{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":30,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":30,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"33ae333b9e7e","filters":{"venue":"Spotlight"}},"results":[{"id":"W3133967230","doi":"10.4000/techne.3542","title":"La thérapéia des sculptures en Grèce ancienne : le témoignage des sources textuelles","year":2014,"lang":"fr","type":"article","venue":"Spotlight","topic":"Classical Antiquity Studies","field":"Social Sciences","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art; Sculpture; Humanities; Art history","authors":[{"name":"Evridiki Leka","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0154867387838993,"gpt":0.2675981085317692,"spread":0.25211136974787,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.002010091,0.000405215,0.0005310813,0.0001026096,0.002204118,0.0002802311,0.0007391437,0.0003741624,0.0003224939],"category_scores_gemma":[0.001256119,0.000350097,0.000312641,0.0008329508,0.007777056,0.0004967791,0.0003844046,0.0004023839,0.0006576729],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001844881,"about_ca_system_score_gemma":0.0001572332,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002361966,"about_ca_topic_score_gemma":0.02040981,"domain_scores_codex":[0.9959998,0.001304349,0.0003742824,0.000617856,0.0005806885,0.001123008],"domain_scores_gemma":[0.9975644,0.001449296,0.0001612711,0.0003303888,0.0001634427,0.0003312018],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003105425,0.0005430018,0.01420257,0.0003352162,0.0001522294,0.00003936112,0.07607736,0.00003359134,0.001862809,0.646413,0.02250868,0.2378011],"study_design_scores_gemma":[0.0003230161,0.0001048214,0.03963469,0.0002540916,0.00008398448,0.00000724045,0.01053988,0.00006766999,0.001481517,0.0612293,0.8858102,0.0004635591],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7560083,0.02433366,0.0006589504,0.02308641,0.0008088257,0.0002450918,0.0000222446,0.0002859657,0.1945505],"genre_scores_gemma":[0.899745,0.00282712,0.001447978,0.0003499969,0.001220385,0.00001758615,0.00000247956,0.00004615906,0.09434333],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8633015,"threshold_uncertainty_score":0.9998951,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2998158439","doi":"10.4000/techne.1324","title":"Dorure et redorure de la statuaire antique en bronze : une nouvelle lecture de l’Apollon de Lillebonne","year":2017,"lang":"fr","type":"article","venue":"Spotlight","topic":"Cultural Heritage Materials Analysis","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art","authors":[{"name":"Dominique Robcis","is_ca":true},{"name":"Sophie Descamps-Lequime","is_ca":true},{"name":"Nathalie Pingaud","is_ca":true},{"name":"Benoı̂t Mille","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.008338421218204174,"gpt":0.2673067980952939,"spread":0.2589683768770897,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001028399,0.0005481451,0.0006571409,0.00009063025,0.002004629,0.002080926,0.0007246093,0.0006512897,0.00510565],"category_scores_gemma":[0.0002242724,0.0004531945,0.0003926448,0.00006613105,0.0007316967,0.0004954289,0.0002512576,0.0006846785,0.0001701055],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004189926,"about_ca_system_score_gemma":0.0003866182,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.03174708,"about_ca_topic_score_gemma":0.03308451,"domain_scores_codex":[0.9970772,0.0006882912,0.0004259665,0.0005123397,0.0002653348,0.001030929],"domain_scores_gemma":[0.9981804,0.0001662252,0.0003610225,0.0008628233,0.0001305699,0.0002989947],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004095488,0.0006784189,0.004371059,0.001260575,0.001169586,0.002177704,0.2524745,0.0004010134,0.06577043,0.4651699,0.1967373,0.009379967],"study_design_scores_gemma":[0.000684746,0.000125182,0.006531523,0.0005039161,0.0004285917,0.0001386931,0.006393062,0.0001887673,0.008750699,0.008975775,0.9665866,0.0006923848],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7918851,0.009072445,0.0001263395,0.08359092,0.001292005,0.0003754344,0.0007226728,0.0002309056,0.1127041],"genre_scores_gemma":[0.8416157,0.00325848,0.0009137563,0.0007892029,0.002173838,0.00002118442,0.00006447199,0.0001073859,0.1510559],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7698494,"threshold_uncertainty_score":0.999792,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3133507549","doi":"10.4000/techne.4662","title":"La production textile en Grèce au ve siècle avant notre ère. Deux nouveaux témoignages attiques, conservés au musée du Louvre","year":2015,"lang":"fr","type":"article","venue":"Spotlight","topic":"Ancient Mediterranean Archaeology and History","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art","authors":[{"name":"Sophie Descamps","is_ca":true},{"name":"Christophe Moulhérat","is_ca":true},{"name":"Stella Spantidaki","is_ca":true},{"name":"Claire Beugnot","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0243124940563735,"gpt":0.233227983770074,"spread":0.2089154897137005,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.001212919,0.0004986085,0.0005349191,0.0002398087,0.001222932,0.00007137717,0.00042679,0.00043124,0.002103676],"category_scores_gemma":[0.0002740081,0.0004828561,0.0002059032,0.0000820415,0.004061035,0.0005805827,0.0002186607,0.0007538463,0.003672637],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000886693,"about_ca_system_score_gemma":0.001190995,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002161386,"about_ca_topic_score_gemma":0.01675694,"domain_scores_codex":[0.9967905,0.0006244904,0.0005377858,0.0007536015,0.0004274969,0.0008661766],"domain_scores_gemma":[0.9981461,0.000229828,0.000276975,0.0005896332,0.0003397707,0.0004177025],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002949476,0.0005939501,0.00455845,0.0004226324,0.0001436916,0.0005394107,0.4528726,0.00004657841,0.00007592907,0.137994,0.3981086,0.004349199],"study_design_scores_gemma":[0.0007816758,0.0003554495,0.006428728,0.0003258329,0.0001794021,0.0002274856,0.0128239,0.0001107665,0.0002794023,0.001545489,0.9763587,0.0005832039],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6446415,0.01293176,0.0001021274,0.02390353,0.0298189,0.0008429369,0.0002406716,0.0004582846,0.2870603],"genre_scores_gemma":[0.804188,0.0004643101,0.0001574712,0.0007243071,0.008231835,0.00004916662,0.0001097292,0.00009034172,0.1859849],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5782501,"threshold_uncertainty_score":0.9997623,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2997312766","doi":"10.4000/techne.1363","title":"Le guerrier de Saint-Maur (Oise). À la redécouverte d’une œuvre majeure de l’art gaulois","year":2017,"lang":"fr","type":"article","venue":"Spotlight","topic":"Ancient and Medieval Archaeology Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art; Medicine","authors":[{"name":"Jenny Kaurin","is_ca":true},{"name":"Shéhérazade Bentouati","is_ca":false},{"name":"Clotilde Boust","is_ca":false},{"name":"Charlotte Hochart","is_ca":false},{"name":"Nicolas Mélard","is_ca":true},{"name":"Dominique Robcis","is_ca":true},{"name":"Richard