{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":16,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":16,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"ad1a634d442f","filters":{"venue":"Textile Society of America Symposium Proceedings"}},"results":[{"id":"W4254814248","doi":"10.32873/unl.dc.tsasp.0131","title":"India in Situ: Textile History and Practice, a Team Approach","year":2021,"lang":"en","type":"article","venue":"Textile Society of America Symposium Proceedings","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Craft; Textile; Weaving; Adventure; Scholarship; Visual arts; Architecture; National museum; Textile design; Clothing; National Museum of Natural History; Engineering; Art; Sociology; Art history; History; Archaeology; Anthropology; Natural history; Mechanical engineering; Political science; Law","authors":[{"name":"Annin Barrett","is_ca":false},{"name":"Carol Bier","is_ca":false},{"name":"Anna Jolly","is_ca":false},{"name":"Louise W. Mackie","is_ca":false},{"name":"Barbara Setsu Pickett","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02152835875335062,"gpt":0.2251843650469186,"spread":0.203656006293568,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005158404,0.0007278032,0.000587902,0.00698598,0.01976153,0.0191653,0.003622938,0.002381102,0.007490688],"category_scores_gemma":[0.004447877,0.0008227124,0.000555727,0.007838855,0.02224355,0.007206478,0.0157277,0.003193017,0.0008236011],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01252846,"about_ca_system_score_gemma":0.009651972,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02423866,"about_ca_topic_score_gemma":0.04036625,"domain_scores_codex":[0.9938015,0.003750392,0.0002161502,0.0007078275,0.0005085645,0.001015416],"domain_scores_gemma":[0.9962068,0.001991506,0.000257694,0.0004440454,0.0003309235,0.0007689705],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001175117,0.0000516134,0.001956306,0.00009997535,0.000007436544,0.0004678457,0.9593133,0.00008841965,0.0003254364,0.02357313,0.001161438,0.01294324],"study_design_scores_gemma":[0.000002243779,0.00002175483,0.002308257,0.0001497091,0.000009828906,0.0001854578,0.9538164,0.0001271918,0.0001595864,0.002735491,0.04047196,0.00001212488],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5986834,0.002899974,0.01131958,0.008002821,0.0003253487,0.0004154762,0.0002013494,0.0002281743,0.377924],"genre_scores_gemma":[0.9683563,0.001448816,0.004276572,0.0006905606,0.00004871086,0.0001898287,0.00008201467,0.00008765036,0.02481954],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.02423866,"threshold_uncertainty_score":0.09090078,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3195632047","doi":"10.32873/unl.dc.tsasp.0097","title":"India in Situ: Textile History and Practice, a Team Approach","year":2021,"lang":"en","type":"article","venue":"Textile Society of America Symposium Proceedings","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Adventure; Weaving; National museum; Textile; Scholarship; Visual arts; Textile design; Generosity; Engineering; New delhi; Art; Art history; History; Archaeology; Political science; Mechanical engineering; Law","authors":[{"name":"Annin Barrett","is_ca":false},{"name":"Carol Bier","is_ca":false},{"name":"Anna Jolly","is_ca":false},{"name":"Louise W. Mackie","is_ca":false},{"name":"Barbara Setsu Pickett","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02152835875335062,"gpt":0.2251843650469186,"spread":0.203656006293568,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005158404,0.0007278032,0.000587902,0.00698598,0.01976153,0.0191653,0.003622938,0.002381102,0.007490688],"category_scores_gemma":[0.004447877,0.0008227124,0.000555727,0.007838855,0.02224355,0.007206478,0.0157277,0.003193017,0.0008236011],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01252846,"about_ca_system_score_gemma":0.009651972,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02423866,"about_ca_topic_score_gemma":0.04036625,"domain_scores_codex":[0.9938015,0.003750392,0.0002161502,0.0007078275,0.0005085645,0.001015416],"domain_scores_gemma":[0.9962068,0.001991506,0.000257694,0.0004440454,0.0003309235,0.0007689705],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001175117,0.0000516134,0.001956306,0.00009997535,0.000007436544,0.0004678457,0.9593133,0.00008841965,0.0003254364,0.02357313,0.001161438,0.01294324],"study_design_scores_gemma":[0.000002243779,0.00002175483,0.002308257,0.0001497091,0.000009828906,0.0001854578,0.9538164,0.0001271918,0.0001595864,0.002735491,0.04047196,0.00001212488],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5986834,0.002899974,0.01131958,0.008002821,0.0003253487,0.0004154762,0.0002013494,0.0002281743,0.377924],"genre_scores_gemma":[0.9683563,0.001448816,0.004276572,0.0006905606,0.00004871086,0.0001898287,0.00008201467,0.00008765036,0.02481954],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.02423866,"threshold_uncertainty_score":0.09090078,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2954642086","doi":"10.32873/unl.dc.tsasp.0031","title":"Threads, twist