La Mer à l'envers","year":2023,"lang":"fr","type":"article","venue":"Revue italienne d’études françaises","topic":"Multiculturalism, Politics, Migration, Gender","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Historical Studies in Education","funders":"","keywords":"Humanities; Philosophy; Art","authors":[{"name":"Maria Chiara Gnocchi","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.09701704438938288,"gpt":0.3544817471254353,"spread":0.2574647027360524,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001599562,0.0003191735,0.000226602,0.0003630916,0.007459683,0.003961277,0.0003769883,0.001643737,0.006806868],"category_scores_gemma":[0.001742778,0.0002078207,0.0001395098,0.0004660831,0.01292599,0.003099355,0.002643058,0.003197972,0.0007815009],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005536968,"about_ca_system_score_gemma":0.003282727,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02744149,"about_ca_topic_score_gemma":0.05024645,"domain_scores_codex":[0.9980721,0.001201471,0.00002629859,0.0001751651,0.0002351107,0.0002898275],"domain_scores_gemma":[0.9994036,0.0002805424,0.00009118775,0.0000415714,0.00008316083,0.0001000206],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000370956,0.00001317249,0.001794927,0.00005060266,0.000002672404,0.0005435598,0.3215629,0.00005586613,0.0003259278,0.65848,0.006089848,0.01104336],"study_design_scores_gemma":[0.00001342001,0.00003741776,0.004534826,0.0003516283,0.000004584128,0.0006633183,0.1774013,0.0001485764,0.0003868708,0.02756054,0.7888765,0.00002088903],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.2618127,0.01282309,0.003519411,0.05212861,0.0005887938,0.00004092132,0.00005570126,0.00002749901,0.6690032],"genre_scores_gemma":[0.9277499,0.002389811,0.0005065588,0.002286857,0.000105351,0.00002242146,0.00001391609,0.00003587103,0.0668893],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.02744149,"threshold_uncertainty_score":0.05456352,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4388727022","doi":"10.4000/rief.11419","title":"Femmes au miroir. Dramaturgies du Bal","year":2023,"lang":"fr","type":"article","venue":"Revue italienne d’études françaises","topic":"Psychoanalysis and Psychopathology Research","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Historical Studies in Education","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Maria Grazia Porcelli","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05125788396063929,"gpt":0.3455061093684131,"spread":0.2942482254077738,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001173518,0.0006466756,0.0002995187,0.0006227306,0.01140355,0.002888437,0.0004559505,0.001442956,0.01187682],"category_scores_gemma":[0.001559247,0.0001904923,0.0002050665,0.0006416368,0.008969143,0.001742823,0.003532279,0.003020503,0.001707552],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003919499,"about_ca_system_score_gemma":0.001517144,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03377647,"about_ca_topic_score_gemma":0.07928494,"domain_scores_codex":[0.998529,0.000857175,0.00001871484,0.0001112188,0.0001457562,0.0003382831],"domain_scores_gemma":[0.9996648,0.0001080501,0.00005040137,0.00002364289,0.00006250797,0.0000905521],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002336965,0.0000883949,0.006559731,0.0003467553,0.00002581805,0.00239221,0.5931969,0.0001296554,0.002348779,0.2605684,0.09060416,0.04350558],"study_design_scores_gemma":[0.000008188295,0.00004422188,0.007000138,0.0003238174,0.000006342092,0.0004002701,0.1822092,0.00004248877,0.0003669169,0.003319264,0.806263,0.00001614258],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.2357575,0.01360225,0.002109793,0.04909244,0.002917732,0.00006171557,0.0002837283,0.0001126542,0.6960622],"genre_scores_gemma":[0.8318603,0.002645707,0.0004714355,0.005856248,0.0002442829,0.00004258128,0.00007577497,0.00007146109,0.1587323],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.03377647,"threshold_uncertainty_score":0.06715971,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4388724988","doi":"10.4000/rief.11550","title":"Hétérolinguisme et polyphonie dans les fictions d’Irène Némirovsky","year":2023,"lang":"fr","type":"article","venue":"Revue italienne d’études françaises","topic":"Linguistic and Sociocultural Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Historical Studies in Education","funders":"","keywords":"Humanities; Art","authors":[{"name":"Sarah Nora Pinto","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04949652287313982,"gpt":0.3123337781890042,"spread":0.2628372553158644,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009718433,0.0003962026,0.0002871734,0.0008314359,0.003938898,0.002878793,0.0002811859,0.000614561,0.002907343],"category_scores_gemma":[0.001620466,0.0001689723,0.0001702348,0.0007200831,0.00916498,0.002691722,0.001621171,0.001567823,0.0004054371],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002218678,"about_ca_system_score_gemma":0.0009090261,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005547028,"about_ca_topic_score_gemma":0.00971581,"domain_scores_codex":[0.9990607,0.0005878236,0.0000272019,0.0001082607,0.000123655,0.00009241915],"domain_scores_gemma":[0.999456,0.0003418107,0.00008057043,0.00004770864,0.00004536021,0.00002860451],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001011055,0.00001754274,0.002957222,0.0002223522,0.00001360267,0.001398443,0.3371567,0.0002862671,0.00291404,0.622333,0.006764366,0.02583534],"study_design_scores_gemma":[0.00001580364,0.00007872041,0.01581278,0.0003982724,0.00003051502,0.002434817,0.1326557,0.001023501,0.00240911,0.08019143,0.7649035,0.00004588092],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4566106,0.01751075,0.02239108,0.01440242,0.0008932959,0.00004943975,0.0001965041,0.00009614759,0.4878498],"genre_scores_gemma":[0.9727042,0.001839013,0.001139084,0.0004433297,0.0001464695,0.0000217139,0.00003754288,0.00006035119,0.0236083],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.005547028,"threshold_uncertainty_score":0.01609772,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2561684574","doi":"10.4000/rief.1220","title":"Lettres