{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":30,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":30,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"query_hash":"ccfc58f0f873","filters":{"venue":"Tempo"}},"results":[{"id":"W2005750946","doi":"10.1017/s0040298200007816","title":"Wolfgang Rihm's Recent Music","year":2000,"lang":"en","type":"article","venue":"Tempo","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":26,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"German; Dialectic; Fantasy; Pace; Personality; Quarter (Canadian coin); Aesthetics; History; Literature; Sociology; Epistemology; Art; Psychoanalysis; Psychology; Philosophy","retraction":null,"screen_n_in":null,"score":{"opus":0.04792203755620405,"gpt":0.2170083744828872,"spread":0.1690863369266831,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00008332342,0.00008819903,0.0001370992,0.0000416244,0.0002649515,0.0000541357,0.0001052045,0.00003713607,0.4198824],"category_scores_gemma":[0.000008228117,0.00006862422,0.0000758396,0.00004204702,0.0001504084,0.00008461288,0.00001407392,0.0001015122,0.003665492],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000128069,"about_ca_system_score_gemma":0.00001237353,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001941286,"about_ca_topic_score_gemma":0.001388974,"domain_scores_codex":[0.999395,0.0000334872,0.000138841,0.0001572479,0.00009133111,0.0001840815],"domain_scores_gemma":[0.9996926,0.00003180459,0.00002340527,0.0001633794,0.00003201415,0.00005683814],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004677011,0.0002674596,0.0001010704,0.00001588042,0.0001366558,0.00003655151,0.01789577,0.000008917754,0.00008306413,0.262426,0.4339214,0.2850605],"study_design_scores_gemma":[0.0001371782,0.00002922713,0.0002391346,0.000005229675,0.00003495068,0.00000115016,0.0002295311,0.00002373082,0.00002995741,0.002976443,0.9961902,0.0001032431],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.318579,0.0001144636,0.000001643704,0.001930877,0.0002377257,0.00005613611,0.000006817269,0.00009470372,0.6789786],"genre_scores_gemma":[0.8470464,0.0000609583,0.00002173556,0.00635277,0.001092113,0.00001528694,0.00002164472,0.00001064527,0.1453784],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.5622688,"threshold_uncertainty_score":0.9971102,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2155048510","doi":"10.1017/s0040298207000010","title":"ON CLAUDE VIVIER'S ‘LONELY CHILD’","year":2007,"lang":"en","type":"article","venue":"Tempo","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":11,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Uncanny; Identity (music); Psychoanalysis; Key (lock); Reputation; Sociology; History; Art; Literature; Art history; Psychology; Aesthetics; Social science","retraction":null,"screen_n_in":null,"score":{"opus":0.01845017968067886,"gpt":0.2948779513245747,"spread":0.2764277716438959,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005438451,0.00008299363,0.0001239877,0.00005191581,0.0005512534,0.0000713682,0.0001872318,0.0001229846,0.0007979694],"category_scores_gemma":[0.0000865588,0.00006071985,0.0001021635,0.0003472721,0.0001244922,0.0001103482,0.00001558133,0.0001534834,0.0003816054],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004391134,"about_ca_system_score_gemma":0.00002186662,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0005630503,"about_ca_topic_score_gemma":0.005390709,"domain_scores_codex":[0.9990819,0.00006707034,0.0001328698,0.0001782567,0.0002442055,0.000295736],"domain_scores_gemma":[0.9995854,0.00007493385,0.00005100619,0.0001189198,0.00005054475,0.000119222],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009571025,0.0003650167,0.007918797,0.00001359609,0.000176016,0.00007545453,0.03195719,0.000008424757,0.0007035983,0.7450498,0.1829311,0.03070535],"study_design_scores_gemma":[0.0001869203,0.00006003458,0.01769653,0.00001669714,0.00002963131,0.000001261206,0.001932378,0.000002233729,0.0001944551,0.008846968,0.9708456,0.0001872492],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3257479,0.0004624485,0.00001912476,0.003458029,0.0004623976,0.0001081236,0.000003776853,0.0001067582,0.6696314],"genre_scores_gemma":[0.9782363,0.00001781301,0.00005300116,0.00896417,0.000783187,0.000002772549,0.000008689686,0.000004723574,0.01192937],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7879146,"threshold_uncertainty_score":0.8737205,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2728842753","doi":"10.1590/tem-1980-542x2017v230209","title":"The Slave Ship Manuelita and the Story of a Yoruba Community, 1833-1834","year":2017,"lang":"en","type":"article","venue":"Tempo","topic":"Colonialism, slavery, and trade","field":"Social Sciences","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Brock University","funders":"","keywords":"Yoruba; Apprenticeship; History; Ancient history; Genealogy; Ethnology; Geography; Archaeology","retraction":null,"screen_n_in":null,"score":{"opus":0.05649677037425599,"gpt":0.349251892502191,"spread":0.292755122127935,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.003793626,0.00006471171,0.0001252549,0.00001349076,0.006242193,0.0001923532,0.0008618207,0.00005409132,0.00001246908],"category_scores_gemma":[0.0007170867,0.0000377333,0.00005793286,0.00003207262,0.002557001,0.00009465637,0.0001754522,0.0003229376,0.00000819285],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002345435,"about_ca_system_score_gemma":0.00009104789,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.01715926,"about_ca_topic_score_gemma":0.03356641,"domain_scores_codex":[0.9982619,0.001151143,0.0001055634,0.00007179524,0.0002296029,0.000179949],"domain_scores_gemma":[0.9977131,0.001439085,0.0001367083,0.0006264251,0.00003874634,0.00004595674],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002712818,0.0001152551,0.02683985,0.00004212105,0.0001344516,0.000007545083,0.6389456,5.054079e-7,0.00004751008,0.2912123,0.01604639,0.02633717],"study_design_scores_gemma":[0.001870892,0.00008785207,0.2503109,0.0000489205,0.00007482831,0.000002587483,0.04893589,0.00001586125,0.0000821096,0.07170948,0.6266592,0.0002014825],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8801926,0.001048148,0.000001891061,0.02505941,0.0003977545,0.0002819366,0.000007866268,0.00002529887,0.09298506],"genre_scores_gemma":[0.9967791,0.0003454902,0.000006913021,0.0001459797,0.0001694388,0.000011194,6.381793e-7,0.000005232855,0.002535978],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6106129,"threshold_uncertainty_score":0.9950516,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2114501100","doi":"10.1017/s0040298209000345","title":"MICROTONAL STORM AND STRESS: GEORGY RIMSKY-KORSAKOV AND QUARTER-TONE MUSIC IN 1920S SOVIET RUSSIA","year":2009,"lang":"en","type":"article","venue":"Tempo","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Musical; Quarter (Canadian coin); Tone (literature); Politics; History; Literature; Art; Law; Political