and fibre: Looking at Coast Salish Textiles","year":2019,"lang":"en","type":"article","venue":"Textile Society of America Symposium Proceedings","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Vancouver Island University","funders":"","keywords":"Textile; Weaving; Wool; Prestige; Geography; Engineering; History; Visual arts; Archaeology; Art; Mechanical engineering","authors":[{"name":"Liz Hammond-Kaarremaa","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0104964686142208,"gpt":0.2041991538981393,"spread":0.1937026852839185,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009492728,0.0007043734,0.0004455092,0.004656277,0.002936463,0.00408939,0.0005950715,0.001526143,0.006661193],"category_scores_gemma":[0.001195455,0.0002676336,0.0003857641,0.004114644,0.005592457,0.007399216,0.001796059,0.001847947,0.001228345],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001999323,"about_ca_system_score_gemma":0.0008529084,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01040392,"about_ca_topic_score_gemma":0.04151195,"domain_scores_codex":[0.9995669,0.0001535839,0.0000231969,0.00006057644,0.0001378083,0.00005793556],"domain_scores_gemma":[0.9993537,0.0003151948,0.0001067148,0.00002361816,0.0001179986,0.00008277712],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003490841,0.00009187643,0.03562687,0.007921531,0.0001423922,0.01491591,0.4928694,0.0002274504,0.03038055,0.03803224,0.08137648,0.2980663],"study_design_scores_gemma":[0.000003348884,0.0001324528,0.04880483,0.001645234,0.00004372805,0.007918426,0.2767219,0.00004414071,0.001332246,0.006576094,0.6567327,0.00004496896],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.2799367,0.5132512,0.00507644,0.03366459,0.004065278,0.00009206742,0.000493007,0.0001823001,0.1632385],"genre_scores_gemma":[0.4663724,0.3724593,0.01494148,0.02730104,0.003327347,0.0000640878,0.0007051154,0.0003638641,0.1144653],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01040392,"threshold_uncertainty_score":0.02228397,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3194246478","doi":"10.32873/unl.dc.tsasp.0099","title":"Alnôbakskwak: Native American Women Making Ceremonial Regalia","year":2021,"lang":"en","type":"article","venue":"Textile Society of America Symposium Proceedings","topic":"Indigenous Studies and Ecology","field":"Health Professions","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Pride; Ceremony; Native american; Context (archaeology); History; Cultural identity; Gender studies; Sociology; Ethnology; Political science; Social science; Law; Archaeology","authors":[{"name":"Vera Longtoe Sheehan","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01971738209172422,"gpt":0.3430127934677406,"spread":0.3232954113760164,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001401043,0.0004092117,0.0001577368,0.0004282203,0.01587422,0.00298218,0.0004542068,0.0006571268,0.0063341],"category_scores_gemma":[0.001586067,0.0001789071,0.0001695046,0.0003717627,0.003882055,0.001831355,0.003508233,0.001731425,0.0005902183],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001572718,"about_ca_system_score_gemma":0.002214817,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01877324,"about_ca_topic_score_gemma":0.06991596,"domain_scores_codex":[0.9993752,0.0002733493,0.00001347787,0.00005232104,0.00009510291,0.0001906765],"domain_scores_gemma":[0.9996483,0.0001110022,0.00003989301,0.0000265579,0.00006040018,0.0001137977],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001125407,0.0001552532,0.005657519,0.0001838874,0.000009703248,0.001719579,0.8719636,0.00004844139,0.006815659,0.01581776,0.01314594,0.08437015],"study_design_scores_gemma":[0.000003615866,0.00006876838,0.006638512,0.00008480893,0.000009351709,0.0005065576,0.7377596,0.00006048392,0.00136777,0.0006015893,0.2528797,0.00001908398],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8689853,0.001736367,0.001837775,0.006235398,0.0007842197,0.0001156589,0.00005303728,0.0001009547,0.1201513],"genre_scores_gemma":[0.9126546,0.00112096,0.001621283,0.000751417,0.0001077784,0.00003783827,0.00003211659,0.00007337427,0.08360062],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01877324,"threshold_uncertainty_score":0.03732789,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3207981930","doi":"10.32873/unl.dc.tsasp.0133","title":"Tribal Textiles and the Mingei Circle in Japan: Muneyoshi