échangées entre Sainte-Beuve et Madame Aupick","year":2016,"lang":"fr","type":"article","venue":"Revue italienne d’études françaises","topic":"Diverse Cultural and Historical Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"ASTER","funders":"","keywords":"Art; Humanities","authors":[{"name":"Andrea Schellino","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03845209529784274,"gpt":0.2634805064829271,"spread":0.2250284111850844,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004881742,0.0002778274,0.0002893592,0.001188648,0.009102762,0.002383121,0.0004819786,0.000838755,0.0118937],"category_scores_gemma":[0.00178259,0.0001946032,0.0001591999,0.001750581,0.005549244,0.00111861,0.002241768,0.002092575,0.0006995575],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008834828,"about_ca_system_score_gemma":0.002890753,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1273681,"about_ca_topic_score_gemma":0.3351496,"domain_scores_codex":[0.9994856,0.0001444264,0.00001503576,0.00007710089,0.0001350193,0.0001428072],"domain_scores_gemma":[0.9993964,0.0002765455,0.0001075984,0.00003442056,0.0000862826,0.00009878942],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002568408,0.00003125037,0.01009545,0.0003038618,0.00002667558,0.004638846,0.7392601,0.0001365345,0.002687619,0.1880734,0.01849848,0.03599096],"study_design_scores_gemma":[0.000006266129,0.00004615244,0.08220816,0.0003015694,0.0000127816,0.0007310296,0.1054886,0.00005535347,0.0008128274,0.002244989,0.8080564,0.00003580718],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6864007,0.008735897,0.0006270318,0.009592054,0.0006791142,0.00005218345,0.0004424402,0.00005177361,0.2934189],"genre_scores_gemma":[0.9046633,0.00192724,0.0002307166,0.0005035038,0.0001349081,0.00002301903,0.00009066851,0.00004090602,0.09238572],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1273681,"threshold_uncertainty_score":0.2532535,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4388726060","doi":"10.4000/rief.10654","title":"Nanon de George Sand, ou le roman de formation d’une paysanne","year":2023,"lang":"fr","type":"article","venue":"Revue italienne d’études françaises","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Historical Studies in Education","funders":"","keywords":"Humanities; Art","authors":[{"name":"Agnese Silvestri","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02754982181788435,"gpt":0.2218773581213963,"spread":0.194327536303512,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006822422,0.0003566832,0.0002164792,0.0006737749,0.007436245,0.002780216,0.0002680795,0.001122614,0.006428197],"category_scores_gemma":[0.001570254,0.0001639361,0.0001279861,0.000590945,0.007896063,0.001843823,0.00157949,0.001568747,0.0006994655],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005798201,"about_ca_system_score_gemma":0.003089006,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.05279402,"about_ca_topic_score_gemma":0.1545279,"domain_scores_codex":[0.9992352,0.0003648193,0.00001859662,0.00008907676,0.0001429094,0.0001494844],"domain_scores_gemma":[0.9997025,0.0001409123,0.00004070209,0.00002271806,0.00005403698,0.00003903903],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005257806,0.00001351576,0.004678123,0.00008776772,0.000005373651,0.0007019262,0.1615664,0.00009838625,0.0006280503,0.7939574,0.01627953,0.02193091],"study_design_scores_gemma":[0.000002503427,0.0000184867,0.003587535,0.0001567575,0.000002790313,0.0004501093,0.03329275,0.00007771842,0.0004509297,0.00772818,0.9542188,0.00001346772],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2218104,0.012519,0.003500235,0.01279234,0.000964563,0.0000532193,0.0001393241,0.00004512655,0.7481758],"genre_scores_gemma":[0.7772323,0.003072042,0.0009143515,0.001514012,0.00007268031,0.00003575511,0.00004246701,0.00003493264,0.2170815],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.05279402,"threshold_uncertainty_score":0.1049735,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4309314185","doi":"10.4000/rief.8958","title":"Cahier d’un voyage autour du Cahier","year":2022,"lang":"fr","type":"article","venue":"Revue italienne d’études françaises","topic":"Caribbean and African Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Historical Studies in Education","funders":"","keywords":"Humanities; Art","authors":[{"name":"Giuseppe Sofo","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.008960544441021057,"gpt":0.1830065261200135,"spread":0.1740459816789924,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002214566,0.0003873301,0.0002482923,0.001378569,0.008335708,0.006681426,0.0005949391,0.001419205,0.008700294],"category_scores_gemma":[0.003650094,0.0001642717,0.0001949144,0.001597629,0.01305023,0.003540084,0.002545541,0.00286627,0.0007657091],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006496008,"about_ca_system_score_gemma":0.006619333,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.05143546,"about_ca_topic_score_gemma":0.1108542,"domain_scores_codex":[0.9980599,0.0009621089,0.00005183498,0.0002467853,0.0004103802,0.0002689644],"domain_scores_gemma":[0.9974873,0.001313884,0.0002493665,0.0003971994,0.00040177,0.0001504391],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004682341,0.00001022143,0.002234232,0.000172479,0.00000851952,0.0004403529,0.1845071,0.0000643793,0.0006661944,0.7751378,0.009032855,0.02767895],"study_design_scores_gemma":[0.000006237894,0.00001997295,0.004939713,0.0007027453,0.00001108673,0.000438779,0.05761135,0.00007755144,0.0006187999,0.01375348,0.921804,0.00001633907],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.1806272,0.02540236,0.003997387,0.03260357,0.001748,0.00004225711,0.0001195577,0.00005499674,0.7554046],"genre_scores_gemma":[0.8563823,0.007359812,0.001486488,0.001938395,0.0004122986,0.00003685643,0.00003264028,0.00007617401,0.1322751],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.05143546,"threshold_uncertainty_score":0.1022722,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3211487532","doi":"10.4000/rief.8702","title":"Les