{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":13,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":13,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"fec3cd24d0c8","filters":{"venue":"Transbordeur."}},"results":[{"id":"W4403601727","doi":"10.4000/12gza","title":"L’image de compagnie. Le bien‑être animal dans le portrait photographique d’enfant au XIXe siècle","year":2021,"lang":"fr","type":"article","venue":"Transbordeur.","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Art; Humanities; Portrait; Art history","authors":[{"name":"Vincent Lavoie","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02251973604825629,"gpt":0.2612875199564292,"spread":0.2387677839081729,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0007245334,0.0004455428,0.000686184,0.00008077837,0.002280891,0.0001579148,0.0004816528,0.0003844518,0.0008515518],"category_scores_gemma":[0.00008709859,0.000533685,0.0006246248,0.001525507,0.003192547,0.0003952457,0.00006225151,0.0005656633,0.00007594791],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004079828,"about_ca_system_score_gemma":0.00241043,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.1656738,"about_ca_topic_score_gemma":0.2018969,"domain_scores_codex":[0.9960548,0.0007025964,0.0005548157,0.0007031063,0.0005811983,0.001403535],"domain_scores_gemma":[0.9986161,0.0002022501,0.0001393177,0.000315949,0.0002457534,0.0004806113],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001010103,0.002971453,0.01714784,0.0004333488,0.0007074821,0.00157974,0.233912,0.00003426553,0.03448138,0.673934,0.02527114,0.009426375],"study_design_scores_gemma":[0.002146818,0.0003345003,0.1433499,0.0002887409,0.0003009048,0.00004042615,0.05219604,0.0002967487,0.005709258,0.009903781,0.7840972,0.001335725],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5283326,0.03295033,0.002419845,0.03839253,0.001672499,0.0004765982,0.0003708963,0.0002678108,0.3951169],"genre_scores_gemma":[0.9779807,0.005842865,0.00163802,0.0008130666,0.0008554981,0.00004285618,0.00003961693,0.00006621814,0.0127212],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.758826,"threshold_uncertainty_score":0.9997115,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4403601875","doi":"10.4000/12gxe","title":"Le monument, le document et le vétéran. Monumentaliser les photographies de la guerre de Corée, rehéroïser la commémoration guerrière au tournant du XXIe siècle ?","year":2022,"lang":"fr","type":"article","venue":"Transbordeur.","topic":"Korean Peninsula Historical and Political Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Claire Ducresson-Boët","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01246143123705579,"gpt":0.2741552584713925,"spread":0.2616938272343367,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.001806647,0.000395127,0.0004899009,0.0001113654,0.004341383,0.0001832306,0.0005714843,0.0002071093,0.0006253127],"category_scores_gemma":[0.00006558347,0.0004281492,0.0003863744,0.0007522717,0.001881993,0.0004311799,0.0001701005,0.0007105055,0.00002069856],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0006696229,"about_ca_system_score_gemma":0.0009235518,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.2465446,"about_ca_topic_score_gemma":0.02367693,"domain_scores_codex":[0.994692,0.002509082,0.0005496711,0.0004913692,0.0007107503,0.001047165],"domain_scores_gemma":[0.998495,0.0005825922,0.0001740969,0.0002652504,0.00007592209,0.0004071023],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001840636,0.00187176,0.01619821,0.0001024764,0.0002139218,0.0001236584,0.03855855,0.0007945909,0.000662741,0.9118823,0.02292443,0.006483308],"study_design_scores_gemma":[0.001820348,0.000274549,0.01217558,0.00005569984,0.0001343022,0.00003075093,0.02234197,0.0001116147,0.0004399142,0.02693199,0.9351325,0.0005507756],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3910072,0.01131719,0.001807779,0.1552182,0.001567447,0.001055314,0.0004954496,0.0003283643,0.437203],"genre_scores_gemma":[0.9847577,0.00273735,0.0003730945,0.00109238,0.0003186686,0.0002255693,0.00005465809,0.0000568963,0.01038367],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9122081,"threshold_uncertainty_score":0.999817,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4403601912","doi":"10.4000/12gy1","title":"Can Man Survive? (1969). Exposer un avenir écologique