Yanagi’s View on Carpet","year":2021,"lang":"en","type":"article","venue":"Textile Society of America Symposium Proceedings","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"Keio University; York University","keywords":"Exhibition; Clothing; Textile; Metropolitan area; History; Period (music); World War II; Art history; Ancient history; Art; Archaeology; Aesthetics","authors":[{"name":"Yumiko Kamada","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01351932757889294,"gpt":0.2135226761355821,"spread":0.2000033485566892,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009598969,0.0006920789,0.0004146504,0.0008959468,0.0145429,0.006145223,0.0007246096,0.003771305,0.01237002],"category_scores_gemma":[0.0005482691,0.0004590216,0.0003125389,0.001678637,0.008743789,0.005181836,0.004254488,0.003832292,0.001287366],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005601587,"about_ca_system_score_gemma":0.003438455,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.06953695,"about_ca_topic_score_gemma":0.1759147,"domain_scores_codex":[0.9995116,0.0001020246,0.00002164834,0.00007996861,0.00006780159,0.0002168769],"domain_scores_gemma":[0.9994788,0.00007367205,0.00005133984,0.00002940269,0.0001135866,0.000253271],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001740207,0.00004961429,0.007780953,0.001042363,0.00003298566,0.003349284,0.3629482,0.0001632342,0.003208433,0.1679632,0.415831,0.03745672],"study_design_scores_gemma":[0.000004837198,0.00001582261,0.007911516,0.0002354018,0.00001218607,0.0002885438,0.092489,0.00002699931,0.00009385423,0.002377466,0.8965146,0.00002991827],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.09892728,0.1666986,0.0009234772,0.2403742,0.01140336,0.00004222816,0.0002073443,0.00008486133,0.4813387],"genre_scores_gemma":[0.6061386,0.06913605,0.001083751,0.029944,0.004812552,0.00009752729,0.0001408812,0.000149672,0.2884969],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.06953695,"threshold_uncertainty_score":0.1382644,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3193972492","doi":"10.32873/unl.dc.tsasp.0083","title":"Contemporary Oneida Beadwork: Revitalized Identity Through an “Adopted” Art Form","year":2021,"lang":"en","type":"article","venue":"Textile Society of America Symposium Proceedings","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Indigenous; Identity (music); Cultural identity; Graduation (instrument); History; Sociology; Visual arts; Anthropology; Art; Aesthetics; Engineering; Social science","authors":[{"name":"Beverly Gordon","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04723631712708903,"gpt":0.2700435741075491,"spread":0.2228072569804601,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001297255,0.0004241653,0.0002672236,0.0007569506,0.01370625,0.01037619,0.001327208,0.00114901,0.007465906],"category_scores_gemma":[0.00193562,0.0002695488,0.0001720402,0.0007977077,0.01619391,0.004787161,0.007117414,0.003176736,0.000735847],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007008662,"about_ca_system_score_gemma":0.003512757,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04433153,"about_ca_topic_score_gemma":0.1610795,"domain_scores_codex":[0.9990127,0.0002165778,0.00002834636,0.0002038129,0.0002864254,0.000252151],"domain_scores_gemma":[0.9994352,0.00009910201,0.00005405778,0.0001029973,0.0001441403,0.000164359],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005105723,0.0001009355,0.005390999,0.00006274292,0.000004109701,0.0005882758,0.8156847,0.0000491074,0.001663399,0.1257184,0.005568685,0.04511755],"study_design_scores_gemma":[0.00001210334,0.00006880291,0.01003521,0.0001625943,0.00001471833,0.000663397,0.5437571,0.0002289698,0.0006562775,0.007550571,0.4368236,0.00002668197],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5312856,0.000834238,0.00182069,0.003813582,0.0003279543,0.00005014429,0.00003233982,0.00004292858,0.4617925],"genre_scores_gemma":[0.9393142,0.0003993482,0.001069355,0.0003685691,0.00003644008,0.00002518,0.00002225422,0.00006587455,0.05869871],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.04433153,"threshold_uncertainty_score":0.08814698,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3211286180","doi":"10.32873/unl.dc.tsasp.0129","title":"Wool Sells Itself: tracing the movement of Navajo-raised wools","year":2021,"lang":"en","type":"article","venue":"Textile Society of America Symposium Proceedings","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Miller Group (Canada)","funders":"","keywords":"Navajo; Wool; Commodity chain; Politics; History; Political science; Economics; Archaeology; Law","authors":[{"name":"Emily