E. Schuler","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01462813870896423,"gpt":0.2421854507001253,"spread":0.2275573119911611,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts","insufficient_payload"],"category_scores_codex":[0.0007348301,0.0003961144,0.0004872249,0.00009500519,0.003648872,0.000195838,0.000673115,0.0002905334,0.001137695],"category_scores_gemma":[0.0002135891,0.00036729,0.0002905309,0.00003289067,0.004030636,0.0003685727,0.00046433,0.0004193163,0.00114956],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001865346,"about_ca_system_score_gemma":0.0004374394,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00558833,"about_ca_topic_score_gemma":0.03159717,"domain_scores_codex":[0.9976543,0.0001673335,0.0003313742,0.0004763952,0.0002513801,0.001119259],"domain_scores_gemma":[0.9984371,0.000116617,0.0002479515,0.0007393183,0.0001563644,0.0003026511],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000766368,0.0001645265,0.006765128,0.000146452,0.0002423504,0.0003963276,0.03530014,0.000002788445,0.0001018033,0.6328192,0.3157549,0.008229712],"study_design_scores_gemma":[0.0007727575,0.0001040136,0.01887917,0.0002387951,0.0002168049,0.00005498215,0.004746984,0.000109329,0.0001943612,0.02270194,0.9515545,0.0004263681],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.1197541,0.009830345,0.00009011525,0.08609162,0.003631162,0.0002891868,0.0001436729,0.0001356855,0.7800341],"genre_scores_gemma":[0.4336956,0.001887334,0.0001591237,0.0009620987,0.002268352,0.00003140545,0.00001496934,0.00005396608,0.5609271],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.6357996,"threshold_uncertainty_score":0.9998779,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3134447969","doi":"10.4000/techne.4087","title":"Les fondations mésopotamiennes, conservatoire pour l’étude des textiles","year":2015,"lang":"fr","type":"article","venue":"Spotlight","topic":"Ancient Near East History","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art; Humanities; Art history","authors":[{"name":"Ariane Thomas","is_ca":false},{"name":"Christophe Moulhérat","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.098249483142203,"gpt":0.2622029231809438,"spread":0.1639534400387408,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002909842,0.0003248243,0.0002975455,0.0001491672,0.001174711,0.0002174917,0.0003264366,0.0001578554,0.007280483],"category_scores_gemma":[0.000113317,0.0003267429,0.0001654907,0.00009981948,0.00215747,0.0004984466,0.0001111098,0.0002735952,0.01269434],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000482648,"about_ca_system_score_gemma":0.0003911734,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001944897,"about_ca_topic_score_gemma":0.005833219,"domain_scores_codex":[0.998209,0.0001316452,0.0003780027,0.0003794468,0.0003306635,0.0005712272],"domain_scores_gemma":[0.9985481,0.00008916089,0.0001619641,0.0003885447,0.0004593981,0.0003528385],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002594564,0.0003513072,0.003718561,0.0001140658,0.0000718321,0.00006457515,0.03605302,0.00002131513,0.00004330362,0.6395917,0.3106044,0.009339972],"study_design_scores_gemma":[0.0005251211,0.00008915822,0.004195172,0.0001844005,0.00009997959,0.00003962381,0.009491453,0.000188506,0.00004985613,0.004802911,0.9799328,0.0004010436],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4004838,0.0772915,0.0002360165,0.006859102,0.005102784,0.0003547195,0.000451239,0.0003676928,0.5088531],"genre_scores_gemma":[0.5314492,0.0002443528,0.0008676666,0.0003935312,0.002272577,0.00002254357,0.00006234406,0.00008496723,0.4646029],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.6693284,"threshold_uncertainty_score":0.9999185,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2997618907","doi":"10.4000/techne.1590","title":"Le bore dans les glaçures des céramiques post-palisséennes","year":2019,"lang":"fr","type":"article","venue":"Spotlight","topic":"Building materials and conservation","field":"Earth and Planetary Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Canadian Nautical Research Society","funders":"","keywords":"Political science","authors":[{"name":"Patrice Lehuédé","is_ca":true},{"name":"J. Castaing","is_ca":true},{"name":"Anne Bouquillon","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01299022448485445,"gpt":0.1889780252109128,"spread":0.1759878007260583,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002841435,0.0002295757,0.0002496133,0.00006502605,0.0003165302,0.0002789464,0.0002827786,0.0002041715,0.003926506],"category_scores_gemma":[0.00003561336,0.0002037084,0.00009489954,0.0001745438,0.000255477,0.0005739969,0.00002678791,0.0001202695,0.001106836],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001003075,"about_ca_system_score_gemma":0.0001752989,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.05768221,"about_ca_topic_score_gemma":0.02333997,"domain_scores_codex":[0.9985839,0.000155908,0.0002778331,0.0003472411,0.0001915375,0.000443626],"domain_scores_gemma":[0.9993053,0.00009084666,0.0001109626,0.0002592812,0.0001124498,0.0001211533],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.0001017807,0.00005877265,0.9080505,0.0003424117,0.00005052672,0.00003055008,0.002098679,0.0002586435,0.02324914,0.03348924,0.002399066,0.02987071],"study_design_scores_gemma":[0.0002531137,0.0002520251,0.7715772,0.0002375686,0.00003514776,0.00003755945,0.00130488,0.0005817262,0.01604269,0.004107798,0.2052011,0.0003692035],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9607418,0.008590432,0.00003935586,0.006172491,0.002173546,0.0002057987,0.0002938516,0.0001089673,0.02167383],"genre_scores_gemma":[0.9836574,0.000874711,0.001043196,0.0003769379,0.0004119767,0.000001830686,0.0002433637,0.00001567394,0.01337488],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.202802,"threshold_uncertainty_score":0.9996709,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3159310250","doi":"10.4000/techne.8218","title":"Histoire des pratiques de comblement de lacunes d’objets en plâtre : le cas de la collection de cadres du xixe siècle et la collection de statuaire moulée de la gypsothèque du musée du Louvre","year":2020,"lang":"fr","type":"article","venue":"Spotlight","topic":"Metallurgy and Cultural Artifacts","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Canadian Heritage","funders":"Agence Nationale de la Recherche","keywords":"Humanities; Art","authors":[{"name":"Juliette Robin Dupire","is_ca":true},{"name":"Anne‐Solenn Le Hô","is_ca":false},{"name":"Charlotte Chastel-Rousseau","is_ca":false},{"name":"Elisabeth Breton","is_ca":false},{"name":"Sigrid Mirabaud","is_ca":false},{"name":"Yannick Mélinge","is_ca":false},{"name":"François Pernot","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01127814575108263,"gpt":0.2773236079604867,"spread":0.2660454622094041,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.002949353,0.0004152436,0.0004300289,0.00008538177,0.002682337,0.0004561264,0.000349951,0.0006676373,0.0007197725],"category_scores_gemma":[0.001232301,0.0004090441,0.000220976,0.0007781887,0.001014668,0.0006666288,0.0001054237,0.0006418487,0.00005365491],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002804469,"about_ca_system_score_gemma":0.003385462,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.05587025,"about_ca_topic_score_gemma":0.07510308,"domain_scores_codex":[0.9920689,0.005594223,0.0004498117,0.0004924927,0.000387575,0.001006941],"domain_scores_gemma":[0.9977916,0.0009939052,0.00026265,0.0001582567,0.0001749343,0.0006186158],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000725926,0.001429109,0.1470992,0.0006153366,0.0004816451,0.001260171,0.6281822,0.00640388,0.02514147,0.1012082,0.076359,0.01109377],"study_design_scores_gemma":[0.00187591,0.0005672809,0.2203333,0.0003253123,0.0004214106,0.0006773712,0.04250257,0.007425558,0.04426248,0.01421084,0.6663348,0.001063161],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9227868,0.001214724,0.00192731,0.04449898,0.0002650085,0.000469487,0.00001634597,0.0003094638,0.02851184],"genre_scores_gemma":[0.978228,0.003706062,0.00273252,0.002181836,0.0005354755,0.0001337225,0.00001834539,0.00006303857,0.01240105],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5899758,"threshold_uncertainty_score":0.9998361,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2997437539","doi":"10.4000/techne.1538","title":"Le collectionnisme des xviie et xviiie siècles. Les céramiques post-palisséennes de provenance ancienne dans les collections