funeste","year":2024,"lang":"fr","type":"article","venue":"Transbordeur.","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Philosophy; Psychology","authors":[{"name":"Bénédicte Ramade","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03443889467618232,"gpt":0.2652272113181223,"spread":0.23078831664194,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006182778,0.000420481,0.0005021904,0.00009155584,0.0008520643,0.000212959,0.0004488437,0.0004835749,0.002749526],"category_scores_gemma":[0.00006208026,0.0004253125,0.0003990392,0.001136226,0.001396404,0.0002534063,0.000040617,0.0006333916,0.0006849738],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0005741737,"about_ca_system_score_gemma":0.0004638929,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.01902891,"about_ca_topic_score_gemma":0.08560567,"domain_scores_codex":[0.9967182,0.0006680833,0.0004360649,0.0006420045,0.0005288315,0.001006871],"domain_scores_gemma":[0.9988407,0.0004660333,0.00005440101,0.0002290923,0.0001122073,0.0002975262],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000220173,0.0002399586,0.0007620994,0.0003210402,0.0004603273,0.00049305,0.1190733,0.00001798621,0.000116036,0.7061679,0.04649831,0.125828],"study_design_scores_gemma":[0.0002895101,0.0001727545,0.00322142,0.0001692582,0.0001416724,0.000005101868,0.003801095,0.00005151895,0.00009888976,0.02298233,0.9685349,0.0005315815],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.09091849,0.4141246,0.0004593556,0.1263477,0.02056825,0.0009325435,0.0003117633,0.0008019131,0.3455354],"genre_scores_gemma":[0.7612908,0.04714159,0.0002084877,0.000934431,0.002048479,0.00007052669,0.00001431108,0.0000657026,0.1882256],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9220366,"threshold_uncertainty_score":0.9998199,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4403601769","doi":"10.4000/12gxs","title":"Les airgraphs comme support médiatique. Microfilm, aviation et culture de la communication transnationale en Grande‑Bretagne lors de la Seconde Guerre mondiale","year":2023,"lang":"fr","type":"article","venue":"Transbordeur.","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Social Sciences and Humanities Research Council","funders":"","keywords":"Microform; Humanities; Political science; Art","authors":[{"name":"Emily Doucet","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0225823801467971,"gpt":0.2888002911263693,"spread":0.2662179109795722,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001201827,0.0003479231,0.0004508473,0.0001269753,0.002865394,0.0002186046,0.0003643931,0.0004422271,0.001936229],"category_scores_gemma":[0.0000444592,0.0003208962,0.0005247451,0.0003243389,0.0008349892,0.0002914201,0.00002676638,0.0007646792,0.00006794057],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0006907874,"about_ca_system_score_gemma":0.00006454377,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006723227,"about_ca_topic_score_gemma":0.007282903,"domain_scores_codex":[0.9968365,0.001589269,0.0004907821,0.0003079664,0.0003035018,0.0004719157],"domain_scores_gemma":[0.9984761,0.0008178961,0.0001450283,0.0002360845,0.0001759798,0.0001488398],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000484424,0.000395805,0.002822656,0.0002996443,0.0005295509,0.00002463985,0.5802194,0.0004898183,0.0006935371,0.3521391,0.05623733,0.006100059],"study_design_scores_gemma":[0.001189072,0.0001084944,0.0102399,0.00006689894,0.0005546791,0.000009787062,0.01718414,0.0004457056,0.0001039877,0.02316191,0.9464195,0.0005158862],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5982261,0.02012176,0.002061882,0.273028,0.0005506621,0.0009235504,0.002278256,0.0006885857,0.1021212],"genre_scores_gemma":[0.9001198,0.04172857,0.0003588514,0.0007900828,0.0002268431,0.0000987391,0.001216694,0.00005035297,0.05541],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8901822,"threshold_uncertainty_score":0.9999243,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4403601839","doi":"10.4000/12gzc","title":"Seydou Keïta, 1991-2016. Repenser l’épopée artistique d’un photographe de quartier","year":2021,"lang":"fr","type":"article","venue":"Transbordeur.","topic":"African history and culture studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Institut d'Histoire de l'Amérique Française; Université du Québec à Montréal","funders":"","keywords":"Art; Humanities","authors":[{"name":"Érika