science; Archaeology","retraction":null,"screen_n_in":null,"score":{"opus":0.01683762760916643,"gpt":0.2298712845254136,"spread":0.2130336569162471,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001406691,0.0001606564,0.0002794599,0.0001350943,0.0002155884,0.0000947447,0.00008496063,0.00007854697,0.00316115],"category_scores_gemma":[0.000008867013,0.000131144,0.00004905897,0.00004454935,0.0002755635,0.0001543087,0.00003408303,0.0001810428,0.0000299855],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001121065,"about_ca_system_score_gemma":0.00001818755,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0005880138,"about_ca_topic_score_gemma":0.01159276,"domain_scores_codex":[0.9990966,0.00005083959,0.0002289374,0.00027976,0.00009649176,0.000247389],"domain_scores_gemma":[0.9996341,0.00005257904,0.00006185735,0.0001422769,0.00002251606,0.00008667149],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003826941,0.001625094,0.02322696,0.0002285657,0.0003118637,0.0002291404,0.1033843,0.000006042828,0.003664695,0.7124303,0.09272374,0.06178661],"study_design_scores_gemma":[0.003984479,0.001258554,0.3401888,0.0002285635,0.000288023,0.00003421467,0.01029139,0.0004013496,0.0003612695,0.0445951,0.5970469,0.001321294],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9688029,0.0007156997,0.000003816656,0.003861815,0.0001093539,0.0001563032,0.00004331313,0.00004159051,0.02626521],"genre_scores_gemma":[0.9953917,0.00004074704,0.00003498707,0.002207721,0.0003558633,0.00001174078,0.00002944044,0.000007112357,0.001920668],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6678352,"threshold_uncertainty_score":0.9977501,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2108419562","doi":"10.1017/s0040298214000333","title":"AUTOMATIC WRITING AND GRAMMELOT IN CLAUDE VIVIER'S<i>LANGUE INVENTÉE</i>","year":2014,"lang":"en","type":"article","venue":"Tempo","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Linguistics; Nonsense; Scholarship; Section (typography); Philosophy; Art; Literature; History; Computer science; Law","retraction":null,"screen_n_in":null,"score":{"opus":0.02197717080609801,"gpt":0.2207655530793144,"spread":0.1987883822732164,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002910796,0.00008686542,0.0001893104,0.00008141957,0.0001587636,0.0000612116,0.00007369861,0.00003988873,0.002153023],"category_scores_gemma":[0.00005090953,0.00007166107,0.00003953011,0.00003357126,0.000146002,0.00007760944,0.00003998726,0.000115273,0.00009099716],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000009159554,"about_ca_system_score_gemma":0.000006363721,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0006684962,"about_ca_topic_score_gemma":0.009504975,"domain_scores_codex":[0.9993356,0.00007337279,0.0001960696,0.0001485512,0.00006732781,0.0001790684],"domain_scores_gemma":[0.9996572,0.0001183505,0.00004806046,0.0001103895,0.00001570666,0.000050329],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000008378854,0.0001711568,0.01194393,0.0001872183,0.00006597986,0.00001583435,0.01900966,0.000003395814,0.0002066899,0.8738622,0.01388021,0.08064534],"study_design_scores_gemma":[0.001704465,0.0002370363,0.03062464,0.0002450073,0.0001583086,0.00001044817,0.003368901,0.02077259,0.0001186835,0.05946208,0.8825541,0.0007437753],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9069089,0.00009784415,0.0000165927,0.001179988,0.0001126591,0.00007137627,0.000002427397,0.00006912289,0.09154107],"genre_scores_gemma":[0.9958537,0.00000474441,0.00005740351,0.00259181,0.0002978763,0.00001475223,0.000007417589,0.000007957513,0.001164327],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8686739,"threshold_uncertainty_score":0.9987592,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1585019331","doi":"10.1590/s1413-77042006000100002","title":"Revisitando as origens malgaxes","year":2006,"lang":"pt","type":"article","venue":"Tempo","topic":"Language, Linguistics, Cultural Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Philosophy; Epistemology; Medicine","retraction":null,"screen_n_in":null,"score":{"opus":0.01657226789953004,"gpt":0.2397403023813469,"spread":0.2231680344818169,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001927404,0.000356529,0.000496473,0.000105807,0.0006411826,0.0005765241,0.0002916067,0.0001117631,0.02738857],"category_scores_gemma":[0.0001552891,0.0002633948,0.0003467174,0.0001003677,0.0001954005,0.0001140373,0.00008926116,0.0002174813,0.005722866],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00009459416,"about_ca_system_score_gemma":0.0000431047,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01333457,"about_ca_topic_score_gemma":0.004896893,"domain_scores_codex":[0.9980743,0.00007876402,0.0005667947,0.0004238337,0.0003873475,0.0004689797],"domain_scores_gemma":[0.9988287,0.00007793783,0.0002300616,0.0004397718,0.0003206809,0.0001028224],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003598363,0.0001796289,0.001633987,0.0002101154,0.0003412115,0.0003366121,0.01224582,0.00001314701,0.0001348984,0.77706,0.2069962,0.0008124341],"study_design_scores_gemma":[0.0004629116,0.0001123358,0.0005584909,0.0001723616,0.0006781762,0.00001307195,0.007537236,0.00008318414,0.0002830828,0.01087142,0.9785582,0.0006695373],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1525229,0.01042078,0.00004748551,0.001816932,0.001992679,0.0003986408,0.0003682945,0.0003415733,0.8320907],"genre_scores_gemma":[0.6129454,0.00005861968,0.00003516095,0.000294522,0.005294796,0.000004754736,0.0001223543,0.00002936984,0.381215],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.771562,"threshold_uncertainty_score":0.9999818,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1876525659","doi":"10.1590/s1413-77042010000100005","title":"A bossa nova e a influência do blues, 1955-1964","year":2010,"lang":"pt","type":"article","venue":"Tempo","topic":"Brazilian cultural history and politics","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Blues; Nova (rocket); Jazz; Nova scotia; Art; Humanities; Art history; Sociology; Ethnology; Engineering","retraction":null,"screen_n_in":null,"score":{"opus":0.04611709642442736,"gpt":0.33608112703808,"spread":0.2899640306136527,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0007090665,0.0002987003,0.0003290788,0.0000735623,0.0009812928,0.0001704331,0.0006701321,0.0005491745,0.008841958],"category_scores_gemma":[0.0002976354,0.0002812308,0.0002089134,0.0004773511,0.0009218593,0.000253599,0.00009638558,0.0009463411,0.005355544],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001395245,"about_ca_system_score_gemma":0.0005805799,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002756443,"about_ca_topic_score_gemma":0.01515741,"domain_scores_codex":[0.9976554,0.0001868874,0.0004071301,0.0004352312,0.0005293579,0.0007859775],"domain_scores_gemma":[0.9984922,0.0001455751,0.0001931765,0.000505914,0.0001689011,0.0004942532],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000048323,0.0003828534,0.008410232,0.000165178,0.00009705646,0.00008758885,0.2017451,0.000001023917,0.008669795,0.1834381,0.5870584,0.00989636],"study_design_scores_gemma":[0.0002796406,0.00005750469,0.006230468,0.00004447474,0.00004705397,0.000006633774,0.003290256,0.00000589087,0.0001290084,0.001159043,0.9883313,0.0004187915],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7010481,0.000747797,0.000001351062,0.003575725,0.006491787,0.0003457083,0.0001109703,0.0001416118,0.2875369],"genre_scores_gemma":[0.889448,0.00003661064,0.00008210006,0.001208445,0.002288306,0.000008000788,0.000008995627,0.00002490104,0.1068946],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4012729,"threshold_uncertainty_score":0.999964,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2412386121","doi":"10.1017/s0040298216000164","title":"TUBER, RHIZOME, TENDRIL AND CORM: ON THE MUSIC OF MARTIN ARNOLD","year":2016,"lang":"en","type":"article","venue":"Tempo","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Active listening; Czech; Art; Performance art; Art