{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":9,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":9,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"4bb9692f1a12","filters":{"venue":"The Conradian : the Journal of the Joseph Conrad Society"}},"results":[{"id":"W218444599","doi":"","title":"Conrad and the Duke of Sutherland","year":2010,"lang":"en","type":"article","venue":"The Conradian : the Journal of the Joseph Conrad Society","topic":"Joseph Conrad and Literature","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"History; Art history; Crew; French horn; Ancient history; Art; Classics; Archaeology; Sociology","authors":[{"name":"Allan H. Simmons","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.006078074382568022,"gpt":0.1802626707051205,"spread":0.1741845963225525,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004554164,0.0003976698,0.0002854365,0.0005470064,0.006746555,0.003513524,0.0006771007,0.001525301,0.1134651],"category_scores_gemma":[0.002583737,0.0002488199,0.0001416914,0.0004905648,0.001739016,0.001839629,0.003527767,0.004260067,0.01890716],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002493921,"about_ca_system_score_gemma":0.004045039,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02697993,"about_ca_topic_score_gemma":0.1015693,"domain_scores_codex":[0.9991903,0.0001226071,0.0000219148,0.0001316393,0.0002406091,0.0002929309],"domain_scores_gemma":[0.9982229,0.0001288631,0.00005350852,0.00005853683,0.0002713409,0.001264849],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001414582,0.00001538129,0.000691966,0.00002338376,0.000001029694,0.0005738339,0.0008549575,0.00001234807,0.00005821747,0.006971143,0.9713047,0.01947888],"study_design_scores_gemma":[0.000001005271,0.000004099839,0.0004331277,0.00004283893,3.5056e-7,0.0002301899,0.001144383,0.000005803498,0.00001894111,0.0002492481,0.9978672,0.000002808605],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01479296,0.02701744,0.0002659789,0.1952258,0.04483842,0.00002740965,0.0002903723,0.0001494584,0.717392],"genre_scores_gemma":[0.04200156,0.005786336,0.0001569522,0.0155081,0.002287122,0.00002138945,0.0001310775,0.00009246857,0.934015],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.1134651,"threshold_uncertainty_score":0.3795785,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W125196763","doi":"","title":"Tosca's Kiss: Sardou, Puccini, and the Secret Agent","year":2007,"lang":"en","type":"article","venue":"The Conradian : the Journal of the Joseph Conrad Society","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Opera; Character (mathematics); KISS (TNC); Art; Performance art; Art history; History; Literature; Computer science","authors":[{"name":"J. H. Stape","is_ca":false},{"name":"Allan H. Simmons","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02014820924812818,"gpt":0.2213228233228444,"spread":0.2011746140747162,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004985252,0.0002589458,0.0002021119,0.0004771101,0.008599597,0.005380266,0.0003870466,0.001501863,0.008399297],"category_scores_gemma":[0.001200556,0.0001582916,0.00009288728,0.0005488701,0.007849867,0.002100295,0.002547812,0.002543401,0.00100476],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005326738,"about_ca_system_score_gemma":0.002442369,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0758075,"about_ca_topic_score_gemma":0.1484271,"domain_scores_codex":[0.9995296,0.0001695344,0.000006559861,0.00005726856,0.00008887269,0.0001482019],"domain_scores_gemma":[0.9997225,0.00008264169,0.00002915068,0.00002079565,0.00004221061,0.0001026045],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009105251,0.00003333449,0.001368872,0.00008942194,0.000004676005,0.0007431514,0.1619105,0.00003166136,0.0002205473,0.6153089,0.1983784,0.02181945],"study_design_scores_gemma":[0.000005510101,0.000009389817,0.001061908,0.0001366414,0.000003015054,0.0002255638,0.03810299,0.00002550964,0.0001029613,0.005283209,0.9550363,0.000007111342],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.06442101,0.0217963,0.0003552492,0.05092768,0.001773785,0.00001749657,0.0000541981,0.0000348241,0.8606195],"genre_scores_gemma":[0.7848848,0.005556419,0.0001673062,0.003260457,0.0006176581,0.00001752076,0.00003337283,0.00005295087,0.2054096],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.0758075,"threshold_uncertainty_score":0.1507325,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1588811954","doi":"","title":"Conrad and Hamlin Garland: A Correspondence Recovered","year":2006,"lang":"en","type":"article","venue":"The Conradian : the Journal of the Joseph Conrad Society","topic":"Joseph Conrad and Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Courage; Art