{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":20,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":20,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"c4c57509c912","filters":{"venue":"Studies in Romanticism"}},"results":[{"id":"W237122970","doi":"10.2307/25601657","title":"Romanticism and Colonial Natural History","year":2004,"lang":"en","type":"article","venue":"Studies in Romanticism","topic":"American Environmental and Regional History","field":"Environmental Science","cited_by":36,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Romanticism; Colonialism; Natural history; Art; Literature; Natural (archaeology); History; Archaeology; Botany; Biology","authors":[{"name":"Alan Bewell","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01746913697980456,"gpt":0.2435242565921008,"spread":0.2260551196122962,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.001153075,0.0001694801,0.0002913865,0.0005714851,0.006036754,0.004403665,0.0005115435,0.0006703978,0.01032499],"category_scores_gemma":[0.001769038,0.0001201651,0.00009119192,0.0008137089,0.02627289,0.001980994,0.003912654,0.002466654,0.0007329879],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005303241,"about_ca_system_score_gemma":0.003014766,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01512965,"about_ca_topic_score_gemma":0.05172539,"domain_scores_codex":[0.9987684,0.00064901,0.00003487818,0.000151514,0.0001518105,0.0002443285],"domain_scores_gemma":[0.9993812,0.0001878638,0.00007413302,0.00009650097,0.00009549465,0.0001648147],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.000006905776,0.00002357712,0.00120319,0.00004253084,0.000002858015,0.0003189101,0.03029098,0.00003288902,0.0001153617,0.9381129,0.009481576,0.0203683],"study_design_scores_gemma":[0.000004887262,0.00001405798,0.002753387,0.0002926394,0.000002409543,0.0003779014,0.01109071,0.00004471464,0.00008466216,0.06976589,0.9155613,0.000007422118],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.02934237,0.01601347,0.00038681,0.01182005,0.0003745012,0.00001456462,0.00001705642,0.00001111709,0.9420201],"genre_scores_gemma":[0.854728,0.008386454,0.0004863442,0.003618567,0.0003400656,0.00002736458,0.00003071845,0.00003458158,0.1323477],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9939632,"threshold_uncertainty_score":0.03847784,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W104561801","doi":"10.1353/srm.2010.0027","title":"Transport: Mobility, Anxiety, and the Romantic Poetics of Feeling","year":2010,"lang":"en","type":"article","venue":"Studies in Romanticism","topic":"Media, Communication, and Education","field":"Social Sciences","cited_by":18,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Poetics; Romance; Narrative; Feeling; Enthusiasm; Passion; Psychoanalysis; Literature; History; Poetry; Psychology; Philosophy; Art; Theology; Social psychology","authors":[{"name":"Miranda Burgess","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04676761059458896,"gpt":0.3738859810057148,"spread":0.3271183704111258,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00139848,0.0003398441,0.0002889079,0.000923123,0.006296409,0.008256423,0.0005220653,0.001472885,0.002767156],"category_scores_gemma":[0.002653211,0.0001740801,0.0002853977,0.001001399,0.0338845,0.006151852,0.005098323,0.0031195,0.0003723069],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003510272,"about_ca_system_score_gemma":0.001685012,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02014695,"about_ca_topic_score_gemma":0.01474996,"domain_scores_codex":[0.9984466,0.001008844,0.00003148055,0.00008919367,0.0001658957,0.000258056],"domain_scores_gemma":[0.9991991,0.0003329291,0.0001222042,0.0000439636,0.00007924466,0.0002225513],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007749887,0.00005226048,0.003168734,0.000117686,0.00001302116,0.0006951355,0.6326608,0.0001568879,0.0004135278,0.3125269,0.02070805,0.02940948],"study_design_scores_gemma":[0.00002493478,0.00008488751,0.01039724,0.0006530281,0.00001370523,0.001277317,0.7473601,0.0002624063,0.0001553257,0.06516696,0.1745259,0.00007825449],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.4439108,0.0641963,0.004773753,0.1172526,0.001656988,0.00004298843,0.0001040917,0.0001024986,0.36796],"genre_scores_gemma":[0.9906538,0.003947836,0.0001305078,0.00135128,0.0001682592,0.0000137499,0.000009752387,0.00001310435,0.003711559],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.02014695,"threshold_uncertainty_score":0.04005933,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W266459019","doi":"10.1353/srm.2013.0018","title":"“So Variable and Inconstant a System”: Rereading the Anarchism of William Godwin’s Political Justice","year":2013,"lang":"en","type":"article","venue":"Studies in Romanticism","topic":"Anarchism and Radical Politics","field":"Social Sciences","cited_by":12,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Romanticism; Politics; Philosophy; Romance; Economic Justice; Poetics; George (robot); Art history; Literature; Classics; Poetry; History; Law; Art","authors":[{"name":"Jared