masques de l’Empereur","year":2021,"lang":"fr","type":"article","venue":"Revue italienne d’études françaises","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Historical Studies in Education","funders":"","keywords":"Humanities; Art","authors":[{"name":"Katherine Astbury","is_ca":true},{"name":"Paola Perazzolo","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03097092182932392,"gpt":0.2354612584868354,"spread":0.2044903366575115,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006350235,0.0004045359,0.0001223777,0.0003590683,0.004397396,0.003188598,0.0003968488,0.001386027,0.01009402],"category_scores_gemma":[0.001085136,0.0001394447,0.0001337293,0.0002347031,0.006318716,0.002577816,0.001668752,0.0025554,0.001609117],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0048335,"about_ca_system_score_gemma":0.002154916,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01988884,"about_ca_topic_score_gemma":0.04329732,"domain_scores_codex":[0.9995257,0.0002000673,0.000006997628,0.00008057035,0.00008983354,0.00009680649],"domain_scores_gemma":[0.9997095,0.00009291588,0.00003581864,0.00003523475,0.00006987154,0.00005661976],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006784818,0.000009216188,0.0006039768,0.0001088351,0.000004839054,0.0002830809,0.06989959,0.00005988221,0.000838617,0.810514,0.08814358,0.02946651],"study_design_scores_gemma":[0.00000353776,0.00001078169,0.00126157,0.00008861524,0.000002187276,0.0001139305,0.007151263,0.00002803556,0.0002297334,0.007972601,0.9831329,0.000004892349],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.05810107,0.01881345,0.002273459,0.04796707,0.0019937,0.00002473658,0.00007972183,0.00008139039,0.8706654],"genre_scores_gemma":[0.4816238,0.00427067,0.0009075177,0.004059343,0.0006297163,0.00004567415,0.00005059517,0.00008810248,0.5083246],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01988884,"threshold_uncertainty_score":0.03954619,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4309314172","doi":"10.4000/rief.9524","title":"Angeline, une première transposition fictionnelle de l’Affaire Dreyfus","year":2022,"lang":"fr","type":"article","venue":"Revue italienne d’études françaises","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Historical Studies in Education","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Nicoletta Agresta","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01450400466015885,"gpt":0.2017882766991695,"spread":0.1872842720390107,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001382508,0.0005399375,0.000345128,0.0009742801,0.007084846,0.004421761,0.0004562228,0.001498174,0.007429519],"category_scores_gemma":[0.003536741,0.0001970114,0.0002421587,0.0007367501,0.01318767,0.003388959,0.002073749,0.003707608,0.001077966],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005133731,"about_ca_system_score_gemma":0.002187088,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01254625,"about_ca_topic_score_gemma":0.03330057,"domain_scores_codex":[0.9983869,0.0007353891,0.000043907,0.0002055455,0.0003674896,0.0002607217],"domain_scores_gemma":[0.998762,0.0008230762,0.0001080086,0.00006988158,0.0001382824,0.00009888463],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000715261,0.00001216736,0.0006624234,0.0001539021,0.000007826437,0.0003275271,0.08136703,0.0001262376,0.0005374256,0.859902,0.04067369,0.01615816],"study_design_scores_gemma":[0.00000460266,0.00001740244,0.001065625,0.0001236137,0.000005314596,0.0003099013,0.01293386,0.00009768278,0.0007238032,0.01607895,0.968622,0.00001728718],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.08313725,0.03303073,0.01461576,0.0797954,0.007801569,0.00007261993,0.0004329898,0.0002161132,0.7808977],"genre_scores_gemma":[0.7612001,0.006702011,0.002263602,0.004645173,0.001151987,0.00004533406,0.00009420619,0.0001980592,0.2236995],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.01254625,"threshold_uncertainty_score":0.03724802,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3213668536","doi":"10.4000/rief.8468","title":"Le portrait hanté. Stratégies figuratives dans l’œuvre de Barbey d’Aurevilly","year":2021,"lang":"fr","type":"article","venue":"Revue italienne d’études françaises","topic":"Diverse Cultural and Historical Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Historical Studies in Education","funders":"","keywords":"Art; Humanities; Portrait; Art history","authors":[{"name":"Michela Gardini","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02698097476292709,"gpt":0.2518553191861417,"spread":0.2248743444232146,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004610502,0.0003884531,0.0001891551,0.0004710953,0.006074407,0.003995958,0.0003369043,0.001091927,0.01718115],"category_scores_gemma":[0.001057619,0.0001794397,0.0001966055,0.0004259374,0.003835312,0.00162604,0.001813086,0.002564479,0.003663012],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004319459,"about_ca_system_score_gemma":0.001419327,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03675478,"about_ca_topic_score_gemma":0.07615787,"domain_scores_codex":[0.9994363,0.0002085878,0.00000688897,0.00009807055,0.0001371851,0.0001129706],"domain_scores_gemma":[0.9998162,0.00005045239,0.00001957447,0.00001685868,0.00004747892,0.00004949967],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001000398,0.00001552325,0.000613504,0.000105675,0.000007415244,0.0005859726,0.08293325,0.0001634238,0.001843753,0.7420039,0.1366897,0.03493788],"study_design_scores_gemma":[0.000002722838,0.000008341258,0.0006924531,0.00008076737,0.000002506356,0.0001669358,0.005433087,0.00004779539,0.0002148498,0.005287472,0.988057,0.000006066583],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.02355313,0.009078719,0.003173867,0.01363818,0.001456524,0.000020652,0.0001013704,0.00009160824,0.9488859],"genre_scores_gemma":[0.2894461,0.003595246,0.001564624,0.001844682,0.0004290641,0.00002934285,0.000079197,0.0002574362,0.7027544],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.03675478,"threshold_uncertainty_score":0.07308167,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2990977505","doi":"10.4000/rief.3314","title":"Avant