{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":5,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":5,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"e37c98468e6e","filters":{"venue":"Text and Performance Quarterly"}},"results":[{"id":"W4206493350","doi":"10.1080/10462937.2022.2026457","title":"The viral politics of masks: pandemic resistance and ontological performance","year":2022,"lang":"en","type":"article","venue":"Text and Performance Quarterly","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Politics; Coronavirus disease 2019 (COVID-19); Pandemic; Face (sociological concept); Resistance (ecology); Presentation (obstetrics); Aesthetics; 2019-20 coronavirus outbreak; Epistemology; Severe acute respiratory syndrome coronavirus 2 (SARS-CoV-2); Sociology; Social psychology; Environmental ethics; Psychology; Cognitive science; Political science; Social science; Art; Virology; Biology; Philosophy; Law; Medicine; Ecology; Disease; Infectious disease (medical specialty)","authors":[{"name":"Jennifer Beth Spiegel","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0210155304882509,"gpt":0.2878398195681422,"spread":0.2668242890798913,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0005337067,0.00009504468,0.0001315991,0.00006274146,0.003031952,0.00006814334,0.0002360662,0.00003915741,0.0001612766],"category_scores_gemma":[0.00001365966,0.00007488817,0.00003757007,0.0001459504,0.0008283805,0.000277539,0.00003878974,0.0002693695,0.000004782095],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003435971,"about_ca_system_score_gemma":0.00004231065,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000312959,"about_ca_topic_score_gemma":0.003136326,"domain_scores_codex":[0.9989095,0.0001052158,0.0002227543,0.0001586648,0.0002794392,0.0003244535],"domain_scores_gemma":[0.9994586,0.0001704552,0.0001098007,0.0001435228,0.00005030181,0.00006735822],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.0006034499,0.0001611733,0.7105345,0.0001322129,0.00008959656,0.000004025227,0.1068904,0.000009794923,0.0003669663,0.1175853,0.00520355,0.05841905],"study_design_scores_gemma":[0.0004925843,0.002387609,0.7771074,0.00003183821,0.00003950281,0.00002004058,0.07837274,0.0006141657,0.00001504072,0.002719607,0.1378771,0.0003223003],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9853874,0.00118856,7.282699e-7,0.0006765399,0.0001824168,0.00013019,0.000009144003,0.00003732933,0.01238766],"genre_scores_gemma":[0.9929522,0.0008239212,0.00004299513,0.00007588366,0.00007987597,0.00003474117,0.000001861405,0.000005316037,0.005983229],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1326736,"threshold_uncertainty_score":0.998266,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2755665425","doi":"10.1080/10462937.2017.1349261","title":"The medium is the mother: Elsie McLuhan, elocution, and her son Marshall","year":2017,"lang":"en","type":"article","venue":"Text and Performance Quarterly","topic":"Media, Communication, and Education","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Art history","authors":[{"name":"John D. Anderson","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02530335705127034,"gpt":0.3093813035979488,"spread":0.2840779465466785,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0009654452,0.00007580597,0.00006896369,0.00001469962,0.00497643,0.0004071529,0.0004774186,0.00005957161,0.0001229218],"category_scores_gemma":[0.00003474339,0.00004482257,0.00001835614,0.00003689868,0.0006876013,0.0003945601,0.00001780177,0.0001171947,0.00005072175],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001680917,"about_ca_system_score_gemma":0.0000886971,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001462753,"about_ca_topic_score_gemma":0.003232602,"domain_scores_codex":[0.9992716,0.00009079337,0.0001227712,0.0001133484,0.0001876004,0.0002139064],"domain_scores_gemma":[0.9990904,0.0001344833,0.0001131698,0.0005195441,0.00007134577,0.00007100873],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"observational","study_design_scores_codex":[0.00001961692,0.00002079498,0.06351797,0.00001790671,0.00001591189,7.006965e-8,0.3237449,5.677603e-8,0.00002472292,0.004137204,0.01614272,0.5923582],"study_design_scores_gemma":[0.0001800959,0.0001249739,0.6188352,0.00002918858,0.00001553541,0.000001521846,0.02795139,0.0003800456,0.00001788849,0.004207542,0.3481299,0.0001267063],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9409143,0.001253681,0.00001097878,0.03325511,0.0004939525,0.000172719,0.000001440671,0.0000206601,0.02387716],"genre_scores_gemma":[0.9871939,0.006322643,0.00003260836,0.0003365456,0.0004636838,0.00002503844,0.000001786811,0.000005579172,0.005618157],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5922315,"threshold_uncertainty_score":0.9963189,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4327586998","doi":"10.1080/10462937.2023.2181387","title":"Moving through crisis in Mariana Valencia’s <i>Solo B</i>","year":2023,"lang":"en","type":"article","venue":"Text and Performance Quarterly","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Surprise; Queer; Politics; Meaning (existential); Sociology; Coronavirus disease 2019 (COVID-19); Aesthetics; Media studies; Environmental ethics; Art; Political science; Law; Gender studies; Epistemology; Philosophy","authors":[{"name":"Olivia Michiko