history; History; Art; Literature; Classics; Philosophy; Theology","authors":[{"name":"Owen Knowles","is_ca":false},{"name":"J. H. Stape","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.009211672446150948,"gpt":0.1850646494826972,"spread":0.1758529770365462,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008832891,0.0006476711,0.0005261379,0.00161042,0.01011851,0.006851003,0.0007872349,0.002629961,0.1372269],"category_scores_gemma":[0.003921851,0.0005079255,0.0002434746,0.002965203,0.001451496,0.003700346,0.003353152,0.003105158,0.0627834],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004062012,"about_ca_system_score_gemma":0.005435745,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02177116,"about_ca_topic_score_gemma":0.04373819,"domain_scores_codex":[0.9986584,0.0002295345,0.00007060467,0.0002690475,0.0004814079,0.000290913],"domain_scores_gemma":[0.9986203,0.0002943141,0.00007557775,0.0001361818,0.0004910929,0.000382616],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001018034,0.00001003002,0.0001136319,0.00002795596,6.355466e-7,0.0001698942,0.0007638847,0.000004007989,0.00008339265,0.004393169,0.9822198,0.01220337],"study_design_scores_gemma":[7.128785e-7,0.00000159776,0.0001222525,0.0000177839,2.544328e-7,0.00004562036,0.0004144241,0.000002437069,0.00002799337,0.0001104503,0.9992552,0.000001282189],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.005771067,0.03080071,0.0004655771,0.1431343,0.02915479,0.000113111,0.0008127344,0.0005765151,0.7891712],"genre_scores_gemma":[0.01127114,0.004305579,0.0002444544,0.01446494,0.001544638,0.00003741922,0.0001828014,0.0002038313,0.9677452],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.1372269,"threshold_uncertainty_score":0.4590697,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1490817183","doi":"","title":"Conrad and Neil Munro: Notes on a Literary Acquaintance","year":2005,"lang":"en","type":"article","venue":"The Conradian : the Journal of the Joseph Conrad Society","topic":"Joseph Conrad and Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Genius; Beauty; Art history; Art; Literature; History; Aesthetics","authors":[{"name":"Brian D. Osborne","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01450193723019636,"gpt":0.2086914679957427,"spread":0.1941895307655463,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004874978,0.001089021,0.0009985471,0.002657183,0.0462641,0.0169133,0.002778395,0.006325253,0.01457009],"category_scores_gemma":[0.01219581,0.0007356033,0.0004144892,0.003793036,0.01976539,0.009412549,0.009970458,0.01069283,0.003383383],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01403762,"about_ca_system_score_gemma":0.007548334,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1501732,"about_ca_topic_score_gemma":0.3508101,"domain_scores_codex":[0.9920139,0.003187383,0.0002835854,0.001081262,0.002318545,0.001115376],"domain_scores_gemma":[0.9931339,0.003088408,0.0005584633,0.0006239711,0.001415865,0.00117943],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005416105,0.00005087164,0.0003611028,0.0001696066,0.0000108559,0.001073999,0.1521979,0.0000195625,0.0001792761,0.04713384,0.7775658,0.02118299],"study_design_scores_gemma":[0.000002635584,0.000008274963,0.0005700521,0.0001536489,0.000002531512,0.0003201563,0.02878421,0.000007209544,0.00003876917,0.0008785519,0.9692224,0.00001164307],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.02182997,0.1828457,0.0004778759,0.300853,0.01936222,0.00005189694,0.0001352087,0.000138179,0.474306],"genre_scores_gemma":[0.2781989,0.04015659,0.0005961627,0.1269553,0.01340342,0.000121008,0.000124688,0.0005431029,0.5399009],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1501732,"threshold_uncertainty_score":0.2985982,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2994110787","doi":"","title":"A Harmless Forgery","year":2007,"lang":"en","type":"article","venue":"The Conradian : the Journal of the Joseph Conrad Society","topic":"Joseph Conrad and Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Anecdote; History; Medicine; Classics; Literature; Psychology; Art","authors":[{"name":"Howard