françaises","year":2019,"lang":"fr","type":"article","venue":"Spotlight","topic":"Death, Funerary Practices, and Mourning","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"National Museum of Fine Arts of Quebec","funders":"","keywords":"Art","authors":[{"name":"Françoise Barbé","is_ca":true},{"name":"François Coulon","is_ca":true},{"name":"Jessica Denis-Dupuis","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01997267834382295,"gpt":0.2716044996908572,"spread":0.2516318213470343,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.001446978,0.0004539068,0.0005164742,0.0002818061,0.006533746,0.0006704517,0.0005216026,0.0004894716,0.0006687532],"category_scores_gemma":[0.0007326406,0.0004834365,0.0002946181,0.001919755,0.00183468,0.002193669,0.0001125927,0.0006834853,0.0002135181],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0005013827,"about_ca_system_score_gemma":0.002487506,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.08485172,"about_ca_topic_score_gemma":0.1565819,"domain_scores_codex":[0.9960795,0.000951091,0.0005470929,0.0007599551,0.0004998923,0.001162455],"domain_scores_gemma":[0.9974843,0.0008419579,0.0004382493,0.0003918464,0.0004888233,0.000354791],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004433908,0.002282833,0.08576767,0.0006528582,0.0004718919,0.0001232019,0.3032313,0.001940322,0.04032978,0.4966033,0.02660456,0.04154887],"study_design_scores_gemma":[0.0008749215,0.0004523044,0.01341328,0.0004143691,0.0001492471,0.00009017708,0.03057771,0.0003917634,0.004210914,0.00434789,0.9443461,0.0007313274],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6525362,0.00993772,0.0007694638,0.0109155,0.0022239,0.0007755345,0.0001172548,0.0003736166,0.3223508],"genre_scores_gemma":[0.7402694,0.004758981,0.00261169,0.0005737749,0.0006649509,0.00008678613,0.0000200835,0.00007978515,0.2509345],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9177415,"threshold_uncertainty_score":0.9997618,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4403266744","doi":"10.4000/12dvw","title":"La conservation préventive comme facteur de reconnaissance d’une collection","year":2011,"lang":"fr","type":"article","venue":"Spotlight","topic":"Conservation Techniques and Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Political science","authors":[{"name":"Laetitia Antonini","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1337771171207722,"gpt":0.2716812172373045,"spread":0.1379041001165323,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003983324,0.0002228371,0.0002590425,0.0001079484,0.000799047,0.0001176097,0.0001307867,0.0001590312,0.003344849],"category_scores_gemma":[0.00005847144,0.0002322528,0.0001287527,0.0001468093,0.0005734605,0.0003248111,0.00004996659,0.0002590931,0.0001432874],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000164109,"about_ca_system_score_gemma":0.00009606483,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01260962,"about_ca_topic_score_gemma":0.008250866,"domain_scores_codex":[0.9987347,0.0002094304,0.0003700402,0.0002515922,0.0001203772,0.0003138348],"domain_scores_gemma":[0.9990847,0.0001399125,0.0002215386,0.0001981813,0.0002897133,0.00006603185],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001212031,0.0002657202,0.01312328,0.0001417068,0.0001324161,0.00003091722,0.0823938,1.103806e-7,0.00003572984,0.626782,0.2711,0.005873062],"study_design_scores_gemma":[0.0003180101,0.000177493,0.0399493,0.0002304901,0.00007600617,0.00001990696,0.004823328,0.0001030611,0.001478361,0.02158766,0.9309596,0.0002767333],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1980166,0.005946583,0.001273393,0.02440895,0.00221052,0.0007334974,0.0001554521,0.0004891764,0.7667658],"genre_scores_gemma":[0.722042,0.002540755,0.0008073267,0.001620233,0.0004261539,0.0001250238,0.00002376697,0.00004991591,0.2723648],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.6598596,"threshold_uncertainty_score":0.9975662,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4382877107","doi":"10.4000/techne.14149","title":"L’Art du menuisier d’André-Jacob Roubo : une source pour l’étude de l’histoire du mobilier","year":2013,"lang":"fr","type":"article","venue":"Spotlight","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université du Québec en Outaouais","funders":"","keywords":"Art","authors":[{"name":"Herman den Otter","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01109017166151819,"gpt":0.2124065406425357,"spread":0.2013163689810175,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000680954,0.0004680948,0.0006079062,0.00008190223,0.002178419,0.0002197572,0.0006079897,0.00048069,0.006975972],"category_scores_gemma":[0.0002745357,0.0004589633,0.0003775503,0.000843887,0.001831277,0.0004769584,0.0001992044,0.0004412586,0.00792188],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001191745,"about_ca_system_score_gemma":0.0002892084,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02836573,"about_ca_topic_score_gemma":0.007456503,"domain_scores_codex":[0.9964525,0.0003769874,0.0005026797,0.0006004505,0.0007126929,0.001354688],"domain_scores_gemma":[0.9983491,0.0002652297,0.0002201812,0.0003460286,0.0002842005,0.0005353164],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001080656,0.0003795915,0.006265799,0.00003972697,0.0001864572,0.00004339789,0.03930949,0.00004309494,0.0001219644,0.09141029,0.8403088,0.02188062],"study_design_scores_gemma":[0.0005661049,0.00007448185,0.01316493,0.00007141235,0.0001061856,0.000007133387,0.006238808,0.0001972995,0.00006127907,0.01177656,0.9671729,0.0005628583],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.07300702,0.04568537,0.0003903505,0.1347646,0.00451179,0.0007826631,0.00002327709,0.0002984714,0.7405365],"genre_scores_gemma":[0.5011722,0.004009612,0.000321121,0.001805599,0.003092002,0.0001110139,0.000006221738,0.00006486265,0.4894173],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.4281652,"threshold_uncertainty_score":0.9997862,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3159610919","doi":"10.4000/techne.7496","title":"Identification naturaliste et production des céramiques à décor rustique (1550-1650) : nouveaux axes de réflexion pour une recherche en construction","year":2020,"lang":"fr","type":"article","venue":"Spotlight","topic":"Death, Funerary Practices, and Mourning","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Canadian Heritage","funders":"Agence Nationale de la Recherche","keywords":"Art","authors":[{"name":"Laetitia Métreau","is_ca":true},{"name":"Françoise Barbé","is_ca":true},{"name":"Aurélie Gerbier","is_ca":true},{"name":"Cécile Callou","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1506893559012541,"gpt":0.4028332453937951,"spread":0.252143889492541,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.003988693,0.0003236834,0.0003166191,0.0001164493,0.0007786475,0.0004199699,0.0003448811,0.0007272388,0.0002266351],"category_scores_gemma":[0.004728176,0.0003459638,0.0001542609,0.001277236,0.0005801934,0.002973714,0.00006550444,0.001275714,0.0003165344],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001021151,"about_ca_system_score_gemma":0.00109013,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003304314,"about_ca_topic_score_gemma":0.001155529,"domain_scores_codex":[0.9938828,0.003883409,0.0005755607,0.0007195788,0.000387233,0.0005513597],"domain_scores_gemma":[0.99784,0.0006757153,0.0006000287,0.000256749,0.0003739034,0.0002535587],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0005060057,0.0003400893,0.002818375,0.0007586944,0.0002407213,0.00004360455,0.245665,0.0007988769,0.144314,0.255108,0.0189944,0.3304123],"study_design_scores_gemma":[0.0006930613,0.0002521934,0.004096847,0.0006958147,0.0005100588,0.000198366,0.02479529,0.001700969,0.1078484,0.09884981,0.7593138,0.001045456],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6119037,0.007177043,0.005987151,0.3443156,0.004943281,0.000838229,0.0000276781,0.0005769684,0.02423028],"genre_scores_gemma":[0.8871213,0.01587681,0.03040937,0.003133418,0.003929311,0.0000635792,0.00007866657,0.00009180482,0.05929578],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7403194,"threshold_uncertainty_score":0.9998992,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2996971328","doi":"10.4000/techne.312","title":"Les