Corinne : L’Italienne de Jean-François Dognon","year":2019,"lang":"fr","type":"article","venue":"Revue italienne d’études françaises","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Wilfrid Laurier University; Historical Studies in Education","funders":"","keywords":"Humanities; Art","authors":[{"name":"Shelly Charles","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01724353791797874,"gpt":0.2457561149056718,"spread":0.228512576987693,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001319328,0.0004970604,0.0002408814,0.0004214552,0.008583465,0.004675379,0.0004157499,0.001811662,0.006361213],"category_scores_gemma":[0.002439327,0.0002608767,0.0001248873,0.0007478569,0.008713316,0.002032707,0.002016321,0.0034288,0.000700852],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008656265,"about_ca_system_score_gemma":0.00298811,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1133756,"about_ca_topic_score_gemma":0.1924866,"domain_scores_codex":[0.9990429,0.0004482156,0.00001460042,0.0001356964,0.0001608987,0.0001975343],"domain_scores_gemma":[0.9992106,0.000374807,0.0001037995,0.00003835488,0.0001139914,0.000158526],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001729486,0.00007529288,0.005516878,0.0001843182,0.00001751433,0.003785487,0.5642206,0.0002154062,0.001834392,0.2908706,0.09532215,0.03778438],"study_design_scores_gemma":[0.000009568745,0.00002450017,0.004307133,0.0001683388,0.000003930216,0.0004835032,0.05897214,0.00008158977,0.000255696,0.002562378,0.9331114,0.00001981089],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3328755,0.02227669,0.0009344181,0.09134436,0.001758776,0.00003590048,0.00007345906,0.00005334362,0.5506476],"genre_scores_gemma":[0.8143278,0.003200084,0.0002194993,0.004650385,0.0001898044,0.00001848379,0.00001638217,0.00007302342,0.1773046],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.1133756,"threshold_uncertainty_score":0.2254313,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2991773863","doi":"10.4000/rief.2969","title":"E pluribus unum","year":2019,"lang":"fr","type":"paratext","venue":"Revue italienne d’études françaises","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Historical Studies in Education","funders":"","keywords":"Humanities; Philosophy; Art","authors":[{"name":"Gabriella Bosco","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02483798063878713,"gpt":0.2293703381019919,"spread":0.2045323574632048,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002225623,0.0009245084,0.0004822191,0.00233214,0.007683102,0.0123184,0.0009265008,0.003033054,0.06917259],"category_scores_gemma":[0.004604412,0.0003325228,0.0004379281,0.002725081,0.007304358,0.008090362,0.005898498,0.003534579,0.01442496],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.009628954,"about_ca_system_score_gemma":0.006869569,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04282228,"about_ca_topic_score_gemma":0.05934176,"domain_scores_codex":[0.9957182,0.001406876,0.0001998084,0.0007408844,0.001056008,0.0008781765],"domain_scores_gemma":[0.9980561,0.0005110382,0.0002071891,0.000282067,0.0006615788,0.0002821297],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003673116,0.00001383897,0.0008574695,0.0001566257,0.000008497691,0.0002038629,0.01833682,0.00004711376,0.00042939,0.8327029,0.09111215,0.05609457],"study_design_scores_gemma":[0.000002073969,0.000005826727,0.0004899846,0.0001068167,0.00000174862,0.00006987036,0.002058031,0.0000225376,0.00007779379,0.006752914,0.9904063,0.000006086845],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.01376841,0.01529809,0.003799809,0.02662959,0.00504467,0.00005868946,0.0003894191,0.0001637479,0.9348476],"genre_scores_gemma":[0.224694,0.009072226,0.002085306,0.006792925,0.001849342,0.000126224,0.0005311968,0.0003729516,0.7544759],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.06917259,"threshold_uncertainty_score":0.2314054,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4388726730","doi":"10.4000/rief.10478","title":"Du roman sentimental au « roman identitaire » au féminin. Réflexions sur la redéfinition d’un genre au Tournant des Lumières","year":2023,"lang":"fr","type":"article","venue":"Revue italienne d’études françaises","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Historical Studies in Education","funders":"","keywords":"Art; Humanities","authors":[{"name":"David