{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":6,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":6,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"e14129531332","filters":{"venue":"Theatre history studies"}},"results":[{"id":"W4313787453","doi":"10.1353/ths.2022.0017","title":"Law and Performance ed. by Austin Sarat, Lawrence Douglas, and Martha Merrill Umphrey","year":2022,"lang":"en","type":"article","venue":"Theatre history studies","topic":"Law in Society and Culture","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Law; Principle of legality; Sociology; Performative utterance; Political science; Art; Aesthetics","authors":[{"name":"Patrick Maley","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02519282806934302,"gpt":0.2600031828697813,"spread":0.2348103548004383,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001597708,0.001853905,0.0009742402,0.001888369,0.003331624,0.009659969,0.001356012,0.003770829,0.1280509],"category_scores_gemma":[0.006395295,0.0006251101,0.0004554713,0.002456876,0.003267631,0.007692804,0.003624622,0.005139006,0.07455322],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00535925,"about_ca_system_score_gemma":0.007427634,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01583914,"about_ca_topic_score_gemma":0.02249335,"domain_scores_codex":[0.9980568,0.0004340904,0.00008340451,0.0002932302,0.0008803221,0.0002520696],"domain_scores_gemma":[0.9979037,0.0005671577,0.0002218321,0.0001005582,0.0007120172,0.0004947583],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000004109098,0.00000661406,0.00003696693,0.00008350798,7.884053e-7,0.00001818505,0.0003338786,0.00002808378,0.0000194815,0.005067548,0.9700309,0.0243699],"study_design_scores_gemma":[9.587345e-7,0.000003031366,0.0001667653,0.0004529472,6.333284e-7,0.0000330267,0.0004046639,0.00001302285,0.00001128589,0.001173726,0.9977359,0.000004143137],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.0007008179,0.4208631,0.0007740268,0.1729566,0.04855204,0.00006308004,0.0004336087,0.0002638145,0.355393],"genre_scores_gemma":[0.01089264,0.1618102,0.0004746724,0.01419643,0.01678285,0.0001006586,0.0003570463,0.0002777945,0.7951077],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.1280509,"threshold_uncertainty_score":0.428373,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1972186330","doi":"10.1353/ths.2009.0001","title":"Querying Difference in Theatre History (review)","year":2009,"lang":"en","type":"article","venue":"Theatre history studies","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Historiography; Queer; Theme (computing); History; Identity (music); Politics; Ideology; Political theatre; Art history; Literature; Sociology; Media studies; Art; Aesthetics; Gender studies; Political science; Law","authors":[{"name":"Patricia Ybarra","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07514560577815807,"gpt":0.2565683346828892,"spread":0.1814227289047311,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014057,0.0005839785,0.001328353,0.002907834,0.0004628687,0.003426623,0.001411564,0.001701459,0.02138509],"category_scores_gemma":[0.007002134,0.0004563475,0.0007736222,0.005984325,0.001094949,0.003366112,0.001271902,0.001996,0.004573575],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001403078,"about_ca_system_score_gemma":0.003818763,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006057019,"about_ca_topic_score_gemma":0.01352069,"domain_scores_codex":[0.9992114,0.0001860058,0.0001162089,0.00009277575,0.0003288063,0.00006479701],"domain_scores_gemma":[0.9964346,0.002062465,0.0004362469,0.00006902507,0.000775712,0.0002219491],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000672005,0.00003201601,0.0002991365,0.04363741,0.000176242,0.00006684753,0.0002335789,0.00004727392,0.0001076933,0.001426683,0.3328041,0.621102],"study_design_scores_gemma":[0.00003535917,0.00005655954,0.003733108,0.06493375,0.0002470289,0.0004524226,0.0003991108,0.00002490553,0.0000631471,0.0006215154,0.9294108,0.00002230972],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.00005440644,0.9958934,0.00002379681,0.001737621,0.0007343574,0.000005757011,0.00005001022,0.000004275078,0.001496451],"genre_scores_gemma":[0.0006378925,0.9960558,0.00003189437,0.001877262,0.0006729146,0.00001133067,0.00007988326,0.000002681974,0.0006303177],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.02138509,"threshold_uncertainty_score":0.07154018,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1980081163","doi":"10.1353/ths.2014.0017","title":"Readings