triptyques-reliquaires Soltykoff (Paris, Petit Palais) : histoires de collections en restaurations","year":2018,"lang":"fr","type":"article","venue":"Spotlight","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Canadian Heritage","funders":"","keywords":"Art; Humanities","authors":[{"name":"Fabienne Dall’ava","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02728657299746338,"gpt":0.2606104157222344,"spread":0.233323842724771,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002785835,0.0003163537,0.0003198177,0.000211633,0.005245801,0.001144997,0.0002874393,0.0002756073,0.02465854],"category_scores_gemma":[0.0001386158,0.000307805,0.0002641554,0.0002185008,0.001388857,0.0006170316,0.00008902484,0.0004315998,0.001269999],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0005533575,"about_ca_system_score_gemma":0.0002569474,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.06031568,"about_ca_topic_score_gemma":0.229985,"domain_scores_codex":[0.9980459,0.0002407707,0.0004840476,0.0003856363,0.0002598285,0.0005838614],"domain_scores_gemma":[0.9987947,0.000153029,0.0001528494,0.0003459867,0.0003647753,0.0001886666],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004137294,0.0002022231,0.0001465374,0.00007759654,0.00008823801,0.00003743382,0.0311424,0.000002737651,0.0004305505,0.3860702,0.5808622,0.0008985281],"study_design_scores_gemma":[0.0003251804,0.0003060188,0.001321276,0.0002170076,0.0002002757,0.00004443572,0.005212766,0.00009132383,0.000697091,0.00481548,0.9863553,0.000413842],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.1329247,0.02840822,0.0002054791,0.05222722,0.008093707,0.0007172561,0.0007434322,0.0006321334,0.7760479],"genre_scores_gemma":[0.2256799,0.002332287,0.000306739,0.000215881,0.005789282,0.00004680168,0.00005145962,0.00004757768,0.76553],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.4054931,"threshold_uncertainty_score":0.9999374,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4231500096","doi":"10.4000/techne.4067","title":"Éditorial","year":2015,"lang":"fr","type":"article","venue":"Spotlight","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Computer science","authors":[{"name":"Isabelle Pallot‐Frossard","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05897524325349687,"gpt":0.249272132341724,"spread":0.1902968890882271,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001699615,0.0001520009,0.0001734504,0.00003483253,0.0003198076,0.0005825448,0.0001610834,0.0001194769,0.01056897],"category_scores_gemma":[0.00004182367,0.0001374341,0.0001135297,0.00003543508,0.0003096857,0.0005601309,0.00006197969,0.0001858025,0.01058745],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001021105,"about_ca_system_score_gemma":0.00007450241,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004789062,"about_ca_topic_score_gemma":0.003184902,"domain_scores_codex":[0.9990323,0.00004499646,0.0001938822,0.0001775862,0.0002576458,0.0002936539],"domain_scores_gemma":[0.9993694,0.00001707275,0.00005346765,0.0001678852,0.0001764195,0.0002157065],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001718142,0.00005678907,0.00001562524,0.00002281541,0.00001978237,0.0000373001,0.01417305,8.049436e-7,0.00001269794,0.4838838,0.5010039,0.0007562336],"study_design_scores_gemma":[0.0004526541,0.00009786523,0.0000308736,0.00005021349,0.00005134845,0.000008611801,0.003387272,0.0000074439,0.0000932059,0.0111353,0.9844712,0.0002140146],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.05610937,0.02018034,0.000003777424,0.01754638,0.141629,0.0001723961,0.0001591803,0.0001620815,0.7640375],"genre_scores_gemma":[0.04797651,0.0001924214,0.00004601214,0.0002052475,0.07539131,0.000004869297,0.00002357432,0.00002366904,0.8761364],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.4834673,"threshold_uncertainty_score":0.9903355,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4226279030","doi":"10.4000/techne.10440","title":"Le costume du chef indien sioux Spotted Weasel et sa restauration","year":2021,"lang":"fr","type":"article","venue":"Spotlight","topic":"Cultural Heritage Materials Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art; Weasel; Biology","authors":[{"name":"Régis Prévot","is_ca":true},{"name":"Mathilde Schneider","is_ca":true},{"name":"Laure Cadot","is_ca":true},{"name":"Claire Musso","is_ca":true},{"name":"Alexandra Bouckellyoen","is_ca":true},{"name":"Thalia Bajon-Bouzid","is_ca":true},{"name":"Yannick Vandenberghe","is_ca":true},{"name":"Isabelle Biron","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01472311144218538,"gpt":0.2148693910979172,"spread":0.2001462796557318,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00031912,0.0003303313,0.0004711165,0.00008322715,0.0007446459,0.001017446,0.0001877547,0.0001699739,0.01582544],"category_scores_gemma":[0.0001247177,0.0003036662,0.0002528938,0.0001861875,0.0002431555,0.0006525104,0.0001482584,0.0002134592,0.001403582],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001234709,"about_ca_system_score_gemma":0.0002670837,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004368894,"about_ca_topic_score_gemma":0.01946822,"domain_scores_codex":[0.9978971,0.0003306523,0.0005376113,0.0004796513,0.0003264798,0.0004285383],"domain_scores_gemma":[0.998734,0.00007058051,0.0002104776,0.000403163,0.0004358076,0.0001459482],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008908113,0.000542232,0.0003121708,0.0002582174,0.000363619,0.0008158729,0.02446244,0.00003147346,0.02322152,0.877792,0.07029966,0.001811721],"study_design_scores_gemma":[0.0005822739,0.00005648562,0.004554449,0.0001822804,0.0002470644,0.00003834563,0.007220289,0.00009649571,0.007044592,0.00150262,0.9780177,0.0004573972],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8221534,0.006223022,0.00001240058,0.04747418,0.002758228,0.0002491965,0.0005178875,0.000171129,0.1204405],"genre_scores_gemma":[0.8505347,0.001134348,0.0001217469,0.001180213,0.001898618,0.0000190497,0.0006828355,0.00005688022,0.1443716],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9077181,"threshold_uncertainty_score":0.9999415,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4302284097","doi":"10.4000/techne.11013","title":"À propos des « autoportraits » de Goya des musées d’Agen, Castres et Bayonne","year":2022,"lang":"fr","type":"article","venue":"Spotlight","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Philosophy","authors":[{"name":"Bruno Mottin","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02509445199140965,"gpt":0.2342802717142596,"spread":0.2091858197228499,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003409724,0.0003610913,0.0003734747,0.00008578726,0.004990395,0.0001744385,0.0002790754,0.00006685122,0.01742262],"category_scores_gemma":[0.00005405982,0.0003135322,0.0002449709,0.0001465753,0.001380319,0.0002706948,0.0002648871,0.0004568406,0.0003826566],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0005157185,"about_ca_system_score_gemma":0.0001515241,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001647887,"about_ca_topic_score_gemma":0.009108812,"domain_scores_codex":[0.9978598,0.0002282261,0.0003688521,0.0004006467,0.0003704364,0.0007719779],"domain_scores_gemma":[0.9992787,0.00006104406,0.0001169571,0.0002080777,0.0001437027,0.0001915172],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003832855,0.0005858321,0.001012535,0.0003082744,0.000222497,0.0003150943,0.2725699,0.00005031636,0.0001651565,0.553986,0.1577473,0.01299885],"study_design_scores_gemma":[0.0002485549,0.0003893113,0.002298137,0.00007431691,0.0001419,0.00007785051,0.02051466,0.00001551293,0.0001365109,0.01229032,0.9633894,0.000423524],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2744817,0.1105584,0.00005186084,0.0137943,0.004889227,0.0006006052,0.0006836717,0.0004589491,0.5944812],"genre_scores_gemma":[0.5708826,0.001004214,0.0005774102,0.0006688809,0.001448406,0.0001518089,0.00003850665,0.00006813642,0.42516],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.8056421,"threshold_uncertainty_score":0.9999317,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4403266969","doi":"10.4000/127mo","title":"Les