{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":13,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":13,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"661921fc5b0f","filters":{"venue":"Romanticism"}},"results":[{"id":"W2051869536","doi":"10.3366/rom.2014.0194","title":"The Variants and Transformations of <i>Fantasmagoriana:</i> Tracing a Travelling Text to the Byron–Shelley Circle","year":2014,"lang":"en","type":"article","venue":"Romanticism","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":27,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Sheridan College","funders":"","keywords":"German; Literature; CONTEST; Imitation; Reading (process); Art; Storytelling; Philosophy; Narrative; Psychology; Linguistics; Theology","authors":[{"name":"Maximiliaan van Woudenberg","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01170678620053511,"gpt":0.2132640248671447,"spread":0.2015572386666096,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005237343,0.0001225539,0.0001928227,0.0000483445,0.00120056,0.0001803058,0.0001944114,0.00003242361,0.00003030776],"category_scores_gemma":[0.00005449547,0.00007068379,0.00006431765,0.00005123894,0.0002770975,0.0001161629,0.00002576553,0.0001379397,0.00002560317],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000004194857,"about_ca_system_score_gemma":0.000008953219,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00007512892,"about_ca_topic_score_gemma":0.0008532522,"domain_scores_codex":[0.9991001,0.00007997876,0.000289342,0.0001563847,0.0001295141,0.0002446957],"domain_scores_gemma":[0.9993037,0.0002993192,0.00006350707,0.0002279585,0.00006506586,0.00004046969],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000366018,0.00004476977,0.00002665558,0.00007658419,0.0001159307,0.000001939507,0.326106,0.0000334043,0.0004679432,0.6406041,0.00624326,0.02624285],"study_design_scores_gemma":[0.0008473514,0.0003437765,0.006829299,0.0001905869,0.000233599,0.00003082471,0.02916995,0.001627286,0.0005888182,0.01227566,0.9474578,0.0004049935],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5101157,0.008139504,0.01277206,0.0346531,0.004245485,0.001652468,0.0001908484,0.0001964378,0.4280343],"genre_scores_gemma":[0.9978701,0.000140926,0.00009733863,0.0005792078,0.0004358067,0.00001595809,0.000002937059,0.00001308785,0.0008445636],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9412146,"threshold_uncertainty_score":0.9233858,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1996895377","doi":"10.3366/rom.2005.11.2.143","title":"Printing the Past: Walter Scott's Bannatyne Club and the Antiquarian Document","year":2005,"lang":"en","type":"article","venue":"Romanticism","topic":"Philippine History and Culture","field":"Social Sciences","cited_by":19,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Ottawa","funders":"","keywords":"Club; Art; Art history; Literature; History; Geology","authors":[{"name":"Ina Ferris","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.009038927554039016,"gpt":0.2620646827363091,"spread":0.2530257551822701,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.001226977,0.0000970171,0.0001221558,0.00001711606,0.001390715,0.0001259983,0.0002830754,0.00004925058,0.0001815669],"category_scores_gemma":[0.00008760934,0.00004998758,0.00006407683,0.00009905447,0.0005701311,0.0002013185,0.00007668912,0.0001921698,0.00009346729],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003343349,"about_ca_system_score_gemma":0.00003049008,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001805229,"about_ca_topic_score_gemma":0.001237946,"domain_scores_codex":[0.9988542,0.0002676719,0.0001598973,0.0001743132,0.0002750879,0.0002688149],"domain_scores_gemma":[0.9995298,0.00009682178,0.00007614682,0.0002047418,0.00003406417,0.00005836301],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003184499,0.00004920305,0.0006772248,0.00001349897,0.00004746116,0.000006829414,0.2030309,0.00001083562,0.0002710196,0.7627585,0.01344745,0.01965522],"study_design_scores_gemma":[0.00048719,0.000009108176,0.0042347,0.00002275103,0.00003386576,0.000003730681,0.002535223,0.00005601678,0.00005583173,0.003779927,0.9886707,0.0001109508],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6456079,0.002076862,0.0002408989,0.1799148,0.0008908401,0.0007488303,0.000001344109,0.0001315168,0.170387],"genre_scores_gemma":[0.9874952,0.0001180859,0.0001142402,0.001759705,0.001129488,0.00001290982,6.100711e-7,0.000006933295,0.009362866],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9752232,"threshold_uncertainty_score":0.9999093,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1991726732","doi":"10.3366/rom.2007.13.1.63","title":"Inuit