McGeough","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03804112932145871,"gpt":0.3506404284026525,"spread":0.3125992990811938,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002987691,0.0004105641,0.0003298463,0.001211356,0.01002447,0.008938204,0.0009614432,0.002531476,0.002135835],"category_scores_gemma":[0.006547715,0.000294228,0.0001233312,0.0008702322,0.02521086,0.004887093,0.002112201,0.007489557,0.0003892549],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008466633,"about_ca_system_score_gemma":0.004319033,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04315991,"about_ca_topic_score_gemma":0.07867081,"domain_scores_codex":[0.9976699,0.001415593,0.00005233987,0.0002172146,0.0004152195,0.000229793],"domain_scores_gemma":[0.9983084,0.0009730796,0.0001268109,0.0001050734,0.0002852991,0.0002012713],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002853933,0.00001372747,0.0003172794,0.00005397586,0.000004326022,0.0002772831,0.1028798,0.00006402614,0.0001300806,0.7297122,0.1550611,0.01145759],"study_design_scores_gemma":[0.00001046984,0.00001425518,0.000996161,0.0003122425,0.000004453792,0.0001809146,0.04099092,0.0001364869,0.0001821877,0.1239531,0.8331966,0.00002220953],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.04964535,0.06315093,0.003402539,0.4992717,0.01293065,0.00005259898,0.00007532201,0.00007523255,0.3713957],"genre_scores_gemma":[0.860909,0.009673719,0.001171355,0.04702261,0.005309777,0.0000668468,0.00002944684,0.0001715,0.07564584],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.04315991,"threshold_uncertainty_score":0.0858174,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W277123614","doi":"","title":"British Romantics and Native Americans: The Araucanians of Chile","year":2008,"lang":"en","type":"article","venue":"Studies in Romanticism","topic":"Cultural and Social Studies in Latin America","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Colonialism; Empire; Romance; Orientalism; History; Literature; Sociology; Ancient history; Art; Archaeology","authors":[{"name":"Tim Fulford","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08502829703236038,"gpt":0.2973482057704501,"spread":0.2123199087380897,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006206731,0.0002250493,0.0003674981,0.001120846,0.005875019,0.003312797,0.0007612489,0.0007238169,0.004418194],"category_scores_gemma":[0.001271408,0.000175555,0.00009513064,0.001884525,0.003892354,0.001478324,0.002810427,0.001690616,0.000416673],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004888002,"about_ca_system_score_gemma":0.002502273,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.2253402,"about_ca_topic_score_gemma":0.3829538,"domain_scores_codex":[0.9996185,0.0001216183,0.000009327473,0.0000360894,0.00004522685,0.0001691738],"domain_scores_gemma":[0.9997085,0.00009137864,0.0000491191,0.00001561329,0.00005067318,0.00008474451],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001063458,0.00009395252,0.02342141,0.000139309,0.00001062825,0.002110512,0.9344873,0.00001310493,0.0005851,0.01243901,0.003040352,0.0235531],"study_design_scores_gemma":[0.00001412471,0.00002601295,0.05251443,0.000177865,0.000009419552,0.0003486109,0.8525581,0.00002426682,0.0001227998,0.0007265807,0.09346475,0.00001296783],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9451457,0.004274009,0.00003725775,0.003087858,0.00006852206,0.00001852823,0.00005936495,0.000004667616,0.04730415],"genre_scores_gemma":[0.9773766,0.003147222,0.00005254048,0.0007118363,0.0000345175,0.00002490823,0.0000617067,0.000007803163,0.01858286],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2253402,"threshold_uncertainty_score":0.4480571,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W242117705","doi":"10.1353/srm.2011.0034","title":"Wordsworth’s Epitaphic Poetics and the Print Market","year":2011,"lang":"en","type":"article","venue":"Studies in Romanticism","topic":"Philippine History and Culture","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Poetics; Romanticism; Rhetoric; Romance; Art history; Poetry; Enlightenment; Art; Literature; History; Philosophy; Theology","authors":[{"name":"Scott Hess","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.09578644615099398,"gpt":0.3317124472797732,"spread":0.2359260011287793,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001228155,0.0004150411,0.0001870481,0.001336181,0.006642044,0.00778781,0.0004297077,0.002449655,0.007149765],"category_scores_gemma":[0.002558908,0.0001605394,0.0001145281,0.001114481,0.02241235,0.005530214,0.002330582,0.002520049,0.00125014],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003379076,"about_ca_system_score_gemma":0.001482697,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005979267,"about_ca_topic_score_gemma":0.01095906,"domain_scores_codex":[0.9988064,0.0006172813,0.00003464168,0.0001059838,0.0002765472,0.0001591883],"domain_scores_gemma":[0.9987949,0.0007110232,0.0001115878,0.00008146282,0.0001947134,0.000106395],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001902353,0.000009303283,0.00008441981,0.00002256374,8.859439e-7,0.0001082242,0.01567468,0.00002857462,0.0001010286,0.9443831,0.03346978,0.006098413],"study_design_scores_gemma":[0.00001219099,0.00001587479,0.0003215436,0.0001490681,0.000002257983,0.0002151269,0.01515147,0.0001616408,0.0002633825,0.2040027,0.7796942,0.00001056287],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.01837463,0.01410218,0.003206276,0.04649925,0.001770912,0.00002789862,0.00006133532,0.00004385453,0.9159138],"genre_scores_gemma":[0.7220083,0.004036249,0.001322204,0.00558408,0.001306952,0.00005805788,0.00002680536,0.00009164797,0.2655657],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.00778781,"threshold_uncertainty_score":0.02451706,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W110831927","doi":"10.1353/srm.2013.0026","title":"Malthus