Anges annonçant aux bergers la naissance du Christ de Govaert Flinck : une restauration riche d’enseignements","year":2012,"lang":"fr","type":"article","venue":"Spotlight","topic":"Death, Funerary Practices, and Mourning","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Canadian Heritage","funders":"","keywords":"Humanities; Art","authors":[{"name":"Nathalie Pincas","is_ca":true},{"name":"Pierre Curie","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04935866441005552,"gpt":0.3454865462772879,"spread":0.2961278818672323,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.002502868,0.0003061703,0.0003034958,0.0000945834,0.001950026,0.0002263349,0.0003344812,0.000350143,0.0005651294],"category_scores_gemma":[0.0005571212,0.0003075619,0.0001306412,0.0006979588,0.00061015,0.001978317,0.0000737213,0.0004351843,0.0003548106],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003547101,"about_ca_system_score_gemma":0.0003306089,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0125912,"about_ca_topic_score_gemma":0.003383239,"domain_scores_codex":[0.9966707,0.0009397392,0.0004265825,0.0003792382,0.0005895043,0.000994299],"domain_scores_gemma":[0.998198,0.0005799119,0.0004160429,0.0002792848,0.0001363291,0.0003904736],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002683896,0.001418176,0.1069061,0.000234147,0.0003683703,0.0002194765,0.2584417,0.0001353279,0.003618289,0.1384335,0.252007,0.2379496],"study_design_scores_gemma":[0.0003797686,0.00006282849,0.02856117,0.0001239557,0.0001442854,0.00002248059,0.005694394,0.0001270894,0.0005184617,0.0002619087,0.9637257,0.0003779278],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.646821,0.03201852,0.0002690889,0.03229714,0.004725945,0.0003036045,0.00002648124,0.0001571298,0.2833811],"genre_scores_gemma":[0.9262614,0.005906404,0.001236508,0.0006461201,0.003116301,0.00002659709,0.0000264088,0.00004896235,0.06273131],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7117187,"threshold_uncertainty_score":0.9999377,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2998435395","doi":"10.4000/techne.1169","title":"La momie péruvienne du musée des Confluences : exemple de conservation, de soclage et de mise en exposition d’un élément humain","year":2016,"lang":"fr","type":"article","venue":"Spotlight","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art; Humanities","authors":[{"name":"Marie-Paule Imberti","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01905962283426697,"gpt":0.2418748595581149,"spread":0.222815236723848,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009708778,0.0002494479,0.0002406451,0.00006165919,0.0009782349,0.0005269123,0.0002224097,0.0001946508,0.005515162],"category_scores_gemma":[0.0001169645,0.0001965268,0.0001551252,0.00004564192,0.0008186111,0.0008073198,0.00006781914,0.0001714459,0.0002338229],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0005346565,"about_ca_system_score_gemma":0.0002013602,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01065629,"about_ca_topic_score_gemma":0.01455918,"domain_scores_codex":[0.9980844,0.000542997,0.0003510408,0.0002801592,0.0001751593,0.0005662391],"domain_scores_gemma":[0.9989848,0.000352238,0.0001408539,0.0001830995,0.0001535343,0.0001855427],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008338004,0.0003406163,0.006485911,0.0002498598,0.0001208684,0.0001986537,0.1592758,0.000004312209,0.03606195,0.7648219,0.02935782,0.002998866],"study_design_scores_gemma":[0.0009945597,0.0001387696,0.02593431,0.000638279,0.0001377817,0.00008059481,0.009801047,0.00003139567,0.009024397,0.05505148,0.8977548,0.0004126032],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9588532,0.002129528,0.0003489814,0.02272746,0.0003492176,0.000236253,0.0001920153,0.0001120132,0.01505127],"genre_scores_gemma":[0.9467739,0.002911399,0.000758644,0.002206542,0.0007926847,0.0000595436,0.00003406803,0.00003417985,0.04642905],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8683969,"threshold_uncertainty_score":0.9959319,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3007689338","doi":"10.4000/techne.644","title":"AGLAE au cœur du programme européen Eu-ARTECH","year":2016,"lang":"fr","type":"article","venue":"Spotlight","topic":"Colorectal Cancer Screening and Detection","field":"Medicine","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Francophone University Association","funders":"","keywords":"Political science","authors":[{"name":"J.-C. Dran","is_ca":true},{"name":"Thomas Calligaro","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02657610298802209,"gpt":0.2535003464142642,"spread":0.2269242434262421,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005424584,0.0003169063,0.0003874052,0.0001562308,0.0001855532,0.00004622594,0.000174915,0.0002779606,0.001099356],"category_scores_gemma":[0.0003817416,0.0002268808,0.0002156454,0.0004865203,0.0002478165,0.0001911262,0.00009534984,0.0002844563,0.003650667],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0006973508,"about_ca_system_score_gemma":0.0003685082,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001232949,"about_ca_topic_score_gemma":0.0005817314,"domain_scores_codex":[0.9975159,0.0001277382,0.0003791689,0.0005588341,0.000417537,0.001000889],"domain_scores_gemma":[0.9985589,0.0001454785,0.0001254271,0.000502885,0.0001887502,0.0004785213],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.001767676,0.0002484717,0.0112586,0.0001641683,0.000125093,0.0003532406,0.0005182868,5.208188e-7,0.006442097,0.002437152,0.01777964,0.958905],"study_design_scores_gemma":[0.002409726,0.003462752,0.0420883,0.0009967284,0.0002012147,0.0004010742,0.00009213609,0.00007901491,0.0202198,0.0003090261,0.929387,0.0003532435],"study_design_candidate":"design_other","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6629068,0.02541072,0.007283308,0.1405272,0.02594244,0.00181769,0.00008771227,0.001753913,0.1342702],"genre_scores_gemma":[0.9141625,0.0006143701,0.0004264567,0.0004612701,0.00677354,0.00006202587,0.000006200769,0.0000846182,0.07740901],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9585518,"threshold_uncertainty_score":0.9998138,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2997959119","doi":"10.4000/techne.1304","title":"Les yeux d’Auguste et de Livie au musée du Louvre : une nouvelle technique antique identifiée","year":2017,"lang":"fr","type":"article","venue":"Spotlight","topic":"Ancient Mediterranean Archaeology and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Imperial Metals (Canada); Cargill (Canada); Musée de la Civilisation","funders":"","keywords":"Art; Humanities","authors":[{"name":"Sophie Descamps-Lequime","is_ca":true},{"name":"Isabelle Biron","is_ca":true},{"name":"Juliette