Winter","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01819267267451317,"gpt":0.2203779698135017,"spread":0.2021852971389886,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001057469,0.0002473227,0.0002485671,0.001892037,0.004677416,0.002822899,0.001081521,0.0008534571,0.004026526],"category_scores_gemma":[0.002591453,0.0002792898,0.0001615058,0.001993623,0.002529542,0.002318137,0.002993367,0.001279979,0.0003506294],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002501274,"about_ca_system_score_gemma":0.001947648,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1269967,"about_ca_topic_score_gemma":0.3402295,"domain_scores_codex":[0.9994485,0.0001647504,0.00001265355,0.0001025183,0.0001125437,0.0001589869],"domain_scores_gemma":[0.9992667,0.0002805314,0.0001402654,0.00003663797,0.000129219,0.0001466784],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00008392608,0.00006433394,0.04653928,0.000141971,0.000009111016,0.0007318,0.9130663,0.00006738264,0.00184062,0.003630769,0.002567545,0.03125688],"study_design_scores_gemma":[0.000001696347,0.00002484689,0.07233343,0.0002629537,0.000006027542,0.0001198285,0.8949212,0.0001784777,0.0001943899,0.0007308484,0.03121204,0.00001425977],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9757165,0.0005232836,0.0004067765,0.0007636553,0.00004788893,0.00002401267,0.000175255,0.00001199872,0.02233068],"genre_scores_gemma":[0.9900287,0.0007019981,0.001098263,0.0002390849,0.00002111913,0.00004465694,0.0002539949,0.00004034973,0.007571862],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1269967,"threshold_uncertainty_score":0.252515,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2962964106","doi":"10.32873/unl.dc.tsasp.0003","title":"Balancing local tradition and global influences… in Kachchh, India","year":2019,"lang":"en","type":"article","venue":"Textile Society of America Symposium Proceedings","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"Trent University; Nottingham Trent University","keywords":"Craft; Weaving; Context (archaeology); Ethnography; Sociology; Identity (music); Textile design; Public relations; Management; Engineering ethics; Marketing; Engineering; Visual arts; Political science; Aesthetics; History; Business; Anthropology; Archaeology; Art; Economics","authors":[{"name":"Ruth Clifford","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.009406010325337156,"gpt":0.2104148288406706,"spread":0.2010088185153334,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008677978,0.0002549401,0.0002658227,0.001299623,0.009817898,0.004436736,0.0008189876,0.0004833095,0.003781784],"category_scores_gemma":[0.0009835744,0.0003786834,0.0001504466,0.002620485,0.009208965,0.001515062,0.004207136,0.001572246,0.0003812698],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004215316,"about_ca_system_score_gemma":0.003815453,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03340102,"about_ca_topic_score_gemma":0.1248417,"domain_scores_codex":[0.9991459,0.000265647,0.00002927245,0.0001304959,0.000149492,0.0002791424],"domain_scores_gemma":[0.999014,0.0004663431,0.0001308602,0.00008562638,0.00008198642,0.0002211829],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006057831,0.00008433743,0.05052419,0.0001808933,0.0000183891,0.002906265,0.8946086,0.0001069822,0.001994497,0.01444295,0.001171482,0.03390083],"study_design_scores_gemma":[0.000007546754,0.000107164,0.09291184,0.0002554046,0.00003446715,0.001704831,0.8646957,0.0001098388,0.0004434134,0.001171608,0.03850993,0.00004832845],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.9753803,0.0005557143,0.0001370393,0.0008936172,0.00001547904,0.00001683496,0.00001912493,0.00001209877,0.02296983],"genre_scores_gemma":[0.9971988,0.000322938,0.0001138503,0.0001389501,0.000005323453,0.000006645217,0.00001196576,0.000006681987,0.00219481],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.03340102,"threshold_uncertainty_score":0.06641316,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2963195423","doi":"10.32873/unl.dc.tsasp.0054","title":"Warp and weft twining, and tablet weaving around the Pacific","year":2019,"lang":"en","type":"article","venue":"Textile Society of America Symposium Proceedings","topic":"Pacific and Southeast Asian Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Weaving; LOOM; Subsistence agriculture; Fishing; Archaeology; Geography; Archaeological record; Visual arts; Art; Fishery; Engineering; Agriculture; Mechanical engineering; Biology","authors":[{"name":"Tomoko Torimaru","is_ca":false},{"name":"Kathryn Rousso","is_ca":false},{"name":"Laura Filloy","is_ca":false},{"name":"Alejandro de Ávila