Diasporas: Frankenstein and the Inuit in England","year":2007,"lang":"en","type":"article","venue":"Romanticism","topic":"Indigenous Studies and Ecology","field":"Health Professions","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"History; North pole; New england; Appeal; Art; Art history; Geography; Politics; Law","authors":[{"name":"Karen Piper","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0182808580990816,"gpt":0.3283852826134383,"spread":0.3101044245143567,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002662233,0.000112302,0.0003027045,0.0000853124,0.001279896,0.000004529638,0.0001112735,0.0001771281,0.000210235],"category_scores_gemma":[0.0001971985,0.00007126312,0.00002901958,0.0001447074,0.0001368651,0.00003185415,0.0001880586,0.0004861582,0.000171396],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001232128,"about_ca_system_score_gemma":0.0001016693,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.009088523,"about_ca_topic_score_gemma":0.4826316,"domain_scores_codex":[0.9982642,0.0001967353,0.0004137403,0.0001726208,0.0001024827,0.0008502097],"domain_scores_gemma":[0.9984891,0.001122899,0.0001011877,0.0001843539,0.00004984534,0.00005262017],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"observational","study_design_scores_codex":[0.0002208789,0.00003785524,0.1829286,0.00007298207,0.0000292637,0.00009053139,0.7953581,0.000001121561,0.00002372788,0.01655219,0.0003621759,0.004322509],"study_design_scores_gemma":[0.006029194,0.00009216124,0.9002986,0.00007635264,0.00002724928,0.000008881434,0.0705165,0.00006791147,0.000006223157,0.004719126,0.01797258,0.0001852119],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9898177,0.0006619439,0.00003992913,0.001267015,0.0005177596,0.0008554014,0.00000501085,0.00002972504,0.006805491],"genre_scores_gemma":[0.996978,0.0002014322,0.00006583121,0.001674341,0.0002823011,0.00003770414,0.000001379363,0.00001450197,0.0007444579],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7248417,"threshold_uncertainty_score":0.99751,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3204790224","doi":"10.3366/rom.2021.0519","title":"De Quincey's Slowness","year":2021,"lang":"en","type":"article","venue":"Romanticism","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Concordia University","funders":"","keywords":"Slowness; Aesthetics; Reading (process); Boredom; History; Literature; Art; Philosophy; Epistemology; Geology; Linguistics","authors":[{"name":"Jonathan Sachs","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02422101710103675,"gpt":0.3304616240953138,"spread":0.306240606994277,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002149484,0.00006454453,0.00009686569,0.00006389423,0.0005356672,0.0001617587,0.0001894672,0.00006320832,0.002030401],"category_scores_gemma":[0.0002639424,0.00007094191,0.00009323736,0.0002864824,0.0001643713,0.0001877443,0.00005087345,0.0001195552,0.0003329239],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000441857,"about_ca_system_score_gemma":0.0001344287,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001490603,"about_ca_topic_score_gemma":0.01685008,"domain_scores_codex":[0.9990683,0.0001085687,0.0001132656,0.0001647408,0.000220793,0.0003243594],"domain_scores_gemma":[0.9994591,0.0001083082,0.000035376,0.0001707412,0.0001240884,0.000102321],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001413347,0.0003941182,0.01663763,0.00002283902,0.000115914,0.0005246507,0.03131753,0.0000259931,0.01151902,0.8876476,0.04886823