Matteini","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02088910452460973,"gpt":0.2233008589860802,"spread":0.2024117544614705,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002286816,0.0003918077,0.0003042493,0.001327116,0.0085315,0.006713345,0.0005569803,0.001568946,0.008884777],"category_scores_gemma":[0.004478139,0.0002148593,0.0002054983,0.001514281,0.02791378,0.003572815,0.002831389,0.002764494,0.0009348847],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006857264,"about_ca_system_score_gemma":0.002544058,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03128076,"about_ca_topic_score_gemma":0.04459486,"domain_scores_codex":[0.995778,0.002772302,0.00005694663,0.0003443256,0.0005400601,0.0005082713],"domain_scores_gemma":[0.9979622,0.0009686944,0.0004609296,0.000150451,0.0002565936,0.0002010839],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003766718,0.0000142781,0.002844342,0.00008104994,0.000005263897,0.0003340052,0.2156657,0.00006836815,0.0002754336,0.7601395,0.006578213,0.01395618],"study_design_scores_gemma":[0.00001235136,0.0000509052,0.0145073,0.0004826314,0.000009975461,0.000663854,0.1824747,0.0002176481,0.0003756431,0.03115816,0.7700214,0.0000255475],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.2150003,0.01053048,0.003183169,0.02058701,0.0006709502,0.0000235614,0.00007009484,0.00003062897,0.7499039],"genre_scores_gemma":[0.9570668,0.001542262,0.0002508353,0.001222991,0.0002054628,0.00001585934,0.00001593566,0.00003477736,0.03964512],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.03128076,"threshold_uncertainty_score":0.06219739,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3103721324","doi":"10.4000/rief.5963","title":"Présupposés et microfiction chez Régis Jauffret","year":2020,"lang":"fr","type":"article","venue":"Revue italienne d’études françaises","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Historical Studies in Education","funders":"","keywords":"Humanities; Philosophy; Art; Political science","authors":[{"name":"Anna Isabella Squarzina","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02568012728951389,"gpt":0.2320278807593769,"spread":0.206347753469863,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002626332,0.0003168604,0.0003835583,0.001009022,0.007196101,0.005636205,0.0006878643,0.002571806,0.004780188],"category_scores_gemma":[0.00356324,0.0003048358,0.0003061713,0.000876933,0.01978579,0.003607757,0.002548982,0.002954715,0.000471032],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0115521,"about_ca_system_score_gemma":0.004225853,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0705642,"about_ca_topic_score_gemma":0.07467201,"domain_scores_codex":[0.9981576,0.0009013891,0.00004746633,0.0003075515,0.0002742495,0.0003117584],"domain_scores_gemma":[0.9981996,0.001057959,0.0002075195,0.0002042938,0.0002522636,0.00007830034],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001866962,0.000004431776,0.0003857686,0.00001776134,0.00000222998,0.0001977088,0.02042393,0.00006582758,0.0001460343,0.9749604,0.0008781955,0.002899093],"study_design_scores_gemma":[0.00003501321,0.0000627664,0.009854006,0.000460303,0.00003525762,0.0008222866,0.04446618,0.0006073576,0.001272151,0.4000157,0.5423073,0.00006185078],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3259875,0.01310283,0.006929093,0.02990169,0.0002464131,0.00002200664,0.00008459402,0.00006852241,0.6236575],"genre_scores_gemma":[0.9791325,0.0009408723,0.0004829419,0.0005819538,0.00006523709,0.00001028979,0.00000952665,0.00001606161,0.01876065],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.0705642,"threshold_uncertainty_score":0.1403069,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4309305834","doi":"10.4000/rief.9972","title":"Cahier(s) de traduction","year":2022,"lang":"fr","type":"article","venue":"Revue italienne d’études françaises","topic":"Caribbean and African Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Historical Studies in Education","funders":"","keywords":"Humanities; Philosophy; Art","authors":[{"name":"Giuseppe Sofo","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01348982552737145,"gpt":0.2025716526979885,"spread":0.1890818271706171,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003824213,0.0008466282,0.0004099958,0.001326736,0.005130506,0.008140937,0.001408607,0.002496983,0.02514433],"category_scores_gemma":[0.008485741,0.0003937876,0.0005668101,0.00158224,0.01446847,0.008435179,0.003558221,0.004506747,0.007245137],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006774778,"about_ca_system_score_gemma":0.004643871,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01169372,"about_ca_topic_score_gemma":0.01072892,"domain_scores_codex":[0.9948373,0.002303139,0.0003377678,0.001116399,0.0009834631,0.0004218655],"domain_scores_gemma":[0.9945814,0.002313676,0.0003679886,0.001122268,0.00134286,0.0002717552],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004049129,0.00000654692,0.0003659285,0.0001336504,0.000006719578,0.0001828799,0.02956099,0.00008867741,0.0007396028,0.9257985,0.02101132,0.02206478],"study_design_scores_gemma":[0.000008574611,0.00002643459,0.0006133858,0.0001890056,0.000008952175,0.0002973348,0.005388018,0.0001808281,0.0006855917,0.03550982,0.957066,0.00002596094],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.03118698,0.007639196,0.05022439,0.03561965,0.009789237,0.0001805003,0.0005538458,0.0007210544,0.8640851],"genre_scores_gemma":[0.5542002,0.004383377,0.01961963,0.004655726,0.002493944,0.0002373188,0.0003570752,0.001100298,0.4129525],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.02514433,"threshold_uncertainty_score":0.08411622,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4309314181","doi":"10.4000/rief.10243","title":"Un Molière italien. 