{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":90,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":90,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"54aa2b50f367","filters":{"venue":"Theatre Survey"}},"results":[{"id":"W2092930292","doi":"10.1017/s0040557414000076","title":"Murdered and Missing Women: Performing Indigenous Cultural Memory in British Columbia and Beyond","year":2014,"lang":"en","type":"article","venue":"Theatre Survey","topic":"Indigenous Health, Education, and Rights","field":"Social Sciences","cited_by":11,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Indigenous; Genealogy; Cultural memory; Collective memory; Repertoire; History; Embodied cognition; Sight; Dictatorship; Geography; Sociology; Gender studies; Anthropology; Law; Political science; Literature; Art; Politics; Epistemology","authors":[{"name":"Peter Dickinson","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01257351613360479,"gpt":0.265353978413731,"spread":0.2527804622801262,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001066718,0.0004413817,0.0004298862,0.001916578,0.02779336,0.005642612,0.001724893,0.001421857,0.005803858],"category_scores_gemma":[0.003332106,0.0003958009,0.0001338283,0.003226222,0.01043147,0.002305882,0.006008942,0.00329899,0.0004530922],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01886243,"about_ca_system_score_gemma":0.02289939,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.95578,"about_ca_topic_score_gemma":0.9893139,"domain_scores_codex":[0.9984828,0.0003705031,0.00004033411,0.0001052486,0.0002639555,0.000737169],"domain_scores_gemma":[0.9982644,0.0004086225,0.0001664866,0.00009757832,0.0004663499,0.0005966484],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00001542552,0.00001776881,0.005637418,0.00003255134,0.000002788589,0.0005269267,0.9818143,0.000008536785,0.0001961496,0.0007127944,0.002407142,0.0086281],"study_design_scores_gemma":[6.070564e-7,0.000004978083,0.00791961,0.0000480033,0.0000020354,0.00009232693,0.985058,0.000004885809,0.00004176725,0.00007073823,0.00675014,0.000007031929],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9583508,0.002171211,0.0001040377,0.006212129,0.0001298984,0.00002535369,0.0001218926,0.00001348455,0.03287107],"genre_scores_gemma":[0.9842411,0.001768249,0.000112798,0.000825417,0.00002078554,0.00001856572,0.00005033996,0.00001778782,0.01294507],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.04421997,"threshold_uncertainty_score":0.1368571,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2172213424","doi":"10.1017/s0040557401003830","title":"Good Intentions and Fearsome Prejudice: New York's 1876 Act to Prevent and Punish Wrongs to Children","year":2001,"lang":"en","type":"article","venue":"Theatre Survey","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Cruelty; Prejudice (legal term); Politics; State (computer science); Criminology; Quarter (Canadian coin); Variety (cybernetics); Law; Political science; History; Psychology; Media studies; Sociology; Archaeology","authors":[{"name":"Shauna Vey","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03740034104861287,"gpt":0.2501538553204073,"spread":0.2127535142717945,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002978037,0.0003142896,0.0002121939,0.0008181893,0.01194535,0.005094634,0.0005305983,0.003677399,0.004258848],"category_scores_gemma":[0.006903321,0.0004126736,0.0001591476,0.0007049385,0.01558368,0.004154847,0.00402466,0.009984937,0.0005558499],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.009012704,"about_ca_system_score_gemma":0.007205626,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.2602553,"about_ca_topic_score_gemma":0.5630854,"domain_scores_codex":[0.9983,0.0007839187,0.00007138488,0.00009710741,0.0003207081,0.0004268649],"domain_scores_gemma":[0.9960111,0.00245584,0.0004891409,0.0001151094,0.0003187958,0.0006098706],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008841808,0.0002450203,0.01539325,0.0001117277,0.00001640793,0.0008508167,0.500889,0.0001639844,0.0002807537,0.1968916,0.2244652,0.06060378],"study_design_scores_gemma":[0.00003838436,0.0001046614,0.06379794,0.001093586,0.00002713834,0.0003682514,0.3035364,0.0001605614,0.0004543458,0.01651777,0.6138134,0.00008750417],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.3450005,0.01987563,0.0007091725,0.2926913,0.003753147,0.00006136606,0.0001420839,0.0000322363,0.3377345],"genre_scores_gemma":[0.8791062,0.009626681,0.0004246061,0.03067404,0.0009288996,0.0001320158,0.0000610552,0.00003285649,0.07901359],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2602553,"threshold_uncertainty_score":0.5174809,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2169950322","doi":"10.1017/s0040557411000093","title":"I nheriting the W ind : A P ersonal V iew of the C urrent C risis in T heatre H igher E ducation in N ew Y ork","year":2011,"lang":"en","type":"article","venue":"Theatre Survey","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Siege; State (computer science); Quarter (Canadian coin); Dance; Political science; Scope (computer science); History; Economic history; Media studies; Art; Sociology; Visual arts; Ancient history","authors":[{"name":"Marvin Carlson","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1004364936405164,"gpt":0.2432141866651449,"spread":0.1427776930246284,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001143018,0.0002301172,0.0001507274,0.0005223281,0.009100328,0.006133224,0.0004918184,0.001194162,0.01934575],"category_scores_gemma":[0.002534292,0.0001559598,0.0000747833,0.0005567138,0.004709003,0.003583095,0.002275978,0.003716134,0.00219167],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004008625,"about_ca_system_score_gemma":0.003951757,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0561437,"about_ca_topic_score_gemma":0.1162243,"domain_scores_codex":[0.9991283,0.0003010512,0.00001627846,0.0001081345,0.0002431242,0.000203111],"domain_scores_gemma":[0.9985442,0.0002570456,0.0001237684,0.00005358315,0.0003603777,0.0006610628],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007622318,0.0001278472,0.006438619,0.0001450115,0.000004725717,0.0004066566,0.117557,0.00004821781,0.0009745863,0.0671471,0.7382185,0.06885538],"study_design_scores_gemma":[0.000002655845,0.00004283452,0.0101964,0.0001983474,0.000002203537,0.0001512205,0.1253405,0.00005758987,0.000301312,0.00117147,0.8625237,0.00001173843],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"commentary","genre_scores_codex":[0.1835319,0.009221654,0.001220479,0.1659087,0.006484057,0.00005625661,0.0002038361,0.00009644876,0.6332768],"genre_scores_gemma":[0.5689595,0.006037399,0.0003516298,0.008645375,0.001031325,0.00004398209,0.000106235,0.0001353576,0.4146891],"genre_candidate":"commentary","genre_consensus":null,"teacher_disagreement_score":0.0561437,"threshold_uncertainty_score":0.1116338,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1976189887","doi":"10.1017/s0040557406320303","title":"Arthur Miller: A Critical Study","year":2006,"lang":"en","type":"article","venue":"Theatre Survey","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Miller; Content (measure theory); Computer science; History; Computer security; Biology; Ecology; Mathematics","authors":[{"name":"Alan Ackerman","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.09299216640549907,"gpt":0.3314621416959608,"spread":0.2384699752904618,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.03736014,0.0009565587,0.000822102,0.003489222,0.01470821,0.006597862,0.00280866,0.005945315,0.0157943],"category_scores_gemma":[0.1782285,0.0004878157,0.0005968533,0.002051514,0.01871662,0.01220085,0.004359024,0.01240841,0.002488468],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01254998,"about_ca_system_score_gemma":0.01588785,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01465411,"about_ca_topic_score_gemma":0.02102532,"domain_scores_codex":[0.9554759,0.03321331,0.0007528766,0.00284579,0.006582796,0.001129345],"domain_scores_gemma":[0.8631927,0.07113571,0.003916615,0.004762247,0.04900105,0.007991681],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006259017,0.0000392764,0.0003593263,0.0005219047,0.0000159806,0.0006336969,0.04032535,0.0000552866,0.0003276291,0.07348601,0.8672144,0.01695849],"study_design_scores_gemma":[0.00002480924,0.00003782467,0.0007180487,0.001786187,0.00002068667,0.0004045419,0.05532466,0.0001395515,0.0006163003,0.0339293,0.9069394,0.00005875845],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"other","genre_scores_codex":[0.00411063,0.01469621,0.003997247,0.9302192,0.02794028,0.0004204437,0.0001085752,0.00007860319,0.01842882],"genre_scores_gemma":[0.249661,0.02573496,0.013051,0.5080293,0.02801956,0.00265044,0.0001002056,0.0007368805,0.1720167],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.03736014,"threshold_uncertainty_score":0.1975817,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2154063350","doi":"10.1017/s0040557405000165","title":"The Tragedy of History in Sarah Kane's <i>Blasted</i>","year":2005,"lang":"en","type":"article","venue":"Theatre Survey","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Tragedy (event); History; Casual; Romance; Literature; Criticism; Art; Law; Political science","authors":[{"name":"Sean Carney","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03882794510820477,"gpt":0.2223481589119974,"spread":0.1835202138037926,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001757206,0.0004032793,0.0003423241,0.0007004998,0.01468067,0.009938736,0.001279234,0.002664306,0.01277118],"category_scores_gemma":[0.005000766,0.000660687,0.000218245,0.0007018446,0.0141003,0.005351313,0.00709087,0.007292177,0.001935613],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006924196,"about_ca_system_score_gemma":0.002229661,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02071945,"about_ca_topic_score_gemma":0.07378355,"domain_scores_codex":[0.9977794,0.00100599,0.00007515676,0.0002140363,0.0004942855,0.0004310186],"domain_scores_gemma":[0.9979558,0.000661697,0.0002851459,0.0001990303,0.0003179242,0.0005804252],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001916448,0.00003694031,0.001827827,0.0004854862,0.00002286429,0.002285867,0.6862453,0.0001299655,0.001867913,0.08435851,0.1897621,0.03278558],"study_design_scores_gemma":[0.000007929768,0.00004102005,0.002920302,0.0003020276,0.000006602432,0.0009398184,0.1356762,0.00002651054,0.0003542703,0.002543286,0.857148,0.000034062],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2754391,0.04417779,0.00253502,0.1538624,0.007774078,0.00005339867,0.0001853848,0.0003153021,0.5156575],"genre_scores_gemma":[0.8228006,0.004632753,0.0006434891,0.009874308,0.0004871402,0.00003557903,0.00006387464,0.0002369797,0.1612252],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02071945,"threshold_uncertainty_score":0.05023879,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2009782869","doi":"10.1017/s004055740200008x","title":"Buckingham's Patronage and The Gypsies Metamorphosed","year":2002,"lang":"en","type":"article","venue":"Theatre Survey","topic":"Philippine History and Culture","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Buckingham; Sign (mathematics); Art; History; Literature; Art history; Law; Political science","authors":[{"name":"John H. Astington","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04455817847241079,"gpt":0.2508541391100445,"spread":0.2062959606376337,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006057402,0.00037417,0.0002111285,0.000857111,0.01429417,0.004984012,0.0004427592,0.001397558,0.01179492],"category_scores_gemma":[0.001630384,0.0002605764,0.0001028666,0.001132946,0.01396435,0.002764684,0.002601726,0.002685214,0.001063953],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006638801,"about_ca_system_score_gemma":0.003334429,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1851361,"about_ca_topic_score_gemma":0.3759148,"domain_scores_codex":[0.9990917,0.0003386449,0.00001761252,0.0001095308,0.0001311252,0.0003113017],"domain_scores_gemma":[0.9994542,0.0001701338,0.00004799953,0.00004726402,0.00008560515,0.0001947785],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007319904,0.00001203905,0.00236675,0.00009014204,0.000004059943,0.00173992,0.3480876,0.00004363193,0.0003441593,0.5147408,0.1079923,0.02450537],"study_design_scores_gemma":[0.000003073524,0.000008780834,0.004508487,0.00007524034,0.000001392216,0.0002611344,0.06916542,0.00001911082,0.0001298181,0.005554736,0.9202636,0.000009179699],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1206663,0.01693974,0.0004656544,0.04314289,0.002193456,0.00003168727,0.0001573231,0.00006781615,0.816335],"genre_scores_gemma":[0.765474,0.003107094,0.0001852038,0.003415954,0.0003231697,0.00001481611,0.00002761417,0.00005481028,0.2273974],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.1851361,"threshold_uncertainty_score":0.368117,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1986316876","doi":"10.1017/s0040557412000105","title":"“HOW MUCH IS A LOAF OF BREAD?”: ASTR PRESIDENTIAL ADDRESS (MONTREAL, 17 NOVEMBER 2011)","year":2012,"lang":"en","type":"article","venue":"Theatre Survey","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Greeks; Art history; Presidential address; History; Classics; Political science","authors":[{"name":"Rhonda