Our Contemporary?: Toward a Political Economy of Sex","year":2013,"lang":"en","type":"article","venue":"Studies in Romanticism","topic":"Political Economy and Marxism","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Politics; Romance; Postmodernism; Sociology; Philosophy; History; Literature; Law; Epistemology; Art; Political science","authors":[{"name":"Maureen N. McLane","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1234222624106317,"gpt":0.3927951531873351,"spread":0.2693728907767035,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004047674,0.0003088311,0.0003268627,0.001011471,0.008988555,0.009686281,0.0009090729,0.002945777,0.01213219],"category_scores_gemma":[0.005342896,0.0002284309,0.0002138256,0.0009658603,0.02966771,0.01097352,0.00461719,0.006720901,0.001487017],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008888218,"about_ca_system_score_gemma":0.003576788,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0122107,"about_ca_topic_score_gemma":0.01526136,"domain_scores_codex":[0.9968682,0.001984956,0.00004044416,0.0003407533,0.0004408286,0.0003248622],"domain_scores_gemma":[0.9982194,0.0007798342,0.0002575304,0.0001717628,0.0003311686,0.0002402614],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.000002398446,0.000002112995,0.00004058169,0.000002410609,3.787351e-7,0.000005046254,0.001943217,0.00001006244,0.000008887393,0.9933311,0.003766523,0.0008870839],"study_design_scores_gemma":[0.000007781204,0.000007610992,0.0003318917,0.00008706433,0.000002395985,0.0000297179,0.006899998,0.0002361641,0.0001290884,0.6997431,0.2925153,0.000009948317],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01992084,0.01116482,0.006299697,0.2670362,0.001210055,0.000024494,0.00006649397,0.00003788481,0.6942395],"genre_scores_gemma":[0.8731133,0.006013623,0.002193467,0.02040551,0.001585709,0.00008836115,0.00004109712,0.0001780641,0.09638079],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.0122107,"threshold_uncertainty_score":0.06448883,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W156643536","doi":"10.1353/srm.2011.0002","title":"Lady Susan: Jane Austen’s Machiavellian Moment","year":2011,"lang":"en","type":"article","venue":"Studies in Romanticism","topic":"Literature Analysis and Criticism","field":"Medicine","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Nothing; Novella; Pleasure; Mores; Philosophy; Art history; Literature; Psychoanalysis; History; Art; Politics; Law; Psychology","authors":[{"name":"James Mulvihill","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1438927038613553,"gpt":0.3676526689593395,"spread":0.2237599650979842,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006489377,0.0002748671,0.0001765634,0.0003253347,0.008676576,0.003630156,0.0004886616,0.001753416,0.02107231],"category_scores_gemma":[0.001953942,0.0003161709,0.0001082976,0.0002442135,0.003184703,0.002645207,0.002365783,0.004823362,0.004005525],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004713982,"about_ca_system_score_gemma":0.002679539,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03765326,"about_ca_topic_score_gemma":0.151379,"domain_scores_codex":[0.9992929,0.0001970239,0.00001634458,0.0001272462,0.000202801,0.0001638127],"domain_scores_gemma":[0.9995897,0.00007748428,0.00004014319,0.00001826903,0.00009222457,0.0001821215],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003947699,0.00001968698,0.0006175255,0.00008859523,0.000004586113,0.0007665093,0.03412584,0.00001805712,0.0005689099,0.08531073,0.8569611,0.02147889],"study_design_scores_gemma":[0.000001285549,0.000005036416,0.0005349003,0.00007387569,8.694951e-7,0.0002168159,0.006453663,0.000006609104,0.00007416999,0.001305975,0.9913201,0.000006797195],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01857084,0.03048657,0.0008138797,0.3280858,0.008787897,0.00003940098,0.000106704,0.0001029475,0.6130059],"genre_scores_gemma":[0.1812585,0.008607329,0.0005322284,0.07235534,0.001704608,0.00003879867,0.00005474898,0.0001240572,0.7353244],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03765326,"threshold_uncertainty_score":0.0748682,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2998713803","doi":"10.1353/srm.2019.0002","title":"Prophetic Poetics and Enthusiasm in Mary Shelley’s Valperga","year":2019,"lang":"en","type":"article","venue":"Studies in Romanticism","topic":"Language, Metaphor, and Cognition","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Enthusiasm; Laughter; Literature; Poetics; Feeling; Philosophy; Passion; Passions; Joke; Poetry; Psychoanalysis; Art; Psychology; Theology","authors":[{"name":"Rachael