1950-2000","year":2022,"lang":"fr","type":"article","venue":"Revue italienne d’études françaises","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Historical Studies in Education","funders":"","keywords":"Art; Humanities","authors":[{"name":"Maria Grazia Porcelli","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01761327425175973,"gpt":0.2087849087889778,"spread":0.191171634537218,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004067274,0.0005649937,0.000206728,0.001181969,0.002890928,0.003689712,0.0003957844,0.0007764709,0.06350263],"category_scores_gemma":[0.001069999,0.0002374364,0.0001459298,0.001864556,0.001915451,0.001376537,0.001478569,0.001515293,0.009118522],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006818971,"about_ca_system_score_gemma":0.001949524,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04646927,"about_ca_topic_score_gemma":0.1238683,"domain_scores_codex":[0.9995474,0.0000828717,0.00001600443,0.00009454223,0.000153247,0.0001058988],"domain_scores_gemma":[0.9997901,0.00005838278,0.00003521357,0.00002101197,0.00005077224,0.00004453875],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004309995,0.00006947434,0.005606075,0.0007561478,0.00001540999,0.002480851,0.08299622,0.0002321212,0.002017766,0.3685584,0.3377743,0.1990622],"study_design_scores_gemma":[0.000005510852,0.00001120055,0.005107183,0.0001383418,0.000001424932,0.0001243434,0.00225269,0.00001580254,0.0001542105,0.0004213193,0.9917648,0.000003143815],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.04326217,0.01897703,0.0003818545,0.006467421,0.001661157,0.00005148573,0.001389422,0.00007922827,0.9277302],"genre_scores_gemma":[0.2091523,0.005522391,0.0002860517,0.0008102756,0.0003437597,0.00003846394,0.0008425557,0.000164145,0.78284],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.06350263,"threshold_uncertainty_score":0.2124375,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3106460010","doi":"10.4000/rief.6571","title":"Vérités romantiques et dévoilements tragiques","year":2020,"lang":"fr","type":"article","venue":"Revue italienne d’études françaises","topic":"French Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Historical Studies in Education","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Silvia Lorusso","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03862320707129513,"gpt":0.2549373381088682,"spread":0.2163141310375731,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005864996,0.0008537698,0.000619888,0.002683891,0.01795466,0.01303118,0.001106673,0.00308092,0.01058727],"category_scores_gemma":[0.007960511,0.0002985974,0.0003933969,0.003802534,0.04745162,0.006668802,0.003899193,0.004678695,0.001214001],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01900676,"about_ca_system_score_gemma":0.01082908,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04883711,"about_ca_topic_score_gemma":0.05886089,"domain_scores_codex":[0.9904475,0.00584871,0.0001684853,0.0006147001,0.001661923,0.001258646],"domain_scores_gemma":[0.9946578,0.002878976,0.000674723,0.0006409354,0.0007967796,0.0003507618],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001258661,0.000006351232,0.0007514769,0.00006860711,0.000006413779,0.000270035,0.06196586,0.00008784469,0.0001151871,0.9190178,0.005221134,0.01247676],"study_design_scores_gemma":[0.00001013607,0.00002673443,0.004254616,0.0008243127,0.00001453919,0.0006984743,0.06432831,0.0001659571,0.000437683,0.08693466,0.8422723,0.0000322896],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1114202,0.07249177,0.007650156,0.05249323,0.001735819,0.00003613409,0.0001226714,0.0001431906,0.7539069],"genre_scores_gemma":[0.9345771,0.009845519,0.0007510006,0.001877333,0.000445098,0.0000213693,0.00003287332,0.00007488453,0.0523749],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.04883711,"threshold_uncertainty_score":0.1379043,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1991788781","doi":"10.4000/rief.645","title":"“Quelque chose comme l’époque de Pérégrinus et d’Apulée” : variations sur la tradition néo-platonicienne dans l’imaginaire nervalien de l’histoire","year":2014,"lang":"fr","type":"article","venue":"Revue italienne d’études françaises","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Historical Studies in Education","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Loïc Le Denmat","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0219139083635585,"gpt":0.2550250627135204,"spread":0.2331111543499619,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001152132,0.0002906611,0.0001727924,0.0004664102,0.003725218,0.003000744,0.0003609221,0.001351323,0.002307265],"category_scores_gemma":[0.001249917,0.0001056236,0.0001526338,0.0005680521,0.012083,0.002432149,0.001266404,0.001865656,0.0003238379],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002447756,"about_ca_system_score_gemma":0.001653531,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.008855383,"about_ca_topic_score_gemma":0.01492267,"domain_scores_codex":[0.999398,0.0003325361,0.00001522644,0.00009355243,0.00006861343,0.00009201108],"domain_scores_gemma":[0.9996824,0.0001791946,0.0000457718,0.00002762859,0.00003992013,0.00002514379],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00006560662,0.0000113042,0.000861368,0.00008346734,0.00000514131,0.0002630993,0.09338286,0.00006085498,0.000632334,0.8795,0.006610091,0.01852393],"study_design_scores_gemma":[0.00001926256,0.00006297376,0.008423257,0.0004034021,0.00001608937,0.001147533,0.04661196,0.0002720496,0.001256139,0.08102584,0.8607297,0.00003177543],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2832736,0.02318416,0.0107872,0.05751801,0.001460985,0.00003966501,0.00009324526,0.00006273471,0.6235804],"genre_scores_gemma":[0.9315341,0.003247355,0.001329737,0.00259918,0.0002269919,0.00003218012,0.00001563209,0.00003600698,0.06097889],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.008855383,"threshold_uncertainty_score":0.0177598,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4388732708","doi":"10.4000/rief.11100","title":"Passé irrécupérable, présent morne, futur aboli. Paradigmes de la médiocrité dans Le Pion sur l’échiquier d’Irène Némirovsky","year":2023,"lang":"fr","type":"article","venue":"Revue italienne d’études françaises","topic":"Diverse Cultural and Historical Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Historical Studies in Education","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Iacopo