Blair","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04701757022050553,"gpt":0.2513097084496801,"spread":0.2042921382291746,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000900224,0.0008540795,0.0004746454,0.0006668593,0.00873118,0.003845003,0.0008668974,0.003488191,0.2823506],"category_scores_gemma":[0.001181995,0.0003511313,0.0003398648,0.0009209522,0.0008754194,0.001668778,0.002122992,0.003742095,0.06898786],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008914198,"about_ca_system_score_gemma":0.009677045,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.3701073,"about_ca_topic_score_gemma":0.7120358,"domain_scores_codex":[0.9994251,0.00004977212,0.00001165432,0.00007898414,0.0001888596,0.0002456517],"domain_scores_gemma":[0.9990718,0.00003774376,0.00002488499,0.00001847025,0.0004119585,0.0004350133],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000008441123,0.00001072331,0.0001900897,0.00001596938,7.417785e-7,0.00004580171,0.000122752,0.000007193367,0.00005693236,0.0002570617,0.9950635,0.004220914],"study_design_scores_gemma":[0.000003781351,0.00001035818,0.001974697,0.00006751328,0.000001540505,0.00002533055,0.0007506693,0.00001123274,0.00006477858,0.00006094259,0.9970209,0.000008277578],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.005102714,0.0262102,0.0003366959,0.3902521,0.07103418,0.000385596,0.007539473,0.0006385571,0.4985004],"genre_scores_gemma":[0.00831617,0.00381694,0.0001046345,0.01242799,0.002409188,0.00004907669,0.0005065546,0.00014573,0.9722238],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.3701073,"threshold_uncertainty_score":0.9445568,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2077634350","doi":"10.1017/s0040557408001324","title":"Asian Cinemas: A Reader and Guide. Edited by Dimitris Eleftheriotis and Gary Needham. Honolulu: University of Hawaii Press, 2006; pp. 473. $28 paper.","year":2008,"lang":"en","type":"article","venue":"Theatre Survey","topic":"Southeast Asian Sociopolitical Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université Laval","funders":"","keywords":"History; Media studies; Sociology","authors":[{"name":"Yves Laberge","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02206727821095049,"gpt":0.2454116388005365,"spread":0.223344360589586,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001158896,0.002375425,0.001287719,0.004627969,0.001027648,0.002881336,0.001141815,0.0009283818,0.09369498],"category_scores_gemma":[0.001762339,0.001120888,0.0004541789,0.004059013,0.0006502966,0.004539698,0.001580318,0.001686318,0.0775923],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0006755498,"about_ca_system_score_gemma":0.001717766,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007998544,"about_ca_topic_score_gemma":0.02688744,"domain_scores_codex":[0.9997652,0.0000702273,0.00002950017,0.00003009375,0.00008251693,0.00002239833],"domain_scores_gemma":[0.9989828,0.0002383443,0.00008232876,0.00005716915,0.0004470823,0.0001922283],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001352963,0.0000275385,0.0001662026,0.0003987865,0.000004117377,0.00006423964,0.001125142,0.00006695562,0.0002970793,0.000929292,0.8788705,0.1180367],"study_design_scores_gemma":[0.000003094286,0.00001583983,0.001183993,0.000446215,0.000004028718,0.0003142136,0.0009670169,0.00006183067,0.00007855226,0.000486297,0.9964299,0.000009025704],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.005244797,0.6275285,0.01128311,0.0243282,0.01965341,0.0005628603,0.01130269,0.003658551,0.2964379],"genre_scores_gemma":[0.01532586,0.4378222,0.01567771,0.003928073,0.004647207,0.0004722486,0.006034892,0.001475999,0.5146159],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.09369498,"threshold_uncertainty_score":0.313441,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3113903838","doi":"10.1017/s0040557420000484","title":"Nineteenth- and Early Twentieth-Century Representations of the Oberammergau Passion Play: Heredity, Eugenic Theatre, and “Epic Selection”","year":2020,"lang":"en","type":"article","venue":"Theatre Survey","topic":"Historical Studies on Reproduction, Gender, Health, and Societal Changes","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Campion College; University of Regina","funders":"","keywords":"Passion; Eugenics; Pilgrimage; History; Literature; Classics; Art; Ancient history; Political science; Law; Psychology","authors":[{"name":"Leanne Groeneveld","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06218679785621833,"gpt":0.2623640651801123,"spread":0.200177267323894,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001145177,0.0004466482,0.0001862323,0.001595603,0.007612275,0.00460196,0.000466303,0.0009607482,0.00413625],"category_scores_gemma":[0.0009873478,0.0001971452,0.0001116457,0.001173132,0.01586943,0.001814016,0.003162467,0.00172708,0.0003214739],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005154789,"about_ca_system_score_gemma":0.001098689,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02119832,"about_ca_topic_score_gemma":0.05587254,"domain_scores_codex":[0.9991191,0.0004350973,0.00002005712,0.0000647387,0.00009229049,0.0002687081],"domain_scores_gemma":[0.9996507,0.0001599307,0.00004614812,0.00002687379,0.00003040823,0.00008600752],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001031696,0.0000368287,0.004048545,0.00008733601,0.000008087269,0.0006462881,0.7402597,0.00009838583,0.0008168706,0.2286564,0.006436442,0.01880191],"study_design_scores_gemma":[0.000009849682,0.00007663953,0.03308147,0.0003231036,0.00001240412,0.0009470974,0.3339019,0.0001727408,0.0008359134,0.007297122,0.6233123,0.00002947307],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6482736,0.0138928,0.001530998,0.006225575,0.0004481401,0.00002523307,0.00007703263,0.0000462682,0.3294803],"genre_scores_gemma":[0.9709553,0.001919925,0.0001559465,0.0002295089,0.00005214027,0.00001131474,0.00002468373,0.0000216244,0.02662957],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.02119832,"threshold_uncertainty_score":0.0421499,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2560989908","doi":"10.1017/s0040557416000119","title":"Transpacific Acts of Memory: The Afterlives of <i>Hanako</i>","year":2016,"lang":"en","type":"article","venue":"Theatre Survey","topic":"Asian American and Pacific Histories","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Comfort women; Redress; Politics; History; Gender studies; World War II; East Asia; Political science; Sociology; Law; China","authors":[{"name":"Elizabeth W. Son","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02220256188453213,"gpt":0.2684784327797709,"spread":0.2462758708952388,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001486862,0.0005325056,0.0002917528,0.0005958052,0.01260497,0.009347342,0.00113731,0.00159754,0.006409306],"category_scores_gemma":[0.002793561,0.0003116793,0.0001870602,0.0006148999,0.02211622,0.01051681,0.005906724,0.004281133,0.0005829145],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002939079,"about_ca_system_score_gemma":0.002320208,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01040792,"about_ca_topic_score_gemma":0.02113016,"domain_scores_codex":[0.9990313,0.0004213132,0.00001833742,0.00009122587,0.0001253673,0.0003124553],"domain_scores_gemma":[0.9988912,0.0003768226,0.0001326351,0.0001398676,0.0001521611,0.0003072684],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000141773,0.00005109184,0.001416196,0.0001332491,0.00001144923,0.001161277,0.6651157,0.00005587966,0.001166585,0.2839525,0.02207701,0.02471739],"study_design_scores_gemma":[0.00002795433,0.00005428465,0.002196817,0.0003211881,0.00001732693,0.0009548406,0.5499615,0.0001698099,0.001043004,0.03306545,0.4121377,0.00005011478],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3289194,0.0152475,0.004339262,0.0330989,0.002757041,0.00006239081,0.00009911994,0.00009642344,0.61538],"genre_scores_gemma":[0.9539673,0.001842171,0.0005015095,0.002727218,0.0003276785,0.00003840938,0.00002870137,0.00009198269,0.04047503],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01260497,"threshold_uncertainty_score":0.02144128,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4241050653","doi":"10.1017/s0040557420000228","title":"TSY volume 61 issue 3 Cover and Front matter","year":2020,"lang":"en","type":"article","venue":"Theatre Survey","topic":"Diverse Scientific and Economic Studies","field":"Economics, Econometrics and Finance","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"York University","funders":"University of Cambridge; Society for Theatre Research","keywords":"Front cover; Cover (algebra); Front (military); Volume (thermodynamics); Action (physics); Content (measure theory); Computer science; Environmental science; Geography; Engineering; Mathematics; Meteorology; Mechanical engineering; Physics; Thermodynamics; Mathematical analysis","authors":[{"name":"Donovan Sherman","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04389097358226575,"gpt":0.2026824845660517,"spread":0.1587915109837859,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0008541808,0.0009389727,0.0008294971,0.002127608,0.001659484,0.006212225,0.0006554587,0.002031642,0.872005],"category_scores_gemma":[0.001848685,0.0003302516,0.0008416785,0.001476437,0.0007972137,0.001600164,0.001998799,0.001962392,0.8023355],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001430475,"about_ca_system_score_gemma":0.002077767,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003303436,"about_ca_topic_score_gemma":0.005759053,"domain_scores_codex":[0.9993064,0.0000429019,0.00003080798,0.000107647,0.0004096214,0.0001024509],"domain_scores_gemma":[0.9983343,0.0001768028,0.00005282303,0.0002054608,0.0006806642,0.0005499055],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004462201,0.00004641349,0.0002379097,0.0001164266,0.000005099379,0.00006872598,0.00002081459,0.00004148715,0.0007017267,0.001142655,0.9483039,0.04927028],"study_design_scores_gemma":[0.000006611311,0.00001689797,0.0008227317,0.0000725784,0.000002468384,0.00006235419,0.00004378183,0.00005534553,0.0002675443,0.0003149164,0.9983311,0.000003714811],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.001308092,0.001888681,0.0005588333,0.004472949,0.017421,0.0001131094,0.002648362,0.001418944,0.9701701],"genre_scores_gemma":[0.002050995,0.0009358581,0.0001718388,0.0006629403,0.00196026,0.00002188013,0.00101923,0.0003001558,0.9928768],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.127995,"threshold_uncertainty_score":0.1825693,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4254405061","doi":"10.1017/s004055742000040x","title":"Endurance","year":2020,"lang":"en","type":"article","venue":"Theatre Survey","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Content (measure theory); Action (physics); Computer science; Advertising; Business; Mathematics; Physics","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.08295010087678416,"gpt":0.2373029436000007,"spread":0.1543528427232165,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001039313,0.0005231435,0.0002493759,0.0006786246,0.003130126,0.004447408,0.0009400863,0.000912906,0.2306554],"category_scores_gemma":[0.003194736,0.0001765881,0.0003094483,0.0005140876,0.001567107,0.002746017,0.005738574,0.001638406,0.06810519],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0009863639,"about_ca_system_score_gemma":0.00133491,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00236401,"about_ca_topic_score_gemma":0.004252779,"domain_scores_codex":[0.9988961,0.0002091988,0.00004906257,0.0002212245,0.0003907002,0.0002336909],"domain_scores_gemma":[0.9988576,0.0001397353,0.00006510795,0.0002066547,0.0002836293,0.00044728],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001274943,0.00005530594,0.001726179,0.0002709586,0.000009798024,0.0002764165,0.008183661,0.000155854,0.001070921,0.1177209,0.6302648,0.2401378],"study_design_scores_gemma":[0.000002868929,0.00002042563,0.0007409157,0.00009312355,0.000001365919,0.0001537053,0.00112227,0.00002904524,0.000101168,0.002998019,0.9947329,0.000004269689],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.004238031,0.001199574,0.002369999,0.003722632,0.001824386,0.00005484743,0.0003321645,0.000281167,0.9859772],"genre_scores_gemma":[0.07282037,0.00178465,0.001982726,0.003348828,0.0008840851,0.0001167703,0.0008307845,0.0003951151,0.9178367],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.2306554,"threshold_uncertainty_score":0,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2478018399","doi":"10.1017/s0040557415000447","title":"Pleading in the Blood: The Art and Performances of Ron Athey. Edited by Dominic Johnson. Intellect Live. Fishponds, Bristol, UK: Intellect Ltd., 2013; pp. 248, 193 illustrations. $35.50 cloth, [$36 paper (2d ed., 2015)], $20 e-book.","year":2015,"lang":"en","type":"article","venue":"Theatre Survey","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"York University","funders":"","keywords":"Intellect; Pleading; History; Art history; Art; Theology; Philosophy; Law; Political science","authors":[{"name":"Melissa