B","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.00880883461445809,"gpt":0.2408471698888368,"spread":0.2320383352743787,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004357171,0.000506438,0.0001291296,0.0009696568,0.009119991,0.00165312,0.0005419708,0.0004400973,0.007245278],"category_scores_gemma":[0.0007276311,0.000243206,0.000150793,0.001500513,0.003545911,0.001749126,0.002661373,0.001067097,0.0002286165],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001291817,"about_ca_system_score_gemma":0.001976207,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04476098,"about_ca_topic_score_gemma":0.1968356,"domain_scores_codex":[0.9997938,0.00004857906,0.000005978618,0.00005023569,0.0000443172,0.00005703763],"domain_scores_gemma":[0.9996856,0.00009226659,0.00003660429,0.00005463435,0.00003690658,0.00009393432],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"observational","study_design_scores_codex":[0.0002091589,0.0001003946,0.01945241,0.0005576489,0.0000190243,0.004314727,0.699884,0.0002991202,0.01124159,0.01385997,0.01994799,0.230114],"study_design_scores_gemma":[0.000006893091,0.000150154,0.06104427,0.0004521868,0.00002305674,0.002250621,0.6002795,0.0001988143,0.002704882,0.001211522,0.331642,0.00003612049],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8915256,0.002038278,0.002793067,0.001494925,0.0001590763,0.00020569,0.0002508264,0.00008279144,0.1014497],"genre_scores_gemma":[0.9179324,0.003733377,0.009361877,0.0002813342,0.0000811848,0.0001588879,0.0002226872,0.0001351232,0.06809311],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.04476098,"threshold_uncertainty_score":0.08900088,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2965158927","doi":"10.32873/unl.dc.tsasp.0062","title":"Common Sense &amp; Pin Money: The Material Culture and Legacy of Lula Annie Butler 1909-2009","year":2019,"lang":"en","type":"article","venue":"Textile Society of America Symposium Proceedings","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Ethos; Population; Sociology; Shore; Nova scotia; Art history; History; Gender studies; Ethnology; Law; Demography; Political science; Geology","authors":[{"name":"Robin Michel Caudell","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01325411458319595,"gpt":0.2217937729145794,"spread":0.2085396583313835,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001211113,0.000242432,0.00021438,0.0007776279,0.01826989,0.00684102,0.0008404279,0.0008270867,0.007777754],"category_scores_gemma":[0.002369835,0.0002692031,0.0000619155,0.0008386576,0.01265606,0.003813154,0.005272858,0.002913213,0.00122862],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01001681,"about_ca_system_score_gemma":0.003246879,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1064468,"about_ca_topic_score_gemma":0.2955516,"domain_scores_codex":[0.9988912,0.0004052022,0.0000222455,0.0001667934,0.0002500594,0.0002644727],"domain_scores_gemma":[0.9989299,0.0003036251,0.0001596507,0.0000469115,0.0001853865,0.0003744277],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005720037,0.00003947742,0.004382734,0.00007383221,0.000004374011,0.001160689,0.8179936,0.00003381026,0.001179873,0.09419765,0.04938889,0.03148784],"study_design_scores_gemma":[0.000001437358,0.0000139652,0.003679585,0.0001526118,0.000001337564,0.0002472081,0.3637989,0.00001620737,0.0003022893,0.001052939,0.6307185,0.00001500693],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5271675,0.01157237,0.0006429525,0.06097993,0.0007092129,0.00003685539,0.0001750606,0.00004582198,0.3986703],"genre_scores_gemma":[0.865586,0.003489719,0.0002869231,0.003864519,0.00009409888,0.00002468204,0.00003838831,0.00005878335,0.1265568],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1064468,"threshold_uncertainty_score":0.2116544,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2963807476","doi":"10.32873/unl.dc.tsasp.0013","title":"The Untold Story of Inuit Printed Fabrics from Kinngait Studios, Kinngait (Cape Dorset), Nunavut, Canada","year":2019,"lang":"en","type":"article","venue":"Textile Society of America Symposium Proceedings","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Studio; Printmaking; Handicraft; Cape; Exhibition; Context (archaeology); Visual arts; The arts; Archaeology; History; Art","authors":[{"name":"Roxane Shaughnessy","is_ca":false},{"name":"Anna