,0.002912313],"study_design_scores_gemma":[0.0003407857,0.0000521718,0.1346346,0.00007794696,0.00008544715,0.00004261695,0.05096558,0.000084076,0.003045006,0.03328267,0.7769225,0.0004665784],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7329268,0.0002557687,0.00006545845,0.00645802,0.000678602,0.00006522949,0.000002532563,0.0001482769,0.2593993],"genre_scores_gemma":[0.9848804,0.00006533742,0.0008037383,0.0004293657,0.0002403812,0.000007452267,0.000002724415,0.000008911454,0.01356172],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8543649,"threshold_uncertainty_score":0.9988819,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4254244615","doi":"10.3366/rom.2011.0033","title":"J<scp>ared</scp> C<scp>urtis</scp> (ed.), <i>The Cornell Wordsworth: a Supplement</i> (Penrith, Cumbria: Humanities-Ebooks, 2009), pp. 448. Hardback £75.00. ISBN 978-1-84760-092-9. Ebook £45.00 from MyiLibrary.com and EBSCO, £30.00 from http://www.humanities-ebooks.co.uk. 978-1-84760-088-2.","year":2011,"lang":"en","type":"article","venue":"Romanticism","topic":"Australian Indigenous Culture and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Humanities; Art; History","authors":[{"name":"Anthony John Harding","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03672586514910439,"gpt":0.2347687944802773,"spread":0.198042929331173,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","insufficient_payload"],"category_scores_codex":[0.001507579,0.001909429,0.002110007,0.0004075974,0.005832351,0.001651531,0.003156209,0.001267094,0.0071887],"category_scores_gemma":[0.0003877767,0.001821361,0.0008610418,0.0003820479,0.003785315,0.001297437,0.0007060464,0.002025496,0.003105958],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0006919513,"about_ca_system_score_gemma":0.001376924,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.06366466,"about_ca_topic_score_gemma":0.03075099,"domain_scores_codex":[0.9879867,0.001253535,0.002298672,0.00249251,0.002180423,0.003788167],"domain_scores_gemma":[0.9931283,0.001560854,0.001537898,0.002119804,0.0005133703,0.00113975],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005365456,0.0003980809,0.006115527,0.000096191,0.0008672061,0.0006123715,0.1767345,0.000001367831,0.0005696882,0.02157684,0.7926047,0.0003698662],"study_design_scores_gemma":[0.002260969,0.0004666587,0.007711224,0.0003774173,0.0007283656,0.00002657578,0.04621087,0.00001876554,0.001033613,0.01105021,0.9292518,0.000863486],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3451744,0.01963972,0.0002153785,0.0002072365,0.004090507,0.004328517,0.004248981,0.00131156,0.6207837],"genre_scores_gemma":[0.5255343,0.002754846,0.00136637,0.006468029,0.006669878,0.0006332759,0.001618891,0.000716004,0.4542384],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.1803599,"threshold_uncertainty_score":0.9993848,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1982906659","doi":"10.3366/rom.2000.6.2.286","title":"<b>Mark Jones</b>, The ‘Lucy Poems’: A Case Study in Literary Knowledge (Toronto, Buffalo, London: University of Toronto Press, 1995), pp. xiv+337. £35.75 hardback. 0 8020 0434 2.","year":2000,"lang":"en","type":"article","venue":"Romanticism","topic":"Translation Studies and Practices","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Poetry; Media studies; Art; Art history; Sociology; Literature","authors":[{"name":"Michael Bradshaw","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03709738040329645,"gpt":0.262359831047886,"spread":0.2252624506445895,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000386212,0.0002848517,0.0004456768,0.00001686762,0.0006704717,0.0001567026,0.0002996301,0.00007230133,0.008868636],"category_scores_gemma":[0.000007198818,0.0002282384,0.0001559294,0.0000394141,0.0002204442,0.001182222,0.00009472195,0.0002004836,0.00008942034],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00007839031,"about_ca_system_score_gemma":0.00004251974,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.1781481,"about_ca_topic_score_gemma":0.4882818,"domain_scores_codex":[0.998225,0.0003353652,0.0004434843