Norman","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01733804578962558,"gpt":0.2151126727320228,"spread":0.1977746269423972,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00743571,0.001422595,0.001215115,0.001373415,0.01789671,0.01713469,0.001972145,0.007147934,0.03280262],"category_scores_gemma":[0.03168775,0.0005957485,0.0007454374,0.0006980051,0.02164564,0.01802269,0.01034318,0.01915086,0.02601934],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004122369,"about_ca_system_score_gemma":0.004652166,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002133354,"about_ca_topic_score_gemma":0.004371639,"domain_scores_codex":[0.9882705,0.005742757,0.0002921685,0.001781171,0.00265224,0.001261118],"domain_scores_gemma":[0.9840407,0.004913168,0.001296726,0.002939502,0.003305643,0.003504262],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000287537,0.00002116734,0.00019387,0.00006271203,0.00001363823,0.0003449134,0.008211525,0.0000211605,0.0001280871,0.08494485,0.8906008,0.01542854],"study_design_scores_gemma":[0.000002137241,0.000007516088,0.00004861239,0.0001146686,0.00000193692,0.0003494349,0.002871062,0.00001550014,0.00004888921,0.007505541,0.9890258,0.000009101843],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.004760582,0.04904128,0.003459843,0.5548548,0.1077791,0.00004754966,0.0002003731,0.0005604147,0.2792959],"genre_scores_gemma":[0.07276737,0.0118886,0.002111918,0.3614803,0.02389479,0.00006228788,0.0001481823,0.001005689,0.5266408],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03280262,"threshold_uncertainty_score":0.1097357,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W96215175","doi":"","title":"Jessie Conrad in Context: A George Family History","year":2009,"lang":"en","type":"article","venue":"The Conradian : the Journal of the Joseph Conrad Society","topic":"Irish and British Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"George (robot); Wife; Context (archaeology); Georgian; Population; Genealogy; Census; History; Birth certificate; Certificate; Colonialism; Art history; Sociology; Demography; Law; Political science; Archaeology; Philosophy","authors":[{"name":"J. H. Stape","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02233159750465727,"gpt":0.2606108988537804,"spread":0.2382793013491231,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000939226,0.0003101631,0.0003534128,0.0008018796,0.01829612,0.003197482,0.0007588255,0.001748749,0.01033896],"category_scores_gemma":[0.002311029,0.0003347417,0.0001217417,0.0007786308,0.005293093,0.003647836,0.003691388,0.007481066,0.001604308],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004841158,"about_ca_system_score_gemma":0.006239987,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.08328452,"about_ca_topic_score_gemma":0.2437926,"domain_scores_codex":[0.9991413,0.0003587887,0.00002666007,0.0001172979,0.0001708631,0.0001849275],"domain_scores_gemma":[0.9989411,0.00015611,0.00005663848,0.00003476259,0.0001473839,0.000663876],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001367573,0.00008026061,0.003022774,0.00009002616,0.000007147515,0.008592201,0.1762773,0.00004837789,0.0002826737,0.06501266,0.7119362,0.03463663],"study_design_scores_gemma":[0.000001121177,0.000009844239,0.001295326,0.00019608,0.000001891139,0.002466431,0.04689748,0.00001058,0.00003977669,0.002376816,0.9466919,0.00001266731],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.06700992,0.06808001,0.0007137411,0.5867837,0.01097626,0.00007946862,0.0001847516,0.0001038655,0.2660683],"genre_scores_gemma":[0.3640267,0.04659616,0.001351957,0.1786128,0.002056852,0.00009463077,0.0001025544,0.0001412352,0.4070171],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.08328452,"threshold_uncertainty_score":0.1655995,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2994227687","doi":"","title":"The Conrads in Brittany: Some Biographical Notes","year":2011,"lang":"en","type":"article","venue":"The Conradian : the Journal of the Joseph Conrad Society","topic":"Joseph Conrad and Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Honeymoon; George (robot); Art history; History; Quarter (Canadian coin); Art; Cartography; Archaeology; Geography; Philosophy","authors":[{"name":"J. H. Stape","is_ca":false},{"name":"Allan H. Simmons","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02896087702400753,"gpt":0.2035579050997964,"spread":0.1745970280757889,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006649202,0.001251298,0.0003877917,0.004896875,0.01062238,0.005986172,0.001735272,0.001297435,0.03012105],"category_scores_gemma":[0.001020458,0.0006366592,0.0002081298,0.01065674,0.005158334,0.002214995,0.003016877,0.003128699,0.005540396],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01429793,"about_ca_system_score_gemma":0.005912809,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.407823,"about_ca_topic_score_gemma":0.6635115,"domain_scores_codex":[0.9994584,0.0001077234,0.0000257526,0.00007392814,0.0001806087,0.0001536106],"domain_scores_gemma":[0.9994553,0.0001044006,0.00007961621,0.00005274891,0.000151848,0.0001562125],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000119315,0.0001452204,0.004483963,0.001122106,0.00002815255,0.002689732,0.2835464,0.0002595226,0.001632987,0.09035333,0.5299552,0.08566403],"study_design_scores_gemma":[0.000001253555,0.000005370135,0.007567824,0.000188127,0.000003313158,0.0001629308,0.02686954,0.00001277778,0.00005200272,0.0002847131,0.9648346,0.00001758321],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.05656384,0.1379791,0.0002079736,0.01528137,0.006172575,0.0001272558,0.00188326,0.0001200531,0.7816646],"genre_scores_gemma":[0.2770829,0.08577266,0.0004933396,0.00594614,0.001625198,0.0001582985,0.001457996,0.0003607319,0.6271027],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.407823,"threshold_uncertainty_score":0.8108985,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1505140421","doi":"","title":"The