Lepp","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04398440814306664,"gpt":0.2805350614372031,"spread":0.2365506532941364,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001154874,0.001448384,0.0006924908,0.001362148,0.002320211,0.004206712,0.0007216944,0.00138303,0.03874461],"category_scores_gemma":[0.002177163,0.0005199426,0.0004020736,0.001556547,0.003272289,0.003981114,0.002507074,0.002611692,0.01501836],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001919277,"about_ca_system_score_gemma":0.002610608,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01591665,"about_ca_topic_score_gemma":0.0360453,"domain_scores_codex":[0.9992368,0.0003393248,0.00002856866,0.00006119708,0.0002496594,0.00008446407],"domain_scores_gemma":[0.9995168,0.000145028,0.00005582179,0.00002758006,0.0001057533,0.0001489994],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000202879,0.00001230331,0.00009148212,0.0002405186,0.000004079168,0.00007624485,0.002954588,0.00004215478,0.0001620609,0.01043692,0.9278941,0.05806529],"study_design_scores_gemma":[0.000001188855,0.000006121864,0.0004393406,0.0002902453,0.000001065465,0.000143766,0.001680218,0.000008756881,0.00003471075,0.001238297,0.9961499,0.000006400746],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.003036835,0.5116547,0.001765173,0.04133468,0.01366912,0.00006103135,0.0002750262,0.0002174606,0.4279859],"genre_scores_gemma":[0.03480506,0.2101859,0.002579035,0.00595594,0.003307845,0.00009953944,0.0002272131,0.0003163689,0.7425232],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.03874461,"threshold_uncertainty_score":0.1296136,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2142329297","doi":"10.1017/s0040557403000036","title":"The Leeward Islands Company","year":2003,"lang":"en","type":"article","venue":"Theatre Survey","topic":"Theater, Performance, and Music History","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Demise; Prologue; Epitaph; Colonialism; History; Irony; Genealogy; Ancient history; Economic history; Art; Archaeology; Political science; Law; Literature","authors":[{"name":"Odai Johnson","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03557069411559929,"gpt":0.2141229763595458,"spread":0.1785522822439465,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001832813,0.0003103547,0.0001163273,0.001409058,0.003281701,0.003631891,0.0003761436,0.000651669,0.1450571],"category_scores_gemma":[0.0008717456,0.0001673453,0.00009284247,0.001776954,0.000505652,0.001190726,0.00126537,0.001005913,0.01764975],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003391234,"about_ca_system_score_gemma":0.005535477,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.3670356,"about_ca_topic_score_gemma":0.6738648,"domain_scores_codex":[0.9994972,0.00002217552,0.00001196805,0.00006547101,0.000230829,0.0001724737],"domain_scores_gemma":[0.9992174,0.00005686796,0.00005262623,0.00003741412,0.0003116466,0.0003240877],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006160748,0.00003000436,0.01476701,0.000240588,0.000008310406,0.0006966993,0.003915868,0.00002838803,0.0009882224,0.01894529,0.8121355,0.1481825],"study_design_scores_gemma":[0.000001285343,0.000004003376,0.01014069,0.00004535764,0.000001052225,0.000104531,0.002526546,0.000004850576,0.00007958881,0.00006879541,0.9870205,0.000002890233],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.02965196,0.008279471,0.00008035731,0.005739273,0.0004832049,0.00004650139,0.001957768,0.00009781672,0.9536637],"genre_scores_gemma":[0.05663877,0.005070498,0.0001369799,0.00133783,0.00009127239,0.0000267539,0.001264378,0.00005175163,0.9353816],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.3670356,"threshold_uncertainty_score":0.7297985,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2063371069","doi":"10.1017/s0040557408001336","title":"City Stages: Theatre and Urban Space in a Global City. By Michael McKinnie. Toronto, Buffalo, London: University of Toronto Press, 2007; pp. xii + 178. $45 cloth.","year":2008,"lang":"en","type":"article","venue":"Theatre Survey","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Queen's University","funders":"","keywords":"Media studies; History; Urban space; Performance art; Space (punctuation); Art history; Sociology; Regional science; Computer science","authors":[{"name":"Jenn Stephenson","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02275281761085066,"gpt":0.2191592536742985,"spread":0.1964064360634478,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000854815,0.00223339,0.0008294624,0.003572864,0.002032068,0.004307184,0.0009559928,0.001360891,0.02457924],"category_scores_gemma":[0.00148759,0.001426356,0.0004776453,0.008909043,0.004496887,0.006210573,0.002502821,0.002378167,0.005038525],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007598794,"about_ca_system_score_gemma":0.004743801,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.2733514,"about_ca_topic_score_gemma":0.50931,"domain_scores_codex":[0.9996601,0.0001023852,0.00002427849,0.00004562809,0.0001069937,0.00006054831],"domain_scores_gemma":[0.9992759,0.0002327508,0.0001074117,0.00003622942,0.0001612922,0.0001864619],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004875444,0.00001348519,0.0009202459,0.001027607,0.00001965538,0.00008297017,0.004799553,0.0002170731,0.0001515742,0.01257771,0.8985121,0.08162922],"study_design_scores_gemma":[0.00001130472,0.00002184643,0.01188727,0.001818049,0.00002020291,0.0003413623,0.008975969,0.0001239064,0.0001036337,0.004788605,0.9718795,0.00002831817],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.001272582,0.9482358,0.0004704894,0.02364716,0.002409561,0.00002485045,0.0008357897,0.00006407938,0.0230397],"genre_scores_gemma":[0.03878614,0.8397902,0.001357912,0.002979012,0.002484355,0.00007224739,0.0008815815,0.0001665069,0.1134821],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.2733514,"threshold_uncertainty_score":0.5435206,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2743767396","doi":"10.1017/s0040557417000412","title":"Writing Performative Shakespeares: New Forms for Performance Criticism. By Rob Conkie . Cambridge: Cambridge University Press, 2016; pp. vii + 174. $99.99 cloth, $80 e-book.","year":2017,"lang":"en","type":"article","venue":"Theatre Survey","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Western University","funders":"","keywords":"Performative utterance; Criticism; Performance art; Art; Content (measure theory); Media studies; Art history; History; Literature; Sociology; Aesthetics; Mathematics","authors":[{"name":"Margaret Jane Kidnie","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04272970171090997,"gpt":0.2496943432556583,"spread":0.2069646415447483,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00622704,0.001199412,0.0007170106,0.004110837,0.003420811,0.00661752,0.00103645,0.001778712,0.02147182],"category_scores_gemma":[0.01317997,0.0007960541,0.0003172752,0.006049139,0.009461957,0.01132682,0.003488778,0.002943496,0.006096181],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002798443,"about_ca_system_score_gemma":0.003475751,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01386677,"about_ca_topic_score_gemma":0.02982891,"domain_scores_codex":[0.9964316,0.002148056,0.0001795067,0.0001703345,0.000884045,0.0001865311],"domain_scores_gemma":[0.9938765,0.003198646,0.0005359155,0.0003579458,0.001500269,0.000530671],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004605305,0.00002859019,0.0007065482,0.001032055,0.00001307196,0.0001055355,0.03735973,0.00007763561,0.0001452794,0.03167525,0.7195106,0.2092998],"study_design_scores_gemma":[0.000005768738,0.00001913389,0.003809058,0.001532073,0.000005584459,0.0002437827,0.02540918,0.00004310221,0.0001061324,0.01130134,0.9575074,0.00001741603],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.006582875,0.7770442,0.003029848,0.0767542,0.005252514,0.00005850704,0.0002788807,0.0002327923,0.1307662],"genre_scores_gemma":[0.1914127,0.4767268,0.003727308,0.006807318,0.004358642,0.000274745,0.0006002065,0.0005782893,0.3155141],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.02147182,"threshold_uncertainty_score":0.07183039,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3082702486","doi":"10.1017/s0040557420000368","title":"Performance Studies in Canada Edited by Laura Levin and Marlis Schweitzer. Montreal &amp; Kingston: McGill–Queens University Press, 2017. pp. xvi + 448, 56 illustrations. C$120 cloth, C$39.95 paper, C$39.95 e-book.","year":2020,"lang":"en","type":"article","venue":"Theatre Survey","topic":"Vietnamese History and Culture Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"University of Toronto","funders":"","keywords":"History; Art history; Media studies; Gerontology; Humanities; Art; Sociology; Medicine","authors":[{"name":"Stefanie Ellen Miller","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04974121019499706,"gpt":0.2578722901705511,"spread":0.208131079975554,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008932018,0.001638051,0.0009973557,0.002904358,0.005015531,0.005068379,0.001422511,0.0007895025,0.05384483],"category_scores_gemma":[0.002004072,0.0007162702,0.0003159567,0.01414389,0.003407367,0.001838366,0.001546634,0.001588519,0.00822208],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.07081204,"about_ca_system_score_gemma":0.1265752,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9866203,"about_ca_topic_score_gemma":0.9940569,"domain_scores_codex":[0.9991654,0.00008067131,0.00003219259,0.00008529043,0.0004057458,0.000230844],"domain_scores_gemma":[0.9982096,0.0001592963,0.0001139503,0.00005195749,0.001018347,0.0004468517],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001583155,0.00001184865,0.0008120699,0.000394295,0.000007238776,0.00005214499,0.002507194,0.0001867063,0.00009281392,0.007564982,0.9173412,0.07101367],"study_design_scores_gemma":[0.000003377348,0.000007041388,0.009226476,0.0007310854,0.00000661934,0.00006532045,0.005887164,0.00005104292,0.00006728619,0.0008891612,0.9830473,0.0000181113],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.007884232,0.6681353,0.0009186317,0.04599109,0.005258274,0.00007314875,0.01083923,0.0002640649,0.260636],"genre_scores_gemma":[0.07932919,0.4500968,0.001532099,0.00252966,0.0007671748,0.00007001622,0.005217867,0.0003554181,0.4601017],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.07081204,"threshold_uncertainty_score":0.5137797,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4282587090","doi":"10.1017/s0040557422000096","title":"In Concert: Performing Musical Persona By Philip Auslander. Ann Arbor: University of Michigan Press, 2021; pp. x + 293, 22 illustrations. $90 cloth, $39.95 paper, $39.95 e-book.","year":2022,"lang":"en","type":"article","venue":"Theatre Survey","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Persona; Musical; Art history; History; Gerontology; Art; Visual arts; Humanities; Medicine","authors":[{"name":"Craig Jennex","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06339152403158699,"gpt":0.2208067489174989,"spread":0.1574152248859119,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006900649,0.001583176,0.0004579816,0.001455482,0.001158201,0.002523825,0.0005992734,0.0008871543,0.09808287],"category_scores_gemma":[0.001043595,0.0005045778,0.0002252271,0.002067289,0.0007855881,0.003054224,0.001494019,0.001431633,0.06295909],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0007549033,"about_ca_system_score_gemma":0.0008641409,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01002078,"about_ca_topic_score_gemma":0.02993047,"domain_scores_codex":[0.9997134,0.00008140301,0.00001932433,0.00005126538,0.00009884884,0.00003583822],"domain_scores_gemma":[0.9996896,0.00007732777,0.00003877109,0.00001740287,0.00007675542,0.0001002475],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000182201,0.000007198507,0.0001117807,0.0001780718,0.000002615848,0.00003526421,0.0003963291,0.0000301347,0.0002096512,0.001235402,0.9430879,0.05468758],"study_design_scores_gemma":[0.000002844831,0.00001221195,0.001368113,0.0002747275,0.000003160695,0.0002236821,0.001011557,0.00003181789,0.00009406619,0.0004113804,0.9965615,0.000005016325],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.002418294,0.6163865,0.00233821,0.03470993,0.01802481,0.0000657046,0.001312912,0.0007905186,0.3239532],"genre_scores_gemma":[0.01405389,0.1667842,0.00186807,0.004146918,0.003344673,0.00007096918,0.0006108787,0.0004396749,0.8086808],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.09808287,"threshold_uncertainty_score":0.3281199,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4306814251","doi":"10.1017/s0040557422000205","title":"Shakespeare, Technicity, Theatre W. B. Worthen. Cambridge: Cambridge University Press, 2020, pp. vii + 271, 11 illustrations. $105 cloth, $29.99 paper, $24 e-book.","year":2022,"lang":"en","type":"article","venue":"Theatre Survey","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Ottawa","funders":"","keywords":"History; Art history; Media studies; Sociology","authors":[{"name":"Alessandro Simari","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02471803194934342,"gpt":0.2061007585496656,"spread":0.1813827266003222,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009329235,0.001395296,0.0007622537,0.002648436,0.001593551,0.003892753,0.0009272635,0.001413278,0.1395154],"category_scores_gemma":[0.002479577,0.001089982,0.0003518042,0.005967806,0.00131751,0.0060797,0.001087305,0.002039009,0.05260168],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001983201,"about_ca_system_score_gemma":0.002723752,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03383879,"about_ca_topic_score_gemma":0.09237968,"domain_scores_codex":[0.9994988,0.0001043129,0.00004558985,0.00007099819,0.000214461,0.00006576562],"domain_scores_gemma":[0.999373,0.0001889607,0.00006729503,0.00004929235,0.0002126624,0.0001087577],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003161907,0.000008670536,0.0001631397,0.000629198,0.00000809647,0.00008287086,0.001165864,0.0000869263,0.0001854367,0.01243763,0.8467299,0.1384706],"study_design_scores_gemma":[0.000002993919,0.000006956808,0.001224742,0.0006969449,0.000004657881,0.0001285855,0.0009551165,0.00001725346,0.00007016238,0.001766784,0.9951186,0.000007252511],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.0008915432,0.8183727,0.001439068,0.008039177,0.005130596,0.00001665335,0.001176861,0.0001937835,0.1647395],"genre_scores_gemma":[0.01549766,0.3431716,0.001342926,0.001430453,0.0009766498,0.00006138269,0.0009791184,0.0003838622,0.6361565],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.1395154,"threshold_uncertainty_score":0.4667256,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2156592308","doi":"10.1017/s0040557408001051","title":"Extraordinary Actors: Essays on Popular Performers. Edited by Martin Banham and Jane Milling. Exeter: University of Exeter Press, 2004, pp. 256. 