{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":7,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":7,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"query_hash":"4444fc82a7ff","filters":{"venue":"Romance Quarterly"}},"results":[{"id":"W1535996504","doi":"10.1080/08831157.2015.998595","title":"Implicaciones legales de las seis muertes en<i>La Celestina</i>: Un acercamiento histórico-literario","year":2015,"lang":"es","type":"article","venue":"Romance Quarterly","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Homicide; Portrait; Humanities; Value (mathematics); Criticism; Sociology; History; Art; Criminology; Literature; Art history; Poison control; Suicide prevention; Medicine; Medical emergency","retraction":null,"screen_n_in":null,"score":{"opus":0.01393762258537696,"gpt":0.2346940031988218,"spread":0.2207563806134449,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0006185387,0.0008639854,0.0007998153,0.0002546887,0.0005421847,0.004040295,0.000851055,0.0004846555,0.0002842062],"category_scores_gemma":[0.00006341034,0.0008362309,0.0003180016,0.0001577342,0.0004434791,0.001646094,0.00008328389,0.0008812807,0.0007398415],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003504981,"about_ca_system_score_gemma":0.000360195,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0008177528,"about_ca_topic_score_gemma":0.0005050073,"domain_scores_codex":[0.9957181,0.0005776813,0.0008074378,0.001030084,0.0006918444,0.001174837],"domain_scores_gemma":[0.9971898,0.000333777,0.0004060887,0.001030182,0.0004730571,0.0005670562],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002168754,0.0007968997,0.008465928,0.0004743376,0.0002441768,0.000399304,0.3733491,0.00001862707,0.001362644,0.5577425,0.03260722,0.02432238],"study_design_scores_gemma":[0.001665622,0.001928624,0.0120374,0.0007396232,0.0002133702,0.0002393378,0.009761295,0.0006617155,0.0001943052,0.01316136,0.9580807,0.001316663],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9421843,0.01158504,0.0004164899,0.00241957,0.001203683,0.0005794627,0.0004174343,0.0005475053,0.04064657],"genre_scores_gemma":[0.9764279,0.00006971028,0.001193864,0.0006785215,0.002213002,0.00009918164,0.0001249692,0.000164972,0.01902788],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9254735,"threshold_uncertainty_score":0.9994088,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2058978959","doi":"10.3200/rqtr.52.2.108-114","title":"Juegos paródicos en<i>La sombra del ´guila y Un asunto de honor</i>de Arturo Pérez-Reverte","year":2005,"lang":"es","type":"article","venue":"Romance Quarterly","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Humanities; Art; Philosophy","retraction":null,"screen_n_in":null,"score":{"opus":0.00771088824110868,"gpt":0.2390208246893193,"spread":0.2313099364482106,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005800577,0.0007061757,0.0008838484,0.0002157459,0.0007971731,0.001750204,0.0006912613,0.0002418099,0.002785222],"category_scores_gemma":[0.00001887407,0.000691324,0.0005835707,0.0001200782,0.0003924409,0.00111279,0.00004627445,0.0006441107,0.001076544],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00018246,"about_ca_system_score_gemma":0.0001804428,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001780305,"about_ca_topic_score_gemma":0.0003467862,"domain_scores_codex":[0.9959616,0.0007504975,0.0009280031,0.0008083713,0.0004333823,0.001118131],"domain_scores_gemma":[0.9979716,0.0004157696,0.0002933904,0.0008085517,0.000152102,0.0003585951],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001324775,0.00116859,0.001520175,0.0002169196,0.000552623,0.0001750055,0.1121259,0.0001438376,0.001436143,0.8035552,0.02160537,0.05736774],"study_design_scores_gemma":[0.001348052,0.001013612,0.009838772,0.0004174678,0.0005195151,0.00007826067,0.004663129,0.02307873,0.0004438813,0.0133469,0.944084,0.001167667],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9259548,0.005833748,0.003559074,0.005448791,0.0004114596,0.00041733,0.0002245055,0.0002432151,0.05790711],"genre_scores_gemma":[0.9798276,0.0002055104,0.0006857748,0.002797097,0.003019832,0.00009462039,0.00005424992,0.00007580006,0.01323947],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9224786,"threshold_uncertainty_score":0.9997013,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4224931252","doi":"10.1080/08831157.2021.2017241","title":"Confinement, COVID, and the <i>Comedia</i> in Mexico City","year":2022,"lang":"en","type":"article","venue":"Romance Quarterly","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"MacEwan University","funders":"","keywords":"Craft; Coronavirus disease 2019 (COVID-19); The arts; Visual arts; Pandemic; Art; Mexico city; Zoom; Media studies; History; Art