history; Sociology; Philosophy; Linguistics; Communication","retraction":null,"screen_n_in":null,"score":{"opus":0.04683532140543627,"gpt":0.1999890291522063,"spread":0.15315370774677,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001494336,0.00007738344,0.0001403884,0.00004367209,0.0001469878,0.00001681096,0.00009095499,0.00003026039,0.01356929],"category_scores_gemma":[0.00005025133,0.00003305647,0.00005714025,0.0000251316,0.0003802576,0.00004408803,0.00003797634,0.00005755954,0.0001654939],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000004933809,"about_ca_system_score_gemma":0.00000801326,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00008689687,"about_ca_topic_score_gemma":0.0007774612,"domain_scores_codex":[0.9994844,0.00004262162,0.0001445518,0.0001213317,0.00008696567,0.000120133],"domain_scores_gemma":[0.999463,0.0002337791,0.00006118178,0.0001774484,0.0000341327,0.00003044284],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004524702,0.00009350364,0.0008427159,0.00001392864,0.00008433833,0.000003582922,0.003341629,7.669211e-8,0.001601429,0.8614153,0.122232,0.01032617],"study_design_scores_gemma":[0.0006210235,0.0003157684,0.006522118,0.00008556338,0.0001148664,0.000002728525,0.0009319251,0.00002708865,0.001586981,0.01887046,0.9707031,0.0002184043],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8707866,0.0000526607,0.000003019552,0.00479794,0.0001539407,0.0000728376,0.00001722967,0.00002344174,0.1240923],"genre_scores_gemma":[0.9733125,0.000009482635,0.000002987457,0.001671396,0.0002149756,0.000009982011,0.000001285267,0.000005656981,0.02477172],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.848471,"threshold_uncertainty_score":0.9873325,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2762720026","doi":"10.1017/s0040298217000572","title":"MY WORLD AS I REMEMBER IT: AN INTERVIEW WITH CHRISTOPHER BUTTERFIELD","year":2017,"lang":"en","type":"article","venue":"Tempo","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Guitar; Composition (language); The arts; Art history; Music education; Czech; Art; Musical composition; Visual arts; History; Library science; Literature; Management","retraction":null,"screen_n_in":null,"score":{"opus":0.06196767651157992,"gpt":0.3466239765193011,"spread":0.2846563000077212,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003545872,0.0001082015,0.0001804394,0.00002887027,0.001003077,0.0004368957,0.0005206264,0.0000822279,0.003487255],"category_scores_gemma":[0.00005127117,0.00006988942,0.00007546702,0.000119196,0.0002729723,0.0005081377,0.00005305378,0.0001549467,0.0002205569],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002391495,"about_ca_system_score_gemma":0.00004705173,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003815533,"about_ca_topic_score_gemma":0.07705673,"domain_scores_codex":[0.9990576,0.0001322157,0.0001261262,0.0002410089,0.000211407,0.0002316414],"domain_scores_gemma":[0.999209,0.0000199208,0.0001242693,0.0004249047,0.00009753535,0.0001243378],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001594563,0.0004816991,0.05400291,0.0001052631,0.0004943102,0.000246251,0.08643764,0.000002353506,0.000871088,0.08812542,0.7109669,0.05810668],"study_design_scores_gemma":[0.0001582804,0.00006324624,0.005501248,0.00005495441,0.0000535862,0.000001337138,0.002160537,0.000002169326,0.00007152641,0.001313814,0.990453,0.0001663105],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2176061,0.0004015122,0.000004894569,0.0316032,0.0003756662,0.0001467394,0.000002463203,0.00007014126,0.7497893],"genre_scores_gemma":[0.8469695,0.00002249345,0.00008590994,0.01341978,0.0006296257,0.00001219651,0.000005015752,0.000006348439,0.1388491],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.6293634,"threshold_uncertainty_score":0.9974237,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4386375261","doi":"10.1017/s0040298223000359","title":"DIAHEMITONIC MODALITY: A QUARTER-TONAL COMPOSITION SYSTEM","year":2023,"lang":"en","type":"article","venue":"Tempo","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Chord (peer-to-peer); Tonality; Quarter (Canadian coin); Linguistics; Grammar; Musical; Rhythm; Modality (human–computer interaction); Computer science; Art; History; Visual arts; Artificial intelligence; Philosophy; Aesthetics","retraction":null,"screen_n_in":null,"score":{"opus":0.01613453899045414,"gpt":0.2380114071348068,"spread":0.2218768681443526,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002233873,0.00008525085,0.0001365829,0.00009918975,0.0002249258,0.00004305731,0.0004161602,0.00007169851,0.000003064503],"category_scores_gemma":[0.000005704462,0.00007708001,0.00004879417,0.0004311479,0.00005331788,0.0001259137,0.0001986151,0.0001035709,0.0004638012],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004365331,"about_ca_system_score_gemma":0.00001799697,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00001902054,"about_ca_topic_score_gemma":0.000004387427,"domain_scores_codex":[0.9992054,0.00003925641,0.0001411907,0.0002428034,0.0001571968,0.0002141275],"domain_scores_gemma":[0.9994503,0.0000661747,0.00003942515,0.0003875672,0.00002605811,0.00003049798],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"simulation_or_modeling","study_design_scores_codex":[0.000006958826,0.00005883535,0.003665155,0.000125627,0.0000905353,0.0001332944,0.003876618,0.00002809872,0.001713229,0.950268,0.03396038,0.006073234],"study_design_scores_gemma":[0.004472345,0.0009094561,0.211913,0.0007852517,0.0001051274,0.0005855389,0.006047463,0.4597991,0.007354425,0.2283327,0.07668585,0.003009752],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8853396,0.0001741086,0.08770208,0.008394697,0.001033587,0.0002045382,0.000007741857,0.004645683,0.01249793],"genre_scores_gemma":[0.9986894,0.000003979999,0.0009060665,0.0001060245,0.00005554576,0.00003552732,0.000004797892,0.000003623169,0.0001950819],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7219353,"threshold_uncertainty_score":0.5961381,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4200584756","doi":"10.1017/s0040298221000619","title":"HEADLESS MUSICAL SEEDS AND GESTURES WITH ADJECTIVES: AN INTERVIEW WITH KEIKO DEVAUX","year":2021,"lang":"en","type":"article","venue":"Tempo","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Musical; Piano; Visual arts; The arts; Art; Percussion; Gesture; Residence; History; Art history; Sociology; Linguistics","retraction":null,"screen_n_in":null,"score":{"opus":0.1223760187807828,"gpt":0.2450133650662188,"spread":0.1226373462854359,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007830351,0.0001516854,0.0002416512,0.00002409881,0.0002726718,0.0003161617,0.00008117636,0.00002718871,0.0009708961],"category_scores_gemma":[0.0000132588,0.0000866796,0.00002362996,0.00004067785,0.000465557,0.0001602983,0.0001136749,0.0001243661,0.00002584778],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001917954,"about_ca_system_score_gemma":0.00002777907,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001102807,"about_ca_topic_score_gemma":0.003900653,"domain_scores_codex":[0.9992225,0.00008193604,0.00009403727,0.0002746492,0.0001470175,0.0001798253],"domain_scores_gemma":[0.9995645,0.00006011106,0.00003533023,0.0001376162,0.0001293683,0.0000731249],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004306485,0.001477882,0.01645777,0.0004040263,0.000884642,0.001068951,0.2078168,0.00001219815,0.0001097218,0.73049,0.0159736,0.02487377],"study_design_scores_gemma":[0.00104141,0.001678427,0.04430888,0.0002237025,0.000129176,0.00005157971,0.06179709,0.00001242268,0.00004542827,0.0008413559,0.8894278,0.0004427183],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8772367,0.0007000167,0.00002276331,0.001285788,0.00009189478,0.0001412175,0.00001139806,0.0001059318,0.1204043],"genre_scores_gemma":[0.9939963,0.00002521029,0.0001624888,0.001791435,0.0002177021,0.00002202846,0.000007289611,0.00001397467,0.003763533],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8734542,"threshold_uncertainty_score":0.9999424,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4362590624","doi":"10.1017/s004029822200136x","title":"TEM volume 77 issue 304 Cover and Front matter","year":2023,"lang":"en","type":"article","venue":"Tempo","topic":"Social Acceptance of Renewable