20 illus. $85 cloth.","year":2008,"lang":"en","type":"article","venue":"Theatre Survey","topic":"Theater, Performance, and Music History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Calgary","funders":"","keywords":"Art history; Content (measure theory); Media studies; Art; History; Sociology; Mathematics","authors":[{"name":"Emily Carr","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02760400287282997,"gpt":0.1848309505791322,"spread":0.1572269477063022,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001111255,0.001156566,0.0006136713,0.003124106,0.003631917,0.004609662,0.0007538968,0.001557731,0.03079737],"category_scores_gemma":[0.00361337,0.0005406646,0.0002559625,0.004215782,0.003442436,0.005280317,0.001860687,0.001628778,0.006790656],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002100309,"about_ca_system_score_gemma":0.001882276,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.008458199,"about_ca_topic_score_gemma":0.02358853,"domain_scores_codex":[0.9994786,0.0002686249,0.00002149568,0.00004724679,0.0001125584,0.00007150482],"domain_scores_gemma":[0.9983865,0.0009248696,0.0001998627,0.00005917218,0.0002074378,0.0002221774],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003082201,0.00001497522,0.0002670104,0.0003130516,0.000005029156,0.00008066333,0.00848105,0.00003408124,0.00006388997,0.02232685,0.9409983,0.02738439],"study_design_scores_gemma":[0.000005187716,0.000007023894,0.001815829,0.0009427714,0.000004253728,0.0001035154,0.009030202,0.0000161932,0.00005114796,0.003625634,0.9843923,0.000006013874],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.006230908,0.5669845,0.0005592934,0.08413521,0.009840716,0.00002564804,0.000550615,0.0000764998,0.3315966],"genre_scores_gemma":[0.1146554,0.3821301,0.0006993236,0.008152241,0.010647,0.0001487833,0.0004428023,0.0002438047,0.4828804],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.03079737,"threshold_uncertainty_score":0.1030275,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2167156621","doi":"10.1017/s0040557414000106","title":"Theatre &amp; Mind. By Bruce McConachie. Theatre&amp;. New York: Palgrave Macmillan, 2013; pp. viii + 82. $11 paper.","year":2014,"lang":"en","type":"article","venue":"Theatre Survey","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Brock University","funders":"","keywords":"History; Performance art; Art history; Environmental ethics; Philosophy","authors":[{"name":"Christopher C Jackman","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0428718520516493,"gpt":0.2451769953629232,"spread":0.2023051433112739,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008622122,0.00128634,0.0005000319,0.002172828,0.001562482,0.002574003,0.0009335148,0.001707889,0.106051],"category_scores_gemma":[0.003044963,0.001058806,0.0003536843,0.003752956,0.001313113,0.005493553,0.001918355,0.002326525,0.07545146],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002126928,"about_ca_system_score_gemma":0.001974192,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03163091,"about_ca_topic_score_gemma":0.09227087,"domain_scores_codex":[0.9994693,0.0001338548,0.00004167281,0.00007015144,0.000217372,0.00006765275],"domain_scores_gemma":[0.9990714,0.0003375789,0.0001187481,0.00004494448,0.0002745462,0.000152865],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000110949,0.000003837812,0.00006840612,0.0001480222,0.000001332348,0.00001435389,0.0001715659,0.00002088468,0.00003572998,0.001507943,0.9557691,0.04224767],"study_design_scores_gemma":[0.000002561642,0.000005001451,0.001159152,0.0003840038,0.000001596293,0.00007295284,0.0003995961,0.00001946511,0.00003991669,0.0010397,0.9968707,0.000005282112],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.0008377162,0.7579227,0.001299458,0.05997703,0.01202853,0.00004761985,0.002078163,0.0003645686,0.1654443],"genre_scores_gemma":[0.0162481,0.3267671,0.0015228,0.008878948,0.002683847,0.0001357529,0.001219599,0.0004258271,0.642118],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.106051,"threshold_uncertainty_score":0.354776,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2129360194","doi":"10.1017/s0040557410000554","title":"Autobiography and Performance. By Deirdre Heddon. Houndmills, Basingstoke, Hampshire &amp; New York: Palgrave Macmillan, 2008; pp. xi + 218. $100 cloth, $30 paper.","year":2010,"lang":"en","type":"article","venue":"Theatre Survey","topic":"Irish and British Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Queen's University","funders":"","keywords":"History; Biography; Art history; Media studies; Sociology","authors":[{"name":"Jenn Stephenson","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02370150421074031,"gpt":0.2629377540283493,"spread":0.239236249817609,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007972216,0.00151186,0.0007352637,0.001708407,0.001242636,0.001787253,0.0008753622,0.001175767,0.07166133],"category_scores_gemma":[0.002224883,0.0009531407,0.0002918427,0.00285781,0.00240278,0.00322634,0.00156603,0.001408795,0.02654218],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002014593,"about_ca_system_score_gemma":0.001630238,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04036041,"about_ca_topic_score_gemma":0.1051016,"domain_scores_codex":[0.9995665,0.0001433869,0.00003044739,0.00006901281,0.0001441175,0.00004649883],"domain_scores_gemma":[0.9993573,0.0002517219,0.00008439195,0.00005198915,0.0001476487,0.0001071061],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002949061,0.00001167929,0.0002515102,0.0006018362,0.000007633486,0.00007638625,0.001704091,0.0000495638,0.0001327734,0.003906959,0.8913747,0.1018533],"study_design_scores_gemma":[0.000004472373,0.00001373331,0.003281015,0.0008898169,0.000004095373,0.0003194777,0.002074833,0.00002462429,0.00006665473,0.001525084,0.9917879,0.000008381847],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.001589942,0.8827024,0.000553072,0.02615627,0.006546605,0.00002351013,0.0007956109,0.0001213006,0.0815114],"genre_scores_gemma":[0.03190648,0.4310333,0.0006345175,0.003753155,0.001995525,0.0000492153,0.0004996131,0.0001761189,0.529952],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.07166133,"threshold_uncertainty_score":0.239731,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2169831510","doi":"10.1017/s0040557408001130","title":"The Theatre of Estrangement: Theatre, Practice, Ideology. By Silvija Jestrovic. German and European Studies. Toronto: University of Toronto Press, 2006; pp. 181. $55 cloth.","year":2008,"lang":"en","type":"article","venue":"Theatre Survey","topic":"European history and politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"German; Ideology; Media studies; Art history; History; Sociology; Political science; Law; Archaeology; Politics","authors":[{"name":"David Krasner","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03479189525947808,"gpt":0.301225463072642,"spread":0.266433567813164,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001389388,0.001102169,0.0005543005,0.004111731,0.002179199,0.004148908,0.0006223565,0.001013183,0.01005094],"category_scores_gemma":[0.002661687,0.0008854179,0.0003183098,0.008426246,0.004610117,0.004404479,0.001864384,0.001409197,0.002358904],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003635159,"about_ca_system_score_gemma":0.002916335,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03484027,"about_ca_topic_score_gemma":0.07598736,"domain_scores_codex":[0.9993067,0.0003423936,0.00004325943,0.00005138282,0.0001407051,0.0001155505],"domain_scores_gemma":[0.9990225,0.0004022146,0.0002297452,0.00005413315,0.0001390019,0.0001524385],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001221476,0.00005631931,0.002799809,0.001375451,0.00003717356,0.0002013023,0.02448273,0.0003365958,0.0002720567,0.08497924,0.6924593,0.1928778],"study_design_scores_gemma":[0.00001534146,0.00003749517,0.02424086,0.002499242,0.00002339981,0.0004450559,0.02549492,0.0001038476,0.000159151,0.01715685,0.9297943,0.00002966454],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.006303616,0.9327344,0.0005547992,0.02058188,0.00138421,0.00001331051,0.0003564458,0.00004084097,0.0380305],"genre_scores_gemma":[0.2657464,0.6609786,0.001406605,0.002596053,0.001791435,0.00006416548,0.0006162539,0.0001057504,0.06669475],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.03484027,"threshold_uncertainty_score":0.0692749,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2131790983","doi":"10.1017/s004055741300063x","title":"Shakespeare / Adaptation / Modern Drama: Essays in Honour of Jill L. Levenson. Edited by Randall Martin and Katherine Scheil. Toronto: University of Toronto Press, 2011; pp. xiii + 329, 11 illustrations. $65 cloth.","year":2013,"lang":"en","type":"article","venue":"Theatre Survey","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Mount Saint Vincent University","funders":"","keywords":"Honour; Drama; History; Performance art; Art history; Media studies; Art; Sociology; Literature; Archaeology","authors":[{"name":"Reina Green","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02495367629024118,"gpt":0.2081383488132719,"spread":0.1831846725230307,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001648162,0.000986909,0.0006753296,0.002916937,0.002379935,0.003457717,0.0006804231,0.001340832,0.02574715],"category_scores_gemma":[0.003308197,0.0004763742,0.0003389358,0.004438371,0.00334722,0.003121081,0.001665333,0.001779259,0.006903083],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003899819,"about_ca_system_score_gemma":0.004083266,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03625312,"about_ca_topic_score_gemma":0.07088973,"domain_scores_codex":[0.9991313,0.0003708326,0.00004166285,0.00006814548,0.0002877499,0.0001003198],"domain_scores_gemma":[0.9988112,0.0003896614,0.0001321747,0.00006392012,0.0003880055,0.0002150029],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003015775,0.00001514684,0.0002565286,0.0004759578,0.000007179581,0.00006488591,0.005420609,0.00004275743,0.0001308217,0.008715334,0.9305121,0.05432846],"study_design_scores_gemma":[0.000002921732,0.000007946098,0.002242105,0.0006078837,0.000003073314,0.0001027402,0.003204874,0.000009157039,0.00004925488,0.001225536,0.9925386,0.000005790858],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.003284324,0.7961542,0.0006507809,0.03327479,0.01140403,0.00003659692,0.0003992591,0.00007898174,0.154717],"genre_scores_gemma":[0.08060664,0.4722534,0.001011981,0.006313668,0.008833343,0.0001212785,0.0007085917,0.0002286718,0.4299226],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.03625312,"threshold_uncertainty_score":0.08613282,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1997885767","doi":"10.1017/s0040557411000597","title":"(Syn)aesthetics: Redefining Visceral Performance. By Josephine Machon. New York: Palgrave Macmillan, 2009; pp. 221. $90 cloth, $29 paper.","year":2011,"lang":"en","type":"article","venue":"Theatre Survey","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Calgary","funders":"","keywords":"Art history; Performance art; Gerontology; History; Art; Medicine","authors":[{"name":"Lourdes Arciniega","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05826851502292553,"gpt":0.2284499402867092,"spread":0.1701814252637837,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008113114,0.001325594,0.0004605161,0.001536952,0.001511986,0.003628466,0.0008154778,0.001915052,0.03758664],"category_scores_gemma":[0.001810692,0.0006992935,0.0003663123,0.001587377,0.00351311,0.005772281,0.001812626,0.003381249,0.01448776],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001611853,"about_ca_system_score_gemma":0.001056059,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006701581,"about_ca_topic_score_gemma":0.02174114,"domain_scores_codex":[0.9996608,0.0001207439,0.00002122263,0.00004984397,0.0001138141,0.00003356459],"domain_scores_gemma":[0.9995634,0.0002006649,0.00006255047,0.00003288373,0.00007980796,0.00006070028],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003303084,0.00001109304,0.0001331885,0.0004912931,0.000005588858,0.00006025557,0.001988843,0.00005971481,0.0001873583,0.03338829,0.8741114,0.08953001],"study_design_scores_gemma":[0.000003612652,0.00001098076,0.0007983955,0.0006155655,0.000003576691,0.0003232298,0.00130554,0.00004396635,0.0001178255,0.01219428,0.9845759,0.000007223035],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.0009604084,0.808526,0.003371228,0.04467953,0.01100707,0.00003123031,0.0002996884,0.000179824,0.130945],"genre_scores_gemma":[0.04518244,0.4225264,0.004195703,0.01731674,0.008416411,0.0001561666,0.0003051835,0.0005053076,0.5013958],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.03758664,"threshold_uncertainty_score":0.1257399,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2018080124","doi":"10.1017/s0040557409001045","title":"The