in Performance and Ecology Edited by Wendy Arons and Theresa J. May (review)","year":2014,"lang":"en","type":"article","venue":"Theatre history studies","topic":"Ecocriticism and Environmental Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Ecocriticism; Drama; Style (visual arts); Materialism; Conversation; Performance studies; Sociology; Media studies; Aesthetics; Ecology; Art; History; Art history; Literature; Anthropology; Epistemology; Philosophy","authors":[{"name":"Jennifer Goodlander","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01599042396769414,"gpt":0.2022065763555603,"spread":0.1862161523878662,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001449074,0.00206788,0.00221343,0.003432078,0.001158756,0.004922188,0.002093913,0.003095318,0.06283919],"category_scores_gemma":[0.004653968,0.000742825,0.001172975,0.005209217,0.001690596,0.005058206,0.002337345,0.005271828,0.03864722],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002724862,"about_ca_system_score_gemma":0.006429741,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007143648,"about_ca_topic_score_gemma":0.009749929,"domain_scores_codex":[0.9987565,0.0002508468,0.0001204165,0.0001808535,0.0005514555,0.0001399689],"domain_scores_gemma":[0.9981835,0.0004584487,0.0002182505,0.00004519109,0.0007663325,0.0003282642],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001510921,0.00001545569,0.0000547062,0.003862394,0.00001675956,0.00004444581,0.0001639296,0.00003772204,0.00007420592,0.001097312,0.8997023,0.09491572],"study_design_scores_gemma":[0.000005548024,0.00001145034,0.0003888951,0.006324446,0.000009359814,0.0001414561,0.0001864042,0.000005046468,0.00001310474,0.0003549875,0.9925513,0.000008021869],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.00005435113,0.9670095,0.0001197099,0.009199102,0.01261942,0.00002710208,0.0001251189,0.00002204417,0.01082369],"genre_scores_gemma":[0.0006927805,0.9643537,0.0001591822,0.005823439,0.005843505,0.00005657524,0.0002831583,0.00003187411,0.02275579],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.06283919,"threshold_uncertainty_score":0,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W68693084","doi":"10.1353/ths.2012.0019","title":"Enacting History ed. by Scott Magelssen and Rhona Justice-Malloy (review)","year":2012,"lang":"en","type":"article","venue":"Theatre history studies","topic":"Philippine History and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Battle; Witness; Economic Justice; Conversation; Narrative; Honor; Sociology; TRACE (psycholinguistics); History; Art history; Media studies; Aesthetics; Art; Law; Literature; Political science; Philosophy; Archaeology; Computer science","authors":[{"name":"Scott R. Irelan","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06115026847588409,"gpt":0.3152545766257757,"spread":0.2541043081498916,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00202067,0.001243302,0.00141339,0.002462891,0.0009338782,0.004404086,0.001668468,0.002694659,0.03623187],"category_scores_gemma":[0.007650315,0.0004825527,0.0006989364,0.004105934,0.001358137,0.005144687,0.002216921,0.004889399,0.01616016],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002465792,"about_ca_system_score_gemma":0.007374858,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007659675,"about_ca_topic_score_gemma":0.01347671,"domain_scores_codex":[0.9988972,0.0003035037,0.0001204564,0.0001584905,0.0004090235,0.0001112885],"domain_scores_gemma":[0.99753,0.0009487357,0.0003628132,0.0000645047,0.0007074285,0.0003865046],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001772634,0.00001026407,0.00009767962,0.0066153,0.00002580954,0.00006225645,0.0001805526,0.00003982388,0.00004325435,0.001975608,0.8331804,0.1577513],"study_design_scores_gemma":[0.000007953829,0.000009756283,0.0004296368,0.01120606,0.00001556046,0.0001697386,0.0001719669,0.000007433267,0.00001593981,0.0005489168,0.987408,0.000009013067],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.00002781945,0.9799268,0.00003844217,0.01034647,0.00564171,0.00000950956,0.00004512636,0.000009558496,0.003954701],"genre_scores_gemma":[0.0005685407,0.9777077,0.00009356383,0.008958875,0.003948363,0.00003090688,0.00010682,0.00001307942,0.008572131],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.03623187,"threshold_uncertainty_score":0.1212077,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1973841200","doi":"10.1353/ths.2010.0014","title":"Signatures