Isom","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03111034719236904,"gpt":0.3287368255812665,"spread":0.2976264783888974,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007447174,0.0003526618,0.0001982141,0.000516625,0.004941904,0.004138425,0.0003785498,0.001160606,0.003358326],"category_scores_gemma":[0.001914643,0.0002279535,0.0001189149,0.0001993739,0.009711085,0.001515725,0.002795881,0.003514737,0.0008141816],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001808344,"about_ca_system_score_gemma":0.0007426473,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002976292,"about_ca_topic_score_gemma":0.00641904,"domain_scores_codex":[0.9993692,0.0003384305,0.000009629695,0.00006233242,0.0001111044,0.0001092119],"domain_scores_gemma":[0.9996138,0.0001543946,0.00003626027,0.00001811442,0.00004439415,0.0001329784],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0001743079,0.000076096,0.001264817,0.0001542837,0.00001300211,0.002084539,0.3849864,0.0001732541,0.001936862,0.4473228,0.1331368,0.02867693],"study_design_scores_gemma":[0.00001732405,0.00006590086,0.001559503,0.0002413668,0.00000569687,0.001292248,0.05716962,0.0001610784,0.000470515,0.01994867,0.9190375,0.00003052077],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2557315,0.02058565,0.0034932,0.06466968,0.004907773,0.00006179338,0.00005983682,0.0002266174,0.650264],"genre_scores_gemma":[0.8641917,0.001824906,0.0007790551,0.005861083,0.0006567726,0.00003917583,0.00001424359,0.0001459292,0.1264873],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.004941904,"threshold_uncertainty_score":0.01312053,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W342397902","doi":"10.1353/srm.2010.0039","title":"“Fanciful Devotion”: Ritualization in Scott’s Old Mortality","year":2010,"lang":"en","type":"article","venue":"Studies in Romanticism","topic":"Scottish History and National Identity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"George (robot); Narrative; History; Classics; Theme (computing); Art history; Art; Literature","authors":[{"name":"George A. Drake","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.09789297384072015,"gpt":0.344386352233803,"spread":0.2464933783930828,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003043905,0.0004367572,0.000267054,0.0007724027,0.006110797,0.003002163,0.0006421721,0.001159675,0.002503631],"category_scores_gemma":[0.004069786,0.0001324553,0.0002309793,0.0004382106,0.01426682,0.00200315,0.004455715,0.002192883,0.0003104791],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001995131,"about_ca_system_score_gemma":0.0008459085,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00519628,"about_ca_topic_score_gemma":0.0144545,"domain_scores_codex":[0.9978251,0.001476637,0.00003543862,0.00008788693,0.0003005364,0.00027429],"domain_scores_gemma":[0.9988312,0.000400816,0.0001899114,0.00008250881,0.0001651476,0.0003304214],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001431484,0.0001026761,0.004923029,0.0001654389,0.00002835951,0.001492372,0.7926787,0.00008767033,0.00127633,0.09405766,0.04679278,0.05825197],"study_design_scores_gemma":[0.00003631282,0.0002067593,0.02284145,0.0005508327,0.00002860732,0.001989158,0.4003543,0.0003142172,0.0009887933,0.02129463,0.5513175,0.00007734339],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6876887,0.02050743,0.005426838,0.04223727,0.002632938,0.00006179811,0.00009758824,0.0001175721,0.2412298],"genre_scores_gemma":[0.9867841,0.00110621,0.0003952812,0.001369425,0.0002785095,0.00001117306,0.00001507737,0.0000237043,0.01001657],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.006110797,"threshold_uncertainty_score":0.0160979,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W50389839","doi":"10.1353/srm.2012.0003","title":"Waterloo, Napoleon, and the Vision of Peace in Louisa Stuart Costello’s The Maid of the Cyprus Isle","year":2012,"lang":"en","type":"article","venue":"Studies in Romanticism","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Memoir; Art history; Pilgrimage; Irish; Art; Queen (butterfly); History; Classics; Philosophy; Ancient history","authors":[{"name":"Timothy Ruppert","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0347081898393965,"gpt":0.2757470059823977,"spread":0.2410388161430012,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000370792,0.0002510886,0.0001197475,0.0004578675,0.01169142,0.004536739,0.0004655664,0.0009764043,0.01114215],"category_scores_gemma":[0.0005869712,0.0001444019,0.00008013078,0.0004747597,0.005851101,0.001793674,0.002098569,0.001892932,0.001111789],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01471984,"about_ca_system_score_gemma":0.005427834,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.3740861,"about_ca_topic_score_gemma":0.6835611,"domain_scores_codex":[0.9996331,0.0001189858,0.000003877572,0.00003773098,0.00007758969,0.0001287136],"domain_scores_gemma":[0.9998007,0.00003219444,0.00001613792,0.000007454809,0.00003759292,0.0001059722],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005403976,0.00002490457,0.0007817738,0.00006629968,0.000004978055,0.00047142,0.0914932,0.00004142898,0.0003612933,0.1764545,0.6941253,0.03612086],"study_design_scores_gemma":[0.000001714712,0.000004212919,0.001181385,0.00008588754,0.000001069788,0.00005506519,0.02085191,0.000006992933,0.00006429404,0.001093332,0.9766495,0.000004551604],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.03413872,0.04269318,0.00021974,0.1015881,0.002757457,0.00001818278,0.0000971413,0.00004169326,0.8184457],"genre_scores_gemma":[0.3600764,0.01723438,0.0001996272,0.01452657,0.001393546,0.00003119245,0.00007259389,0.00009384756,0.6063718],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.3740861,"threshold_uncertainty_score":0.7438174,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W323987688","doi":"10.1353/srm.2012.0006","title":"Spheres