{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":7,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":7,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"e339e18e6be2","filters":{"venue":"Sociologie de l Art"}},"results":[{"id":"W2120149261","doi":"10.3917/soart.011.0171","title":"Les pratiques culturelles sont-elles vraiment définies par l'origine de classe sociale ?","year":2008,"lang":"fr","type":"article","venue":"Sociologie de l Art","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Political science; Art","authors":[{"name":"Anne Julien","is_ca":true},{"name":"Simon Laflamme","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1193484332874396,"gpt":0.3382079020389523,"spread":0.2188594687515127,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003522481,0.0004382052,0.0005738086,0.001360798,0.005226966,0.01039158,0.0009504904,0.00207585,0.007388833],"category_scores_gemma":[0.008960488,0.0002525479,0.0002809793,0.002247715,0.0229655,0.008579943,0.002114465,0.004854666,0.001043691],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005361701,"about_ca_system_score_gemma":0.005758444,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03399606,"about_ca_topic_score_gemma":0.03783162,"domain_scores_codex":[0.995717,0.002619789,0.0001132444,0.0003784048,0.0005579962,0.0006135501],"domain_scores_gemma":[0.9943476,0.002820974,0.0009394243,0.0004427698,0.0008876123,0.0005616871],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00002550229,0.0000975563,0.007860338,0.0001106546,0.00002152035,0.0002140614,0.1653298,0.00008440683,0.0004188382,0.7963712,0.003695908,0.02577023],"study_design_scores_gemma":[0.00004045639,0.00007416005,0.0452435,0.000737387,0.000035234,0.0008257154,0.3140932,0.0003987081,0.0009158972,0.2079523,0.4295888,0.00009470725],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3385302,0.02596018,0.008655553,0.132131,0.00172605,0.00005349189,0.0002569497,0.0001080312,0.4925786],"genre_scores_gemma":[0.9630735,0.005227039,0.001197996,0.002053677,0.0005752652,0.00004832349,0.00003991826,0.00004581804,0.02773833],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03399606,"threshold_uncertainty_score":0.06759632,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1960018362","doi":"10.3917/soart.018.0035","title":"Comment être artiste, femme et autochtone au Canada ?","year":2011,"lang":"fr","type":"article","venue":"Sociologie de l Art","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Humanities; The arts; Art history; Visual arts","authors":[{"name":"Marie Goyon","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08574793984733432,"gpt":0.2832361215871794,"spread":0.1974881817398451,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001458114,0.0003299394,0.0004353863,0.002141053,0.02787626,0.007836805,0.001008877,0.001115713,0.01209847],"category_scores_gemma":[0.003283741,0.0002537794,0.0001857091,0.004359541,0.01351523,0.001767978,0.002898311,0.002220978,0.0004510246],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.06491502,"about_ca_system_score_gemma":0.08927061,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9921964,"about_ca_topic_score_gemma":0.9968777,"domain_scores_codex":[0.9978691,0.000263954,0.00003631745,0.000241849,0.0006430005,0.0009458582],"domain_scores_gemma":[0.9979964,0.0003901307,0.0001675728,0.00008638733,0.0008137779,0.000545707],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00009711104,0.00003063815,0.03054725,0.0001811132,0.0000191593,0.001149732,0.7729002,0.0001236146,0.0009270931,0.1102541,0.02300997,0.06076003],"study_design_scores_gemma":[0.000007070086,0.00001827698,0.05194736,0.000410545,0.00002290498,0.000434465,0.4971357,0.0001049537,0.0003449788,0.002720997,0.4467872,0.0000655161],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6460374,0.007370787,0.0005638791,0.01873796,0.0004494084,0.00004134745,0.0006000979,0.00003717005,0.3261619],"genre_scores_gemma":[0.9130145,0.003243067,0.0002805622,0.001402695,0.00003569447,0.00001305911,0.0001068228,0.00003169495,0.08187186],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.06491502,"threshold_uncertainty_score":0.4709936,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1966147375","doi":"10.3917/soart.001.0115","title":"L'exposition et la ville : entre le local et l'international","year":2003,"lang":"fr","type":"article","venue":"Sociologie de l Art","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art","authors":[{"name":"Francine