of the Past: Cultural Memory in Contemporary Anglophone North American Drama (review)","year":2010,"lang":"en","type":"article","venue":"Theatre history studies","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Drama; Expansive; Cultural memory; History; Argument (complex analysis); Literature; Order (exchange); Performance art; Art history; Art; Sociology; Anthropology","authors":[{"name":"Barbara Ozieblo","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04172557823411103,"gpt":0.2518307920165131,"spread":0.2101052137824021,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008819497,0.0005558088,0.001137544,0.002661039,0.000526236,0.002822679,0.0009387638,0.001045204,0.01049628],"category_scores_gemma":[0.003491133,0.0003131832,0.000422861,0.004417854,0.001004111,0.002723334,0.0009293198,0.00159749,0.002374779],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001220585,"about_ca_system_score_gemma":0.003265084,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01163447,"about_ca_topic_score_gemma":0.02439744,"domain_scores_codex":[0.9996087,0.0001191222,0.0000535964,0.000043718,0.0001374295,0.00003743716],"domain_scores_gemma":[0.998026,0.001187016,0.0002579996,0.00003091327,0.000410224,0.00008775351],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007294774,0.00004736631,0.00052535,0.05159677,0.0001542235,0.0001056696,0.001067903,0.00006698743,0.0001541285,0.001691364,0.1684878,0.7760296],"study_design_scores_gemma":[0.00001896781,0.00007323823,0.007530608,0.07941205,0.0003277619,0.0006367104,0.00189186,0.00003627045,0.00008299682,0.0005116825,0.9094493,0.00002858724],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.00009395892,0.9981343,0.000008764824,0.0005307055,0.0002250199,0.00000293315,0.00001578416,0.000001518862,0.0009870231],"genre_scores_gemma":[0.001062801,0.9973621,0.00002450531,0.0004921691,0.0003412933,0.00001165468,0.00002520221,0.000001479853,0.0006787719],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.01163447,"threshold_uncertainty_score":0.03511357,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2560711960","doi":"10.1353/ths.2016.0030","title":"Tennessee Williams: A Literary Life by John S. Bak","year":2016,"lang":"en","type":"article","venue":"Theatre history studies","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Biography; Hollywood; Art history; Portrait; Narrative; History; Performance art; Drama; Art; Literature","authors":[{"name":"Wes D. Pearce","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.09056366400483884,"gpt":0.2752061473330653,"spread":0.1846424833282265,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001128572,0.00128955,0.0006175952,0.001472445,0.005352504,0.007138938,0.001032394,0.001831333,0.060325],"category_scores_gemma":[0.004002581,0.0004496698,0.0002720591,0.002189724,0.002309773,0.005609752,0.002952097,0.004142141,0.03118376],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003552155,"about_ca_system_score_gemma":0.004407978,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01387009,"about_ca_topic_score_gemma":0.02736304,"domain_scores_codex":[0.9989599,0.0002959199,0.00004433842,0.0001477292,0.0004385884,0.0001136047],"domain_scores_gemma":[0.9983208,0.0003145935,0.0001155004,0.0000639542,0.0007712515,0.0004137608],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00000672583,0.000009978647,0.00002418254,0.00007010327,0.000001516554,0.00007084032,0.00108906,0.0000149644,0.0000904448,0.003472052,0.9728906,0.02225951],"study_design_scores_gemma":[8.406839e-7,0.000002946529,0.00009515038,0.0002089661,7.257301e-7,0.00007802606,0.0007406794,0.000006316317,0.00002192085,0.0005367568,0.9983038,0.000003879768],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.002517742,0.4367612,0.001133129,0.1491677,0.07526406,0.00008882675,0.0002465874,0.0003561275,0.3344647],"genre_scores_gemma":[0.01366098,0.08981289,0.0009861392,0.01993446,0.01056431,0.0001273878,0.00026346,0.0004473945,0.864203],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.060325,"threshold_uncertainty_score":0.2018072,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}