Energy","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Front cover; Cover (algebra); Front (military); Volume (thermodynamics); Action (physics); Content (measure theory); Geography; Computer science; Physics; Engineering; Mathematics; Mechanical engineering; Meteorology; Thermodynamics","retraction":null,"screen_n_in":null,"score":{"opus":0.0149277140204301,"gpt":0.2829363686459127,"spread":0.2680086546254826,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003060801,0.00008590824,0.0001388092,0.0000369868,0.0003555812,0.00009705375,0.000180149,0.0001030578,0.01037459],"category_scores_gemma":[0.00007766705,0.00008679342,0.00003806403,0.0002544651,0.0001844797,0.0002020133,0.00006809646,0.00006149797,0.01526215],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00007414907,"about_ca_system_score_gemma":0.00006559792,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01060136,"about_ca_topic_score_gemma":0.002942425,"domain_scores_codex":[0.9989878,0.0000765459,0.0001102109,0.0002044662,0.0002914372,0.0003295711],"domain_scores_gemma":[0.9996261,0.00006439768,0.00004378537,0.000126845,0.00003414523,0.0001047099],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000004279026,0.000009625201,0.06335734,0.000007703794,0.00001304614,0.000009219933,0.005365837,0.0000207248,0.0001145885,0.0006001876,0.9224584,0.008039096],"study_design_scores_gemma":[0.0001309958,0.00000954849,0.03324285,0.00001005717,0.000005918369,2.267902e-7,0.007057683,0.00003237109,0.00006859392,0.001354496,0.9579488,0.000138461],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.63135,0.0003907303,0.00002737938,0.009729837,0.00111821,0.0001909851,0.000009309878,0.0004327017,0.3567509],"genre_scores_gemma":[0.5556862,0.0002008282,0.0001496096,0.0008790143,0.001016981,0.00002340231,0.000005572285,0.00002044788,0.4420179],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.08526701,"threshold_uncertainty_score":0.9959871,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2673954604","doi":"10.1017/s0040298217000353","title":"Juliet Fraser and Plus Minus, Café OTO, London, 7 February 2017","year":2017,"lang":"en","type":"article","venue":"Tempo","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Evening; Art; Humanities; Art history; Cartography; Meteorology; Geography; Physics; Astronomy","retraction":null,"screen_n_in":null,"score":{"opus":0.04355535229875025,"gpt":0.2369032738852903,"spread":0.19334792158654,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008515033,0.0001242132,0.0001542469,0.00001913598,0.001561379,0.000277618,0.0002194781,0.00005888994,0.00888745],"category_scores_gemma":[0.00002261992,0.0000981665,0.00004527932,0.000003228054,0.0002784892,0.000279986,0.00005940541,0.000126747,0.0006196364],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001785336,"about_ca_system_score_gemma":0.00002954196,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0015914,"about_ca_topic_score_gemma":0.007037063,"domain_scores_codex":[0.9994269,0.00001661981,0.0001093243,0.0001874001,0.000104279,0.0001554796],"domain_scores_gemma":[0.9993449,0.00001332816,0.00009465509,0.0004323688,0.00003682667,0.00007786842],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001941621,0.00002008998,0.000336201,0.00003466607,0.00001819796,0.00004189221,0.02133538,1.399856e-7,0.00004903979,0.02215174,0.9551908,0.0008024692],"study_design_scores_gemma":[0.0003592976,0.00002979101,0.001585524,0.00002943423,0.00001849063,0.000003719666,0.0009709513,0.00000611488,0.00003563757,0.0003716405,0.9964302,0.0001591944],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3007374,0.001282669,0.000001697427,0.0004504435,0.001076188,0.0001640907,0.00006838723,0.00007040863,0.6961487],"genre_scores_gemma":[0.8195189,0.00001872436,0.00001714984,0.0009022217,0.001155566,0.00001399012,0.00002552244,0.00001323436,0.1783347],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.5187815,"threshold_uncertainty_score":0.9997385,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1951395336","doi":"10.1590/s1413-77042010000200005","title":"O Navio Negreiro: refiguração identitária e escravidão no Brasil","year":2010,"lang":"pt","type":"article","venue":"Tempo","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université Laval","funders":"","keywords":"Humanities; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.02279321581430116,"gpt":0.2610581240492494,"spread":0.2382649082349483,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003553673,0.0006631394,0.0006052107,0.0001446573,0.001158306,0.002308443,0.0007574304,0.0005410283,0.0255087],"category_scores_gemma":[0.0001260808,0.0005572413,0.000416579,0.000111665,0.0004555613,0.0009490828,0.0001480667,0.00165094,0.009524041],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004160944,"about_ca_system_score_gemma":0.0001133219,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0005375029,"about_ca_topic_score_gemma":0.001669497,"domain_scores_codex":[0.9968789,0.000112202,0.0007395704,0.0007538351,0.000629077,0.0008864415],"domain_scores_gemma":[0.9977463,0.00008863778,0.0002215873,0.001006371,0.0005647597,0.0003722855],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007480616,0.0003759205,0.0005150768,0.0002638463,0.0001473586,0.0001488302,0.03424483,1.034831e-7,0.006767887,0.5866751,0.3700774,0.0007088486],"study_design_scores_gemma":[0.0009868497,0.0001811768,0.001067329,0.0002610462,0.0001902465,0.00004820922,0.004030994,0.00001777893,0.0005118354,0.003597659,0.9882438,0.0008631075],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3280404,0.003847765,0.000005449097,0.001150742,0.02385163,0.0006642512,0.0007690359,0.000466854,0.6412039],"genre_scores_gemma":[0.6309439,0.00005555534,0.00004310981,0.002073896,0.00602839,0.0000255036,0.0001871365,0.0000842033,0.3605583],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.6181664,"threshold_uncertainty_score":0.9996879,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1907250873","doi":"10.1590/s1413-77042006000100004","title":"Mercadores e carregadores das Caravanas do Sudão Central, século XIX","year":2006,"lang":"pt","type":"article","venue":"Tempo","topic":"Global Maritime and Colonial Histories","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"York University","funders":"","keywords":"Political science; Humanities; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.0140928166330819,"gpt":0.2872856656584191,"spread":0.2731928490253372,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003731605,0.0004391895,0.0005480582,0.0001083756,0.00141513,0.0003367944,0.0007699857,0.00042314,0.00128163],"category_scores_gemma":[0.0001048051,0.0004535357,0.0003067547,0.00078117,0.0009415427,0.0003856466,0.0001587206,0.000327245,0.0006979522],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0005514275,"about_ca_system_score_gemma":0.000530237,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.1877479,"about_ca_topic_score_gemma":0.07751548,"domain_scores_codex":[0.9961114,0.0003466858,0.000544178,0.0006831277,0.001001154,0.001313483],"domain_scores_gemma":[0.9986097,0.0001248993,0.000223415,0.0004832048,0.0002167667,0.0003420642],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001113937,0.0003706762,0.09129077,0.00009127805,0.0001085837,0.000176125,0.02350645,0.00005096757,0.0002024537,0.1034651,0.7780752,0.002550948],"study_design_scores_gemma":[0.0003761781,0.0001362982,0.04914175,0.00008512086,0.0001391916,0.000003622773,0.004499401,0.00001052582,0.000140508,0.004187763,0.940676,0.0006036866],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5967963,0.02611701,0.00001042911,0.006371316,0.005883768,0.0008330608,0.000286148,0.0004112616,0.3632907],"genre_scores_gemma":[0.9235751,0.000416525,0.00002867311,0.0002266021,0.001867888,0.00002019426,0.0000413839,0.00003511021,0.07378852],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3267788,"threshold_uncertainty_score":0.9998849,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2591739100","doi":"10.1017/s0040298217000055","title":"‘MY