of Action: Speech and Performance in Romantic Culture by Alexander Dick, Angela Esterhammer","year":2012,"lang":"en","type":"article","venue":"Studies in Romanticism","topic":"Rhetoric and Communication Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Performative utterance; Ideology; Romance; Aesthetics; Sociology; Action (physics); Romanticism; Power (physics); Agency (philosophy); Subject (documents); Realm; Fantasy; Literature; Law; Art; Politics; Social science; Political science","authors":[{"name":"Robin Jarvis","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.109026940914726,"gpt":0.3306493238504539,"spread":0.2216223829357278,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001172465,0.001092874,0.0006457172,0.001978923,0.003079311,0.004887402,0.0009318308,0.002468384,0.004356527],"category_scores_gemma":[0.001979186,0.0004681977,0.0002807924,0.002313158,0.007240187,0.005712767,0.00206011,0.003387954,0.001663221],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004413856,"about_ca_system_score_gemma":0.002767481,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02207881,"about_ca_topic_score_gemma":0.02589525,"domain_scores_codex":[0.998951,0.0004629006,0.00002790389,0.0001176289,0.0003252768,0.0001153923],"domain_scores_gemma":[0.9988053,0.0007349688,0.00008228618,0.00003696978,0.0001917361,0.000148752],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"qualitative","study_design_scores_codex":[0.00005140626,0.00007774114,0.0006235606,0.0006712259,0.00001987505,0.0002273983,0.02829687,0.0003447703,0.0002500475,0.151915,0.6785181,0.1390039],"study_design_scores_gemma":[0.000006684047,0.00002201907,0.002997438,0.001131648,0.0000100581,0.0002713596,0.01183449,0.000112948,0.0001178116,0.01941385,0.9640532,0.00002837467],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.004284233,0.840861,0.0007054569,0.05986758,0.004317765,0.0000173029,0.00005425341,0.00003055194,0.08986185],"genre_scores_gemma":[0.1431197,0.647739,0.001144736,0.01387669,0.01049615,0.00009774737,0.0001223634,0.0001089319,0.1832946],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02207881,"threshold_uncertainty_score":0.04390061,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3012600540","doi":"10.1353/srm.2011.0040","title":"Romanticism and the Rise of the Mass Public by Andrew Franta","year":2011,"lang":"en","type":"article","venue":"Studies in Romanticism","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Romanticism; Commodification; Romance; Art history; Art; Media studies; Sociology; Literature","authors":[{"name":"Lindsey Eckert","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07557113036344847,"gpt":0.2415480313636212,"spread":0.1659769010001728,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002073441,0.0006155282,0.0006666029,0.00133679,0.006239278,0.005714988,0.0006384851,0.002607703,0.008054818],"category_scores_gemma":[0.003778404,0.0003313165,0.000229906,0.001733301,0.00993065,0.005966061,0.002858277,0.006133853,0.0022933],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006190563,"about_ca_system_score_gemma":0.00384834,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02672383,"about_ca_topic_score_gemma":0.02822277,"domain_scores_codex":[0.9983076,0.0007556399,0.00004996621,0.0002174552,0.0005277009,0.0001416558],"domain_scores_gemma":[0.9982993,0.0007611866,0.0001694624,0.00006358357,0.0004281493,0.000278306],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004683311,0.00003232786,0.0004228342,0.0003139972,0.000007344573,0.0002402654,0.02426933,0.00009644656,0.0001713071,0.1312693,0.8049903,0.03813974],"study_design_scores_gemma":[0.00000412496,0.00000634492,0.0006340758,0.0005220235,0.00000305063,0.000220805,0.00539481,0.00002612426,0.00003540003,0.007837248,0.9853047,0.00001144266],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.004883484,0.5259264,0.0001568412,0.3808739,0.01102796,0.00001310965,0.00003515741,0.00001606754,0.07706706],"genre_scores_gemma":[0.2674198,0.4546635,0.0005602392,0.05604608,0.03088791,0.00006297866,0.00006247206,0.00009736268,0.1901998],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.02672383,"threshold_uncertainty_score":0.05313659,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W236047338","doi":"10.1353/srm.2011.0016","title":"Written on the Water: British Romanticism and the Maritime Empire of Culture by Samuel Baker","year":2011,"lang":"en","type":"article","venue":"Studies in Romanticism","topic":"Travel Writing and Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Scholarship; Enlightenment; Romanticism; Humanism; Empire; Greenwich; Sociology; Art history; Media studies; History; Classics; Philosophy; Political science; Law; Epistemology; Archaeology","authors":[{"name":"Evan