Richard","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.009778772973963706,"gpt":0.1934460862915357,"spread":0.183667313317572,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008275888,0.0007436997,0.0003996558,0.001116199,0.04711467,0.008822506,0.001867989,0.001528877,0.01359599],"category_scores_gemma":[0.001719967,0.000535125,0.0002558088,0.001712009,0.01375848,0.002265763,0.003498435,0.003863764,0.001023275],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.03914766,"about_ca_system_score_gemma":0.01819113,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.929782,"about_ca_topic_score_gemma":0.9867272,"domain_scores_codex":[0.9987198,0.0002842221,0.00002159708,0.00018063,0.000345752,0.0004480337],"domain_scores_gemma":[0.9989645,0.0002587548,0.00004802106,0.00006136717,0.0002397888,0.0004274535],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008514553,0.00005457125,0.003727416,0.0001487839,0.00001382048,0.005634524,0.9166777,0.0001207997,0.00110619,0.01689626,0.03911952,0.01641521],"study_design_scores_gemma":[0.000004661669,0.00002218729,0.006049029,0.0001892473,0.00001217637,0.0009925262,0.5985203,0.0000660091,0.0004876514,0.0005196982,0.3931064,0.00003015895],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5331134,0.00895012,0.00103866,0.02629547,0.001446414,0.000121964,0.000816472,0.0001021935,0.4281152],"genre_scores_gemma":[0.8346053,0.003953363,0.0007218802,0.002433175,0.0001048529,0.00003396069,0.0001861656,0.0001974641,0.1577638],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.07021803,"threshold_uncertainty_score":0.2840375,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3195529834","doi":"10.32873/unl.dc.tsasp.0088","title":"Prejudiced Commodities: Understanding Knowledge Transfer from India to Britain through Printed and Painted Calicoes, 1720-1780","year":2021,"lang":"en","type":"article","venue":"Textile Society of America Symposium Proceedings","topic":"Colonialism, slavery, and trade","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Alberta","funders":"","keywords":"Consumption (sociology); Textile; Politics; Textile industry; Economy; Commerce; Business; Geography; Economics; Political science; Art; Aesthetics; Law; Archaeology","authors":[{"name":"Aditi Khare","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03431601238810914,"gpt":0.2916881365324741,"spread":0.2573721241443649,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001669243,0.0003354939,0.0002399164,0.004231473,0.005600017,0.009849419,0.001023698,0.0009930861,0.003564222],"category_scores_gemma":[0.006127992,0.0002989361,0.0001484009,0.006210989,0.01907741,0.004946228,0.00590698,0.002390571,0.0004352195],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0125477,"about_ca_system_score_gemma":0.005462455,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.09685775,"about_ca_topic_score_gemma":0.08123633,"domain_scores_codex":[0.9982616,0.0005664145,0.00007138697,0.0002365562,0.0004218482,0.0004421385],"domain_scores_gemma":[0.9959685,0.002648765,0.000426666,0.0002818826,0.000453223,0.0002209667],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00004862669,0.00002998259,0.005920614,0.00009900516,0.000007673262,0.0007564129,0.8972054,0.00009583646,0.000314525,0.07395307,0.0007442652,0.02082466],"study_design_scores_gemma":[0.00001333728,0.00005721718,0.04034102,0.0006836163,0.00003078228,0.0006627888,0.8044469,0.0003563668,0.0008911435,0.01987835,0.1325955,0.00004299992],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6689861,0.002879245,0.0009312728,0.004487177,0.00005589262,0.00002282281,0.0001129337,0.00001895838,0.3225055],"genre_scores_gemma":[0.9933299,0.001339086,0.0001694197,0.0002620609,0.00001581909,0.000009068532,0.00005385272,0.00001047615,0.00481008],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.09685775,"threshold_uncertainty_score":0.192588,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2965577962","doi":"10.32873/unl.dc.tsasp.0058","title":"Manipulating the Threads of Culture: Contemporary Shibori Artist Yvonne Wakabayashi","year":2019,"lang":"en","type":"article","venue":"Textile Society of America Symposium Proceedings","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Craft; Art; Visual arts; Printmaking; Sociology; Aesthetics; History","authors":[{"name":"Eileen Wheeler","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02579980182044163,"gpt":0.2286637126872683,"spread":0.2028639108668266,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001661552,0.0008247957,0.0006229655,0.0009814159,0.02700325,0.008205365,0.001428597,0.001872619,0.002634607],"category_scores_gemma":[0.001284766,0.0006473492,0.00038693,0.0009170217,0.009027959,0.003095037,0.006337477,0.004500866,0.0003763822],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00487691,"about_ca_system_score_gemma":0.003506305,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03539906,"about_ca_topic_score_gemma":0.1492584,"domain_scores_codex":[0.9991235,0.0002176908,0.00002698337,0.0001422342,0.0001366771,0.0003527872],"domain_scores_gemma":[0.9993101,0.0001619721,0.00006094949,0.0000410888,0.0001014598,0.0003242708],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003828477,0.00003434248,0.002224829,0.00006426626,0.000006641043,0.001690918,0.9796063,0.00003570691