Early Stuart Masque: Dance, Costume, and Music. By Barbara Ravelhofer. Oxford and New York: Oxford University Press, 2006. pp. 317+xvi. $125 cloth.","year":2009,"lang":"en","type":"article","venue":"Theatre Survey","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Waterloo; St. Jerome's University","funders":"","keywords":"Dance; Art; Art history; Performance art; Content (measure theory); Visual arts; History; Mathematics","authors":[{"name":"C. E. McGee","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04283015806607777,"gpt":0.2116451479221024,"spread":0.1688149898560246,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008181858,0.002307896,0.001010371,0.00394572,0.001279527,0.002972817,0.0007588515,0.001217593,0.05638509],"category_scores_gemma":[0.001202141,0.001053447,0.0004522551,0.005409019,0.001403949,0.004102658,0.001466146,0.001791704,0.0243503],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00122758,"about_ca_system_score_gemma":0.0008955197,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02268685,"about_ca_topic_score_gemma":0.0645293,"domain_scores_codex":[0.9997267,0.00006888794,0.00002624076,0.00004793123,0.00009644443,0.00003382687],"domain_scores_gemma":[0.9995418,0.0001511119,0.00006455987,0.00002484897,0.0001259888,0.00009177908],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007707567,0.00002806717,0.0004959768,0.001148625,0.00002118904,0.00007268249,0.001434636,0.0001062882,0.0003123724,0.003986022,0.7703512,0.2219658],"study_design_scores_gemma":[0.000005051675,0.0000261867,0.004551454,0.001479417,0.000009716709,0.0003921202,0.00199234,0.00004575097,0.0001304962,0.001547516,0.9898067,0.00001323004],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.0006280814,0.9708246,0.0003267499,0.005535461,0.002784119,0.00001071572,0.000270533,0.00005599219,0.01956367],"genre_scores_gemma":[0.01368281,0.7710775,0.001032881,0.001675928,0.002313695,0.00004171942,0.0004155168,0.0001328581,0.2096271],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.05638509,"threshold_uncertainty_score":0.1886269,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2040557562","doi":"10.1017/s0040557403000103","title":"Setting the Stage for Revolution: The Efficacy of Czech Theatre, 1975–1989","year":2003,"lang":"en","type":"article","venue":"Theatre Survey","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Faith; Catechism; Politics; Patience; Idealism; Affect (linguistics); Portrait; History; Aesthetics; Religious studies; Art; Sociology; Art history; Theology; Philosophy; Political science; Law; Epistemology","authors":[{"name":"Dennis C. Beck","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04980622557285936,"gpt":0.2689607717494105,"spread":0.2191545461765511,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006405384,0.0005101429,0.0003662005,0.0015309,0.01808726,0.008981005,0.001353657,0.001637497,0.008362546],"category_scores_gemma":[0.01364157,0.0006358,0.0004778065,0.001613233,0.01337038,0.005067556,0.006499676,0.004751951,0.00131082],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.03173972,"about_ca_system_score_gemma":0.0101391,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.09654064,"about_ca_topic_score_gemma":0.2122761,"domain_scores_codex":[0.9965152,0.00118604,0.0001862261,0.0004194259,0.0007256921,0.0009673659],"domain_scores_gemma":[0.997799,0.0008056456,0.0002932285,0.0001804046,0.0005150455,0.0004067115],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.001140239,0.0002944887,0.01172881,0.0008510831,0.00005916328,0.0008466287,0.2843231,0.0008851261,0.002793839,0.5059115,0.05291047,0.1382556],"study_design_scores_gemma":[0.0001019293,0.0001985758,0.06024176,0.0008048868,0.00005610346,0.0005874019,0.1620906,0.0007337806,0.002704094,0.01187337,0.7603943,0.0002131761],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.352755,0.02080971,0.003244548,0.01187553,0.001118912,0.0002241964,0.0003325045,0.0001217624,0.6095178],"genre_scores_gemma":[0.9702882,0.002050495,0.0004161647,0.001014687,0.00005558467,0.00003316568,0.00005827624,0.00008269022,0.02600067],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.09654064,"threshold_uncertainty_score":0.2302889,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1999964421","doi":"10.1017/s0040557412000452","title":"National Performance: Representing Quebec from Expo 67 to Céline Dion. By Erin Hurley. Toronto: University of Toronto Press, 2011; pp. 264. $45 cloth, $44.99 e-book.","year":2013,"lang":"en","type":"article","venue":"Theatre Survey","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Line (geometry); Media studies; History; Art; Art history; Sociology; Mathematics","authors":[{"name":"Joanne Tompkins","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.014367557311607,"gpt":0.2297201723871787,"spread":0.2153526150755717,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00099013,0.0005520794,0.0002894278,0.001742289,0.006051607,0.002983008,0.001129319,0.0006927773,0.0291965],"category_scores_gemma":[0.00185283,0.0003565236,0.0002074016,0.006399399,0.001501224,0.001518525,0.001065642,0.00104768,0.002770078],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.05460555,"about_ca_system_score_gemma":0.0512532,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9972579,"about_ca_topic_score_gemma":0.9992161,"domain_scores_codex":[0.999365,0.00008986117,0.00001529069,0.00004974579,0.0002466414,0.0002335552],"domain_scores_gemma":[0.9989296,0.00007418189,0.00008103352,0.0000258221,0.0005652141,0.000324276],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003813162,0.00001771997,0.00832152,0.0002716837,0.000009782166,0.0001156296,0.01702905,0.0002154822,0.0001320174,0.004059176,0.8661501,0.1036397],"study_design_scores_gemma":[0.000006433352,0.00002571128,0.1528933,0.0006974224,0.00001207598,0.0001019893,0.06287029,0.0002333061,0.0001689477,0.0003870641,0.782557,0.00004660159],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"review","genre_scores_codex":[0.1352972,0.2410356,0.001370037,0.1349359,0.00521887,0.000317151,0.04111794,0.0003927726,0.4403145],"genre_scores_gemma":[0.4901849,0.05510216,0.00155897,0.003230356,0.0002476805,0.0001384888,0.007720225,0.000209538,0.4416077],"genre_candidate":"review","genre_consensus":null,"teacher_disagreement_score":0.05460555,"threshold_uncertainty_score":0.3961928,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2483593190","doi":"10.1017/s004055741500068x","title":"Contemporary Women Playwrights: Into the Twenty-First Century. Edited by Penny Farfan and Lesley Ferris. New York: Palgrave Macmillan, 2013; pp. xv + 306. $105 cloth, $33 paper.","year":2015,"lang":"en","type":"article","venue":"Theatre Survey","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Western University","funders":"","keywords":"History; Art history; Performance art; Art","authors":[{"name":"Kim Solga","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04485039540474481,"gpt":0.2354288860622994,"spread":0.1905784906575546,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001310587,0.001244139,0.0005827037,0.002330811,0.005523544,0.008855115,0.001101382,0.001590201,0.03770057],"category_scores_gemma":[0.002042467,0.0007240121,0.0002661222,0.003905758,0.008970592,0.006019398,0.002882052,0.002168683,0.005865516],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006038561,"about_ca_system_score_gemma":0.007972894,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.06695921,"about_ca_topic_score_gemma":0.1393091,"domain_scores_codex":[0.9992098,0.0003675639,0.00002931863,0.00008393847,0.0001408712,0.0001685283],"domain_scores_gemma":[0.9994037,0.0002196319,0.00006292156,0.00002509893,0.0001164347,0.0001722119],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001312131,0.000040359,0.001070187,0.001088921,0.00001058062,0.0003303518,0.1222946,0.0001089868,0.0002487287,0.1214855,0.5437688,0.2094217],"study_design_scores_gemma":[0.000003794622,0.00001062338,0.0009328322,0.0009884699,0.000002356761,0.000118593,0.02750299,0.00001241043,0.00005876578,0.004036306,0.9663253,0.000007482861],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.007705183,0.7116079,0.0008015405,0.05122713,0.003807747,0.00002822994,0.000308723,0.000105933,0.2244075],"genre_scores_gemma":[0.1494228,0.4290206,0.0009045175,0.004454808,0.002320365,0.0001141653,0.0002467026,0.0002418403,0.4132743],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.06695921,"threshold_uncertainty_score":0.1331389,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2784026517","doi":"10.1017/s0040557417000527","title":"Poverty and Charity in Early Modern Theater and Performance. By Robert Henke . Studies in Theatre History and Culture. Iowa City: University of Iowa Press, 2015; pp. xiii + 198, 11 illustrations. $55 paper, $55 e-book.","year":2018,"lang":"en","type":"article","venue":"Theatre Survey","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Laurentian University","funders":"","keywords":"Poverty; History; Media studies; Art history; Economic history; Sociology; Political science; Law","authors":[{"name":"Ernst Gerhardt","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0497696065228795,"gpt":0.2302221981824591,"spread":0.1804525916595796,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001003668,0.000780243,0.0004306888,0.001539129,0.001905443,0.002466453,0.0005137559,0.0009402068,0.02868499],"category_scores_gemma":[0.002237186,0.0004587576,0.0002232762,0.003179594,0.002428591,0.003899506,0.001992949,0.002288277,0.005770259],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003333607,"about_ca_system_score_gemma":0.002261653,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03192224,"about_ca_topic_score_gemma":0.07389817,"domain_scores_codex":[0.9990712,0.0004431387,0.00004131033,0.0000717368,0.0002184508,0.0001540852],"domain_scores_gemma":[0.9992678,0.0002597067,0.0001512204,0.00002896719,0.0001605993,0.0001318764],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008582551,0.00007235426,0.0008989879,0.0007583475,0.00001243872,0.00004869825,0.01058636,0.0001393444,0.0001435239,0.0340877,0.8562703,0.0968961],"study_design_scores_gemma":[0.000006618326,0.00003762583,0.009211932,0.001154823,0.00000598596,0.00016346,0.01180353,0.0000330476,0.00007429515,0.004236157,0.9732575,0.00001491257],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.01028583,0.8001977,0.0003125073,0.05754942,0.004241128,0.00003262313,0.0005153677,0.00005611182,0.1268094],"genre_scores_gemma":[0.1812591,0.4580615,0.0006640768,0.006060789,0.00285361,0.00007928092,0.000429467,0.0001118578,0.3504803],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.03192224,"threshold_uncertainty_score":0.09596092,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2883061521","doi":"10.1017/s0040557418000418","title":"Moving Performances: Divas, Iconicity, and Remembering the Modern Stage. By Jeanne Scheper. New Brunswick, NJ: Rutgers University Press, 2016; pp. xi + 209, 27 illustrations. $99.95 cloth, $27.95 paper, $27.95 e-book.","year":2018,"lang":"en","type":"article","venue":"Theatre Survey","topic":"Theater, Performance, and Music History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Iconicity; Stage (stratigraphy); History; Art; Art history; Philosophy; Linguistics; Geology","authors":[{"name":"Sunny Stalter‐Pace","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02817915841501736,"gpt":0.209624566737395,"spread":0.1814454083223776,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007997779,0.001427886,0.0004480757,0.002491313,0.001287348,0.004186504,0.0008195295,0.001292888,0.03541147],"category_scores_gemma":[0.001932978,0.000525778,0.0003101098,0.003709492,0.00378027,0.007388753,0.002450568,0.002629081,0.01069976],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001848013,"about_ca_system_score_gemma":0.002023066,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01912761,"about_ca_topic_score_gemma":0.04290094,"domain_scores_codex":[0.9995352,0.0001614261,0.0000276261,0.00005751962,0.0001543811,0.00006375372],"domain_scores_gemma":[0.9993629,0.0002246588,0.0000921176,0.00003544189,0.0001258317,0.0001591164],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006116419,0.00003227026,0.0004469739,0.0008817867,0.00001100851,0.00007115119,0.006833241,0.0001106734,0.0002599864,0.02346412,0.7646598,0.2031679],"study_design_scores_gemma":[0.00000494378,0.00002080276,0.002365875,0.001162821,0.000005637849,0.0002498936,0.006281444,0.00002753477,0.00006411491,0.005145599,0.9846601,0.0000113261],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.0022992,0.8130128,0.0006508472,0.02274544,0.00472475,0.00002242205,0.0003135672,0.000099267,0.1561318],"genre_scores_gemma":[0.06001544,0.6293859,0.001275912,0.004987982,0.004557182,0.00005515571,0.0004754704,0.0001632131,0.2990838],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.03541147,"threshold_uncertainty_score":0.1184632,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2339147590","doi":"10.1017/s0040557416000193","title":"Theatricality, Dark Tourism and Ethical Spectatorship: Absent Others. By Emma Willis. New York: Palgrave Macmillan, 2014; pp. xiv + 237, 31 illustrations. $90 cloth, $90 e-book.","year":2016,"lang":"en","type":"article","venue":"Theatre Survey","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Calgary","funders":"","keywords":"Tourism; Art history; History; Media studies; Environmental ethics; Sociology; Philosophy; Archaeology","authors":[{"name":"Susan