Nimis","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01592058182872403,"gpt":0.2655952085846586,"spread":0.2496746267559345,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007222661,0.0003972397,0.0005247272,0.00005055833,0.001404515,0.00006957447,0.0003295859,0.0003923673,0.006567793],"category_scores_gemma":[0.0001237749,0.0004144714,0.0004691617,0.001134951,0.001466559,0.0002686483,0.00004256462,0.0005938332,0.0004756364],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000180566,"about_ca_system_score_gemma":0.0004125402,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002417336,"about_ca_topic_score_gemma":0.01181319,"domain_scores_codex":[0.9963273,0.0009644252,0.0004973061,0.0006994832,0.0004906795,0.001020746],"domain_scores_gemma":[0.9986105,0.0001629022,0.0001421216,0.000435971,0.0002692083,0.0003793287],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002276021,0.001641023,0.005108257,0.0003222,0.001070363,0.001910802,0.4197237,0.00005275444,0.006569922,0.3664427,0.1242443,0.07268643],"study_design_scores_gemma":[0.0005044802,0.0001085474,0.001580572,0.0001186193,0.0003033775,0.00003742641,0.01849489,0.00001126807,0.001629848,0.01018173,0.9664533,0.0005759539],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1117897,0.1163218,0.003195139,0.04233025,0.005087671,0.0006999288,0.0002599357,0.0004227482,0.7198929],"genre_scores_gemma":[0.8749267,0.005585939,0.001632851,0.002064781,0.0008772616,0.00007354799,0.00002409044,0.00005376523,0.1147611],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.842209,"threshold_uncertainty_score":0.9998955,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4403601909","doi":"10.4000/12gy8","title":"Germaine Krull, « The Terrible Banishing of France » (1941). La fabrique d’un essai photographique","year":2024,"lang":"fr","type":"article","venue":"Transbordeur.","topic":"French Historical and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Art history","authors":[{"name":"Gaëlle Morel","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01227086406558863,"gpt":0.2113304212371563,"spread":0.1990595571715676,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003340138,0.0003517192,0.0004097038,0.0000597839,0.0007798116,0.0002579562,0.0003532053,0.0001444166,0.003749256],"category_scores_gemma":[0.00001396672,0.0002242597,0.0004014249,0.0002488272,0.001504555,0.0003007578,0.00003203998,0.0006147218,0.00006717574],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003923484,"about_ca_system_score_gemma":0.00003881211,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004402929,"about_ca_topic_score_gemma":0.001530617,"domain_scores_codex":[0.9982458,0.000184786,0.0004816714,0.0003703363,0.0002934701,0.0004239046],"domain_scores_gemma":[0.9991816,0.0003190235,0.00007126819,0.0002352479,0.0001134851,0.0000794266],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002978122,0.0003479789,0.00007861918,0.001830066,0.0005899914,0.0001288716,0.07391966,0.00002894798,0.001323319,0.805997,0.06416926,0.0515565],"study_design_scores_gemma":[0.0002369434,0.0001326242,0.0002532687,0.0006538315,0.0001756393,0.00001933168,0.001036929,0.0001395134,0.0006119997,0.006614457,0.9898184,0.0003070605],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.02498616,0.772233,0.0007053972,0.03456025,0.003891888,0.000507738,0.0005186559,0.0002508194,0.1623461],"genre_scores_gemma":[0.8472281,0.02682643,0.00007516896,0.0004991315,0.001131151,0.00008263542,0.00001515542,0.00005025485,0.124092],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9256492,"threshold_uncertainty_score":0.9971614,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2953900670","doi":"10.4000/12gya","title":"La vidéo et les origines de la photographie électronique","year":2019,"lang":"fr","type":"article","venue":"Transbordeur.","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art","authors":[{"name":"Peter Sachs