Gottlieb","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03970684661008812,"gpt":0.2412585688905849,"spread":0.2015517222804968,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000539833,0.0006584109,0.0005186333,0.002203906,0.003475938,0.004443357,0.0005437068,0.00187838,0.01819763],"category_scores_gemma":[0.001627516,0.0003805266,0.0001717162,0.003773816,0.002365584,0.002326184,0.001220539,0.002878696,0.005865491],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007860268,"about_ca_system_score_gemma":0.0053936,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1869567,"about_ca_topic_score_gemma":0.3629685,"domain_scores_codex":[0.9994124,0.0001558313,0.000024453,0.00007380794,0.0002607121,0.00007284322],"domain_scores_gemma":[0.9991866,0.000275503,0.00006262058,0.00002835708,0.0003287809,0.0001181356],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000130648,0.000007917917,0.0001075861,0.0002323587,0.000003443583,0.00008239635,0.002500482,0.00004110189,0.0001200881,0.01576168,0.9409009,0.040229],"study_design_scores_gemma":[0.000001008859,0.000002420558,0.0003609861,0.0004238995,0.000001705196,0.00003798409,0.001046288,0.000006353276,0.00002801732,0.0006657424,0.9974222,0.000003341393],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.001267482,0.7726619,0.0001325455,0.06112112,0.01380272,0.00001305233,0.000135429,0.00003125172,0.1508345],"genre_scores_gemma":[0.02762997,0.3406295,0.0003537574,0.01637894,0.00606838,0.00004190815,0.0001502605,0.0001327933,0.6086145],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.1869567,"threshold_uncertainty_score":0.371737,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W298257419","doi":"10.1353/srm.2010.0028","title":"Melancholy, Trauma, and National Character: Mme de Staël’s Considérations sur les principaux événements de la Revolution française","year":2010,"lang":"fr","type":"article","venue":"Studies in Romanticism","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Poetry; Character (mathematics); Romance; Enlightenment; Art; Art history; Politics; History; Classics; Humanities; Literature; Philosophy; Theology; Law","authors":[{"name":"Eric Gidal","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05141898287764133,"gpt":0.3481264890263648,"spread":0.2967075061487234,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00218413,0.0003507991,0.0003167161,0.001457634,0.008297898,0.004256019,0.0006868571,0.003106702,0.003296175],"category_scores_gemma":[0.002445288,0.000142411,0.0003019048,0.001112896,0.02153988,0.003834949,0.003499572,0.00348646,0.000212308],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.009042702,"about_ca_system_score_gemma":0.003702024,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.05235988,"about_ca_topic_score_gemma":0.08030429,"domain_scores_codex":[0.998835,0.000588482,0.00003184076,0.00009171366,0.0001518583,0.0003011624],"domain_scores_gemma":[0.9985726,0.0008232922,0.000126635,0.00004854786,0.0002541563,0.0001748062],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000375331,0.00002989581,0.003034519,0.00009656914,0.00001122989,0.0007942814,0.1077737,0.0001257834,0.000161341,0.8234184,0.04360785,0.02090881],"study_design_scores_gemma":[0.00001925573,0.00006413958,0.01967303,0.001227911,0.00001941257,0.001341497,0.1223775,0.0001708255,0.0002509275,0.1861873,0.6686071,0.00006091999],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.1241521,0.1859235,0.001062936,0.4241409,0.002004097,0.00003290992,0.0001146537,0.00001800528,0.2625509],"genre_scores_gemma":[0.9501628,0.02104736,0.0002531467,0.01424848,0.0007766465,0.00003381389,0.0000219685,0.00000861476,0.01344723],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.05235988,"threshold_uncertainty_score":0.1041102,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1451412144","doi":"10.1353/srm.2012.0021","title":"Organising Poetry: The Coleridge Circle, 1790–1798 by David Fairer","year":2012,"lang":"en","type":"article","venue":"Studies in Romanticism","topic":"Scottish History and National Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Didacticism; Ideology; Romanticism; Literature; Poetry; Politics; Aesthetics; Humanism; Philosophy; Sociology; Art; Law; Political science; Theology","authors":[{"name":"Scott Krawczyk","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08358754209371806,"gpt":0.3121104421748919,"spread":0.2285229000811739,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001236271,0.0006199258,0.0004185494,0.0037288,0.00638619,0.007372809,0.0006932506,0.002287594,0.017233],"category_scores_gemma":[0.003241998,0.0004267512,0.0001679656,0.004577411,0.01087574,0.003995358,0.002365278,0.003334249,0.003847601],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01291624,"about_ca_system_score_gemma":0.007498055,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.08599398,"about_ca_topic_score_gemma":0.1396469,"domain_scores_codex":[0.9987673,0.0003605614,0.0000469909,0.0002205192,0.0004737361,0.0001308628],"domain_scores_gemma":[0.9988869,0.0005001643,0.00009599184,0.00008255553,0.0002390252,0.0001954342],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002480055,0.00002406056,0.0002655699,0.0003494485,0.000003710538,0.000126081,0.0189387,0.00008358427,0.0001112776,0.188574,0.6892801,0.1022186],"study_design_scores_gemma":[0.000001162678,0.000001966189,0.0004113586,0.0002161618,3.550738e-7,0.00002083141,0.0009357849,0.000005228256,0.00001463778,0.002166881,0.9962236,0.000001954152],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.002448861,0.5328701,0.0004948781,0.05669143,0.006357358,0.00005494602,0.0001685731,0.000052114,0.4008617],"genre_scores_gemma":[0.09404083,0.2312113,0.001237036,0.009435392,0.009933261,0.0001166433,0.0002042714,0.0002014838,0.6536198],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.08599398,"threshold_uncertainty_score":0.1709869,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W343410740","doi":"10.1353/srm.2012.0036","title":"Strange