,0.0003888418,0.0002576197,0.0003496435],"domain_scores_gemma":[0.9988231,0.0003411902,0.0001714004,0.0004896597,0.00009516626,0.00007946003],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0008926516,0.003282855,0.004436533,0.0002522915,0.0007339661,0.002702377,0.8105235,0.00001992218,0.00001423766,0.0129791,0.06530408,0.0988585],"study_design_scores_gemma":[0.001545385,0.000222706,0.005174408,0.00006759806,0.000193415,0.0000697314,0.02555416,0.0001908612,0.000002469974,0.0000979843,0.9665968,0.0002844316],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5054762,0.151654,0.000005407893,0.0005176981,0.0006210767,0.001067027,0.0001292328,0.0001177175,0.3404116],"genre_scores_gemma":[0.979534,0.005549491,0.00003255272,0.00007537806,0.0003823644,0.000007924638,0.000009828892,0.00002849498,0.01437994],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9012927,"threshold_uncertainty_score":0.9920374,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2034071195","doi":"10.3366/rom.2012.0090","title":"<scp>Christopher</scp> <scp>Stokes</scp>, <i>Coleridge, Language and the Sublime: From Transcendence to Finitude</i> (New York and Basingstoke: Palgrave Macmillan, 2011), pp. vii + 211. £50.00 hardback. 9780230278110.","year":2012,"lang":"en","type":"article","venue":"Romanticism","topic":"Media, Communication, and Education","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Western University","funders":"","keywords":"Sublime; Transcendence (philosophy); Philosophy; Art history; Art; Theology","authors":[{"name":"Jonathan W. Murphy","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02393327297515254,"gpt":0.2751181601597961,"spread":0.2511848871846435,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.001773424,0.0003469365,0.000475756,0.0001000014,0.001098601,0.0003218766,0.0008596733,0.000261512,0.0001759957],"category_scores_gemma":[0.001044152,0.0002955382,0.0001134084,0.0003787125,0.0006100364,0.000191887,0.0001271564,0.0003827967,0.0003463449],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006565885,"about_ca_system_score_gemma":0.0002429936,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02234078,"about_ca_topic_score_gemma":0.002936047,"domain_scores_codex":[0.9968336,0.0006405388,0.0004725289,0.0004781966,0.0006893293,0.0008858058],"domain_scores_gemma":[0.9956028,0.002473236,0.0002405844,0.0008233076,0.0001103465,0.000749753],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002451641,0.0001092849,0.01973885,0.00006173351,0.0001132209,0.000004156324,0.6900595,0.000003286182,0.001739662,0.01331905,0.2692627,0.005564041],"study_design_scores_gemma":[0.00278248,0.0001087059,0.2873476,0.0002612883,0.0003976728,0.0000215564,0.172052,0.0001016632,0.001488611,0.008220705,0.5268317,0.0003859882],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8884157,0.07442009,0.0006979747,0.004497618,0.001727084,0.001072367,0.0000636824,0.000190192,0.0289153],"genre_scores_gemma":[0.9853134,0.006824487,0.002275038,0.001764985,0.00121528,0.00006451979,0.00005876147,0.00004612351,0.002437445],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5180076,"threshold_uncertainty_score":0.9999497,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1562999903","doi":"10.3366/e1354991x08000391","title":"CLAIRE BROCK, <i>The Feminization of Fame, 1750–1830</i> (Basingstoke: Palgrave, 2006). ix + 242 pp. £45.00 hardback. 9781403989918.","year":2008,"lang":"en","type":"article","venue":"Romanticism","topic":"Historical Gender and Feminism Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Feminization (sociology); Art; Sociology; Gender studies","authors":[{"name":"Tom