Bennett","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04051324455791188,"gpt":0.3117551614953974,"spread":0.2712419169374856,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00108411,0.001279869,0.0004866623,0.00105891,0.002253624,0.003551058,0.000753616,0.001896047,0.01523405],"category_scores_gemma":[0.002403591,0.0005913989,0.0003691973,0.001205199,0.008036776,0.006896117,0.004021712,0.003297397,0.003735058],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00167268,"about_ca_system_score_gemma":0.002028772,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.009974111,"about_ca_topic_score_gemma":0.02052864,"domain_scores_codex":[0.9994617,0.0003214474,0.00002052467,0.000052153,0.0000874266,0.00005670665],"domain_scores_gemma":[0.9994308,0.0002609876,0.00007620901,0.00002906174,0.00007599164,0.0001268312],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004561856,0.00002937952,0.0003188736,0.0008292892,0.00001532103,0.0002196979,0.01167929,0.0001539373,0.0001797955,0.06145016,0.8015958,0.1234829],"study_design_scores_gemma":[0.000006696407,0.00002644883,0.001287265,0.001418117,0.000006130784,0.0006646421,0.01213246,0.0001249602,0.00008565075,0.02394293,0.9602829,0.00002174671],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.002718963,0.8301781,0.001156934,0.0888772,0.009444409,0.00002597193,0.0001211986,0.00006717442,0.06741008],"genre_scores_gemma":[0.1373012,0.546752,0.002151078,0.01265042,0.008396801,0.0001314903,0.0001794758,0.0001907567,0.2922467],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.01523405,"threshold_uncertainty_score":0.05096298,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2479811253","doi":"10.1017/s0040557415000472","title":"Manifesto Now! Instructions for Performance, Philosophy, Politics. Edited by Laura Cull and Will Daddario. Fishponds, Bristol, UK: Intellect Ltd., 2013. pp. xiii + 229, 24 illustrations. $57 cloth, $20 e-book.","year":2015,"lang":"en","type":"article","venue":"Theatre Survey","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Brock University","funders":"","keywords":"Intellect; Manifesto; Politics; Performance art; Art history; History; Philosophy; Theology; Political science; Law","authors":[{"name":"Natalie Álvarez","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04558934113916199,"gpt":0.241460838769616,"spread":0.195871497630454,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001302001,0.001038648,0.0006383403,0.001623629,0.001376543,0.005361709,0.000601614,0.0008366916,0.3000805],"category_scores_gemma":[0.002747537,0.0005887474,0.00034843,0.004362664,0.001263459,0.005349215,0.00188742,0.002220651,0.1792306],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003263561,"about_ca_system_score_gemma":0.005738568,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02317746,"about_ca_topic_score_gemma":0.04176281,"domain_scores_codex":[0.9990718,0.0002109779,0.00005750935,0.0000531471,0.0004970927,0.00010933],"domain_scores_gemma":[0.9986022,0.0003273706,0.0001216035,0.0001104239,0.0005919843,0.0002463217],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000006944975,0.000004430125,0.00002538383,0.00008870268,4.433326e-7,0.000007914486,0.0001445885,0.00001825452,0.00006345477,0.004270403,0.9701718,0.02519769],"study_design_scores_gemma":[0.000001553423,0.000004236165,0.0002500742,0.00009834104,4.179625e-7,0.00002246428,0.0002592058,0.000008002107,0.00002496357,0.0006365955,0.9986904,0.000003712988],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"review","genre_scores_codex":[0.001003339,0.07530883,0.002278037,0.02937786,0.01025431,0.0001034705,0.009097625,0.001412796,0.8711638],"genre_scores_gemma":[0.005351871,0.0259055,0.0009998772,0.001520842,0.0006150168,0.00007779329,0.002810713,0.0006113069,0.9621071],"genre_candidate":"review","genre_consensus":null,"teacher_disagreement_score":0.3000805,"threshold_uncertainty_score":0.9983502,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3114870533","doi":"10.1017/s0040557420000502","title":"Affect, Animals, and Autists: Feeling around the Edges of the Human in Performance By Marla Carlson. Ann Arbor: University of Michigan Press, 2018; pp. xiv + 259, 15 illustrations. $75 cloth, $29.95 paper, $29.95 e-book.","year":2020,"lang":"en","type":"article","venue":"Theatre Survey","topic":"History of Science and Medicine","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Northern British Columbia","funders":"","keywords":"Feeling; Affect (linguistics); Psychology; Psychoanalysis; Environmental ethics; Gerontology; Social psychology; Philosophy; Medicine; Communication","authors":[{"name":"Monica Mattfeld","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03834069968682819,"gpt":0.2169710769114254,"spread":0.1786303772245973,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001557575,0.001513782,0.0006825692,0.002129057,0.003049494,0.003709101,0.000941873,0.002111422,0.02694447],"category_scores_gemma":[0.002672289,0.0006678209,0.0003317132,0.002148891,0.00336019,0.005658269,0.003344288,0.004351026,0.007626954],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004156321,"about_ca_system_score_gemma":0.004632771,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.06067704,"about_ca_topic_score_gemma":0.1389556,"domain_scores_codex":[0.9990464,0.000437066,0.00003538494,0.00008917927,0.0002456293,0.0001464581],"domain_scores_gemma":[0.9983317,0.0005715489,0.0001664134,0.00003807183,0.0003388142,0.0005534718],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002426988,0.00002181018,0.0002845858,0.0004352964,0.000004925391,0.00004993504,0.005269994,0.00002730912,0.00006566711,0.003501102,0.9528768,0.03743842],"study_design_scores_gemma":[0.000007600339,0.00003821274,0.006688992,0.002176425,0.000007020061,0.0004151636,0.02046058,0.00002613899,0.00005571826,0.001385501,0.9687164,0.00002220968],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.0028533,0.7954784,0.0003061906,0.1147228,0.01292704,0.00004280468,0.0003179052,0.00008054563,0.07327101],"genre_scores_gemma":[0.05772862,0.679792,0.00077679,0.0234991,0.007615123,0.0002695923,0.0003331985,0.0001583422,0.2298272],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.06067704,"threshold_uncertainty_score":0.1206477,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3140944024","doi":"10.1017/s0040557421000120","title":"Insecurity: Perils and Products of Theatres of the Real By Jenn Stephenson. Toronto: University of Toronto Press, 2019; pp. viii + 286, 10 images. $75 cloth, $75 e-book.","year":2021,"lang":"en","type":"article","venue":"Theatre Survey","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Media studies; History; Art history; Economic history; Sociology","authors":[{"name":"Ashley Marinaccio","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01566275752396696,"gpt":0.2072964719348345,"spread":0.1916337144108675,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001575768,0.000860209,0.0004511248,0.001625465,0.00366193,0.004491175,0.000635733,0.001071711,0.03411954],"category_scores_gemma":[0.003798611,0.0007650203,0.0002221925,0.003736586,0.005710446,0.005581746,0.002364345,0.002149012,0.004357054],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006999357,"about_ca_system_score_gemma":0.006970235,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.2993303,"about_ca_topic_score_gemma":0.4995524,"domain_scores_codex":[0.9991788,0.0003063663,0.00003538241,0.00005475616,0.0002792342,0.0001454913],"domain_scores_gemma":[0.9981661,0.0005340762,0.0002845371,0.00009082495,0.0003911785,0.000533358],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005294686,0.00001308204,0.001197467,0.0006681526,0.000009135437,0.0001966755,0.03009522,0.00007362723,0.0001021056,0.01726423,0.8862249,0.06410246],"study_design_scores_gemma":[0.00000277101,0.00001247185,0.01136629,0.001332615,0.000005642859,0.0002532003,0.03949342,0.00002158857,0.0000517911,0.00163069,0.945815,0.00001460105],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.01771308,0.6644052,0.0006265993,0.1545201,0.006364905,0.00004353926,0.001586919,0.0001235726,0.1546161],"genre_scores_gemma":[0.2150457,0.4175741,0.0007769572,0.0052983,0.001368345,0.00006432261,0.0008698006,0.0002082411,0.3587943],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.2993303,"threshold_uncertainty_score":0.5951759,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2334078463","doi":"10.1017/s0040557413000677","title":"Reading Modern Drama. Edited by Alan Ackerman. Toronto, Buffalo, and London: University of Toronto Press, 2012; pp. vi + 306, 8 illustrations. $29.95 paper, $29.95 e-book.","year":2013,"lang":"en","type":"article","venue":"Theatre Survey","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Drama; Reading (process); Media studies; Art history; History; Art; Sociology; Visual arts; Political science; Law","authors":[{"name":"Matthew Yde","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01726854459470711,"gpt":0.2096979762052752,"spread":0.1924294316105681,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006853343,0.001532052,0.00086076,0.003250024,0.001649604,0.003645725,0.0008236568,0.0007126293,0.08323107],"category_scores_gemma":[0.002112559,0.0009625413,0.0003917166,0.005338755,0.001922311,0.003370991,0.001089036,0.001485021,0.02631666],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004637473,"about_ca_system_score_gemma":0.006041048,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1330557,"about_ca_topic_score_gemma":0.2978794,"domain_scores_codex":[0.9996997,0.00006989711,0.00001922378,0.00004155017,0.0001243399,0.00004536232],"domain_scores_gemma":[0.999468,0.0001134622,0.00006846071,0.00003985957,0.0002087857,0.0001013731],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001851787,0.000007201703,0.0001612225,0.000485054,0.000006653946,0.00003758406,0.001875364,0.00007515132,0.0001842178,0.006372435,0.9029046,0.08787199],"study_design_scores_gemma":[0.000002287831,0.000003785711,0.001564966,0.0004003835,0.00000490546,0.0000667803,0.0009552686,0.00001486546,0.00005560027,0.001141241,0.9957851,0.000004956765],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.001238782,0.783979,0.001660811,0.01063955,0.005382843,0.00002817795,0.002274133,0.0003778978,0.1944188],"genre_scores_gemma":[0.0247978,0.5181266,0.002493789,0.001364965,0.001864541,0.00007269403,0.001703776,0.0004866292,0.4490891],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.1330557,"threshold_uncertainty_score":0.2784356,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2167011068","doi":"10.1017/s0040557414000362","title":"Performativity and Performance in Baroque Rome. Edited by Peter Gillgren and Mårten Snickare. Farnham, Surrey, UK: Ashgate, 2012; pp. xi + 257, 68 illustrations. $119.95 cloth.","year":2014,"lang":"en","type":"article","venue":"Theatre Survey","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Dalhousie University","funders":"","keywords":"Baroque; History; Art history; Performance art; Media studies; Art; Sociology","authors":[{"name":"Roberta Barker","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02083766467403825,"gpt":0.2764105619891693,"spread":0.2555728973151311,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008481462,0.001455334,0.000633943,0.002429849,0.001439039,0.004354031,0.0006072787,0.000903177,0.01400207],"category_scores_gemma":[0.00134666,0.0004932891,0.0003891716,0.003207785,0.007027167,0.002309634,0.001276732,0.001302231,0.001920225],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003812253,"about_ca_system_score_gemma":0.002395404,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02848802,"about_ca_topic_score_gemma":0.0538753,"domain_scores_codex":[0.999566,0.0002227426,0.00002013501,0.00004196192,0.00006814821,0.00008101117],"domain_scores_gemma":[0.9995936,0.0001671356,0.00006820172,0.00002891392,0.00005902254,0.00008326498],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001828738,0.00007374097,0.00314913,0.002212794,0.00005449439,0.0003116375,0.03359357,0.0006469155,0.0003811345,0.2194679,0.4798756,0.2600503],"study_design_scores_gemma":[0.00002451091,0.00005490306,0.03403398,0.002719005,0.000020329,0.0006009315,0.0196563,0.000158506,0.0001364189,0.05007647,0.8924754,0.00004318593],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.006685407,0.8005497,0.0004827167,0.01276263,0.00285149,0.0000113631,0.000256084,0.00004443805,0.1763562],"genre_scores_gemma":[0.4137628,0.4408081,0.001198792,0.001737559,0.005953194,0.00006749212,0.0004116331,0.0001259356,0.1359345],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.02848802,"threshold_uncertainty_score":0.05664438,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2083099980","doi":"10.1017/s0040557413000604","title":"British South Asian Theatres: A Documented History. Edited by Graham Ley and Sarah Dadswell. Exeter Performance Studies. Exeter: University of Exeter Press, 2011; pp. 265, 1 accompanying DVD. $105 cloth, $37.25 paper.","year":2013,"lang":"en","type":"article","venue":"Theatre Survey","topic":"Southeast Asian Sociopolitical Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Fanshawe College","funders":"","keywords":"History; Art history; Media studies; Sociology","authors":[{"name":"Amber Fatima