Couture","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0411946306896962,"gpt":0.2922715280624515,"spread":0.2510768973727553,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009649005,0.0004585539,0.000297229,0.001140827,0.01350878,0.0102753,0.0005517064,0.001230948,0.01948001],"category_scores_gemma":[0.001171138,0.0002048682,0.0002118868,0.002119435,0.01816785,0.002751403,0.004056337,0.00297737,0.001022338],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01827843,"about_ca_system_score_gemma":0.006685719,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.3041604,"about_ca_topic_score_gemma":0.4307884,"domain_scores_codex":[0.9989864,0.0004694166,0.00001684654,0.0001085838,0.0001597208,0.0002590205],"domain_scores_gemma":[0.9993504,0.0002388517,0.00005377759,0.00007909582,0.0001392891,0.0001386632],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00003997714,0.00002288018,0.00228389,0.0001257887,0.000007689437,0.0007200085,0.3617695,0.0003512017,0.0007939317,0.6017191,0.01296559,0.01920036],"study_design_scores_gemma":[0.000006031815,0.00002256007,0.00429349,0.0003484665,0.00001512311,0.0003238298,0.1757178,0.0002327524,0.0005247558,0.01110204,0.8073937,0.00001940942],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1193426,0.003600405,0.003546264,0.007539873,0.0002540522,0.00002416581,0.0001070884,0.0001160661,0.8654696],"genre_scores_gemma":[0.8613232,0.001337578,0.0005217514,0.0004751348,0.00006955623,0.00002386749,0.00004659118,0.00008664904,0.1361157],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.3041604,"threshold_uncertainty_score":0.6047801,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2963528059","doi":"10.3917/soart.027.0013","title":"Des artistes en médiation culturelle. Des rôles pluriels pour une identité en devenir","year":2019,"lang":"fr","type":"article","venue":"Sociologie de l Art","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Political science; Art","authors":[{"name":"Martin Lussier","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06527523431046815,"gpt":0.325829053973088,"spread":0.2605538196626198,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00825394,0.0007149013,0.0004558279,0.002284949,0.02399396,0.01675793,0.001722781,0.002565927,0.01492823],"category_scores_gemma":[0.008298996,0.0003961294,0.0004691717,0.001584144,0.04349793,0.005262449,0.01088582,0.00478447,0.001401845],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.02301131,"about_ca_system_score_gemma":0.04933889,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.4349252,"about_ca_topic_score_gemma":0.5515805,"domain_scores_codex":[0.9889381,0.006467553,0.0002048045,0.0009206357,0.001871847,0.001597051],"domain_scores_gemma":[0.9920088,0.002354963,0.0007434965,0.0007740318,0.001650754,0.002467982],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0000383463,0.00007731242,0.009665011,0.0002502883,0.00002640335,0.0006152461,0.5893096,0.0002220152,0.001061672,0.3241192,0.01113669,0.06347822],"study_design_scores_gemma":[0.00001708141,0.00006088884,0.01697384,0.000972278,0.00003315126,0.0004868676,0.3665703,0.0004858254,0.0005508296,0.04048094,0.573302,0.00006587711],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1901719,0.01135501,0.01784662,0.04892659,0.0009187387,0.0002820143,0.0001338708,0.0001422708,0.7302231],"genre_scores_gemma":[0.9133793,0.002569123,0.003335959,0.002199578,0.0001074844,0.0001122572,0.00005057858,0.00005628475,0.07818953],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.4349252,"threshold_uncertainty_score":0.8647872,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1965584843","doi":"10.3917/soart.001.0021","title":"L'art des femmes et la question identitaire, une interrogation sur sa portée sociale et politique","year":2003,"lang":"fr","type":"article","venue":"Sociologie de l Art","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Philosophy; Art","authors":[{"name":"Lucille Beaudry","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.105798957892914,"gpt":0.3722866636818263,"spread":0.2664877057889122,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008137238,0.000477623,0.0003476607,0.002015376,0.01765383,0.008384984,0.0005547971,0.003434838,0.008580848],"category_scores_gemma":[0.009496265,0.0002340845,0.0002979917,0.001463511,0.03153433,0.004823524,0.003779372,0.003512341,0.0004522538],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005704095,"about_ca_system_score_gemma":0.003694438,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03503707,"about_ca_topic_score_gemma":0.04171241,"domain_scores_codex":[0.9925823,0.00564061,0.000103523,0.0003792682,0.000580285,0.0007140228],"domain_scores_gemma":[0.9943481,0.004242501,0.0004486673,0.0002107576,0.000453963,0.0002960054],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