Unenchanted Garden: Children, Childhood, and Conrad","year":2006,"lang":"en","type":"article","venue":"The Conradian : the Journal of the Joseph Conrad Society","topic":"Joseph Conrad and Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Memoir; Jungle; Literature; History; Shadow (psychology); George (robot); Narrative; Art history; Poetry; Art; Psychoanalysis; Psychology","authors":[{"name":"David Reed Miller","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.004002392975098422,"gpt":0.1650255787469241,"spread":0.1610231857718257,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001608639,0.0005245258,0.0006362094,0.001296598,0.0174671,0.01143451,0.001131644,0.001915231,0.00692561],"category_scores_gemma":[0.002964336,0.0004847021,0.0002339105,0.00202832,0.02589587,0.005989265,0.005254416,0.00470846,0.0009378573],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01146145,"about_ca_system_score_gemma":0.005337306,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1096188,"about_ca_topic_score_gemma":0.2302573,"domain_scores_codex":[0.9983222,0.0007518158,0.0000426689,0.0002011407,0.0002422465,0.000439788],"domain_scores_gemma":[0.9984874,0.0006753155,0.0002378965,0.0001306846,0.0001441432,0.0003245599],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000620771,0.00007185087,0.007129773,0.000280764,0.00001909532,0.001943967,0.6012648,0.00007130749,0.0001994687,0.2221985,0.1304883,0.0362701],"study_design_scores_gemma":[0.000005129229,0.00001584194,0.004391792,0.0005089839,0.000009952728,0.0009916952,0.2465027,0.00001226373,0.0001192355,0.006435339,0.7409843,0.00002277694],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1549299,0.1162646,0.0005978217,0.0818767,0.002003033,0.00003872457,0.0002777386,0.0001342522,0.6438773],"genre_scores_gemma":[0.8417398,0.02382201,0.0004200726,0.009621182,0.0003366897,0.00004048093,0.0000777785,0.0001479352,0.1237941],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.1096188,"threshold_uncertainty_score":0.2179616,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1514931641","doi":"","title":"The Use of \"Coon\" in Conrad: British Slang or Racist Slur?","year":2005,"lang":"en","type":"article","venue":"The Conradian : the Journal of the Joseph Conrad Society","topic":"Joseph Conrad and Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Anecdote; White (mutation); Art history; Novella; Tinker; Law; History; Art; Literature","authors":[{"name":"Jeremy Hawthorn","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04432433205582027,"gpt":0.22693282695937,"spread":0.1826084949035497,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001505214,0.0004744014,0.0003699561,0.0008461754,0.02666276,0.01108931,0.001178931,0.004125757,0.04503621],"category_scores_gemma":[0.006432757,0.0003553343,0.000146023,0.00129683,0.01494802,0.006362573,0.005713544,0.00568148,0.00968554],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.009657876,"about_ca_system_score_gemma":0.005656539,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.2879694,"about_ca_topic_score_gemma":0.5461912,"domain_scores_codex":[0.9974099,0.000804583,0.00005957271,0.0002769692,0.0004932234,0.0009558641],"domain_scores_gemma":[0.997306,0.0005510133,0.0002423898,0.0002796242,0.0007469045,0.0008741012],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005374517,0.00003495624,0.001297254,0.00009606382,0.000003411267,0.000782014,0.1534662,0.0000285844,0.0002682371,0.12577,0.6648819,0.05331764],"study_design_scores_gemma":[0.000002103438,0.000008271903,0.001004723,0.000177622,0.000002060352,0.0002782909,0.1107207,0.00003111544,0.00009110654,0.002235952,0.8854325,0.00001554047],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.03004003,0.005489929,0.001142734,0.1152489,0.00394621,0.00002297692,0.00009365457,0.0003293979,0.8436863],"genre_scores_gemma":[0.4305199,0.002094703,0.000770032,0.02675549,0.0005618136,0.00003416268,0.0000815424,0.000615534,0.5385668],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.2879694,"threshold_uncertainty_score":0.5725864,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}