Leoni","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0245943709723454,"gpt":0.2624586641841016,"spread":0.2378642932117562,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001453874,0.0003540633,0.0002322285,0.0005181037,0.006601388,0.00483663,0.0003970617,0.001487215,0.007694278],"category_scores_gemma":[0.001881919,0.0001749576,0.0001895446,0.0004242229,0.01506795,0.003558016,0.00236996,0.00352312,0.001090437],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006654351,"about_ca_system_score_gemma":0.003910631,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0240936,"about_ca_topic_score_gemma":0.04144533,"domain_scores_codex":[0.9989424,0.0004502042,0.00002539576,0.0001799504,0.0002296138,0.0001724668],"domain_scores_gemma":[0.999525,0.0001456647,0.00006143773,0.00008313818,0.0001099754,0.00007477959],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001215041,0.000006503161,0.0003216205,0.00001307341,0.000002198325,0.0000429275,0.009138554,0.00003476812,0.000147861,0.9805983,0.005628798,0.004053208],"study_design_scores_gemma":[0.00001612037,0.00002756905,0.00268967,0.0001531449,0.000007656495,0.0001690125,0.01075568,0.0001749721,0.0004848466,0.1938835,0.791621,0.00001667548],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.07230284,0.01490398,0.00653685,0.07767982,0.001189756,0.00002502701,0.0001288535,0.00005385698,0.8271791],"genre_scores_gemma":[0.784993,0.0028509,0.001120295,0.00472072,0.0003935565,0.00002709646,0.00004272909,0.00006590053,0.2057858],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.0240936,"threshold_uncertainty_score":0.04828095,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4247303079","doi":"10.4000/rief.5047","title":"À propos de genres : e pluribus unum","year":2019,"lang":"fr","type":"article","venue":"Revue italienne d’études françaises","topic":"Medieval European Literature and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Historical Studies in Education","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Gabriella Bosco","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01286756237169545,"gpt":0.2038366178353506,"spread":0.1909690554636552,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003929968,0.0008215893,0.0005577998,0.004561855,0.0091524,0.01777045,0.0008682524,0.002464058,0.01627164],"category_scores_gemma":[0.006938323,0.0004071184,0.0004198574,0.003941651,0.01879382,0.01478987,0.007895595,0.004657842,0.002427919],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007094481,"about_ca_system_score_gemma":0.003355508,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01048484,"about_ca_topic_score_gemma":0.02009838,"domain_scores_codex":[0.9944239,0.002923023,0.0002125112,0.0006820273,0.001175602,0.0005828783],"domain_scores_gemma":[0.9955989,0.001984206,0.0004141261,0.000705791,0.0008232134,0.0004737521],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00002346,0.000009171031,0.0008443816,0.00007848076,0.000007668969,0.000217454,0.05140362,0.00002346412,0.0002096774,0.9168851,0.01021242,0.02008508],"study_design_scores_gemma":[0.000007730322,0.00002335097,0.001263918,0.0004646553,0.00001151382,0.0005563052,0.03166812,0.00008171239,0.0002529755,0.071561,0.8940951,0.00001358436],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.04393033,0.03032811,0.00712504,0.02951698,0.004891132,0.00003599457,0.0001897071,0.0001026679,0.88388],"genre_scores_gemma":[0.7350858,0.01573888,0.006494824,0.004552348,0.004333074,0.00009386568,0.000230337,0.0003943813,0.2330765],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.01777045,"threshold_uncertainty_score":0.05443412,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4388732722","doi":"10.4000/rief.11724","title":"Baudelaire, Manet et les illusions de « La Corde »","year":2023,"lang":"fr","type":"article","venue":"Revue italienne d’études françaises","topic":"French Literature and Poetry","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Historical Studies in Education","funders":"","keywords":"Humanities; Art","authors":[{"name":"Andrea Schellino","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02048370624830995,"gpt":0.2578806513601088,"spread":0.2373969451117988,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001915347,0.0004883985,0.0002474985,0.001015267,0.006186944,0.007298292,0.0005497238,0.001743325,0.006019657],"category_scores_gemma":[0.00392194,0.0001676193,0.0001893939,0.000994604,0.02271275,0.00561742,0.002551571,0.003103237,0.0007917145],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003684106,"about_ca_system_score_gemma":0.002725439,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01674772,"about_ca_topic_score_gemma":0.01900778,"domain_scores_codex":[0.9982538,0.00108498,0.00003431206,0.0001527253,0.0002867518,0.0001874916],"domain_scores_gemma":[0.9987538,0.000631671,0.0001940491,0.0001292636,0.000192372,0.00009881858],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002113604,0.000004448959,0.0005106953,0.00005426882,0.000003314447,0.000252732,0.08493603,0.00003832597,0.0002864894,0.9037688,0.002018241,0.008105448],"study_design_scores_gemma":[0.00001959799,0.00007959494,0.004492727,0.00051608,0.00002087893,0.001700656,0.1145985,0.0003129834,0.00124358,0.1379167,0.7390593,0.00003930297],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1596984,0.01795338,0.01952737,0.03172545,0.001069213,0.00004342088,0.00007991509,0.0001593811,0.7697435],"genre_scores_gemma":[0.955739,0.0020732,0.0011726,0.0008990361,0.000223313,0.00001732141,0.00001423497,0.00004757111,0.03981373],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01674772,"threshold_uncertainty_score":0.03330046,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4388726603","doi":"10.4000/rief.10498","title":"Fragoletta, roman de la formation négative","year":2023,"lang":"fr","type":"article","venue":"Revue italienne d’études françaises","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Historical Studies