Mole","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03090612891458242,"gpt":0.26966185474098,"spread":0.2387557258263976,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0003294927,0.0002387234,0.0004223483,0.00007270727,0.001708242,0.00003300529,0.0004977865,0.0002143927,0.0001238134],"category_scores_gemma":[0.0003309422,0.0001952597,0.0002019253,0.0007824817,0.0008543528,0.0001036025,0.0001021323,0.0002544924,0.0001668475],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00014248,"about_ca_system_score_gemma":0.0002003346,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00215301,"about_ca_topic_score_gemma":0.0003229737,"domain_scores_codex":[0.9975088,0.0002042464,0.0005148347,0.0003750913,0.0008317691,0.0005652441],"domain_scores_gemma":[0.9987407,0.0002536124,0.0002500387,0.0003651116,0.0002252385,0.0001653104],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008056218,0.0004100765,0.041234,0.000125019,0.0002189693,0.00008727786,0.2654559,0.00003466952,0.002329451,0.02288119,0.6568339,0.01030891],"study_design_scores_gemma":[0.001130299,0.000237495,0.05631686,0.000127796,0.0002030055,0.00002814354,0.03261319,0.00009348443,0.00117514,0.004216885,0.9029217,0.0009359541],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.09797929,0.01471313,0.004864322,0.003494539,0.003720469,0.001304739,0.00008512604,0.0005375187,0.8733009],"genre_scores_gemma":[0.9871716,0.0030776,0.0003590984,0.0005109939,0.0004680701,0.00001761429,0.00001059925,0.00002943771,0.008354926],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8891923,"threshold_uncertainty_score":0.9995914,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1509207363","doi":"10.3366/rom.2010.0009","title":"Disciplining Thelwall: The Art and the Act: John Thelwall in Practice Conference, 16–18 October 2009, Dalhousie University, Halifax, Canada","year":2010,"lang":"en","type":"article","venue":"Romanticism","topic":"Medieval Literature and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Carleton University","funders":"","keywords":"Media studies; History; Library science; Sociology; Computer science","authors":[{"name":"Mary Fairclough","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01422247160092356,"gpt":0.2101266942372822,"spread":0.1959042226363586,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006287477,0.0001770411,0.0002249956,0.00006375957,0.0006882292,0.0002786435,0.0003746792,0.00006453852,0.001250324],"category_scores_gemma":[0.0001244505,0.00009781385,0.00004830238,0.00005023539,0.0006376464,0.0003115569,0.0001440657,0.0007034338,0.00003922797],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003605173,"about_ca_system_score_gemma":0.0003063415,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.1525322,"about_ca_topic_score_gemma":0.9324496,"domain_scores_codex":[0.9988202,0.0001710488,0.0002003243,0.0002282924,0.0002979842,0.0002821804],"domain_scores_gemma":[0.9986216,0.0006940914,0.0001392308,0.0003604147,0.0001104013,0.00007421499],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000127704,0.00004523875,0.0001494879,0.00001624013,0.00005795315,0.000080726,0.06295399,7.495291e-7,0.00003467702,0.854414,0.08141094,0.0007082662],"study_design_scores_gemma":[0.0006907959,0.00001825498,0.0009926275,0.00003224628,0.00009740646,0.00001806273,0.007727025,0.00009760539,0.000004920581,0.001070989,0.9890935,0.0001565039],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.07668427,0.0004074975,0.00000577177,0.01392339,0.001427715,0.0003014828,0.00004942144,0.00003125334,0.9071692],"genre_scores_gemma":[0.9334275,0.00007674677,0.00002442227,0.002357327,0.0004262182,0.000003387734,0.00001521769,0.00001676425,0.06365249],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9076826,"threshold_uncertainty_score":0.9996627,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2761312732","doi":"10.3366/rom.2017.0342","title":"<i>Blackwood's</i> Byron: The Lakers, the Cockneys, and the ‘throne of poetical supremacy’","year":2017,"lang":"en","type":"article","venue":"Romanticism","topic":"Historical Architecture and Urbanism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Queen's University","funders":"","keywords":"Perversion; Genius; Throne; Art; Literature; Philosophy; Art history; Law; Psychoanalysis; Politics; Political science; Psychology","authors":[{"name":"Robert