GARDEN IS NOT PRISTINE’: AN INTERVIEW WITH LINDA CATLIN SMITH","year":2017,"lang":"en","type":"article","venue":"Tempo","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Neighbourhood (mathematics); Sociology; Work (physics); Art history; History; Engineering","retraction":null,"screen_n_in":null,"score":{"opus":0.1763111935030736,"gpt":0.3505000146798595,"spread":0.1741888211767859,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002588632,0.0001273818,0.0001826432,0.00003075572,0.0008838864,0.0004584423,0.0003982687,0.00002643401,0.007352158],"category_scores_gemma":[0.00003896965,0.00008471909,0.00003791206,0.000006437512,0.0005263804,0.0001970665,0.0001038474,0.0001498438,0.0006520338],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002087145,"about_ca_system_score_gemma":0.00007509562,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0007298733,"about_ca_topic_score_gemma":0.0009595217,"domain_scores_codex":[0.999114,0.00005588322,0.0001381332,0.0002243495,0.0002327883,0.0002347824],"domain_scores_gemma":[0.9990672,0.00003377533,0.00009615788,0.0005419388,0.00014824,0.0001126509],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0006645438,0.0007826657,0.02279459,0.0006735578,0.0004732668,0.0002577782,0.1386627,9.079843e-7,0.00006749269,0.4391259,0.2431784,0.1533182],"study_design_scores_gemma":[0.0004878082,0.0004718396,0.007543149,0.0001676695,0.00002956763,0.00000433372,0.006646686,0.0001284385,0.0002379946,0.000331679,0.9837254,0.0002254941],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.07347738,0.000202559,0.0002225728,0.003096296,0.00005924328,0.0002594681,0.00008174059,0.00007880705,0.9225219],"genre_scores_gemma":[0.8874835,0.00002644349,0.0001126882,0.0002877008,0.0004626621,0.00002010641,0.000008561208,0.000020266,0.1115781],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.8140061,"threshold_uncertainty_score":0.9935552,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4390501383","doi":"10.1017/s0040298223000906","title":"TEM volume 78 issue 307 Cover and Front matter","year":2024,"lang":"en","type":"article","venue":"Tempo","topic":"Social Acceptance of Renewable Energy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Front cover; Cover (algebra); Front (military); Volume (thermodynamics); Action (physics); Geography; Environmental science; Political science; Engineering; Physics; Meteorology; Mechanical engineering; Thermodynamics","retraction":null,"screen_n_in":null,"score":{"opus":0.01110853893632948,"gpt":0.2799965522998249,"spread":0.2688880133634954,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000251581,0.00009027621,0.0001249427,0.0000423676,0.0002338764,0.0002386531,0.0001482864,0.0001040288,0.0178777],"category_scores_gemma":[0.00003871766,0.00008590179,0.00004438953,0.0001464223,0.0001848324,0.0002800135,0.000045978,0.00008227517,0.008102252],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001057505,"about_ca_system_score_gemma":0.0000973862,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01028442,"about_ca_topic_score_gemma":0.002497625,"domain_scores_codex":[0.9990765,0.00006447816,0.0001078516,0.0002297715,0.0002588743,0.0002624927],"domain_scores_gemma":[0.9996879,0.00006456773,0.00002128396,0.0001049782,0.00002540989,0.00009591142],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000004078767,0.00001238541,0.01553025,0.00002670093,0.00002711503,0.00002077015,0.008028859,0.000007931997,0.0001363235,0.003156018,0.9494344,0.02361515],"study_design_scores_gemma":[0.00005684164,0.000009252343,0.003175365,0.00002811973,0.00001001641,6.219571e-7,0.003275132,0.0000506487,0.00006000361,0.001614372,0.9915925,0.0001271066],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2259144,0.005213225,0.0002171345,0.01405177,0.002560327,0.0002241941,0.00001292379,0.0004560746,0.7513499],"genre_scores_gemma":[0.6157001,0.000153403,0.0002414238,0.000719202,0.001342861,0.0000153519,0.000002348018,0.00001894889,0.3818064],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.3897857,"threshold_uncertainty_score":0.9963062,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2485359166","doi":"10.1017/s0040298215000406","title":"Richard Ayres <i>Peter Pan</i>, Wales Millennium Centre","year":2015,"lang":"en","type":"article","venue":"Tempo","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Cricket; Adventure; Opera; Accidental; Art; Musical; Fantasy; Art history; Literature","retraction":null,"screen_n_in":null,"score":{"opus":0.05851510730060148,"gpt":0.2288321264701252,"spread":0.1703170191695237,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001165245,0.0001201742,0.0001885738,0.00005745167,0.0001550222,0.00006611602,0.0001385402,0.00005144053,0.006303819],"category_scores_gemma":[0.00002887683,0.00008663221,0.0001062294,0.00002871852,0.0001855025,0.0001039498,0.00005665814,0.0001014734,0.001577036],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001599375,"about_ca_system_score_gemma":0.00002277833,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002598835,"about_ca_topic_score_gemma":0.002560364,"domain_scores_codex":[0.9992395,0.00005523903,0.0001586539,0.0001827461,0.0001403189,0.0002235406],"domain_scores_gemma":[0.9995157,0.00004623126,0.00004726887,0.0001833505,0.00009371217,0.0001137393],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002869065,0.0001064111,0.0006358857,0.0000135327,0.00009096327,0.00001723447,0.01581527,0.000001669915,0.00004895945,0.06497989,0.916944,0.001317443],"study_design_scores_gemma":[0.0002593191,0.00003950498,0.0001853011,0.000007651856,0.00005819423,0.00000102152,0.001655763,0.00002178915,0.00008445649,0.001291531,0.9962568,0.0001387251],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3998174,0.001542818,0.00001242549,0.006706613,0.001470104,0.0001621281,0.00004990589,0.0002337688,0.5900048],"genre_scores_gemma":[0.9391399,0.00001970709,0.00004349259,0.002808693,0.001157366,0.000008446415,0.00003253494,0.00001191833,0.05677795],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.5393224,"threshold_uncertainty_score":0.9992003,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4256758063","doi":"10.1017/s0040298217000511","title":"TEM volume 71 issue 281 Cover and Front matter","year":2017,"lang":"en","type":"article","venue":"Tempo","topic":"Social Acceptance of Renewable Energy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Front cover; Cover (algebra); Front (military); Action (physics); Volume (thermodynamics); Content (measure theory); Computer science; Environmental science; Business; Geography; Physics; Engineering; Mathematics; Mechanical engineering; Meteorology","retraction":null,"screen_n_in":null,"score":{"opus":0.01603848226300937,"gpt":0.2938652812301776,"spread":0.2778267989671683,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002651691,0.0000903291,0.0001516475,0.00002090315,0.001205759,0.0003393409,0.0003936355,0.0001116406,0.01002394],"category_scores_gemma":[0.0001432602,0.00008897003,0.00003919094,0.00002486834,0.0004128393,0.000424167,0.00009955552,0.00006592368,0.003813736],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006929004,"about_ca_system_score_gemma":0.00006603662,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03168875,"about_ca_topic_score_gemma":0.007690831,"domain_scores_codex":[0.9991053,0.00005545182,0.0001007771,0.0002042259,0.0002537457,0.0002804846],"domain_scores_gemma":[0.999402,0.00003182934,0.0001098613,0.0003005332,0.0000426135,0.0001131279],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001041967,0.00002543718,0.3328848,0.000009955073,0.00002353534,0.00001041035,0.0057776,0.000003911151,0.0001378544,0.001520426,0.636965,0.02263059],"study_design_scores_gemma":[0.0001734048,0.000009646154,0.09126862,0.00001273046,0.000007545186,2.993559e-7,0.002268482,0.000009805177,0.00008000608,0.001273526,0.904751,0.0001449377],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3519859,0.0003052086,0.00004266439,0.008384185,0.0009449489,0.0001357376,0.000005331809,0.00008015393,0.6381158],"genre_scores_gemma":[0.7231073,0.00007704159,0.0002636331,0.0005369506,0.0009913695,0.00001027621,0.000001023658,0.00001215939,0.2750002],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.3711214,"threshold_uncertainty_score":0.9969619,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4236538597","doi":"10.1017/s0040298220000194","title":"TEM