Langlois","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02971865912852265,"gpt":0.2811508303978072,"spread":0.2514321712692846,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts","insufficient_payload"],"category_scores_codex":[0.001116369,0.0004072846,0.000459349,0.0002038641,0.004086037,0.0002171919,0.0009113737,0.0004484203,0.005227802],"category_scores_gemma":[0.0001418709,0.0004080271,0.0002806161,0.00003611417,0.004472667,0.000585295,0.0003743485,0.0007868601,0.001070472],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003256524,"about_ca_system_score_gemma":0.0006145195,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.0140109,"about_ca_topic_score_gemma":0.02961829,"domain_scores_codex":[0.9977292,0.0002585562,0.000434183,0.0005329123,0.0002446989,0.0008004528],"domain_scores_gemma":[0.9981074,0.0001227963,0.0004160729,0.0009626331,0.0001527963,0.0002383107],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009242549,0.0003653721,0.004183634,0.0005094871,0.000118031,0.0008469019,0.17489,0.000003573103,0.000529992,0.6753955,0.1376314,0.005433701],"study_design_scores_gemma":[0.0004231427,0.0001399409,0.02136278,0.0006111652,0.0001104905,0.0001151487,0.001922581,0.00003554513,0.0007271247,0.003572386,0.9704953,0.0004844236],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2263542,0.007960957,0.002208812,0.03312145,0.01267068,0.0008218647,0.0002561424,0.0003073538,0.7162985],"genre_scores_gemma":[0.6717212,0.00137675,0.0003177331,0.0007631407,0.002776534,0.00005686868,0.00002978943,0.00007024527,0.3228877],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.8328639,"threshold_uncertainty_score":0.9998372,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2997080554","doi":"10.4000/techne.959","title":"Musée de l’Arles antique : promouvoir une réflexion globale sur les collections ostéo-archéologiques","year":2016,"lang":"fr","type":"article","venue":"Spotlight","topic":"Forensic Anthropology and Bioarchaeology Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art; Antique; Visual arts","authors":[{"name":"Nicolas de Larquier","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0256873717694042,"gpt":0.250650401572131,"spread":0.2249630298027268,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0005022394,0.0004230234,0.0005039702,0.0001793889,0.00297416,0.00005769475,0.0002688467,0.0005235179,0.002661063],"category_scores_gemma":[0.0003126643,0.0002781696,0.0002353902,0.0001961899,0.0354779,0.0002512927,0.0002268456,0.0003932962,0.0002742576],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002514302,"about_ca_system_score_gemma":0.000279154,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.04982999,"about_ca_topic_score_gemma":0.2869017,"domain_scores_codex":[0.9974042,0.0005584488,0.0004322804,0.0005357816,0.0001502334,0.0009190299],"domain_scores_gemma":[0.9984617,0.0005286622,0.0002268362,0.0003172274,0.0003370799,0.0001284721],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002286664,0.0003007705,0.01900239,0.00008262914,0.0003769753,0.0001151741,0.006123235,5.401683e-7,0.00007924665,0.8786975,0.08292028,0.01207261],"study_design_scores_gemma":[0.0007820996,0.001138883,0.005664633,0.0003486403,0.0002365673,0.0001343362,0.01184353,0.00001086237,0.003631508,0.09002912,0.8856345,0.0005453533],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.334287,0.03799629,0.0009760107,0.5350131,0.004872748,0.0007756696,0.001425541,0.0006496666,0.08400402],"genre_scores_gemma":[0.7751656,0.02286997,0.0003557216,0.0003712433,0.001247781,0.00005517204,0.00001415509,0.00003904565,0.1998813],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8027142,"threshold_uncertainty_score":0.999967,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2998157406","doi":"10.4000/techne.622","title":"Archlab: archives central to a new scientific information-sharing platform","year":2016,"lang":"en","type":"article","venue":"Spotlight","topic":"Conservation Techniques and Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Library and Archives Canada","funders":"","keywords":"Political science; Charisma; Cultural heritage; Library science; Data sharing; Subsidy; Public relations; Business; Computer science; Law","authors":[{"name":"Clémence Raynaud","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03847141256360077,"gpt":0.2258935499750524,"spread":0.1874221374114516,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00006330248,0.00009257939,0.00009522983,0.0001700173,0.0003825716,0.000353831,0.0001829068,0.00001251811,0.001233969],"category_scores_gemma":[0.0000339679,0.00005767796,0.00005173306,0.00004439438,0.0001183318,0.0005922327,0.0001120724,0.00003614748,0.0004346976],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002271265,"about_ca_system_score_gemma":0.00004698584,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001509823,"about_ca_topic_score_gemma":0.0007419644,"domain_scores_codex":[0.9992745,0.000002826335,0.0001995471,0.0001292319,0.0001371847,0.0002567111],"domain_scores_gemma":[0.9995807,0.00003733516,0.00004434215,0.0001873317,0.00004489851,0.0001053253],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002786235,0.00001178293,0.001237407,0.00001325324,0.00001811345,9.298641e-7,0.06337289,2.918168e-7,0.000229638,0.740671,0.07677977,0.117637],"study_design_scores_gemma":[0.0001499507,0.00002590468,0.002354578,0.00006228038,0.000003686041,5.510126e-7,0.0005076058,0.000007177431,0.0009819713,0.01693298,0.9788563,0.0001170669],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5657939,0.000161269,0.01140781,0.02578335,0.002688396,0.0009676294,0.0001843958,0.001220784,0.3917925],"genre_scores_gemma":[0.8118563,0.00002404619,0.001305998,0.00103684,0.0005955951,0.00003631105,0.00001480385,0.00001563612,0.1851145],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9020765,"threshold_uncertainty_score":0.999679,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4362713870","doi":"10.4000/techne.11765","title":"Fortune de la polychromie médiévale aux xixe et xxe siècles : une approche historiographique","year":2014,"lang":"fr","type":"article","venue":"Spotlight","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Philosophy; Art","authors":[{"name":"Clémence Raynaud","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01522269941373487,"gpt":0.2388452386692813,"spread":0.2236225392555465,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006459691,0.0004343239,0.0006603806,0.000124922,0.003716259,0.0002328837,0.0003232139,0.0003136284,0.000957196],"category_scores_gemma":[0.0001021098,0.0003486455,0.0007425336,0.0002725692,0.001279469,0.0002036886,0.0001077012,0.0004924535,0.0002157973],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001478583,"about_ca_system_score_gemma":0.00007254272,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0197557,"about_ca_topic_score_gemma":0.007419073,"domain_scores_codex":[0.9976448,0.000377866,0.0004740701,0.0004782323,0.0003383239,0.0006867003],"domain_scores_gemma":[0.998683,0.0003255894,0.0002033617,0.0003207317,0.0001778835,0.0002893858],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002664749,0.0003012611,0.0002463154,0.0001434859,0.000356699,0.00002279421,0.06947349,0.000009912919,0.0001388094,0.7014551,0.2217328,0.006092738],"study_design_scores_gemma":[0.0003820902,0.0001684157,0.000299516,0.00007503219,0.000400944,0.000006506406,0.00227778,0.00007923751,0.00003102146,0.02156111,0.9742076,0.000510712],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"other","genre_scores_codex":[0.1941504,0.05760798,0.0009231738,0.4712718,0.00385218,0.0004623811,0.0001350815,0.0005003258,0.2710967],"genre_scores_gemma":[0.4204663,0.01694282,0.0005958659,0.002255128,0.003704114,0.00007216349,0.00004880724,0.00009930651,0.5558155],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.7524748,"threshold_uncertainty_score":0.9999561,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2243771844","doi":"10.4000/15o14","title":"Redécouverte et restauration d’une enseigne d’apothicaire du début du xviiie siècle, à Dieppe","year":2009,"lang":"fr","type":"article","venue":"Spotlight","topic":"Hermeneutics and Narrative Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art; Humanities","authors":[{"name":"Pierre