history; Humanities; Sociology; Engineering","retraction":null,"screen_n_in":null,"score":{"opus":0.02290959359467322,"gpt":0.2704266405105678,"spread":0.2475170469158946,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007654878,0.00006421957,0.0001142865,0.00002123211,0.0007584502,0.00006369361,0.0001943449,0.000023293,0.000969608],"category_scores_gemma":[0.00002274574,0.00004722615,0.00002341747,0.0002361042,0.0002836667,0.0000720747,0.00003206726,0.0001733826,0.000004159958],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001141855,"about_ca_system_score_gemma":0.0001016338,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005851127,"about_ca_topic_score_gemma":0.01348948,"domain_scores_codex":[0.9990096,0.0001968566,0.0001508891,0.0001480638,0.000279726,0.0002148494],"domain_scores_gemma":[0.9996747,0.0001077152,0.00005770969,0.00008662811,0.0000141117,0.00005917425],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002646883,0.0001635523,0.1392395,0.00001310175,0.00004575641,0.00004850139,0.335723,0.00002677227,0.00003904041,0.1166959,0.3217691,0.08597112],"study_design_scores_gemma":[0.001150969,0.00007607687,0.01420162,0.00000376434,0.000003564115,0.000001784961,0.04850849,0.0000403329,0.000002224249,0.001699243,0.9342082,0.0001037927],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9134166,0.0005386999,0.00002150754,0.06429249,0.0004920229,0.0005751873,0.00001097634,0.00004727011,0.0206052],"genre_scores_gemma":[0.9865055,0.00003633889,0.00002001694,0.001466485,0.00006661868,0.000121936,0.000004168042,0.000002998244,0.01177591],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6124391,"threshold_uncertainty_score":0.9999436,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4385451601","doi":"10.1080/08831157.2023.2224800","title":"The Battle of the Widows: <i>La Montálvez</i> versus <i>Clemencia</i>","year":2023,"lang":"jbo","type":"article","venue":"Romance Quarterly","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Ottawa","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Battle; History; Art; Ancient history; Humanities","retraction":null,"screen_n_in":null,"score":{"opus":0.01193584146411178,"gpt":0.2272053658740605,"spread":0.2152695244099488,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0003881796,0.0003614364,0.0003685916,0.00003505328,0.001856285,0.000529455,0.0007863406,0.0001169909,0.0001187873],"category_scores_gemma":[0.00006815325,0.0001953989,0.0003714105,0.0003172074,0.0008640909,0.0002427788,0.0000882542,0.0003816587,0.000338951],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003171912,"about_ca_system_score_gemma":0.00006676642,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001292441,"about_ca_topic_score_gemma":0.002283072,"domain_scores_codex":[0.9977499,0.0001984941,0.000531596,0.0003709788,0.0005442641,0.0006047405],"domain_scores_gemma":[0.9977108,0.0009353287,0.0003099276,0.0007749827,0.0002131403,0.00005582637],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002246583,0.0001025686,0.0001493755,0.000128897,0.000506043,0.00001362411,0.1709578,0.000003683162,0.0003678505,0.2455688,0.5701768,0.0117999],"study_design_scores_gemma":[0.0009005622,0.0006339214,0.002102375,0.0002073223,0.0001558159,0.000001855967,0.06448298,0.00002467023,0.0001250749,0.001483663,0.9296079,0.0002738789],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.307925,0.02959961,0.000005185863,0.01738017,0.03975904,0.001477061,0.0008775998,0.0005027398,0.6024736],"genre_scores_gemma":[0.9698507,0.0005509004,0.000005297065,0.0002452207,0.001793798,0.00008285003,0.00001403451,0.00004443373,0.02741278],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.6619257,"threshold_uncertainty_score":0.9994432,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2081600576","doi":"10.3200/rqtr.54.2.164-177","title":"<i>Muana Puó</i>and<i>Mayombe</i>: Colonial Pasts and Utopian Futures in Two Early Works by Pepetela","year":2007,"lang":"en","type":"article","venue":"Romance Quarterly","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Guelph","funders":"","keywords":"Futures contract; Colonialism; Art; History; Sociology; Humanities; Archaeology; Economics; Financial economics","retraction":null,"screen_n_in":null,"score":{"opus":0.005555348166788857,"gpt":0.2263727337588847,"spread":0.2208173855920958,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000234358,0.0002829441,0.000304828,0.00009131664,0.0003291762,0.0007216311,0.0001534849,0.000111114,0.0001028019],"category_scores_gemma":[0.000004986206,0.0002455294,0.00005681874,0.00006268492,0.000271559,0.0006391673,0.00001519467,0.0003870701,0.00001976413],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002186063,"about_ca_system_score_gemma":0.00001289928,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0007670099,"about_ca_topic_score_gemma":0.01722587,"domain_scores_codex":[0.9984234,0.00004926703,0.0003550531,0.0004087784,0.0002222157,0.0005413092],"domain_scores_gemma":[0.99943,0.00006989812,0.00007651559,0.000201784,0.00006067105,