Collopy","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07973760682852733,"gpt":0.323792165663218,"spread":0.2440545588346907,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0004914675,0.0003266108,0.0002871533,0.0000990134,0.00009318057,0.001198529,0.0005179605,0.0003159337,0.0002874178],"category_scores_gemma":[0.00002126943,0.0002606091,0.0002375671,0.0005957374,0.000305856,0.001730679,0.00005049075,0.0005656058,0.0001699261],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002568557,"about_ca_system_score_gemma":0.0002592936,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002199755,"about_ca_topic_score_gemma":0.0004776433,"domain_scores_codex":[0.9980196,0.0004318063,0.0002423972,0.0004416695,0.0002399651,0.0006245119],"domain_scores_gemma":[0.998769,0.0004182379,0.00006371832,0.0004064246,0.00008638623,0.000256187],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003770333,0.0003328285,0.001451797,0.0001725194,0.00007094194,0.0001825669,0.00358487,0.0002460205,0.01140159,0.9527106,0.004117343,0.02569119],"study_design_scores_gemma":[0.0006786848,0.00028672,0.006833975,0.0001860132,0.00002817345,0.0004384745,0.00002883655,0.001504202,0.006705686,0.009708322,0.9731572,0.0004437403],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3905227,0.009243242,0.02408232,0.005239229,0.0007647162,0.0004153717,0.00003659028,0.0003233659,0.5693724],"genre_scores_gemma":[0.9358781,0.002207433,0.002285665,0.001259947,0.0001067003,0.00001071099,0.00000740916,0.00003388384,0.05821014],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9690399,"threshold_uncertainty_score":0.9999846,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3083059744","doi":"10.4000/12gwf","title":"Des « archives » au « musée », analyse d’un glissement sémantique. Le cas des Archives de la planète","year":2017,"lang":"fr","type":"article","venue":"Transbordeur.","topic":"Diverse Cultural and Historical Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Valérie Perlès","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04964462191864145,"gpt":0.320630256222171,"spread":0.2709856343035295,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0003530923,0.0003351545,0.0004331894,0.00006148955,0.00655209,0.0003042233,0.0008127915,0.0001245786,0.0002695771],"category_scores_gemma":[0.0001427009,0.0002898477,0.0003583242,0.0001407394,0.008740977,0.0003406499,0.0001113629,0.000300391,0.00006183088],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000175621,"about_ca_system_score_gemma":0.0001900778,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.06449704,"about_ca_topic_score_gemma":0.05130765,"domain_scores_codex":[0.9975813,0.0005038496,0.000298131,0.0004409762,0.0002975612,0.0008781725],"domain_scores_gemma":[0.9987603,0.000384106,0.0001643619,0.0002765401,0.00003573045,0.0003789069],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001893,0.0007901457,0.06415419,0.0003105414,0.0006541422,0.0002905842,0.4659131,0.00006012653,0.002881647,0.1188485,0.000494271,0.3454134],"study_design_scores_gemma":[0.0009154759,0.0002146984,0.4513892,0.0002967545,0.0003907397,0.00001072448,0.01806137,0.0000742767,0.001165796,0.04509857,0.48175,0.0006324138],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6200749,0.007855047,0.0005286229,0.004353624,0.00049395,0.0001862807,0.00006404455,0.00007242248,0.3663711],"genre_scores_gemma":[0.9695804,0.01355793,0.002493796,0.00006916225,0.0004783684,0.00002142461,0.0000048318,0.00002019318,0.01377394],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4812557,"threshold_uncertainty_score":0.9999554,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4403601882","doi":"10.4000/12gy0","title":"La cause animale par l’image. Presse illustrée et mouvement conservationniste britannique","year":2024,"lang":"fr","type":"article","venue":"Transbordeur.","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"École Nationale d'Administration Publique; Université du Québec à Montréal","funders":"","keywords":"Political science","authors":[{"name":"Vincent Lavoie","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05143267965523334,"gpt":0.3193540365252898,"spread":0.2679213568700564,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009681583,0.0003227142,0.0003558443,0.00005667866,0.000623202,0.0003965181,0.0002809077,0.0003036805,0.001420748],"category_scores_gemma":[0.00008748399,0.0003515237,0.0002372778,0.0006680124,0.001811452,0.0005564731,0.00004069361,0.0005200535,0.0002842908],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002954151,"about_ca_system_score_gemma":0.000439446,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.011816,"about_ca_topic_score_gemma":0.01722991,"domain_scores_codex":[0.9972212,0.0007177735,0.000427914,0.000507629,0.0005126806,0.0006128581],"domain_scores_gemma":[0.9989012,0.0004902898,0.00005871219,0.0001910791,0.0001555726,0.0002030752],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002349409,0.0003185