Ickowicz","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01365769988799751,"gpt":0.2279198174282744,"spread":0.2142621175402769,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006228635,0.0004640199,0.0004882962,0.0001665589,0.002328465,0.0006784216,0.0003062281,0.0002939402,0.003032312],"category_scores_gemma":[0.000121834,0.0004451827,0.0002607228,0.0001950655,0.0007199112,0.0008570966,0.00007325494,0.0005249674,0.0009558825],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002008273,"about_ca_system_score_gemma":0.0002004486,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002199068,"about_ca_topic_score_gemma":0.01366715,"domain_scores_codex":[0.9972879,0.0002992756,0.0006778776,0.0005800235,0.0004974955,0.0006574009],"domain_scores_gemma":[0.9984668,0.0001086961,0.00027503,0.0004826472,0.0004279063,0.0002389252],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009755817,0.0005183437,0.0004371723,0.00006442616,0.00007924633,0.0002605164,0.01283924,0.00002175826,0.0007110633,0.7965506,0.174076,0.0143441],"study_design_scores_gemma":[0.0007800329,0.0005872749,0.04224442,0.000251772,0.0001202369,0.00002415804,0.001162391,0.0005471181,0.000491321,0.02893678,0.9242538,0.000600758],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.4230311,0.00270653,0.00006848259,0.240252,0.00414617,0.0005837968,0.0002444889,0.0002612525,0.3287062],"genre_scores_gemma":[0.9086819,0.002728946,0.00004579866,0.003571871,0.002665741,0.00001187397,0.0000750355,0.00005541949,0.08216345],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7676138,"threshold_uncertainty_score":0.999822,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4247044828","doi":"10.4000/techne.6427","title":"Éditorial","year":2015,"lang":"fr","type":"article","venue":"Spotlight","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Computer science","authors":[{"name":"Isabelle Pallot‐Frossard","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.4476948156855962,"gpt":0.3337688310275885,"spread":0.1139259846580076,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001821132,0.0002055791,0.0001940116,0.00004300276,0.00007998544,0.001647642,0.000481336,0.0001529753,0.0001379753],"category_scores_gemma":[0.0001558975,0.0001539146,0.00009932783,0.0003843332,0.0001198379,0.003546029,0.0002770878,0.0001525964,0.00444955],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001164617,"about_ca_system_score_gemma":0.0003079796,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0006031761,"about_ca_topic_score_gemma":0.00004684044,"domain_scores_codex":[0.9984749,0.00004904909,0.0002221484,0.0003381195,0.0004362795,0.0004794943],"domain_scores_gemma":[0.9984431,0.00003563362,0.00007168733,0.000431322,0.0002915911,0.0007266466],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001015338,0.00007568279,0.00001560464,0.000006367008,0.00001111941,0.0002252295,0.001683223,0.00001663625,0.00005993897,0.4035177,0.5811442,0.01323424],"study_design_scores_gemma":[0.0004702139,0.0002009665,0.0001628126,0.00004097942,0.000009985552,0.0001628851,0.00003514826,0.0006967406,0.001496848,0.0413794,0.955088,0.0002560802],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.004172961,0.01231354,0.00387924,0.02678523,0.116449,0.0001714631,0.00001740088,0.0002585915,0.8359526],"genre_scores_gemma":[0.2188919,0.00008448796,0.004209469,0.001932394,0.03275025,0.000005164146,0.00001154305,0.00003545198,0.7420794],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.3739438,"threshold_uncertainty_score":0.9993888,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4407676553","doi":"10.4000/13c4n","title":"Hommage à Marco Ciatti (1955-2024)","year":2025,"lang":"fr","type":"article","venue":"Spotlight","topic":"Psychoanalysis and Psychopathology Research","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Canadian Heritage","funders":"","keywords":"Environmental science","authors":[{"name":"Isabelle Pallot-Frossard","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02102872645190134,"gpt":0.3838666702335931,"spread":0.3628379437816917,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.002101212,0.0005915773,0.0009291842,0.001108211,0.0003975902,0.0001832466,0.001235285,0.001009066,0.04524948],"category_scores_gemma":[0.00009769953,0.0006055027,0.0006518274,0.002734867,0.0007580409,0.0001582926,0.000255816,0.001588917,0.0214985],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001833694,"about_ca_system_score_gemma":0.0002782378,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000249512,"about_ca_topic_score_gemma":0.0001643396,"domain_scores_codex":[0.9940152,0.001446614,0.0009188571,0.001461314,0.0004656816,0.001692397],"domain_scores_gemma":[0.9965715,0.0004747838,0.0001955377,0.002162595,0.0002224848,0.0003731274],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003363969,0.00103664,0.02908024,0.000159878,0.0009554956,0.0007120991,0.0006126927,0.000001726519,0.0004262614,0.04791297,0.771928,0.1468377],"study_design_scores_gemma":[0.00193216,0.0001557169,0.07123268,0.0002491024,0.0003472808,0.0000724666,0.0003556932,0.00004055415,0.0001027351,0.009301876,0.9157406,0.000469143],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.01645421,0.06810153,0.0006751925,0.06250733,0.02410842,0.0004918317,0.000167355,0.000129646,0.8273645],"genre_scores_gemma":[0.1008624,0.001940556,0.0003152943,0.003889949,0.001235466,0.0001059377,0.00004431979,0.0000764443,0.8915296],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1463685,"threshold_uncertainty_score":0.9996396,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7124751696","doi":"10.4000/15iqb","title":"Aux sources de Cythère, la base de données Eros","year":2010,"lang":"","type":"article","venue":"Spotlight","topic":"Death, Funerary Practices, and Mourning","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Context (archaeology); Base (topology); Index (typography); Beach morphodynamics","authors":[{"name":"Geneviève Aitken","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02462276399218124,"gpt":0.3023067522610119,"spread":0.2776839882688307,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.004593819,0.0004186663,0.000420747,0.0001883733,0.002261942,0.001164015,0.0009696889,0.000689855,0.002871666],"category_scores_gemma":[0.001741163,0.0004105372,0.0002872874,0.000546675,0.0009204207,0.001470941,0.0001822587,0.001605602,0.0006766794],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001081101,"about_ca_system_score_gemma":0.002041613,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003636048,"about_ca_topic_score_gemma":0.006935265,"domain_scores_codex":[0.99568,0.001001969,0.0004977313,0.0006794867,0.0007215683,0.001419285],"domain_scores_gemma":[0.9965921,0.001447593,0.0004344901,0.0005344128,0.0001435652,0.0008478158],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000554933,0.00158856,0.12085,0.0002837985,0.0004441964,0.001160511,0.4192794,0.0001478386,0.07958108,0.1918754,0.03607798,0.1481564],"study_design_scores_gemma":[0.0006569237,0.00008123917,0.003976698,0.00008606072,0.0001918395,0.00007815976,0.005195337,0.0003514611,0.005819742,0.002867313,0.9801168,0.0005784007],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7954094,0.001029216,0.0001181622,0.007261813,0.002156031,0.0002638993,0.00001538716,0.0002019695,0.1935441],"genre_scores_gemma":[0.9376306,0.002006027,0.002525179,0.001456019,0.003606781,0.00002851993,0.000004772307,0.00007450968,0.05266762],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9440389,"threshold_uncertainty_score":0.9998729,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2998094770","doi":"10.4000/techne.611","title":"ARCHLAB : les archives au centre d’une nouvelle plateforme d’échanges scientifiques","year":2016,"lang":"fr","type":"article","venue":"Spotlight","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Library