Truths in Undiscovered Lands: Shelley’s Poetic Development and Romantic Geography by Nahoko Miyamoto Alvey","year":2012,"lang":"en","type":"article","venue":"Studies in Romanticism","topic":"Travel Writing and Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Poetry; Romance; Skepticism; Fantasy; Romanticism; Literature; Ideology; Art history; Criticism; Art; Philosophy; History; Law; Theology","authors":[{"name":"Nicholas Birns","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04762876395957235,"gpt":0.2799251927343636,"spread":0.2322964287747913,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000870944,0.0002380314,0.0003109441,0.0006971027,0.005126301,0.005572778,0.0004301924,0.0007534784,0.003126584],"category_scores_gemma":[0.002046481,0.0002211031,0.0001387518,0.000752061,0.009646914,0.004792905,0.003185356,0.002531928,0.0004194969],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003232508,"about_ca_system_score_gemma":0.001943082,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01141132,"about_ca_topic_score_gemma":0.02633019,"domain_scores_codex":[0.9994339,0.0002568868,0.00001669925,0.00005995587,0.000138364,0.00009424865],"domain_scores_gemma":[0.9994233,0.0002720603,0.00006080972,0.00003408853,0.00010294,0.0001069053],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004211273,0.00002368144,0.001088699,0.000181424,0.000007464197,0.000910444,0.1384948,0.0001290963,0.0003528211,0.6315484,0.1831218,0.04409922],"study_design_scores_gemma":[0.00000509834,0.00001317932,0.001661219,0.0003552056,0.000007753316,0.0004780799,0.04869614,0.00009255451,0.0001584389,0.04291816,0.9055963,0.00001786782],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.06549554,0.0934056,0.003028035,0.1109187,0.004342379,0.00004023163,0.00005423018,0.00009735521,0.7226179],"genre_scores_gemma":[0.7645941,0.02664964,0.001238557,0.005469674,0.001207742,0.00005124779,0.00002591636,0.000106923,0.200656],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01141132,"threshold_uncertainty_score":0.02345359,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3012579551","doi":"10.1353/srm.2010.0042","title":"Science and Sensation in Romantic Poetry by Noel Jackson","year":2010,"lang":"en","type":"article","venue":"Studies in Romanticism","topic":"Computational and Text Analysis Methods","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Romanticism; Poetry; Romance; Reading (process); Literature; Art; Art history; History; Philosophy","authors":[{"name":"David S. Miall","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04571336324339675,"gpt":0.446886437473932,"spread":0.4011730742305353,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001446696,0.0008983103,0.0008251541,0.002156657,0.002414066,0.00334554,0.0006735332,0.001604823,0.008336161],"category_scores_gemma":[0.005354131,0.0003071674,0.0002585122,0.001975178,0.004339719,0.005668793,0.00182273,0.004388868,0.003257798],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001942092,"about_ca_system_score_gemma":0.001874613,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005658167,"about_ca_topic_score_gemma":0.00787354,"domain_scores_codex":[0.9989824,0.0004051075,0.00004169837,0.0001458736,0.0003737745,0.00005109313],"domain_scores_gemma":[0.9975994,0.001341337,0.0001420906,0.00003862341,0.000585618,0.0002929636],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004484047,0.00002360112,0.0002195087,0.0004590517,0.000008614166,0.0001126129,0.003561841,0.0001646242,0.0001537005,0.04803813,0.8876816,0.05953189],"study_design_scores_gemma":[0.000004485148,0.000009736463,0.0005505781,0.0005732952,0.000004164271,0.0002266281,0.00126158,0.00008340942,0.00005435672,0.01077351,0.9864421,0.00001619019],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.002701959,0.6199296,0.001285636,0.2594782,0.05249832,0.0000272193,0.00007933118,0.00004898026,0.06395075],"genre_scores_gemma":[0.1060438,0.5326589,0.002474397,0.06154228,0.09782586,0.0001244332,0.0001577763,0.0002633201,0.1989091],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.008336161,"threshold_uncertainty_score":0.02788723,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3012592662","doi":"10.1353/srm.2010.0044","title":"Labors of Imagination: Aesthetics and Political Economy from Kant to Althusser by Jan Mieszkowski","year":2010,"lang":"en","type":"article","venue":"Studies in Romanticism","topic":"Political Economy and Marxism","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Adam smith; Romanticism; Politics; Nationalism; Aesthetics; Philosophy; Art history; Sociology; Law; Art; Political science; Neoclassical economics; Economics","authors":[{"name":"J. Adam