,0.003064694,0.003556122,0.002270469,0.00740746],"study_design_scores_gemma":[0.000006758345,0.00005946559,0.004677284,0.0001320282,0.00002084299,0.0008548708,0.90968,0.0001361364,0.0005942874,0.0007533183,0.08305171,0.00003322871],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.9531965,0.00379219,0.0008749161,0.00438143,0.0005142724,0.00003446981,0.00002032455,0.00003948047,0.03714624],"genre_scores_gemma":[0.9643741,0.002640437,0.00115245,0.0009616953,0.0001104459,0.00003651623,0.00003180756,0.000103637,0.0305889],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.03539906,"threshold_uncertainty_score":0.07038599,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2953484648","doi":"10.32873/unl.dc.tsasp.0033","title":"Tinctorial Cartographies: Plant, Dye &amp; Place","year":2019,"lang":"en","type":"article","venue":"Textile Society of America Symposium Proceedings","topic":"Diverse academic research themes","field":"Decision Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Meaning (existential); Indigenous; Narrative; Sociology; Geography; Sense of place; Aesthetics; History; Environmental ethics; Ecology; Social science; Epistemology; Literature; Art","authors":[{"name":"Anna Heywood-Jones","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04954766071556396,"gpt":0.3374846950343227,"spread":0.2879370343187587,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002656578,0.0005466314,0.0001988778,0.00359475,0.004508104,0.005301229,0.0006446126,0.0006950162,0.03490618],"category_scores_gemma":[0.000926772,0.0002143175,0.0002148388,0.006374697,0.004758159,0.00212697,0.001826626,0.0008542585,0.003319256],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00727019,"about_ca_system_score_gemma":0.003482201,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.2922526,"about_ca_topic_score_gemma":0.5340735,"domain_scores_codex":[0.9997264,0.00009926313,0.000007047525,0.00003528726,0.00006824299,0.00006371929],"domain_scores_gemma":[0.9995642,0.0001876934,0.00004712115,0.0000502947,0.00008880257,0.00006191034],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005864417,0.00002570371,0.007853223,0.0005890718,0.00001321258,0.002611977,0.4042767,0.000444287,0.002229136,0.2295268,0.2611002,0.09127108],"study_design_scores_gemma":[0.000002185782,0.000004862799,0.006946132,0.0003224679,0.000005498902,0.0007202982,0.1201908,0.00016757,0.0001821282,0.002852419,0.8685979,0.000007754399],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.08469535,0.005567813,0.00696218,0.007168927,0.001220757,0.0002670541,0.006357262,0.0004435433,0.887317],"genre_scores_gemma":[0.6787047,0.008157141,0.008916262,0.001358919,0.0003879348,0.0003843836,0.002870259,0.0007145595,0.2985058],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.2922526,"threshold_uncertainty_score":0.581103,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4241341196","doi":"10.32873/unl.dc.tsasp.0052","title":"Textile Society of America Symposium Program &amp; Info: 2018: 16th Biennial; The Social Fabric: Deep Local to Pan Global","year":2019,"lang":"en","type":"article","venue":"Textile Society of America Symposium Proceedings","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"University of Calgary; Government of Nunavut","funders":"","keywords":"Context (archaeology); Conversation; Immigration; Settlement (finance); Geography; Sociology; Archaeology","authors":[{"name":"Michele Hardy","is_ca":true},{"name":"Jean Kares","is_ca":true},{"name":"Bettina Matzkuhn","is_ca":true},{"name":"Ruth Scheuing","is_ca":true},{"name":"Karen Chair","is_ca":true},{"name":"Port Alberni","is_ca":true},{"name":"Aaron Mcintosh","is_ca":true},{"name":"Jacqueline Witkowski","is_ca":true},{"name":"Cecilia Vicuña's Fibre","is_ca":true},{"name":"Art Thompson","is_ca":true},{"name":"D Potentiality","is_ca":true},{"name":"Dominique Location","is_ca":true},{"name":"Liz Finback","is_ca":true},{"name":"Catherine Hunter","is_ca":true},{"name":"Lauren Whitley","is_ca":true},{"name":"Susan L. Brown","is_ca":true},{"name":"Matilda McQuaid","is_ca":true},{"name":"Port Mcneill","is_ca":true},{"name":"Sigi Ahl","is_ca":true},{"name":"David N. Breslauer","is_ca":true},{"name":"Suzanne Lee","is_ca":true},{"name":"Anais Missakian","is_ca":true},{"name":"Jennifer Angus","is_ca":true},{"name":"D Lineware","is_ca":true},{"name":"L. Eaton","is_ca":true},{"name":"Ayami Nakatani","is_ca":true},{"name":"Miwa Kanetani","is_ca":true},{"name":"Y Ueba","is_ca":true},{"name":"Ruth Barnes","is_ca":true},{"name":"Roxane Shaughnessy","is_ca":true},{"name":"Anna Richard","is_ca":true},{"name":"Claire Regnault","is_ca":true},{"name":"Noelle Kahanu","is_ca":true},{"name":"Makana He","is_ca":true},{"name":"Rowland Ricketts