and Archives Canada","funders":"","keywords":"Humanities; Art","authors":[{"name":"Clémence Raynaud","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1567990532120002,"gpt":0.2724362560634268,"spread":0.1156372028514266,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000175664,0.0004437571,0.0003588696,0.0001934556,0.0005477208,0.001164113,0.0008964454,0.0001617087,0.0004309436],"category_scores_gemma":[0.00009056178,0.0002431189,0.000229145,0.000554738,0.00094024,0.003073225,0.0006593119,0.000162011,0.001208091],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001459856,"about_ca_system_score_gemma":0.0003082637,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002600232,"about_ca_topic_score_gemma":0.003194743,"domain_scores_codex":[0.9970088,0.00009502084,0.0003986298,0.0008196223,0.000459553,0.001218356],"domain_scores_gemma":[0.9982004,0.0002463657,0.0001769345,0.0006303022,0.0001431181,0.0006028531],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005123777,0.000344123,0.0005656974,0.0001653364,0.0000776379,0.000356321,0.04136125,0.000003604326,0.02537812,0.2920421,0.02642185,0.6132327],"study_design_scores_gemma":[0.000653149,0.0001989046,0.005628069,0.001516383,0.00002387627,0.0001642016,0.0005261517,0.0003734995,0.1084739,0.03842831,0.8433018,0.0007118128],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3116703,0.01001356,0.01334202,0.199242,0.007514115,0.0006824623,0.0003227164,0.0006336204,0.4565792],"genre_scores_gemma":[0.5315039,0.0008191883,0.001479732,0.000341765,0.000739862,0.000005069641,0.000009603157,0.0000317032,0.4650692],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.8168799,"threshold_uncertainty_score":0.9998728,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4200618652","doi":"10.4000/techne.9189","title":"La campagne de restauration de dix reliefs en stuc italiens dans le cadre du programme ESPRIT : aspects matériels d’une réhabilitation","year":2021,"lang":"fr","type":"article","venue":"Spotlight","topic":"Cultural Heritage Materials Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Centre de Santé et de Services Sociaux de la Montagne","funders":"","keywords":"Art; Humanities","authors":[{"name":"Alexandra Gérard","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01457433766983716,"gpt":0.2194080409077925,"spread":0.2048337032379554,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008054369,0.0003551407,0.0004435908,0.00007566626,0.0007546125,0.001032588,0.0001956356,0.0002694585,0.002333467],"category_scores_gemma":[0.0003882955,0.0003353723,0.0002627842,0.0002454426,0.0003832258,0.00056673,0.0001051337,0.0002531578,0.0001459648],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0006391602,"about_ca_system_score_gemma":0.0003888833,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.01958057,"about_ca_topic_score_gemma":0.06444012,"domain_scores_codex":[0.9970461,0.0008533755,0.0005838647,0.00051124,0.0003257149,0.0006797672],"domain_scores_gemma":[0.9985936,0.0002437468,0.0001699547,0.0004146361,0.0003754836,0.0002025424],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006548929,0.0007857442,0.001158541,0.0006191114,0.0002524245,0.001003194,0.2271286,0.0001904129,0.0439307,0.7163814,0.004753316,0.003731004],"study_design_scores_gemma":[0.001014623,0.0003285958,0.02314207,0.0004780149,0.0006393786,0.000354775,0.1370386,0.0006357789,0.02971518,0.01491311,0.790791,0.00094885],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9399096,0.002864997,0.0002894936,0.03148974,0.0006682589,0.0003739529,0.0001988491,0.000192954,0.02401217],"genre_scores_gemma":[0.9416505,0.0005232299,0.001223036,0.0001403208,0.001447841,0.00007913987,0.0003425511,0.00007439579,0.05451895],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7860377,"threshold_uncertainty_score":0.9999098,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4362713835","doi":"10.4000/techne.12286","title":"La polychromie des sculptures du xive siècle en France","year":2014,"lang":"fr","type":"article","venue":"Spotlight","topic":"Death, Funerary Practices, and Mourning","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art; Sculpture; Visual arts","authors":[{"name":"Béatrice de Chancel-Bardelot","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.008971560161249581,"gpt":0.2656547283333741,"spread":0.2566831681721245,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.002027517,0.0002520263,0.0003009195,0.00007129108,0.001160613,0.0002509227,0.0004644392,0.000357162,0.001128677],"category_scores_gemma":[0.0008715188,0.0002442666,0.0001678497,0.0003817144,0.001096395,0.001151077,0.00008314304,0.0004781539,0.00169207],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001004066,"about_ca_system_score_gemma":0.0001560477,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002042833,"about_ca_topic_score_gemma":0.000714779,"domain_scores_codex":[0.9967752,0.001457519,0.0002688994,0.000420931,0.0004274653,0.0006499673],"domain_scores_gemma":[0.9978813,0.001327356,0.0002081177,0.0002714228,0.00008151734,0.0002302808],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005939497,0.0003014193,0.01207583,0.000116769,0.000140263,0.00009115127,0.06933746,0.000132737,0.0005825423,0.5230219,0.02794971,0.3661908],"study_design_scores_gemma":[0.0004359008,0.00007693325,0.01401699,0.0001464149,0.00008263114,0.00002104269,0.001063216,0.0002085011,0.0004207732,0.00646647,0.9767359,0.0003252608],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4462515,0.01232114,0.0005018003,0.01659904,0.003597491,0.0001678826,0.000009376645,0.0001506799,0.5204011],"genre_scores_gemma":[0.845871,0.002833201,0.001552412,0.001244777,0.003539072,0.00001037207,0.000003573919,0.00004229111,0.1449033],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9487861,"threshold_uncertainty_score":0.9997844,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7128589515","doi":"10.4000/15o0x","title":"Les bois dans la facture des instruments de musique en Europe, xvie et xviie siècles","year":2009,"lang":"fr","type":"article","venue":"Spotlight","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Carpentry; Chronology; Gender relations","authors":[{"name":"Joël Dugot","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01618287577618841,"gpt":0.2347946776508374,"spread":0.218611801874649,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0002081308,0.000359442,0.0004202444,0.00005085176,0.003542129,0.0002687904,0.0002758335,0.0002028757,0.0008716469],"category_scores_gemma":[0.00006304854,0.0002621042,0.0003027809,0.0001346284,0.0005963757,0.0002539281,0.0000756128,0.0004066082,0.0001540023],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0010582,"about_ca_system_score_gemma":0.00003942025,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006719133,"about_ca_topic_score_gemma":0.009263669,"domain_scores_codex":[0.9982616,0.0003154728,0.0003298285,0.0003323345,0.0002442443,0.0005165066],"domain_scores_gemma":[0.9992989,0.00008332184,0.0001141009,0.0001759718,0.0001474196,0.0001803014],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002644339,0.0004012905,0.001432372,0.00009635976,0.0003843883,0.0001561755,0.3479135,0.00003253193,0.000262109,0.5425727,0.02404752,0.08267455],"study_design_scores_gemma":[0.0002101495,0.0001402236,0.01263744,0.0001068943,0.0002298124,0.000009484432,0.004797141,0.00001063519,0.000101648,0.007379671,0.9740037,0.0003731447],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8015661,0.008547389,0.00004994518,0.06439123,0.0003746327,0.0001391716,0.0001194802,0.0001267013,0.1246853],"genre_scores_gemma":[0.8663698,0.01533645,0.0002319311,0.001518504,0.0008781548,0.000007212068,0.00002994855,0.00003310284,0.1155949],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9499562,"threshold_uncertainty_score":0.9999831,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}