Morrison","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01464425902740635,"gpt":0.2043153639106456,"spread":0.1896711048832392,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0004177757,0.0001410156,0.0002393207,0.0000130932,0.002029131,0.0002332904,0.0006612732,0.00003655991,0.0003634581],"category_scores_gemma":[0.000124449,0.00005312257,0.0001148738,0.00001219042,0.003386603,0.00006803811,0.0002063301,0.0002585871,0.00005606607],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000007503861,"about_ca_system_score_gemma":0.0000188424,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0006495678,"about_ca_topic_score_gemma":0.0009199037,"domain_scores_codex":[0.9990236,0.0001171779,0.0002206477,0.0001611691,0.0002537312,0.0002237047],"domain_scores_gemma":[0.9985428,0.0004624661,0.0001384792,0.0007682929,0.0000455634,0.00004236753],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005235154,0.00003295833,0.00005346189,0.00001553638,0.00005606102,0.000004139087,0.02592603,5.700674e-7,0.00007268826,0.9393929,0.03310492,0.001288355],"study_design_scores_gemma":[0.0009490277,0.0000832598,0.001762249,0.00002880721,0.0001636851,0.00001389943,0.0008137817,0.0001232316,0.000144255,0.03658231,0.9592028,0.0001327305],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2150912,0.005842111,0.0002682222,0.1589932,0.002367968,0.001233771,0.00006091333,0.00009928501,0.6160433],"genre_scores_gemma":[0.9881824,0.00007435848,0.00001475619,0.001098722,0.0006821223,0.00001158774,0.000001423482,0.00001478557,0.009919903],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9260978,"threshold_uncertainty_score":0.9993256,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2763234477","doi":"10.3366/rom.2017.0340","title":"‘She has her ladies too’: Women and Scottish Periodical Culture in <i>Blackwood's</i> Early Years","year":2017,"lang":"en","type":"article","venue":"Romanticism","topic":"Travel Writing and Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Manitoba","funders":"","keywords":"Period (music); Romance; Poetry; Tone (literature); Print culture; History; Literature; Romanticism; Art; Art history; Aesthetics","authors":[{"name":"Pam Perkins","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01890807907061416,"gpt":0.2188081163363255,"spread":0.1999000372657113,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0001286005,0.0001493952,0.0002261157,0.00004955598,0.0007821554,0.002946702,0.0002112497,0.00009896087,0.0002945639],"category_scores_gemma":[0.00003928937,0.0001275285,0.0000420482,0.00001194624,0.0006910518,0.0003139891,0.00007847699,0.0002867605,0.00006229692],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001552016,"about_ca_system_score_gemma":0.00002161208,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0003947048,"about_ca_topic_score_gemma":0.0006696547,"domain_scores_codex":[0.9990834,0.00002695242,0.0001633684,0.0002455347,0.0001463372,0.0003344159],"domain_scores_gemma":[0.9995264,0.00001654279,0.00006382601,0.0002768233,0.00003038939,0.00008595469],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006044745,0.0001689118,0.02307134,0.0001481085,0.00007776052,0.0004417778,0.7802422,3.7787e-7,0.0002659198,0.1499367,0.03758276,0.008003653],"study_design_scores_gemma":[0.0007811841,0.000118242,0.2210733,0.00020053,0.00001155661,0.00001379869,0.003453279,0.00001070489,0.00001384251,0.002274996,0.7717638,0.0002847187],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9536794,0.0007289957,4.580648e-7,0.000734769,0.0002837711,0.00008967023,0.00003132837,0.00005373325,0.04439789],"genre_scores_gemma":[0.9577575,0.00002903517,0.00004875475,0.0003968314,0.0005072451,0.00001099083,0.000004876701,0.00001946865,0.04122525],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7767889,"threshold_uncertainty_score":0.9980884,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2436027457","doi":"10.3366/rom.2016.0275","title":"Bureaucracy, Pedagogy, Surgery: Keats, Guy's, and the ‘Institution’ of Medicine","year":2016,"lang":"en","type":"article","venue":"Romanticism","topic":"Empathy and Medical Education","field":"Medicine","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Brock University","funders":"","keywords":"Apothecary; Dismissal; Context (archaeology); Bureaucracy; Institution; Poetry; Medical