668,0.000529479,0.0007128903,0.0004756532,0.0004707069,0.1308718,0.00001980065,0.0004608502,0.5792196,0.2785504,0.008346851],"study_design_scores_gemma":[0.0002991567,0.0001086888,0.00314587,0.0003676289,0.0002128959,0.000005009928,0.003717094,0.0001905653,0.0001526356,0.005981672,0.9854151,0.0004036684],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.08192291,0.2621151,0.003909534,0.1728008,0.006384191,0.001435082,0.0007254377,0.0008618414,0.4698451],"genre_scores_gemma":[0.8357181,0.04171581,0.00135468,0.001662829,0.0009803419,0.0001346684,0.00002865091,0.00008194352,0.118323],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7537951,"threshold_uncertainty_score":0.9998937,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4403601824","doi":"10.4000/12gyw","title":"L’image militante et son institutionnalisation. La Jo Spence Memorial Archive","year":2020,"lang":"fr","type":"article","venue":"Transbordeur.","topic":"Communism, Protests, Social Movements","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Art; Humanities; Art history","authors":[{"name":"Charlene N Heath","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05339110448152422,"gpt":0.3383579131363887,"spread":0.2849668086548645,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001138983,0.0003302654,0.0003859219,0.0000512796,0.0008203595,0.0001826569,0.0008814197,0.0002268666,0.001783291],"category_scores_gemma":[0.0006729855,0.0004014126,0.000252608,0.0008246491,0.002010025,0.0009319849,0.0001080229,0.0007938277,0.0005559463],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001795704,"about_ca_system_score_gemma":0.0007296035,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007453768,"about_ca_topic_score_gemma":0.004951285,"domain_scores_codex":[0.9955157,0.002019533,0.0005296873,0.0005001531,0.0008243162,0.0006105886],"domain_scores_gemma":[0.9984717,0.00052642,0.0001629937,0.0003117865,0.0001408254,0.0003862318],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003099683,0.0005889338,0.001108668,0.0003226129,0.0001755856,0.0001152121,0.4263293,0.0001160705,0.006443135,0.5215127,0.008586401,0.03439143],"study_design_scores_gemma":[0.002309807,0.0003372495,0.007246122,0.0002835888,0.0001605192,0.000002627609,0.006793336,0.0008456227,0.0003903966,0.03888369,0.9419925,0.000754563],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.1786232,0.007632115,0.06146376,0.3871472,0.008846501,0.003667732,0.001128407,0.0007815529,0.3507096],"genre_scores_gemma":[0.9784371,0.003551102,0.009473256,0.00484568,0.002298688,0.00006011545,0.00005531577,0.00005512287,0.001223611],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9334061,"threshold_uncertainty_score":0.9998438,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3043066483","doi":"10.4000/12gwd","title":"Matuszewski/Lumière. Pour une nouvelle source des encyclopédies documentaires cinématographiques","year":2017,"lang":"fr","type":"article","venue":"Transbordeur.","topic":"Visual Culture and Art Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art; Humanities","authors":[{"name":"Béatrice de Pastre","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03208976306240595,"gpt":0.2942645862836306,"spread":0.2621748232212246,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0003113843,0.0006294233,0.0005930725,0.0001298739,0.005704453,0.001357977,0.0008664107,0.0002182202,0.004739617],"category_scores_gemma":[0.0000357858,0.000562602,0.0004948695,0.00005631056,0.003858557,0.001250423,0.0001108494,0.000432916,0.0007287575],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003917203,"about_ca_system_score_gemma":0.00006728322,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.008989873,"about_ca_topic_score_gemma":0.01286132,"domain_scores_codex":[0.997486,0.0001683709,0.0005495148,0.0005583884,0.0003316183,0.0009060903],"domain_scores_gemma":[0.998358,0.0000988129,0.0002777928,0.0008238606,0.0001867179,0.0002548609],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001697863,0.0006410357,0.003565078,0.0007650259,0.000449657,0.00008576789,0.09389314,0.00000798753,0.0005364504,0.8038633,0.04080454,0.05521817],"study_design_scores_gemma":[0.0009373524,0.0002830905,0.003511846,0.0006499481,0.0002836743,0.00002387885,0.01440595,0.0000208673,0.001671155,0.03374995,0.9437115,0.0007507725],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3405763,0.02397838,0.0004512098,0.02498459,0.002163314,0.0005282312,0.0002442318,0.0003698631,0.6067039],"genre_scores_gemma":[0.7365041,0.00726538,0.0001605381,0.0005458383,0.001636338,0.00003454077,0.00002279078,0.00009419819,0.2537363],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.902907,"threshold_uncertainty_score":0.9996825,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4403601835","doi":"10.4000/12h1f","title":"Bernd