Riaz","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03071799015690992,"gpt":0.2518250170376223,"spread":0.2211070268807124,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008296465,0.0008510124,0.000465599,0.004092419,0.002153717,0.002756478,0.0006333864,0.000601444,0.04344216],"category_scores_gemma":[0.001570702,0.0007012753,0.0002305582,0.01460495,0.002090829,0.002500679,0.001455322,0.001219516,0.01282642],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004299616,"about_ca_system_score_gemma":0.006905274,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.207346,"about_ca_topic_score_gemma":0.4225121,"domain_scores_codex":[0.9994128,0.0001592784,0.00006048849,0.00005708711,0.0002150707,0.0000952917],"domain_scores_gemma":[0.9988106,0.0001627663,0.0001636022,0.00006859541,0.0006183975,0.0001759306],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005245526,0.00002271043,0.001452297,0.001496871,0.00001385526,0.0001396325,0.00788386,0.00008374816,0.0003767756,0.006023752,0.8103322,0.1721219],"study_design_scores_gemma":[0.000001495546,0.000009396759,0.00783815,0.000829544,0.000005000252,0.0001260632,0.005382329,0.000008645497,0.0000916158,0.0003205993,0.9853777,0.000009474352],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.01119809,0.7623841,0.0005957062,0.01783806,0.007085336,0.0000504304,0.003584427,0.0001162676,0.1971476],"genre_scores_gemma":[0.06777795,0.5560091,0.0009328388,0.001941927,0.001035132,0.00008600235,0.002065045,0.0002095472,0.3699425],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.207346,"threshold_uncertainty_score":0.4122782,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2125585942","doi":"10.1017/s004055741200049x","title":"Sex, Drag, and Male Roles: Investigating Gender as Performance. By Diane Torr and Stephen Bottoms. Ann Arbor: University of Michigan Press, 2010; pp. 314, 19 illustrations. $70 cloth, $26.95 paper.","year":2013,"lang":"en","type":"article","venue":"Theatre Survey","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Drag; Sociology; Gerontology; History; Engineering; Medicine; Aerospace engineering","authors":[{"name":"Tom Fish","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0265992349789259,"gpt":0.2002225266960689,"spread":0.173623291717143,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003442593,0.001581579,0.0009358427,0.004491334,0.001861705,0.003045344,0.001353252,0.001681674,0.02422139],"category_scores_gemma":[0.006639741,0.001108322,0.0005390255,0.007649268,0.004252458,0.007749734,0.002821219,0.002519857,0.006604613],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001727932,"about_ca_system_score_gemma":0.002459415,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02932888,"about_ca_topic_score_gemma":0.06852787,"domain_scores_codex":[0.9986537,0.0006366197,0.00007382763,0.0001385857,0.0003817478,0.0001154631],"domain_scores_gemma":[0.9956054,0.002576314,0.0005256675,0.0001179,0.0006211469,0.0005534417],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009879719,0.00005797766,0.003490685,0.001284049,0.00002318303,0.00007856693,0.008108856,0.00008163881,0.0002668595,0.008690663,0.8627138,0.1151048],"study_design_scores_gemma":[0.00002958988,0.0001661292,0.04788269,0.006346581,0.00004796261,0.0007432858,0.04388713,0.0001169511,0.0002361505,0.01075217,0.8897431,0.00004814445],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.003553694,0.9096113,0.000466129,0.04216026,0.003543861,0.00005178233,0.0006617991,0.00003750886,0.03991358],"genre_scores_gemma":[0.05926464,0.8313387,0.001397416,0.009053812,0.003995177,0.0002582754,0.0008617083,0.00009102446,0.09373923],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.02932888,"threshold_uncertainty_score":0.08102864,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2326640580","doi":"10.1017/s0040557413000367","title":"The Making of the West End Stage: Marriage, Management and the Mapping of Gender in London, 1830–1870. By Jacky Bratton. Cambridge: Cambridge University Press, 2011; pp. viii + 222, 9 illustrations. $103 cloth, $82 e-book.","year":2013,"lang":"en","type":"article","venue":"Theatre Survey","topic":"Historical Studies on Reproduction, Gender, Health, and Societal Changes","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"York University","funders":"","keywords":"Stage (stratigraphy); History; Media studies; Art history; Art; Sociology; Geology","authors":[{"name":"Marlis Schweitzer","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04070097249194241,"gpt":0.2260525487422632,"spread":0.1853515762503208,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001438217,0.000622264,0.000361412,0.001963611,0.002026057,0.002848292,0.0005798982,0.001055589,0.01338842],"category_scores_gemma":[0.002227646,0.0005404575,0.0001995635,0.004963116,0.008685444,0.004860807,0.002580584,0.001375098,0.002002206],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007317232,"about_ca_system_score_gemma":0.003924126,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.08460453,"about_ca_topic_score_gemma":0.1749367,"domain_scores_codex":[0.9988895,0.000608239,0.00007483819,0.0001047445,0.000189192,0.0001335157],"domain_scores_gemma":[0.9994441,0.0002446788,0.0001179074,0.00003505608,0.00007137161,0.00008688239],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001388202,0.00002645354,0.003783977,0.001296886,0.00001861388,0.0004400639,0.2746753,0.0002946492,0.000399086,0.2116955,0.2949086,0.2123221],"study_design_scores_gemma":[0.000006045579,0.00002617888,0.009731886,0.001315056,0.000005246032,0.000227597,0.05274997,0.00003043446,0.0001248773,0.01112447,0.9246395,0.0000187248],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.02510156,0.7622681,0.001059516,0.03098599,0.001908267,0.00005228285,0.0005483236,0.00003524424,0.1780408],"genre_scores_gemma":[0.4629818,0.3568287,0.001489619,0.002983506,0.001002841,0.0001071803,0.0004124823,0.000085084,0.1741088],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.08460453,"threshold_uncertainty_score":0.1682242,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2111201947","doi":"10.1017/s0040557410000086","title":"Sex, Scandal, and Celebrity in Late Eighteenth-Century England. By Matthew J. Kinservik. New York and Basingstoke: Palgrave Macmillan, 2007; pp. 272. $80 cloth. - Women, Sociability and Theatre in Georgian London. By Gillian Russell. Cambridge: Cambridge University Press, 2007; pp. 308. $110 cloth.","year":2010,"lang":"en","type":"article","venue":"Theatre Survey","topic":"Historical Economic and Social Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Georgian; History; Media studies; Art history; Sociology; Philosophy; Linguistics","authors":[{"name":"Fiona Ritchie","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01125157962821569,"gpt":0.1851983439438696,"spread":0.1739467643156539,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006574499,0.00072365,0.0006217755,0.002519676,0.002044402,0.002451603,0.0005034995,0.0008873897,0.02578943],"category_scores_gemma":[0.002086741,0.0006436034,0.0002624182,0.004543779,0.002688189,0.003977894,0.001684066,0.001352953,0.00337776],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003741019,"about_ca_system_score_gemma":0.001727923,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1497338,"about_ca_topic_score_gemma":0.3589945,"domain_scores_codex":[0.9996679,0.0001112477,0.0000407614,0.00004782773,0.00007481319,0.00005743489],"domain_scores_gemma":[0.9991481,0.0002919954,0.0002301555,0.00003121724,0.0001199394,0.0001785347],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002294687,0.00005975091,0.01508675,0.003087208,0.00005771309,0.0005259703,0.08992551,0.0001745894,0.0001961797,0.03384497,0.7074031,0.1494088],"study_design_scores_gemma":[0.000009069718,0.0000418323,0.09782714,0.003665471,0.00001758033,0.0005272344,0.03898969,0.00004214958,0.00005799719,0.003702616,0.8550865,0.00003280325],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.01654181,0.926323,0.00009141515,0.02489422,0.002361148,0.00001602353,0.001474437,0.00002013187,0.02827773],"genre_scores_gemma":[0.1991357,0.6344942,0.0002946961,0.002413194,0.002076457,0.00006755062,0.001295187,0.00004824413,0.1601747],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.1497338,"threshold_uncertainty_score":0.2977246,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2493488320","doi":"10.1017/s0040557416000545","title":"Childhood and Nineteenth-Century American Theatre: The Work of the Marsh Troupe of Juvenile Actors. By Shauna Vey . Theater in the Americas. Carbondale: Southern Illinois University Press, 2015; pp. xv + 224, 15 illustrations, $40 cloth, $40 e-book.","year":2016,"lang":"en","type":"article","venue":"Theatre Survey","topic":"Theater, Performance, and Music History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Marsh; Juvenile; History; Media studies; Sociology; Art history; Ecology; Biology; Wetland","authors":[{"name":"Cecilia Morgan","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01098459340038358,"gpt":0.1857472903512366,"spread":0.174762696950853,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008114834,0.0004178464,0.0002059375,0.001234074,0.005799325,0.003489511,0.000444178,0.0008585622,0.02208063],"category_scores_gemma":[0.001320605,0.000349366,0.0001255773,0.001958248,0.005083798,0.002876892,0.002618865,0.002030472,0.001822614],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004852943,"about_ca_system_score_gemma":0.005430308,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1592917,"about_ca_topic_score_gemma":0.4236973,"domain_scores_codex":[0.9991697,0.0002761419,0.00002845879,0.00006291235,0.0002469139,0.0002159345],"domain_scores_gemma":[0.9993994,0.0001500835,0.00008433397,0.00002193986,0.0001358085,0.0002083704],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001301746,0.00009153564,0.004730505,0.0006118859,0.00001241407,0.0002784531,0.1306072,0.0001224624,0.0005176711,0.1114044,0.5180952,0.2333981],"study_design_scores_gemma":[0.000004798963,0.00001884127,0.0134528,0.0005896945,0.000004022844,0.0001715497,0.04910775,0.00001364832,0.0000900863,0.001653113,0.9348825,0.00001117303],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"commentary","genre_scores_codex":[0.07561507,0.2630766,0.0006157252,0.04645143,0.002742095,0.00004702379,0.0003660203,0.00006987651,0.6110162],"genre_scores_gemma":[0.5758965,0.1566789,0.0005505515,0.004317006,0.0008682389,0.00007263813,0.0002353451,0.00009119076,0.2612895],"genre_candidate":"commentary","genre_consensus":null,"teacher_disagreement_score":0.1592917,"threshold_uncertainty_score":0.3167291,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2043929054","doi":"10.1017/s004055740700083x","title":"Ritual Imports: Performing Medieval Drama in America. By Claire Sponsler. Ithaca and London: Cornell University Press, 2004; pp. 235. $35 cloth.","year":2007,"lang":"en","type":"article","venue":"Theatre Survey","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Calgary","funders":"","keywords":"Drama; History; Content (measure theory); Art history; Art; Media studies; Sociology; Visual arts; Mathematics","authors":[{"name":"Angie Abdou","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02389312038265719,"gpt":0.2120499465695531,"spread":0.1881568261868959,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007985716,0.0007849625,0.0002415764,0.001344852,0.001892869,0.002268946,0.0005712286,0.0007226377,0.02114708],"category_scores_gemma":[0.001036787,0.0004018701,0.0001278725,0.00215188,0.001976801,0.002484129,0.001491382,0.001233589,0.003810358],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001293463,"about_ca_system_score_gemma":0.001211694,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02939605,"about_ca_topic_score_gemma":0.1094369,"domain_scores_codex":[0.9997877,0.0000844114,0.00001075559,0.00002048994,0.00006780479,0.00002882902],"domain_scores_gemma":[0.999604,0.0001615112,0.0000569038,0.00002258418,0.00007120252,0.00008362045],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005938454,0.00004689414,0.0009246658,0.000617969,0.00001090508,0.00008730869,0.01656725,0.00009980269,0.0004775221,0.006866175,0.7260947,0.2481474],"study_design_scores_gemma":[0.000004187623,0.00001977785,0.008619656,0.0007454082,0.000005671827,0.0002657881,0.01461919,0.00005003549,0.000229215,0.0009423976,0.97449,0.000008601216],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.01908699,0.7246171,0.001291144,0.04286393,0.003114389,0.00006277649,0.001108829,0.0003167213,0.2075381],"genre_scores_gemma":[0.1713487,0.4460915,0.003509693,0.004198294,0.001600553,0.0001392166,0.0008214166,0.0003878573,0.3719027],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.02939605,"threshold_uncertainty_score":0.07074398,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2157765677","doi":"10.1017/s0040557414000453","title":"The Feminist Spectator in Action: Feminist Criticism for the Stage &amp; Screen. By Jill Dolan. Basingstoke, Hampshire, UK and New York: Palgrave Macmillan, 2013; pp. 248. $80 cloth, $26 paper.","year":2014,"lang":"en","type":"article","venue":"Theatre Survey","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Queen's University","funders":"","keywords":"Criticism; Action (physics); Performance art; Media studies; History; Stage (stratigraphy); Gender studies; Art history; Psychoanalysis; Sociology; Art; Psychology; Literature; Physics","authors":[{"name":"Jenn