volume 74 issue 293 Cover and Front matter","year":2020,"lang":"en","type":"article","venue":"Tempo","topic":"Social Acceptance of Renewable Energy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Front cover; Cover (algebra); Front (military); Volume (thermodynamics); Action (physics); Content (measure theory); Environmental science; Computer science; Geography; Engineering; Physics; Meteorology; Mathematics; Mechanical engineering","retraction":null,"screen_n_in":null,"score":{"opus":0.01587324840475895,"gpt":0.2661005290162162,"spread":0.2502272806114573,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001330616,0.00008883122,0.0001530098,0.00001532944,0.0002544033,0.00009496448,0.0001881234,0.00009240069,0.01406353],"category_scores_gemma":[0.00008262284,0.00008976124,0.0000380935,0.0001080246,0.0001745683,0.0002145892,0.00005869826,0.00007277227,0.006421909],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000532726,"about_ca_system_score_gemma":0.00006566438,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006719124,"about_ca_topic_score_gemma":0.0009783874,"domain_scores_codex":[0.9990871,0.00007785772,0.0001128304,0.0002153988,0.0002583205,0.0002485099],"domain_scores_gemma":[0.9996171,0.00003712935,0.0000492021,0.0000871193,0.00003058431,0.0001788761],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001331267,0.00001517293,0.08891726,0.00001362319,0.00001921841,0.000008784444,0.01481097,0.00001508044,0.0002437066,0.0006332649,0.886852,0.00845763],"study_design_scores_gemma":[0.0001534484,0.00001826441,0.007251217,0.000006176117,0.000007588425,1.722728e-7,0.005824142,0.00003752113,0.00009856209,0.0003410189,0.9861238,0.0001381106],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.370371,0.0009564745,0.0002721303,0.05442449,0.0007544737,0.0002901732,0.00001248638,0.0002969804,0.5726218],"genre_scores_gemma":[0.9068283,0.00008525726,0.0004918561,0.006697351,0.001683673,0.00001268725,0.000002929526,0.00001970737,0.08417828],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.5364572,"threshold_uncertainty_score":0.9998952,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4232909967","doi":"10.1590/s1413-77042011000200001","title":"Apresentação","year":2011,"lang":"pt","type":"article","venue":"Tempo","topic":"","field":"","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Condor Petroleum (Canada)","funders":"","keywords":"Computer science","retraction":null,"screen_n_in":null,"score":{"opus":0.1798289613515025,"gpt":0.3020319320290989,"spread":0.1222029706775964,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003470624,0.0002727406,0.000262368,0.0001602902,0.0001051355,0.00003352922,0.0005121974,0.0001520542,0.01663132],"category_scores_gemma":[0.00006356177,0.0002819972,0.0001406112,0.0003987801,0.0001525822,0.0002284991,0.0002418343,0.000259771,0.3240831],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00009158017,"about_ca_system_score_gemma":0.00007605716,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0008908983,"about_ca_topic_score_gemma":0.00007189659,"domain_scores_codex":[0.9981321,0.0001687936,0.0003122659,0.0004186592,0.0003709358,0.0005972917],"domain_scores_gemma":[0.9985459,0.00003286437,0.0001450923,0.0009384576,0.0000664689,0.0002712443],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000328168,0.001183662,0.11708,0.0001060878,0.0002995864,0.0003198373,0.02401657,6.882267e-7,0.01040588,0.00408181,0.8405233,0.001654419],"study_design_scores_gemma":[0.005904752,0.001048449,0.3612021,0.0004558682,0.0007664857,0.0001729096,0.008012193,0.001500604,0.1159109,0.00462221,0.4970491,0.003354322],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3622329,0.001571749,0.00005915627,0.0001319174,0.001406079,0.0005720127,0.0002262239,0.0006395917,0.6331604],"genre_scores_gemma":[0.9482588,0.00001022404,0.0002471724,0.000112918,0.0002044191,0.00001407616,0.00001497504,0.000178852,0.05095855],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.5860259,"threshold_uncertainty_score":0.9999632,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2791604557","doi":"10.1017/s0040298217001310","title":"Huddersfield Contemporary Music Festival 2017","year":2018,"lang":"en","type":"article","venue":"Tempo","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Piano; Art; Harmony (color); Portrait; Art history; Performance art; Visual arts","retraction":null,"screen_n_in":null,"score":{"opus":0.3572066808859402,"gpt":0.2695800603237132,"spread":0.08762662056222692,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00009413211,0.0001152921,0.0001568439,0.00003276233,0.000486601,0.000179506,0.0001658772,0.00003679091,0.03849195],"category_scores_gemma":[0.0000549164,0.00008469111,0.0000581365,0.00001959871,0.0007265547,0.0001430469,0.0001277251,0.00008723506,0.002912635],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000004362912,"about_ca_system_score_gemma":0.00002104399,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0003796901,"about_ca_topic_score_gemma":0.0002489242,"domain_scores_codex":[0.9993414,0.00002556362,0.0001284303,0.0001827896,0.0001320209,0.0001898373],"domain_scores_gemma":[0.999586,0.00006772287,0.00005266606,0.000154685,0.00008908902,0.00004981245],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001789435,0.00004408124,0.0002887909,0.000004548732,0.00002985376,0.00001819647,0.009088201,1.89795e-8,0.00002280324,0.1174002,0.87245,0.0006354225],"study_design_scores_gemma":[0.0002552176,0.0002510033,0.0002821831,0.0000129947,0.000009257762,9.423075e-7,0.01564551,0.000002854974,0.0000350155,0.00214095,0.9812195,0.0001445722],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.05265614,0.0001306928,0.000004021832,0.001170922,0.001334946,0.0001261615,0.00001314751,0.0001751974,0.9443887],"genre_scores_gemma":[0.9594041,0.000001991287,0.00002509468,0.002032066,0.001826207,0.00001042441,0.000003752082,0.000008104619,0.03668833],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9077004,"threshold_uncertainty_score":0.9978637,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2071307342","doi":"10.1017/s0040298214000060","title":"ALONG THE GRAIN: THE MUSIC OF CASSANDRA MILLER","year":2014,"lang":"en","type":"article","venue":"Tempo","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Miller; Musical; Canto; Art; Visual arts; Art