Stiegler et Felix Thürlemann, Konstruierte Wirklichkeiten. Die fotografische Montage 1839‑1899","year":2021,"lang":"de","type":"article","venue":"Transbordeur.","topic":"Visual Culture and Art Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Die (integrated circuit); Art; Philosophy; Computer science","authors":[{"name":"Catriona MacLeod","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0296040132382991,"gpt":0.2698897322943497,"spread":0.2402857190560506,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005076588,0.0009775625,0.001024551,0.0001577971,0.001261142,0.001068941,0.000589704,0.0003703881,0.01773865],"category_scores_gemma":[0.00005396842,0.0008741122,0.0008428824,0.0002046134,0.0007038146,0.0007044531,0.0001545908,0.001166943,0.003606114],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004653278,"about_ca_system_score_gemma":0.0002691699,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002119802,"about_ca_topic_score_gemma":0.007518126,"domain_scores_codex":[0.9953163,0.0005826341,0.0009865437,0.00114114,0.0007473549,0.001226062],"domain_scores_gemma":[0.9976946,0.0002411764,0.0002242518,0.0009605782,0.0004308316,0.0004486365],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0005885888,0.002961376,0.0007440449,0.001256277,0.003147613,0.002652424,0.1727001,0.00006275172,0.006412629,0.6402867,0.1415285,0.02765886],"study_design_scores_gemma":[0.001898856,0.0003167625,0.0004371156,0.0004211815,0.0008950993,0.00002690825,0.008975455,0.00007707818,0.001808396,0.00402962,0.9799252,0.001188341],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1876166,0.1325644,0.0009414393,0.01712572,0.009276969,0.001931235,0.003063049,0.000994222,0.6464865],"genre_scores_gemma":[0.8489902,0.008387198,0.000234507,0.00630761,0.004337524,0.0001008644,0.0009241641,0.0002956831,0.1304223],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8383967,"threshold_uncertainty_score":0.9999681,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3040808593","doi":"10.4000/12gwb","title":"L’Internationale documentaire. Photographie, espéranto et documentation autour de 1900","year":2017,"lang":"fr","type":"article","venue":"Transbordeur.","topic":"History, Culture, and Diplomacy","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Documentation; Art; Humanities; Computer science","authors":[{"name":"Luce Lebart","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02495904937463175,"gpt":0.3191526552040559,"spread":0.2941936058294242,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003711087,0.0003737206,0.0003069097,0.0001506266,0.002112704,0.001354439,0.0006210813,0.0001412886,0.01341141],"category_scores_gemma":[0.00002695064,0.0003907685,0.0003484946,0.00003311397,0.0008464453,0.00186875,0.00002052082,0.0003199351,0.0006927866],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000108191,"about_ca_system_score_gemma":0.0001364423,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.01619292,"about_ca_topic_score_gemma":0.01824672,"domain_scores_codex":[0.9980323,0.0001364813,0.0004313105,0.0004447854,0.0004202548,0.0005348266],"domain_scores_gemma":[0.9987576,0.00005934245,0.0002741116,0.000544365,0.0001447464,0.0002198364],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001431099,0.0005311033,0.002312329,0.0002341795,0.000265972,0.0000945042,0.05099348,0.00002055865,0.0008083428,0.8866789,0.05054182,0.007375742],"study_design_scores_gemma":[0.002022627,0.0001462969,0.006319289,0.0002061584,0.0002007894,0.00001890982,0.001781619,0.00008247414,0.0005270162,0.005524097,0.9827024,0.0004683415],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.06910799,0.008460252,0.0007351569,0.01795631,0.004933248,0.000632679,0.0005981341,0.0002022077,0.897374],"genre_scores_gemma":[0.7211455,0.0031399,0.0004144485,0.001631347,0.001211817,0.00007377943,0.0001261214,0.0000686495,0.2721884],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.9321606,"threshold_uncertainty_score":0.9998544,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}