Stephenson","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0624308448435223,"gpt":0.2700750878637325,"spread":0.2076442430202102,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00473208,0.0009500509,0.0006261859,0.001349567,0.005947674,0.004571264,0.001609278,0.004847201,0.04651653],"category_scores_gemma":[0.01048816,0.000765734,0.000354983,0.002274805,0.01042763,0.00805494,0.004076645,0.006529959,0.01023465],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005313445,"about_ca_system_score_gemma":0.004366128,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03729931,"about_ca_topic_score_gemma":0.08667699,"domain_scores_codex":[0.9965295,0.002046781,0.0000662719,0.0001947251,0.0009876561,0.0001749794],"domain_scores_gemma":[0.9935564,0.004416816,0.0003161052,0.000204703,0.001124961,0.0003809182],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001583102,0.00000404382,0.00005955768,0.0001219995,0.000001999049,0.00004882244,0.003712295,0.00002203588,0.00005272625,0.01284733,0.9692065,0.013907],"study_design_scores_gemma":[0.000003812607,0.000007136283,0.0005333055,0.0005182002,0.000002336633,0.00009109631,0.008170187,0.00003460275,0.00009670536,0.00358035,0.9869533,0.00000908128],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"review","genre_scores_codex":[0.002231601,0.1758388,0.002184479,0.5347294,0.0147715,0.00009236307,0.0005826642,0.0002501346,0.2693191],"genre_scores_gemma":[0.09511796,0.09946544,0.001853666,0.09664124,0.007670262,0.0005339734,0.000411243,0.0007444915,0.6975617],"genre_candidate":"review","genre_consensus":null,"teacher_disagreement_score":0.04651653,"threshold_uncertainty_score":0.1556133,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2206845171","doi":"10.1017/s0040557407000592","title":"Sisters in Sin: Brothel Drama in America, 1900–1920. By Katie N. Johnson. Cambridge Studies in American Theatre. Cambridge: Cambridge University Press, 2006; pp. xii+265, 11 illus. $85 cloth.","year":2007,"lang":"en","type":"article","venue":"Theatre Survey","topic":"Theater, Performance, and Music History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Calgary","funders":"","keywords":"Drama; History; Media studies; Art history; Sociology; Art; Visual arts","authors":[{"name":"Kirsten Pullen","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03052738274694385,"gpt":0.2404746307571925,"spread":0.2099472480102486,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006291991,0.0008127186,0.0003259908,0.002575786,0.001971876,0.001662126,0.0005114636,0.0006435338,0.03442017],"category_scores_gemma":[0.001107664,0.0004232191,0.0001842165,0.006091026,0.001103007,0.002737478,0.00203374,0.0011598,0.005829832],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003008431,"about_ca_system_score_gemma":0.002412555,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.09734022,"about_ca_topic_score_gemma":0.3380012,"domain_scores_codex":[0.99972,0.00006936463,0.0000154381,0.00003232179,0.00008529531,0.00007743632],"domain_scores_gemma":[0.9995716,0.00008091966,0.00009345097,0.000009642407,0.0000889334,0.000155461],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008854399,0.00003210657,0.003564791,0.000754776,0.00001127327,0.00009655549,0.01431764,0.0000612917,0.0002116163,0.005326301,0.8925226,0.08301248],"study_design_scores_gemma":[0.000007522024,0.00002296217,0.03684624,0.001022026,0.000007633881,0.0001553633,0.01894371,0.00001654021,0.00006672256,0.0005468996,0.9423553,0.000009103604],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.02304351,0.7789486,0.0001660754,0.037524,0.005028917,0.00004607873,0.003485052,0.0001021263,0.1516557],"genre_scores_gemma":[0.2167039,0.4679818,0.0004604542,0.005871077,0.003655358,0.0001133616,0.002748883,0.0001022767,0.3023628],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.09734022,"threshold_uncertainty_score":0.1935473,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2783562740","doi":"10.1017/s0040557417000618","title":"Theatre &amp; Feminism. By Kim Solga . Theatre And. New York: Palgrave Macmillan, 2016. pp. viii + 93. $12 paper, $11 e-book.","year":2018,"lang":"en","type":"article","venue":"Theatre Survey","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"York University","funders":"","keywords":"Feminism; History; Art history; Media studies; Sociology; Gender studies","authors":[{"name":"Sydney Tran","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05118624688727962,"gpt":0.2513778493626582,"spread":0.2001916024753785,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007099429,0.001496782,0.0004986901,0.00247577,0.001724224,0.003316241,0.0007371444,0.001570095,0.1005234],"category_scores_gemma":[0.001739324,0.0009084018,0.0003257192,0.003747093,0.001747482,0.005999664,0.00189987,0.002027466,0.03532917],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002430277,"about_ca_system_score_gemma":0.001837721,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01784199,"about_ca_topic_score_gemma":0.05633766,"domain_scores_codex":[0.9996456,0.0001141523,0.00002587351,0.00004984425,0.0001151499,0.00004941209],"domain_scores_gemma":[0.9995173,0.0002159715,0.00006791069,0.00002752329,0.00009300189,0.00007825207],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002042047,0.000008473027,0.0001153572,0.0003614631,0.000002769214,0.00004275695,0.001094425,0.00004045194,0.00007164561,0.007470988,0.90591,0.08486133],"study_design_scores_gemma":[0.000002747808,0.000004508827,0.0006195899,0.0005819982,0.000001529806,0.00009932588,0.001055367,0.0000245625,0.0000463993,0.002576633,0.9949826,0.000004718231],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.0007920785,0.8060589,0.0009286014,0.02672376,0.006360919,0.00002936613,0.001126732,0.0001961483,0.1577835],"genre_scores_gemma":[0.02309002,0.4137337,0.001550913,0.006023668,0.003002074,0.0001428733,0.001002033,0.0004738772,0.5509809],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.1005234,"threshold_uncertainty_score":0.3362842,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2802726904","doi":"10.1017/s0040557418000194","title":"Performance Art in Eastern Europe since 1960. By Amy Bryzgel. Manchester: Manchester University Press, 2017; pp. 360, 154 illustrations. $105 cloth, $34.95 paper, $34.95 e-book.","year":2018,"lang":"en","type":"article","venue":"Theatre Survey","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Media studies; History; Art history; Sociology","authors":[{"name":"Diana Manole","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04653464080268899,"gpt":0.2546544350734865,"spread":0.2081197942707975,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001034744,0.001776492,0.0007245837,0.00283375,0.0008810893,0.002411514,0.000455149,0.0008864778,0.02309114],"category_scores_gemma":[0.0009694753,0.0006947619,0.0003423129,0.00579606,0.001349877,0.003284013,0.001488144,0.001102533,0.00613834],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001859458,"about_ca_system_score_gemma":0.0009599824,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0173297,"about_ca_topic_score_gemma":0.03712051,"domain_scores_codex":[0.999684,0.00006160476,0.00004787998,0.00005879069,0.00009004162,0.00005759999],"domain_scores_gemma":[0.9996763,0.0000885778,0.00009188796,0.00001460357,0.00008028648,0.00004827346],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001089709,0.00002674662,0.00141738,0.001866272,0.00003142698,0.0001100178,0.002253417,0.0003304063,0.0001415012,0.006438845,0.7082235,0.2790515],"study_design_scores_gemma":[0.000009923047,0.00003367441,0.02335549,0.003649458,0.00001579447,0.0004417727,0.002521285,0.00009358962,0.0001496216,0.001582328,0.9681324,0.00001472833],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.002069533,0.9740739,0.0001483864,0.007085821,0.003342974,0.000006208627,0.0004606079,0.00002767915,0.01278487],"genre_scores_gemma":[0.04155828,0.8315555,0.0004820011,0.0009852045,0.002799693,0.00002614986,0.0008433983,0.00006855148,0.1216812],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.02309114,"threshold_uncertainty_score":0.07724756,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7128477717","doi":"10.1353/tsu.2020.a977187","title":"Performance Studies in Canada (review)","year":2020,"lang":"en","type":"article","venue":"Theatre Survey","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"","authors":[{"name":"Stefanie Ellen Miller","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1354570277869134,"gpt":0.2726975523417736,"spread":0.1372405245548602,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005376953,0.001271647,0.003554868,0.01501167,0.002101984,0.005600981,0.002013183,0.001515826,0.01053541],"category_scores_gemma":[0.02022907,0.0007019315,0.002328366,0.04134327,0.001868475,0.001389017,0.001884899,0.001515505,0.0005997402],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.03018801,"about_ca_system_score_gemma":0.1431667,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.8790541,"about_ca_topic_score_gemma":0.9489982,"domain_scores_codex":[0.9964513,0.0004645944,0.0008064125,0.0002791319,0.001564599,0.0004339003],"domain_scores_gemma":[0.9844249,0.005018513,0.002715695,0.0001877381,0.006545299,0.001107795],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"systematic_review","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0005441436,0.0001054184,0.00543932,0.5075551,0.003194024,0.0003145447,0.001042579,0.0003742369,0.0002294782,0.001847539,0.09760202,0.3817517],"study_design_scores_gemma":[0.00033303,0.0001425097,0.05116684,0.5411949,0.0107198,0.0005688804,0.002233685,0.00007912231,0.0001976869,0.0004815526,0.3927505,0.0001315494],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.0004512238,0.9969376,0.00002227695,0.0006375998,0.0001748385,0.00003908429,0.0007492055,0.000004173068,0.0009839204],"genre_scores_gemma":[0.005259776,0.9934347,0.0001282675,0.0005329105,0.00005450751,0.00003845395,0.0002742121,0.000002720146,0.0002744675],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.1209459,"threshold_uncertainty_score":0.2433162,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7152002106","doi":"10.1353/tsu.2010.a986310","title":"W atching W oman and W ater","year":2010,"lang":"en","type":"article","venue":"Theatre Survey","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Simplicity; Front (military); Dance; Theme (computing); Power (physics)","authors":[{"name":"Susan Leigh Foster","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0239419223863667,"gpt":0.2984887776636753,"spread":0.2745468552773085,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007251792,0.0002804529,0.0002617003,0.001363032,0.008563644,0.002839786,0.0004372804,0.0009624551,0.04793335],"category_scores_gemma":[0.002395687,0.0002468492,0.0001618429,0.001233989,0.001579236,0.003001308,0.002572195,0.001989305,0.0058585],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001863684,"about_ca_system_score_gemma":0.002087759,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.06650828,"about_ca_topic_score_gemma":0.1635307,"domain_scores_codex":[0.9991317,0.0001744458,0.00002906968,0.0001224632,0.0003095157,0.0002327767],"domain_scores_gemma":[0.998916,0.0001137714,0.00009907019,0.0000483552,0.0003549427,0.0004677888],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001162738,0.0002125092,0.04141133,0.0005112604,0.00002736872,0.0005382918,0.1422555,0.00004291585,0.002017806,0.006741546,0.5945835,0.2115417],"study_design_scores_gemma":[0.00000365741,0.00006850993,0.08143386,0.000360362,0.000007742161,0.0004161836,0.1804049,0.00001822083,0.0003327213,0.0003693795,0.7365621,0.00002238684],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4481389,0.01157176,0.0006549013,0.04221062,0.00230542,0.0001371676,0.001405401,0.0001561225,0.4934197],"genre_scores_gemma":[0.5471259,0.007732447,0.0005504933,0.009388264,0.0003554477,0.00009665015,0.0005148796,0.0001532011,0.4340827],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.06650828,"threshold_uncertainty_score":0.160353,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7152102859","doi":"10.1353/tsu.2013.a983790","title":"National Performance: Representing Quebec from Expo 67 to CeÌline Dion by Erin Hurley (review)","year":2013,"lang":"en","type":"article","venue":"Theatre Survey","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Performance art","authors":[{"name":"Joanne Tompkins","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0211753564908851,"gpt":0.2657800173447947,"spread":0.2446046608539096,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004380109,0.0009405458,0.001307593,0.004747159,0.003835454,0.003953636,0.002045244,0.00134109,0.006752053],"category_scores_gemma":[0.01043138,0.000377183,0.0006224408,0.01319041,0.002122361,0.001598956,0.001893225,0.001769964,0.0008628428],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.05711457,"about_ca_system_score_gemma":0.1580142,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9912539,"about_ca_topic_score_gemma":0.9965856,"domain_scores_codex":[0.9973936,0.0003459135,0.0001749078,0.0001676614,0.001364907,0.0005528968],"domain_scores_gemma":[0.9911358,0.0008602177,0.000773608,0.0001093214,0.005870727,0.001250203],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001392916,0.00004020914,0.01192549,0.00844817,0.0002215419,0.0001422056,0.002922056,0.0003370398,0.0001063111,0.002856418,0.4935001,0.4793611],"study_design_scores_gemma":[0.00005068325,0.00007911716,0.1406331,0.02216508,0.0003166095,0.0001822754,0.01487218,0.0001133871,0.0001678295,0.0003516055,0.8209705,0.00009748929],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.007848793,0.9358144,0.0001691084,0.03041194,0.003156612,0.00009151374,0.003476998,0.00003720658,0.01899342],"genre_scores_gemma":[0.082302,0.8856873,0.0007024985,0.009988065,0.0007917302,0.0001648086,0.002696954,0.00003586638,0.01763082],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.05711457,"threshold_uncertainty_score":0.4143972,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}