history; Literature","retraction":null,"screen_n_in":null,"score":{"opus":0.04235777145234781,"gpt":0.2165610982629589,"spread":0.174203326810611,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00034618,0.00007130117,0.0001313157,0.00002258615,0.0004147106,0.00003150776,0.0002110876,0.00002617961,0.008256108],"category_scores_gemma":[0.00004782032,0.00003016708,0.000112355,0.00003485105,0.0005423474,0.00003368075,0.00004561575,0.000106054,0.0001009805],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000003233378,"about_ca_system_score_gemma":0.000008819015,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0009356537,"about_ca_topic_score_gemma":0.01079684,"domain_scores_codex":[0.9994296,0.0001066111,0.0001474871,0.00009147854,0.000104454,0.0001204051],"domain_scores_gemma":[0.9993488,0.0002498641,0.00006614294,0.0002672255,0.00004948993,0.00001845845],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000009291497,0.00003894504,0.0003134873,0.00001258368,0.000102872,9.49792e-7,0.02632912,0.00000460317,0.00005598521,0.7319212,0.2377323,0.003478649],"study_design_scores_gemma":[0.0001175965,0.00003284014,0.001790267,0.000005950211,0.00007332442,0.000001026918,0.001527943,0.0001203387,0.00004265223,0.004967207,0.991261,0.00005984714],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6152912,0.0002141065,0.00003842942,0.009539324,0.0006751448,0.0001442024,0.000007245126,0.00003436913,0.374056],"genre_scores_gemma":[0.9833474,0.000003210064,0.000003328121,0.003960963,0.0005964547,0.00001197723,0.000003075165,0.000005340482,0.01206828],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7535287,"threshold_uncertainty_score":0.9926505,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4200106542","doi":"10.1017/s0040298221000632","title":"RIDING THE WILD OCEAN: HORATIU RADULESCU'S <i>SUBCONSCIOUS WAVE</i> IN THEORY, PERFORMANCE AND RECORDING","year":2021,"lang":"en","type":"article","venue":"Tempo","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Subconscious; Guitar; Context (archaeology); Art history; Art; Visual arts; Nova scotia; Musical; George (robot); Sociology; Media studies; History; Acoustics; Archaeology","retraction":null,"screen_n_in":null,"score":{"opus":0.06287609531556361,"gpt":0.2141458347496454,"spread":0.1512697394340818,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003509094,0.0001102657,0.0001633563,0.00002388132,0.0005399993,0.000293909,0.00008715342,0.00002439063,0.0004579481],"category_scores_gemma":[0.00008255224,0.00006894017,0.00003382509,0.00005026627,0.0003024671,0.0001518139,0.0001783404,0.0001522198,0.00003021427],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002721893,"about_ca_system_score_gemma":0.00001465414,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00005760866,"about_ca_topic_score_gemma":0.0003060628,"domain_scores_codex":[0.999283,0.00008581498,0.0001444856,0.0001860852,0.0001013594,0.000199214],"domain_scores_gemma":[0.9995345,0.0002327024,0.0000429436,0.0001242538,0.00004112603,0.00002441636],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006306639,0.0001125042,0.0250945,0.00008097383,0.00008935943,0.0001464473,0.03869281,0.00001005624,0.00008903104,0.8582276,0.04489897,0.03249474],"study_design_scores_gemma":[0.0005780832,0.0001010454,0.002816872,0.0001199298,0.00003280986,0.00001619821,0.02320461,0.0002066879,0.0001469815,0.009386378,0.9630947,0.0002957109],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8504098,0.0007662637,0.0000015327,0.002755691,0.0003605823,0.0001066721,0.000005646447,0.00004749206,0.1455463],"genre_scores_gemma":[0.9928384,0.0002518091,0.00002230174,0.001150408,0.0002195616,0.000006658526,0.000002024363,0.000008142595,0.005500698],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9181957,"threshold_uncertainty_score":0.5014211,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4240421994","doi":"10.1017/s0040298217000018","title":"TEM volume 71 issue 280 Cover and Front matter","year":2017,"lang":"en","type":"article","venue":"Tempo","topic":"Social Acceptance of Renewable Energy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Front cover; Cover (algebra); Front (military); Volume (thermodynamics); Action (physics); Environmental science; Computer science; Geography; Engineering; Physics; Meteorology; Mechanical engineering","retraction":null,"screen_n_in":null,"score":{"opus":0.01601757574664315,"gpt":0.2937134775894892,"spread":0.2776959018428461,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002641109,0.00009031634,0.0001515999,0.00002091242,0.001205246,0.0003392296,0.0003935386,0.000111519,0.009918411],"category_scores_gemma":[0.0001419738,0.00008895825,0.00003918457,0.00002486643,0.0004125616,0.0004241757,0.00009955173,0.0000659155,0.003818569],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006931719,"about_ca_system_score_gemma":0.00006591917,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03200727,"about_ca_topic_score_gemma":0.007765659,"domain_scores_codex":[0.9991058,0.00005534291,0.0001007005,0.00020416,0.0002535974,0.0002804151],"domain_scores_gemma":[0.9994028,0.00003177649,0.0001097705,0.0003004505,0.00004205573,0.000113097],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001068919,0.0000260231,0.3380976,0.00001018539,0.00002407441,0.00001069833,0.006019921,0.000003909556,0.0001385933,0.00163852,0.6310666,0.02295324],"study_design_scores_gemma":[0.0001728164,0.000009649052,0.0939142,0.00001270068,0.000007615491,2.923999e-7,0.002252297,0.00000972046,0.0000792717,0.001302129,0.9020947,0.000144642],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3576062,0.0003062202,0.00004259455,0.008521921,0.0009443233,0.0001359273,0.00000534628,0.00008024398,0.6323572],"genre_scores_gemma":[0.7269279,0.00007600791,0.0002626181,0.000534233,0.0009906389,0.00001029444,0.000001024779,0.00001215909,0.2711851],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.3693217,"threshold_uncertainty_score":0.9969571,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4415491758","doi":"10.1017/s0040298225101095","title":"QB RHYMES WITH PASSION: A CELEBRATION OF 25 YEARS OF QUATUOR BOZZINI","year":2025,"lang":"en","type":"article","venue":"Tempo","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Musicology; Work (physics); Performance art","retraction":null,"screen_n_in":null,"score":{"opus":0.0160374776965204,"gpt":0.227113022075883,"spread":0.2110755443793627,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00006847832,0.00004622326,0.0001575903,0.00007754363,0.00004931223,0.000008641276,0.00005988358,0.00003007082,0.00186493],"category_scores_gemma":[0.00001606607,0.00003344065,0.00005057005,0.00005647934,0.0001585994,0.00004505962,0.00001704997,0.00004598186,0.000009212748],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000003219281,"about_ca_system_score_gemma":0.00003401379,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002759946,"about_ca_topic_score_gemma":0.001522164,"domain_scores_codex":[0.9996042,0.00002588104,0.0001513406,0.00008306515,0.00007337605,0.00006214723],"domain_scores_gemma":[0.9996696,0.00005976907,0.00007622774,0.000114214,0.00006683186,0.00001332507],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009591309,0.0001925037,0.002063938,0.0001014708,0.0001864853,0.000002651659,0.006278427,0.000005835677,0.00061249,0.9451131,0.03880493,0.006542284],"study_design_scores_gemma":[0.001346026,0.000658363,0.03533491,0.0003105368,0.0004257195,6.289058e-7,0.004894657,0.0002518845,0.007182473,0.01444114,0.9348557,0.0002979753],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8691308,0.000120757,0.00008495345,0.001138054,0.0001439509,0.00008809087,0.00001118907,0.00002248606,0.1292598],"genre_scores_gemma":[0.9872962,0.00000500354,0.00005203663,0.0003270933,0.00006412305,0.000007012985,0.000007848548,0.000002594467,0.01223814],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9306719,"threshold_uncertainty_score":0.9990475,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4252896367","doi":"10.1017/s0040298218000189","title":"Ultraschall Berlin","year":2018,"lang":"en","type":"article","venue":"Tempo","topic":"Arts, Culture, and Music Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); State (computer science); Art; Art history; Political science; Humanities; Media studies; Economic