profession; Apothecaries' system; Psychology; Sociology; Literature; Law; Art; Classics; Politics; History; Medicine; Political science; Medical education","authors":[{"name":"James Robert Allard","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02576459715577671,"gpt":0.3259958077013414,"spread":0.3002312105455647,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008245262,0.00009941051,0.0003856833,0.00008088272,0.00006430753,0.000002433549,0.00005991482,0.00007591889,0.0002358137],"category_scores_gemma":[0.002128652,0.00004146332,0.00006460297,0.0001191447,0.001284952,0.00005761684,0.00002691643,0.00008723429,0.00002058106],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001707491,"about_ca_system_score_gemma":0.0001866188,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002646754,"about_ca_topic_score_gemma":0.00001131557,"domain_scores_codex":[0.9990183,0.0000651732,0.0003260042,0.0001587007,0.0002706973,0.0001611435],"domain_scores_gemma":[0.9986086,0.0007629877,0.0001095901,0.0002875585,0.00009457761,0.0001366431],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"observational","study_design_scores_codex":[0.002084947,0.0007908209,0.04187591,0.0009638551,0.0004811643,0.000135803,0.03417068,2.511814e-7,0.01531465,0.3644908,0.1219843,0.4177068],"study_design_scores_gemma":[0.02829414,0.0008112144,0.7663261,0.006342628,0.001749616,0.001308052,0.008219213,0.0001188065,0.008668376,0.03011547,0.1475162,0.0005302136],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.848255,0.003071203,0.0009176038,0.1409473,0.0007282037,0.0003475569,0.000003270255,0.00004253691,0.005687308],"genre_scores_gemma":[0.9949828,0.001719745,0.00008503686,0.001111717,0.0004563834,0.00001170991,0.000006671464,0.000008436472,0.001617452],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7244502,"threshold_uncertainty_score":0.4734459,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2033631312","doi":"10.3366/e1354991x09000610","title":"Hunt's <i>The Descent of Liberty</i> and the Seasonal Politics of Keats's ‘To Autumn’","year":2009,"lang":"en","type":"article","venue":"Romanticism","topic":"Historical Economic and Social Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Carleton University","funders":"","keywords":"Descent (aeronautics); Politics; Political science; Geography; Law; Meteorology","authors":[{"name":"Arnd Böhm","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01592155116454604,"gpt":0.2016853904321823,"spread":0.1857638392676363,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003228225,0.00008511973,0.0003971468,0.00003448426,0.0001616042,0.00001255219,0.0001734366,0.00004357659,0.00002562583],"category_scores_gemma":[0.0001127986,0.00006108508,0.000103032,0.0001020731,0.0002177058,0.00003275432,0.0000503976,0.00007432092,0.00002960794],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004619889,"about_ca_system_score_gemma":0.00001210603,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0003276319,"about_ca_topic_score_gemma":0.00001060075,"domain_scores_codex":[0.9992219,0.00001520878,0.0004131361,0.0001415206,0.00003134908,0.000176888],"domain_scores_gemma":[0.999444,0.0001272823,0.0001861725,0.0001691417,0.00002248367,0.00005092886],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","study_design_scores_codex":[0.0000177152,0.00004466424,0.00254061,0.00001021668,0.0000384259,5.359562e-7,0.002629033,0.00000685342,0.00000455023,0.9908363,0.002813857,0.001057227],"study_design_scores_gemma":[0.002162912,0.0002548591,0.4255609,0.00004586801,0.0000662807,0.000004010291,0.0005338484,0.001062403,0.0001215659,0.3330161,0.2367836,0.0003876896],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8939036,0.008592061,0.001399532,0.02156731,0.0004355769,0.0004399451,0.00007591369,0.00001967037,0.07356641],"genre_scores_gemma":[0.9971685,0.0002599097,0.0001524441,0.001173909,0.00009090972,0.000004020156,5.929147e-7,0.000006418799,0.001143243],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6578202,"threshold_uncertainty_score":0.2490977,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}