Location","is_ca":true},{"name":"Rebecca Graham","is_ca":true},{"name":"Angela Location","is_ca":true},{"name":"Ètsuko Kageyama","is_ca":true},{"name":"Marianne Vedeler","is_ca":true},{"name":"Madelyn Location","is_ca":true},{"name":"Orca Donald","is_ca":true},{"name":"Clay Johnson","is_ca":true},{"name":"Lucy Aldrich","is_ca":true},{"name":"Louise Mitchell","is_ca":true},{"name":"Mary Jane","is_ca":false},{"name":"Andreas Sewing","is_ca":true},{"name":"Mending Recycling","is_ca":true},{"name":"Kat Diuguid","is_ca":true},{"name":"Angela Clarke","is_ca":true},{"name":"Wendy Weiss Location","is_ca":true},{"name":"Jane Groufsky","is_ca":true},{"name":"Louise Hamby","is_ca":true},{"name":"M. J. Daines","is_ca":true},{"name":"Joanne Schmidt","is_ca":true},{"name":"Deborah Location","is_ca":true},{"name":"Keiko Okamoto","is_ca":true},{"name":"Lenore Tawney","is_ca":true},{"name":"Tsa Keynote","is_ca":true},{"name":"Keynote Speaker","is_ca":true},{"name":"Meghann O'","is_ca":true},{"name":"Brien Photo","is_ca":true},{"name":"Stasia Garraway","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01596959804370043,"gpt":0.2541081082427138,"spread":0.2381385101990134,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001185006,0.0007702436,0.0003545714,0.0009893002,0.003985307,0.006609636,0.0007079347,0.002137533,0.3645134],"category_scores_gemma":[0.001229293,0.0002826176,0.0003807226,0.0009970554,0.0009477775,0.003041757,0.004951979,0.003141575,0.1081019],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002421026,"about_ca_system_score_gemma":0.002765324,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006136108,"about_ca_topic_score_gemma":0.0209456,"domain_scores_codex":[0.9992798,0.0001032647,0.00002092326,0.00008301069,0.0002695346,0.0002434066],"domain_scores_gemma":[0.9985638,0.00008460729,0.00005534982,0.00009927809,0.0004526282,0.0007443343],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003415167,0.00005909991,0.0004150071,0.0001480901,0.00000218742,0.00006183349,0.0005301945,0.00001821639,0.0006715285,0.003326153,0.9512805,0.04345315],"study_design_scores_gemma":[0.000001509774,0.000008051862,0.0006514702,0.00005628244,5.568622e-7,0.00001622029,0.0005512053,0.00001036593,0.00007816912,0.000314418,0.9983093,0.000002449121],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.005440138,0.008678356,0.0009650627,0.04058864,0.04006684,0.0001872853,0.002842847,0.0006843782,0.9005464],"genre_scores_gemma":[0.01768725,0.003545111,0.0005970352,0.001673289,0.003620286,0.0001294946,0.0009738914,0.000384414,0.9713893],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.3645134,"threshold_uncertainty_score":0.9064445,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4247377322","doi":"10.32873/unl.dc.tsasp.0068","title":"Abstracts of the Textile Society of America 16th Biennial Symposium","year":2019,"lang":"en","type":"article","venue":"Textile Society of America Symposium Proceedings","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Textile; Environmental ethics; Political science; History; Archaeology; Philosophy","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.01239277382662614,"gpt":0.2106179321561098,"spread":0.1982251583294837,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001576108,0.001242943,0.0006651506,0.001616951,0.003494489,0.005466251,0.0007866514,0.003087761,0.195476],"category_scores_gemma":[0.001335945,0.0003761542,0.0005522686,0.001541103,0.0007154169,0.002760597,0.003563207,0.00256863,0.05396258],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002564413,"about_ca_system_score_gemma":0.00417496,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.008727008,"about_ca_topic_score_gemma":0.02117746,"domain_scores_codex":[0.9993142,0.0000941426,0.00004055794,0.0001127808,0.0002622767,0.000176049],"domain_scores_gemma":[0.99896,0.00008205113,0.0000532086,0.00007507759,0.0004889533,0.0003406378],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004757363,0.00005713982,0.0004160638,0.0001201866,0.000003545006,0.00005534528,0.0002784168,0.00001761991,0.0003747557,0.002002734,0.9585124,0.03811419],"study_design_scores_gemma":[0.000002166004,0.000006582681,0.0007165608,0.0000887681,0.000001397689,0.00001582678,0.0003070505,0.00001035991,0.00003238595,0.0001822408,0.9986343,0.000002377797],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.006470837,0.07460954,0.0009627281,0.06182959,0.1584258,0.0002298219,0.002944269,0.0004111653,0.6941163],"genre_scores_gemma":[0.009695271,0.01057415,0.0003493494,0.002061605,0.008377246,0.000136461,0.0008580994,0.0001290978,0.9678187],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.8045239,"threshold_uncertainty_score":0.6539325,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}