Gagnon","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02637611269885928,"gpt":0.2823949056365813,"spread":0.2560187929377221,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000214437,0.0001274743,0.000165786,0.0001214792,0.0001192298,0.00004041561,0.0001328942,0.00009683774,0.0006887549],"category_scores_gemma":[0.000003225203,0.0001267894,0.00003559887,0.0003641928,0.00005267686,0.00054883,0.00002138008,0.0001778871,0.001975625],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001688748,"about_ca_system_score_gemma":0.00001358679,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000487069,"about_ca_topic_score_gemma":0.00006623866,"domain_scores_codex":[0.9990344,0.00003208777,0.0001657237,0.0002428461,0.0001206102,0.0004043293],"domain_scores_gemma":[0.9996251,0.00004050525,0.00004541054,0.0002195589,0.00001419627,0.00005525611],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.0003998814,0.0001887705,0.4253491,0.0001909275,0.00007790612,0.0001575761,0.1289038,0.000009630015,0.0002035133,0.003454216,0.1660615,0.2750033],"study_design_scores_gemma":[0.0009457863,0.0007491452,0.9665018,0.00004709732,0.00001342682,0.00001748887,0.01328803,0.0003290007,0.00002097803,0.0005801352,0.01724496,0.0002621894],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9493264,0.0001736996,0.00001768765,0.0006212,0.0004552798,0.0000898818,0.00001212113,0.0001076707,0.04919606],"genre_scores_gemma":[0.9948326,0.0001333893,0.00005003894,0.0006570499,0.00009647283,0.000009283317,0.000009031642,0.00001060303,0.004201564],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5411527,"threshold_uncertainty_score":0.9988015,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4206806751","doi":"10.1080/10462937.2021.2025260","title":"Performing ice (performing landscapes series)","year":2021,"lang":"en","type":"article","venue":"Text and Performance Quarterly","topic":"Posthumanist Ethics and Activism","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Cape Breton University","funders":"","keywords":"Series (stratigraphy); Geography; Geology","authors":[{"name":"Shauna M. MacDonald","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01812263364195368,"gpt":0.275817933090497,"spread":0.2576952994485433,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.000492707,0.0001385845,0.0001798831,0.00005117517,0.001494075,0.000245775,0.0001392324,0.0001248191,0.0005559208],"category_scores_gemma":[0.00001935569,0.0001320227,0.00004595029,0.0001848098,0.0001504061,0.001040448,0.00002104148,0.0002856384,0.00008209999],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003202628,"about_ca_system_score_gemma":0.0001956398,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001799729,"about_ca_topic_score_gemma":0.0009211623,"domain_scores_codex":[0.9988019,0.00005981418,0.0001797007,0.0002433891,0.0002946194,0.0004205312],"domain_scores_gemma":[0.9994639,0.00007052966,0.00006474409,0.0001615031,0.0001089182,0.0001304676],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007240455,0.0001077269,0.03176558,0.0001937918,0.00004911457,0.00004133675,0.1889354,0.000001867744,0.002299913,0.05447059,0.0005759255,0.7214864],"study_design_scores_gemma":[0.001444651,0.001627298,0.06180422,0.0003363407,0.00009199767,0.0001868876,0.09939789,0.002501672,0.002798334,0.005640635,0.8227254,0.001444663],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9168758,0.0004248342,0.00001714487,0.001112817,0.0003015733,0.00006924316,0.000004054773,0.00007627683,0.08111824],"genre_scores_gemma":[0.9915236,0.0006808464,0.0001444566,0.0002207943,0.0004776013,0.000009544588,0.000009105328,0.00001340308,0.006920618],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8221495,"threshold_uncertainty_score":0.9998059,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2754909390","doi":"10.1080/10462937.2017.1363983","title":"Interpretation of poetry with Dr. Roloff","year":2017,"lang":"en","type":"article","venue":"Text and Performance Quarterly","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Poetry; Interpretation (philosophy); Quarter (Canadian coin); Art; Performance art; Art history; Literature; History; Visual arts; Linguistics; Philosophy; Archaeology","authors":[{"name":"Heidi Rose","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01479297108215539,"gpt":0.2307849814761342,"spread":0.2159920103939788,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0000801425,0.0001118338,0.0001661964,0.00004778837,0.0006625905,0.0001187911,0.0001288441,0.00002262566,0.0002472082],"category_scores_gemma":[0.000001223602,0.0000757683,0.00002141884,0.000007683736,0.0005388639,0.0006834466,0.00001229797,0.00007809824,0.00003479074],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000003851326,"about_ca_system_score_gemma":0.00001085964,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001318521,"about_ca_topic_score_gemma":0.0005465709,"domain_scores_codex":[0.9995047,0.000006108426,0.0001409551,0.0001116362,0.00009422455,0.0001423902],"domain_scores_gemma":[0.9995334,0.00001346178,0.0001363539,0.0002307505,0.00005961815,0.00002640872],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"observational","study_design_scores_codex":[0.0009325808,0.0000622091,0.04574424,0.0002769416,0.0001064517,0.000001639857,0.2361031,0.00000188857,0.00007289607,0.007264406,0.001320442,0.7081132],"study_design_scores_gemma":[0.005385898,0.02424409,0.7046556,0.001162311,0.0003052208,0.00004150768,0.06910037,0.009478411,0.0008932015,0.002367648,0.1807749,0.001590774],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8839306,0.0001444797,0.000008790886,0.0001848667,0.0001743777,0.00006462416,0.000008456902,0.00002086989,0.1154629],"genre_scores_gemma":[0.9963471,0.00007333542,0.0000178735,0.00004519299,0.0002329402,0.000008401972,0.000003718829,0.00000835852,0.00326313],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7065224,"threshold_uncertainty_score":0.5096177,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}