{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":3,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":3,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"query_hash":"2d28ce5a0c3b","filters":{"venue":"TOMA UNO"}},"results":[{"id":"W1789974868","doi":"10.55442/tomauno.n3.2014.9307","title":"LECTURAS NÓMADES DE LOS PAISAJES CINEMATOGRÁFICOS CONTEMPORÁNEOS. Reseña del libro No coração do mundo. Paisagens transculturais. Denilson Lopes, Editorial Rocco, Río de Janeiro, 2012.","year":2014,"lang":"es","type":"article","venue":"TOMA UNO","topic":"Cultural, Media, and Literary Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Canadian Association of Nurses in Oncology","funders":"","keywords":"LOPES; Humanities; Art; Physics","retraction":null,"screen_n_in":null,"score":{"opus":0.01677485710221641,"gpt":0.2462026432179983,"spread":0.2294277861157819,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009073431,0.001244032,0.001472214,0.0002401668,0.001655314,0.002338205,0.0008608018,0.0006313643,0.003297125],"category_scores_gemma":[0.0007160542,0.0009493676,0.0007401402,0.0001629282,0.0009295161,0.001239686,0.00016055,0.001034012,0.0007040313],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001786817,"about_ca_system_score_gemma":0.0002409037,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001687276,"about_ca_topic_score_gemma":0.001801513,"domain_scores_codex":[0.9941892,0.0007985605,0.001250942,0.001055371,0.0009765838,0.001729362],"domain_scores_gemma":[0.9961945,0.001188161,0.0004750254,0.0007630934,0.0007638974,0.0006152663],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0009410526,0.0004368801,0.00325794,0.001250634,0.0008164836,0.0001016928,0.09832532,0.00001223609,0.001956436,0.01186541,0.8779702,0.00306577],"study_design_scores_gemma":[0.0030761,0.000878293,0.002714849,0.001118065,0.0004794543,0.00007272031,0.007067472,0.0001825139,0.0006636994,0.0004799,0.9818908,0.001376163],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.780893,0.05234218,0.0001611516,0.002707494,0.05628218,0.002608638,0.001370479,0.001325229,0.1023097],"genre_scores_gemma":[0.8781086,0.002001243,0.0001719496,0.0008976612,0.09562066,0.0001564353,0.0003028164,0.0001623881,0.02257826],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1039206,"threshold_uncertainty_score":0.9996444,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1952229185","doi":"10.55442/tomauno.n3.2014.9309","title":"LA MEMORIA DEL CINE. Reseña del libro Estados generales del tercer cine: los documentos de Montreal. 1974. Mirta Varela y Mariano Mestman (Dir.), Rehime: Cuadernos de la Red de Historia de los Medios, Buenos Aires, 2013.","year":2014,"lang":"es","type":"article","venue":"TOMA UNO","topic":"Cinema History and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.008615882888927255,"gpt":0.2418862110299021,"spread":0.2332703281409749,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.002157127,0.00126296,0.001327483,0.0006964514,0.001431072,0.001064174,0.001363476,0.001362733,0.004936217],"category_scores_gemma":[0.0007261495,0.00132465,0.000578402,0.0001946697,0.001380886,0.0007651369,0.0003372723,0.001693277,0.000264817],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001929836,"about_ca_system_score_gemma":0.001176431,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03630549,"about_ca_topic_score_gemma":0.01429889,"domain_scores_codex":[0.9917689,0.002444364,0.001468428,0.001333574,0.0009077471,0.002077002],"domain_scores_gemma":[0.9949171,0.001383866,0.0005748725,0.00167173,0.0003506595,0.001101748],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.001095128,0.001056923,0.002842029,0.00127083,0.000617563,0.001333607,0.01563272,0.0002811974,0.008387557,0.0637339,0.8977677,0.00598082],"study_design_scores_gemma":[0.004667568,0.0005440944,0.008906511,0.001230608,0.001425658,0.0005754836,0.000849358,0.004156428,0.0006589034,0.007472317,0.9678119,0.001701173],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6900104,0.06388799,0.001300434,0.00904871,0.004081958,0.00286259,0.001074164,0.001720246,0.2260136],"genre_scores_gemma":[0.8179089,0.002756524,0.00247847,0.002524761,0.008070537,0.0004239095,0.0002713594,0.0005397792,0.1650258],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1278985,"threshold_uncertainty_score":0.9999728,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2107528409","doi":"10.55442/tomauno.n2.2013.9352","title":"La sombra azul: una adaptación de Sergio Schmucler","year":2013,"lang":"es","type":"article","venue":"TOMA UNO","topic":"Cinema History and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Novelis (Canada)","funders":"","keywords":"Art; Humanities","retraction":null,"screen_n_in":null,"score":{"opus":0.01413061938343184,"gpt":0.2272770839268562,"spread":0.2131464645434244,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001594082,0.0002946792,0.000296366,0.0001160909,0.0005463209,0.0006702076,0.000269385,0.000183361,0.03767725],"category_scores_gemma":[0.00002926477,0.0002823835,0.0001772001,0.00003754514,0.0004416879,0.0004700706,0.00008387891,0.0003552534,0.007504849],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000913499,"about_ca_system_score_gemma":0.0001006325,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0008820218,"about_ca_topic_score_gemma":0.0001225916,"domain_scores_codex":[0.9984949,0.0001484678,0.0003082094,0.0003067672,0.0002156547,0.0005259993],"domain_scores_gemma":[0.9990867,0.0001199228,0.00007870585,0.0003930064,0.0001261578,0.0001954853],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002201179,0.0002041778,0.0002020442,0.0001870378,0.00006966611,0.00006803429,0.01152022,0.000003202857,0.0006370039,0.866778,0.1142959,0.006012692],"study_design_scores_gemma":[0.0005446905,0.0001376816,0.004191767,0.0002095642,0.00006984958,0.00003070744,0.003124205,0.000172504,0.0001532506,0.006704409,0.9842463,0.0004150759],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6208017,0.001540033,0.00001277426,0.001342183,0.0005125186,0.0002021107,0.00003472575,0.0001860494,0.3753679],"genre_scores_gemma":[0.9032273,0.00006516502,0.00007862379,0.001151077,0.001187261,0.00004010107,0.000009853846,0.00005664095,0.09418397],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8699504,"threshold_uncertainty_score":0.9999628,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}