{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":3,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":3,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"511fc9a39051","filters":{"venue":"TMG Journal for Media History"}},"results":[{"id":"W3100735647","doi":"10.18146/tmg.588","title":"Queering New Cinema History: Affective Methodologies for Comparative History","year":2020,"lang":"en","type":"article","venue":"TMG Journal for Media History","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Waterloo","funders":"","keywords":"Movie theater; Hollywood; Ephemera; Queer; Mainstream; Scholarship; Aesthetics; Film studies; Exhibition; Sociology; Queer theory; Art; Visual arts; Media studies; Gender studies; Art history; Political science","authors":[{"name":"Jonathan Petrychyn","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.395101114201503,"gpt":0.3157241942924483,"spread":0.07937691990905471,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0279629,0.0009271381,0.0009922604,0.01217955,0.006350763,0.01074868,0.00228885,0.001782963,0.01656462],"category_scores_gemma":[0.04920286,0.0004765561,0.0005467049,0.0130975,0.03151301,0.01302775,0.00558665,0.003349475,0.001006786],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006748198,"about_ca_system_score_gemma":0.003811802,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004136085,"about_ca_topic_score_gemma":0.005798429,"domain_scores_codex":[0.9820927,0.01595201,0.0002902879,0.0007316523,0.0005938555,0.0003394178],"domain_scores_gemma":[0.9310426,0.05820185,0.002605378,0.005188581,0.0020584,0.0009032604],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00001622856,0.00004249305,0.0008743494,0.0003076112,0.00002227294,0.00006592849,0.02395654,0.0001652516,0.00007042913,0.9482828,0.00247491,0.02372124],"study_design_scores_gemma":[0.00001567772,0.00004586849,0.002793676,0.001207364,0.00002683611,0.0000935892,0.05154591,0.001269539,0.0001896075,0.8344249,0.108367,0.00002003085],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.04161485,0.04721359,0.4126858,0.02871575,0.001450472,0.001392549,0.001304195,0.0002150195,0.4654078],"genre_scores_gemma":[0.7806029,0.01981444,0.170132,0.003292422,0.001538549,0.007520057,0.0007390031,0.0003058784,0.01605467],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.0279629,"threshold_uncertainty_score":0.1478837,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3104487048","doi":"10.18146/tmg.797","title":"Common Ground: Comparative Histories of Cinema Audiences","year":2020,"lang":"en","type":"article","venue":"TMG Journal for Media History","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Movie theater; Common ground; Art; Geography; History; Art history; Sociology; Communication","authors":[{"name":"Thunnis van Oort","is_ca":false},{"name":"Jessica Leonora Whitehead","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.2139448233885136,"gpt":0.3407485709120905,"spread":0.1268037475235769,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005775475,0.0005219591,0.0007606018,0.02210238,0.01187322,0.01001283,0.001775218,0.002263076,0.02331254],"category_scores_gemma":[0.01980782,0.0005976782,0.0002699611,0.01600904,0.009348141,0.01214495,0.008628835,0.00272082,0.001074843],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005078167,"about_ca_system_score_gemma":0.001561727,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.009782277,"about_ca_topic_score_gemma":0.02386459,"domain_scores_codex":[0.9948506,0.002762686,0.0002329494,0.0007736314,0.0006502575,0.0007298579],"domain_scores_gemma":[0.9862395,0.0093858,0.001155278,0.0006818024,0.001252083,0.001285506],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0000706319,0.00002632702,0.002744994,0.0002744205,0.00001168418,0.0005293313,0.9451649,0.00001152711,0.0004090094,0.02724549,0.003340186,0.02017141],"study_design_scores_gemma":[0.00001148576,0.00008294059,0.03260232,0.001563265,0.00002581547,0.00111379,0.6704038,0.00006534028,0.0008197907,0.003189642,0.2900815,0.00004022792],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6262315,0.04948196,0.001671428,0.006860806,0.001051488,0.0001848375,0.0009379408,0.00008587319,0.3134943],"genre_scores_gemma":[0.9707524,0.008510431,0.000346511,0.0003255701,0.0005283284,0.00008928347,0.0003100085,0.00009210463,0.01904553],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.02331254,"threshold_uncertainty_score":0.07798821,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3101724709","doi":"10.18146/tmg.648","title":"Comparison of Canadian Urban and Small-town Exhibition Practices 1914-1929","year":2020,"lang":"en","type":"article","venue":"TMG Journal for Media History","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"University of Toronto","funders":"","keywords":"Exhibition; Hollywood; Movie theater; Period (music); Geography; Variance (accounting); Newspaper; History; Visual arts; Economic geography; Media studies; Art history; Sociology; Art; Aesthetics; Business","authors":[{"name":"Jessica Leonora Whitehead","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1788488182340921,"gpt":0.2752520148129954,"spread":0.09640319657890331,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005375727,0.0003089283,0.0002180576,0.00324677,0.00734502,0.00295599,0.001064673,0.0002987897,0.009715397],"category_scores_gemma":[0.001795361,0.0002374821,0.0002452521,0.005533829,0.001996419,0.0004765981,0.001647544,0.0006256343,0.0003835116],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.04555956,"about_ca_system_score_gemma":0.02562222,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9911721,"about_ca_topic_score_gemma":0.998156,"domain_scores_codex":[0.9994129,0.00004580482,0.00001222895,0.00007663903,0.0002116035,0.0002408606],"domain_scores_gemma":[0.9980723,0.0002365905,0.0001906021,0.00008125528,0.0008884816,0.0005307456],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"observational","study_design_scores_codex":[0.0005806813,0.0001987169,0.3338729,0.0006494094,0.0001440064,0.002085295,0.4392384,0.0007468372,0.006428528,0.01384759,0.03503168,0.167176],"study_design_scores_gemma":[0.000004301347,0.00003244223,0.755419,0.0001621485,0.00002613203,0.0002114874,0.1468144,0.0001596164,0.0006721619,0.00007731192,0.09637811,0.00004303081],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.934436,0.001200586,0.0002662117,0.0009784636,0.00003724373,0.00006271555,0.002195028,0.00003709407,0.06078671],"genre_scores_gemma":[0.9831722,0.001289637,0.0002078511,0.00006432027,0.0000100134,0.00001591437,0.0006954978,0.00002187377,0.01452267],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.04555956,"threshold_uncertainty_score":0.3305593,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}