Carter","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01985309760374046,"gpt":0.3583080240532081,"spread":0.3384549264494676,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001009887,0.000889187,0.0005879682,0.001374084,0.001979876,0.00486032,0.000507774,0.001651804,0.00969956],"category_scores_gemma":[0.002530791,0.0003945642,0.0002736836,0.00250664,0.007595144,0.006766165,0.001843999,0.006035948,0.001614832],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003153819,"about_ca_system_score_gemma":0.001893759,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00476842,"about_ca_topic_score_gemma":0.004561097,"domain_scores_codex":[0.9993849,0.0002879552,0.0000308896,0.0001060193,0.0001458315,0.00004441544],"domain_scores_gemma":[0.9989642,0.0006309668,0.00009197254,0.00003796238,0.000175347,0.00009965062],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008367522,0.00003279654,0.0005781411,0.000949066,0.00001810368,0.0001293983,0.00632902,0.0004835825,0.0002817549,0.4102226,0.4850576,0.09583415],"study_design_scores_gemma":[0.00001229252,0.00001438255,0.002127341,0.001350637,0.00001001434,0.0002291279,0.004176437,0.00022769,0.0001291127,0.1876104,0.804083,0.0000294502],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.002571064,0.7941294,0.0007614815,0.1627283,0.009482848,0.00000878992,0.00004115003,0.0000113703,0.03026548],"genre_scores_gemma":[0.1579841,0.7285547,0.001082226,0.01515296,0.03231699,0.00004496266,0.00009372042,0.00007823185,0.064692],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.00969956,"threshold_uncertainty_score":0.03244823,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W257610069","doi":"10.1353/srm.2012.0023","title":"The Suffering Traveller and the Romantic Imagination by Carl Thompson","year":2012,"lang":"en","type":"article","venue":"Studies in Romanticism","topic":"Multicultural Socio-Legal Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Historicism; Context (archaeology); Philosophy; Literature; Romance; Sacrifice; New Historicism; Epistemology; Art; History; Theology","authors":[{"name":"Jonathan Lamb","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03895670818859284,"gpt":0.3569701338179007,"spread":0.3180134256293079,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006370929,0.0006138854,0.0005123587,0.00128452,0.005394677,0.005604902,0.0006352624,0.002298028,0.007611576],"category_scores_gemma":[0.00173497,0.0002399114,0.000194413,0.001635709,0.01014828,0.004066685,0.002249872,0.003553981,0.002103796],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00799064,"about_ca_system_score_gemma":0.004446678,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02224715,"about_ca_topic_score_gemma":0.04593199,"domain_scores_codex":[0.9991793,0.0004485464,0.00002064256,0.00008404797,0.000176079,0.00009145316],"domain_scores_gemma":[0.9994525,0.0003228303,0.0000430895,0.00003071203,0.00007519351,0.00007560857],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002262468,0.00002296287,0.0001458217,0.0004178775,0.000005586553,0.0002382846,0.0183426,0.0001471783,0.0001249553,0.4746289,0.4650696,0.04083367],"study_design_scores_gemma":[0.00000210785,0.000005930942,0.0002013177,0.0006349149,0.000001851591,0.0001962487,0.005432069,0.00003613532,0.00003439393,0.01986869,0.9735795,0.000006876372],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.003530853,0.6042541,0.0004981222,0.07145783,0.00704894,0.00001367959,0.00003850679,0.00003421852,0.3131237],"genre_scores_gemma":[0.1771099,0.4152107,0.001011802,0.02555379,0.007686054,0.00008002462,0.0001036207,0.0002252425,0.3730189],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.02224715,"threshold_uncertainty_score":0.05797642,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W212187036","doi":"10.1353/srm.2013.0008","title":"Romantic Feuds: Transcending the “Age of Personality” by Kim Wheatley","year":2013,"lang":"en","type":"article","venue":"Studies in Romanticism","topic":"Themes in Literature Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Romance; History; Identity (music); Politics; Literature; Psychoanalysis; Art; Psychology; Law; Aesthetics; Political science","authors":[{"name":"Tom Mole","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04440522427109336,"gpt":0.283860145521604,"spread":0.2394549212505107,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001103429,0.0005172542,0.000346777,0.0009971515,0.005768877,0.005630233,0.0007434591,0.00185663,0.006870952],"category_scores_gemma":[0.001713259,0.0002201252,0.0001772033,0.0007862482,0.01136843,0.005168878,0.002991967,0.005482643,0.002065165],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003904862,"about_ca_system_score_gemma":0.00254634,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0111356,"about_ca_topic_score_gemma":0.02409824,"domain_scores_codex":[0.9990354,0.0005846675,0.00001540259,0.00007454407,0.0001990532,0.0000911259],"domain_scores_gemma":[0.9992744,0.0003744026,0.00005288624,0.00005330733,0.0001025358,0.0001424096],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0000213195,0.00004414643,0.0003033018,0.0001811095,0.000004637026,0.0002965558,0.04480313,0.00005591329,0.0001179835,0.4779555,0.4066459,0.06957049],"study_design_scores_gemma":[0.000003341906,0.00001026169,0.0003243088,0.0005633688,0.00000263974,0.0002131992,0.01167178,0.00002628658,0.00005077658,0.02340213,0.9637247,0.000007173355],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.007420455,0.3406019,0.00105696,0.1294278,0.009261403,0.00002792046,0.00003541,0.00006698881,0.5121011],"genre_scores_gemma":[0.2875011,0.2106864,0.001304153,0.04755763,0.008594317,0.0001455938,0.00006038895,0.0001939399,0.4439565],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.0111356,"threshold_uncertainty_score":0.02833188,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}