0.0001611162],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003189357,0.0002624382,0.004327051,0.000132938,0.00006494687,0.0002560718,0.4749947,2.839553e-7,0.0008195599,0.4172705,0.01277463,0.08877798],"study_design_scores_gemma":[0.008355143,0.002766197,0.07409439,0.0008754871,0.0001272915,0.0001364014,0.05021958,0.00007161828,0.0002819793,0.02366593,0.8371621,0.002243819],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9810203,0.004697771,0.00002274663,0.000384525,0.0006830816,0.0002337914,0.00004363335,0.00008271107,0.0128315],"genre_scores_gemma":[0.9936165,0.00003804591,0.00007761728,0.001274202,0.001236426,0.00002008649,0.00002550006,0.00002715937,0.003684468],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8243876,"threshold_uncertainty_score":0.9999997,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3199110416","doi":"10.1080/08831157.2021.1960111","title":"Early modern clouds II: Revisiting the poetics of meteorology","year":2021,"lang":"en","type":"article","venue":"Romance Quarterly","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Poetics; Romance; Painting; Focus (optics); Cloud computing; Art history; Art; History; Literature; Poetry; Computer science","retraction":null,"screen_n_in":null,"score":{"opus":0.0166099792992346,"gpt":0.2676330136408826,"spread":0.251023034341648,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002872264,0.00006828478,0.0001779413,0.00001207105,0.0006265037,0.00001806971,0.0001850525,0.00005133954,0.00004563446],"category_scores_gemma":[0.00007015043,0.0000511315,0.0000771335,0.0002174917,0.0002155343,0.00009336547,0.00002151575,0.00009881244,0.00001409847],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002945536,"about_ca_system_score_gemma":0.00005723,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002923012,"about_ca_topic_score_gemma":0.0001270373,"domain_scores_codex":[0.9989889,0.000218437,0.0001978964,0.0001564266,0.0002171189,0.0002212618],"domain_scores_gemma":[0.9994103,0.0001638242,0.00008527004,0.0001790593,0.0001219229,0.0000396679],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001392437,0.00004374481,0.002222664,0.00002038875,0.00005505295,0.00002394922,0.5572003,0.000002560152,0.001098923,0.3231137,0.0004764873,0.1157284],"study_design_scores_gemma":[0.0002761958,0.0006712566,0.02066465,0.00006244888,0.00005059832,0.000003562774,0.01389919,0.0001527995,0.00007900502,0.01859492,0.9452955,0.0002498692],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9639519,0.002436499,0.0003685086,0.005907304,0.0003085889,0.00006172542,0.000004726732,0.00003194256,0.02692882],"genre_scores_gemma":[0.9945686,0.00004688827,0.000331383,0.0001905138,0.0003577099,0.000005832901,7.46584e-7,0.000004736959,0.004493549],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.944819,"threshold_uncertainty_score":0.4818623,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2318382584","doi":"10.1080/08831150009600334","title":"Playing Games of Identity: Benjamín Prado's<i>Alguien se acerca</i>","year":2000,"lang":"en","type":"article","venue":"Romance Quarterly","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Identity (music); Psychology; Humanities; Psychoanalysis; Art; Aesthetics","retraction":null,"screen_n_in":null,"score":{"opus":0.01488149335032223,"gpt":0.236309019493467,"spread":0.2214275261431448,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009311301,0.0002058384,0.0003166771,0.0000463801,0.000350685,0.0002362695,0.0002345233,0.0000537544,0.00319387],"category_scores_gemma":[0.000004438972,0.0001678459,0.0001310883,0.00006695499,0.000180106,0.0008925356,0.000009870372,0.0001417186,0.000238146],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001566224,"about_ca_system_score_gemma":0.0000144805,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001845669,"about_ca_topic_score_gemma":0.00138585,"domain_scores_codex":[0.9988021,0.00003112443,0.0003312645,0.000272434,0.0002716847,0.0002914282],"domain_scores_gemma":[0.9994372,0.0000248137,0.0001094124,0.0002704408,0.000109442,0.00004865807],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001173987,0.0002911317,0.001401979,0.0002214897,0.0003196244,0.0000417168,0.6889579,0.000003058811,0.001169002,0.2034992,0.04226364,0.06171391],"study_design_scores_gemma":[0.001049335,0.001098278,0.01047277,0.0003560553,0.0001550965,0.00001741452,0.03040978,0.0000302921,0.0002630609,0.006581729,0.9488656,0.0007006058],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.768548,0.002360022,0.000007688645,0.0003061804,0.0004204962,0.0001759647,0.00005512678,0.0001193979,0.2280071],"genre_scores_gemma":[0.9789712,0.0000561801,0.00011058,0.0003558749,0.0007712152,0.00002418179,0.00001818059,0.00002079443,0.01967174],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.906602,"threshold_uncertainty_score":0.9977173,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}