history; Management; Sociology; History; Archaeology; Economics","retraction":null,"screen_n_in":null,"score":{"opus":0.04285862581987323,"gpt":0.3441529211765831,"spread":0.3012942953567099,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000221351,0.00004779471,0.00006943719,0.00001203357,0.0006092449,0.00001992414,0.0001072919,0.00004119933,0.000732379],"category_scores_gemma":[0.0001142285,0.00003855023,0.00003016037,0.00007868963,0.0004182006,0.00006569651,0.00001895736,0.00003837101,0.0007144811],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001818157,"about_ca_system_score_gemma":0.00003640491,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001386618,"about_ca_topic_score_gemma":0.006542244,"domain_scores_codex":[0.9994561,0.00003490135,0.00006610375,0.0001080111,0.000153353,0.0001815053],"domain_scores_gemma":[0.9997363,0.00003709245,0.00002314933,0.00008058704,0.00007034307,0.00005250466],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000009157638,0.00005541296,0.007370212,0.000005111155,0.00003985492,0.00000411166,0.2488374,5.656828e-8,0.0003385881,0.1567819,0.5729849,0.01357335],"study_design_scores_gemma":[0.00006804539,0.00002361234,0.002420121,0.000005219079,0.000004884405,2.055471e-7,0.0104279,3.243583e-7,0.0001438965,0.002443622,0.9843969,0.00006524288],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1048495,0.0002180738,0.00003156772,0.002348664,0.0006610744,0.00008714711,0.000001480222,0.0001118125,0.8916907],"genre_scores_gemma":[0.9727645,0.00008659118,0.0001838237,0.0008203181,0.001924622,0.000005423187,7.170307e-7,0.000003959192,0.02421008],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.867915,"threshold_uncertainty_score":0.9183446,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4401956405","doi":"10.1017/s004029822400007x","title":"PROPORTION AND SYMMETRY AS MUTUAL ANTAGONISTS IN TUNING: SOME QUARTER-TONE RESOURCES","year":2024,"lang":"en","type":"article","venue":"Tempo","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); Tone (literature); Symmetry (geometry); Mathematics; Geography; Philosophy; Linguistics","retraction":null,"screen_n_in":null,"score":{"opus":0.01068674525634658,"gpt":0.2688860455150312,"spread":0.2581993002586846,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002481298,0.00008644567,0.0001181544,0.0001895267,0.0001023956,0.0001077403,0.0001980657,0.00008007952,0.000004058211],"category_scores_gemma":[0.00002608581,0.00007251762,0.00001880533,0.0002902375,0.0001205481,0.0002712235,0.0001568255,0.0001756079,0.00004380811],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002054132,"about_ca_system_score_gemma":0.0000244553,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00005124901,"about_ca_topic_score_gemma":0.00002511,"domain_scores_codex":[0.9992473,0.00002824863,0.0001478926,0.0002947768,0.0001179055,0.0001638948],"domain_scores_gemma":[0.9996929,0.00004879542,0.0000229545,0.0002000505,0.000009444324,0.00002592534],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00001674958,0.0001053477,0.01881436,0.0001839952,0.00006312205,0.0006957547,0.02907028,7.251987e-7,0.001741401,0.8764163,0.01092487,0.06196709],"study_design_scores_gemma":[0.00149905,0.001555742,0.1146053,0.0007651154,0.00003975076,0.000721732,0.006030718,0.0264776,0.003044636,0.5359048,0.3078833,0.001472239],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9866248,0.003074728,0.001603817,0.005624911,0.0002899752,0.00009114773,7.530515e-7,0.0004415183,0.002248285],"genre_scores_gemma":[0.9984251,0.00004948716,0.0006529234,0.0001387971,0.00005535119,0.00001104826,7.587851e-7,0.000004020041,0.0006625371],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3405115,"threshold_uncertainty_score":0.2957183,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2890695975","doi":"10.1017/s0040298218000323","title":"I COULDN'T MAKE A PIECE AS BEAUTIFUL AS THAT: A CONVERSATION WITH ALLISON CAMERON","year":2018,"lang":"en","type":"article","venue":"Tempo","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Conversation; Improvisation; Art history; Art; Visual arts; Musical; Piano; Performing arts; Performance art; Dance; History; Sociology; Communication","retraction":null,"screen_n_in":null,"score":{"opus":0.02485615357882801,"gpt":0.2987344129692213,"spread":0.2738782593903933,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00026102,0.0001183523,0.0001622885,0.00004079298,0.000482031,0.0001532789,0.0001881655,0.0001456063,0.001334429],"category_scores_gemma":[0.00005446645,0.00008294639,0.00005923349,0.0003507946,0.0004798468,0.0002194578,0.00002085766,0.0001152929,0.000582536],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006687709,"about_ca_system_score_gemma":0.000135347,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.01069518,"about_ca_topic_score_gemma":0.02123563,"domain_scores_codex":[0.9988448,0.0001239772,0.000111264,0.0002613039,0.0003871871,0.0002714646],"domain_scores_gemma":[0.9993942,0.00003830938,0.0001051703,0.0001524484,0.0001961974,0.0001136328],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0008888239,0.0005324606,0.06228,0.00006947386,0.000954667,0.0001152177,0.5743625,0.000005676756,0.004647335,0.1546995,0.1677535,0.0336908],"study_design_scores_gemma":[0.0005399092,0.000495728,0.006395807,0.00003597335,0.0001536902,0.000005880776,0.02579755,0.0000330855,0.0009035727,0.002627236,0.9626963,0.0003152796],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8313994,0.000226125,0.00001964422,0.007619394,0.0002905586,0.000252608,0.000006097996,0.0001246617,0.1600614],"genre_scores_gemma":[0.9764971,0.00002169671,0.00007814033,0.005459622,0.0005394446,0.00001627213,0.00002616301,0.000007273634,0.01735431],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7949427,"threshold_uncertainty_score":0.9995785,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2114578481","doi":"10.1017/s0040298203240365","title":"London, St. John's Smith Square: Britten and David Matthews premières","year":2003,"lang":"en","type":"article","venue":"Tempo","topic":"Irish and British Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Viola; Violin; Piano; Genius; Art history; Art; Performance art; Biography; Modernism (music)","retraction":null,"screen_n_in":null,"score":{"opus":0.01411370476923557,"gpt":0.2725876810338493,"spread":0.2584739762646138,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000453155,0.00009349284,0.0001563449,0.00003101393,0.0005476775,0.0001128452,0.0001152264,0.00006479231,0.0001854438],"category_scores_gemma":[0.0002329945,0.00008956622,0.00003563482,0.000149417,0.0002824574,0.0001524072,0.00003444981,0.00008445598,0.00004549897],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002903016,"about_ca_system_score_gemma":0.00007622467,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002186524,"about_ca_topic_score_gemma":0.0008657049,"domain_scores_codex":[0.9989623,0.0001384481,0.0001304707,0.0002074741,0.0002410763,0.0003202023],"domain_scores_gemma":[0.9996061,0.00008314485,0.00004406256,0.0001101847,0.00005817031,0.00009836471],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000009321588,0.00006248254,0.1067251,0.00003981213,0.00003164376,0.00003391655,0.005974088,2.377777e-7,0.00003426834,0.003754651,0.87417,0.009164446],"study_design_scores_gemma":[0.0002947256,0.00003551054,0.04946,0.00003756617,0.00001413714,0.000006381259,0.00342748,5.085796e-7,0.00007974084,0.001061273,0.9454098,0.0001728357],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4191134,0.006866782,0.0000260154,0.003135642,0.000308775,0.0003295732,0.0000225218,0.0001544737,0.5700428],"genre_scores_gemma":[0.9867178,0.001202009,0.0002625385,0.000374484,0.0001836089,0.00001681375,0.000001882907,0.00001122354,0.01122961],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.5676045,"threshold_uncertainty_score":0.4212348,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}