in Education","funders":"","keywords":"Art; Humanities; Philosophy","authors":[{"name":"Aurélia Cervoni","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02142732062616003,"gpt":0.2395786294904226,"spread":0.2181513088642625,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000974462,0.0003519315,0.0001695825,0.0009532928,0.007788746,0.003575006,0.0004580275,0.001235846,0.008718787],"category_scores_gemma":[0.001722246,0.0001376633,0.0001276503,0.001020168,0.01360198,0.00240162,0.002240126,0.001701585,0.0006004657],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00680786,"about_ca_system_score_gemma":0.002663478,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02365833,"about_ca_topic_score_gemma":0.03594973,"domain_scores_codex":[0.9990063,0.0004451464,0.00001958954,0.0001063943,0.0001829773,0.0002397561],"domain_scores_gemma":[0.9994755,0.0002278985,0.0001222002,0.00003924999,0.00008250182,0.00005259848],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003378054,0.000007865571,0.001653938,0.00004815793,0.000002085751,0.0003323595,0.05659627,0.00003239065,0.0001994496,0.9180404,0.009177917,0.01387533],"study_design_scores_gemma":[0.0000131113,0.00003337944,0.009736995,0.000319949,0.000005550182,0.0006293476,0.04036618,0.0001034827,0.0003545355,0.03537849,0.9130364,0.00002247603],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.1925913,0.008608703,0.00158082,0.02355297,0.0004323921,0.00002878951,0.0001956949,0.00005509427,0.7729542],"genre_scores_gemma":[0.9556438,0.001001497,0.0001874776,0.001083162,0.00007126885,0.00002789917,0.00004081696,0.00001556666,0.04192838],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.02365833,"threshold_uncertainty_score":0.04939473,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4309310702","doi":"10.4000/rief.9009","title":"Césaire lot koté la mèr : traversées indianocéaniques du Cahier","year":2022,"lang":"fr","type":"article","venue":"Revue italienne d’études françaises","topic":"Caribbean and African Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Historical Studies in Education","funders":"","keywords":"Art; Humanities","authors":[{"name":"Laëtitia Saint-Loubert","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.009349132771743419,"gpt":0.1910700268450876,"spread":0.1817208940733442,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001088202,0.0003298341,0.0002586653,0.001436046,0.01061386,0.005171908,0.0004384274,0.0007564001,0.008557436],"category_scores_gemma":[0.002853981,0.0001515659,0.0001669265,0.002198648,0.006249166,0.002364925,0.002380601,0.002041559,0.0006018686],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005826204,"about_ca_system_score_gemma":0.004614495,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.198866,"about_ca_topic_score_gemma":0.3970603,"domain_scores_codex":[0.9992381,0.0003208515,0.00002485789,0.00009848201,0.0001458136,0.00017188],"domain_scores_gemma":[0.9984313,0.0008506845,0.0002006025,0.0001108116,0.0002474947,0.0001592254],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0001018834,0.00001695755,0.01107019,0.0002924933,0.00001542157,0.001490544,0.8186918,0.00008302972,0.001884261,0.122782,0.01091656,0.03265487],"study_design_scores_gemma":[0.000005390478,0.00003173775,0.02437718,0.0004029448,0.00002835593,0.001080079,0.4498803,0.0000828562,0.0008768062,0.003116376,0.5200802,0.0000378156],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.6601269,0.01486986,0.001565967,0.02387552,0.0008191013,0.00005112801,0.0002922537,0.00006037247,0.2983389],"genre_scores_gemma":[0.9493836,0.003994654,0.0004705973,0.00103664,0.0001353722,0.00002118526,0.0000513442,0.00004662552,0.04485995],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.198866,"threshold_uncertainty_score":0.3954169,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4388726173","doi":"10.4000/rief.10549","title":"Un type de roman genré ?","year":2023,"lang":"fr","type":"article","venue":"Revue italienne d’études françaises","topic":"Education, sociology, and vocational training","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Historical Studies in Education","funders":"","keywords":"Humanities; Art","authors":[{"name":"Martine Reid","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.153684578119224,"gpt":0.4017896587296596,"spread":0.2481050806104356,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003858867,0.0005908582,0.0006730536,0.002162742,0.006818958,0.0117051,0.001147214,0.002590347,0.02015908],"category_scores_gemma":[0.008561393,0.0002969978,0.0004118365,0.002644882,0.0273194,0.01331753,0.004475948,0.003879056,0.004324661],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005054888,"about_ca_system_score_gemma":0.002530547,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007522626,"about_ca_topic_score_gemma":0.00801243,"domain_scores_codex":[0.9941469,0.003140571,0.0001802947,0.0007923259,0.0009069307,0.000832936],"domain_scores_gemma":[0.9970227,0.0008459422,0.0004451179,0.0006212136,0.0005298185,0.0005351592],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001350338,0.000005050003,0.0007508978,0.00002656891,0.000002517681,0.00006614182,0.01388853,0.00001672849,0.00004082037,0.9736186,0.004992512,0.006578116],"study_design_scores_gemma":[0.00001683926,0.00003937668,0.00182773,0.0003436906,0.000007782652,0.0007434092,0.04169983,0.0001810402,0.00014897,0.2187456,0.7362234,0.00002237313],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.03096626,0.005633359,0.00577133,0.02664065,0.001578476,0.00002564193,0.0001132555,0.0000531852,0.9292178],"genre_scores_gemma":[0.8596309,0.004890271,0.002884546,0.006146935,0.00145601,0.00006673692,0.0001927461,0.0001917398,0.1245402],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02015908,"threshold_uncertainty_score":0.0674389,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}