00002535894,0.00001572591,0.002164286,0.00006859044,0.000004726858,0.0003637309,0.6004813,0.000063695,0.0003815902,0.373435,0.005141917,0.01785416],"study_design_scores_gemma":[0.00000837416,0.00005249897,0.006641573,0.0005230454,0.000009634234,0.0006903677,0.528155,0.0001579393,0.0003421259,0.05049528,0.4128933,0.00003083684],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4137439,0.01921122,0.009349431,0.1361698,0.001062545,0.00007036851,0.00008679826,0.00005382072,0.4202522],"genre_scores_gemma":[0.9694463,0.001915549,0.001018974,0.003750257,0.0001675165,0.00004806884,0.00000739139,0.00001493837,0.02363102],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03503707,"threshold_uncertainty_score":0.06966627,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1979264189","doi":"10.3917/soart.001.0097","title":"Quelque part dans la ville. Cinéma et repérages urbains","year":2003,"lang":"fr","type":"article","venue":"Sociologie de l Art","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art; Political science","authors":[{"name":"M.E. Fraser","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07396075374561495,"gpt":0.3152778833259797,"spread":0.2413171295803647,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005472883,0.0004857312,0.0001781585,0.0009492759,0.008494395,0.008052742,0.0006383705,0.001115443,0.02635314],"category_scores_gemma":[0.001369997,0.0001683732,0.0001360252,0.001181523,0.006313877,0.002261936,0.00202666,0.001334715,0.001377655],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0101445,"about_ca_system_score_gemma":0.004264325,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.4068178,"about_ca_topic_score_gemma":0.5363554,"domain_scores_codex":[0.9991573,0.0003988012,0.00001032245,0.0000824824,0.00009890774,0.0002521402],"domain_scores_gemma":[0.9994193,0.0001237531,0.00006115482,0.00003249717,0.0001421246,0.0002211334],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00007318496,0.00004337107,0.003734087,0.0002356688,0.00001020057,0.001270348,0.3014132,0.0002093597,0.00183935,0.5672256,0.06557577,0.05836987],"study_design_scores_gemma":[0.000002916889,0.00001307975,0.007137951,0.0001571844,0.000005702143,0.0001944153,0.04994862,0.00006578972,0.0002117138,0.002882494,0.9393687,0.00001134944],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.08665331,0.01723229,0.001634978,0.01727223,0.0005215704,0.00005448289,0.0002365054,0.0001326042,0.876262],"genre_scores_gemma":[0.791782,0.004179805,0.0004799266,0.00088391,0.0001636332,0.00002326731,0.00008474335,0.00005180613,0.202351],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.4068178,"threshold_uncertainty_score":0.8088997,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2156176587","doi":"10.3917/soart.019.0035","title":"Le corps captif du poète","year":2012,"lang":"fr","type":"article","venue":"Sociologie de l Art","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","authors":[{"name":"Gérard Fabre","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06994293374537722,"gpt":0.291683935184828,"spread":0.2217410014394508,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005339567,0.000403601,0.0001662021,0.001894036,0.008179194,0.003535204,0.000495569,0.0009014335,0.02922816],"category_scores_gemma":[0.00177437,0.0001885134,0.0001281242,0.001844941,0.006829629,0.001816384,0.0015265,0.001423385,0.00248259],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.009583357,"about_ca_system_score_gemma":0.006128483,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.3250624,"about_ca_topic_score_gemma":0.4013604,"domain_scores_codex":[0.9995021,0.0001513257,0.00001475106,0.0000736959,0.000166315,0.00009178743],"domain_scores_gemma":[0.9992723,0.0002464814,0.00006909699,0.00005345995,0.0002860551,0.00007270268],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00007094079,0.00001915857,0.003598368,0.0003659069,0.00000899246,0.00114517,0.1340741,0.0002895296,0.001593091,0.6768696,0.114103,0.06786218],"study_design_scores_gemma":[0.000002966557,0.000009936661,0.005134651,0.0002525861,0.000004162833,0.0003022728,0.02371366,0.000126151,0.0004197715,0.005490775,0.9645305,0.00001236951],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.06023159,0.005536592,0.00474647,0.01011471,0.0009454686,0.00009675256,0.0009535453,0.0001439264,0.917231],"genre_scores_gemma":[0.6832784,0.003179181,0.001841903,0.0008026615,0.00042213,0.000075037,0.0005922827,0.0001108748,0.3096975],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.3250624,"threshold_uncertainty_score":0.6463407,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}