{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":155,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":155,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"c7c89e867306","filters":{"venue":"University of the Arts London Research Online (University of the Arts London)"}},"results":[{"id":"W2114641803","doi":"","title":"Local/global : women artists in the nineteenth century","year":2006,"lang":"en","type":"book","venue":"University of the Arts London Research Online (University of the Arts London)","topic":"Historical Gender and Feminism Studies","field":"Social Sciences","cited_by":24,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Studio; Empire; Painting; Modernity; Colonialism; China; White (mutation); Period (music); Art; Art history; Architecture; Identity (music); Visual arts; History; Ancient history; Archaeology; Aesthetics; Political science; Law","authors":[{"name":"Deborah Cherry","is_ca":false},{"name":"Janice Helland","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03764968350793139,"gpt":0.2850956479586911,"spread":0.2474459644507598,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001024943,0.0006249097,0.0003591021,0.001429337,0.01083297,0.01003253,0.0008523891,0.001567965,0.0290418],"category_scores_gemma":[0.0007932564,0.0002926256,0.0002113688,0.002935804,0.006223362,0.00317732,0.003608256,0.001949419,0.003211937],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007228793,"about_ca_system_score_gemma":0.002858473,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02021011,"about_ca_topic_score_gemma":0.08283401,"domain_scores_codex":[0.9991528,0.0002659162,0.00002867998,0.00009420175,0.0001953129,0.000263075],"domain_scores_gemma":[0.9996796,0.00006765485,0.00002528415,0.0000218064,0.00005097519,0.0001547631],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001276383,0.0001207563,0.003219044,0.001032381,0.00001694282,0.001330542,0.2991964,0.0001033464,0.001752866,0.1413919,0.3601927,0.1915156],"study_design_scores_gemma":[0.00000626214,0.00001496166,0.001933964,0.0002596616,0.000003779788,0.0001283527,0.03957818,0.000006472189,0.00009752934,0.0009502892,0.9570155,0.000005047444],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.04632122,0.1020878,0.0007355199,0.03647629,0.005522919,0.00007631133,0.0002615472,0.0002235247,0.8082947],"genre_scores_gemma":[0.2959572,0.03751172,0.0005659374,0.008023706,0.001400026,0.0001008736,0.0001349605,0.0002794927,0.6560261],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.0290418,"threshold_uncertainty_score":0.0971545,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3106129216","doi":"","title":"Revisiting the Role of Critical Reviews in Film Marketing","year":2009,"lang":"en","type":"article","venue":"University of the Arts London Research Online (University of the Arts London)","topic":"Digital Marketing and Social Media","field":"Social Sciences","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"College of Pharmacy, University of Michigan; European Commission; University of Victoria; Harvard Business School; University of Michigan","keywords":"User-generated content; Word of mouth; Advertising; Amateur; Content analysis; Consumption (sociology); Social media; Marketing; Computer science; World Wide Web; Sociology; Multimedia; Business; Political science; Social science","authors":[{"name":"Finola Kerrigan","is_ca":false},{"name":"Çağrı Yalkın","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03926840657152694,"gpt":0.3206667924312827,"spread":0.2813983858597557,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.1030918,0.0008374219,0.001140176,0.00743056,0.005476402,0.0189289,0.002852114,0.003330753,0.004294149],"category_scores_gemma":[0.3318368,0.001103621,0.001026445,0.004906698,0.01525159,0.0180444,0.004951868,0.005165349,0.0007287101],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01259261,"about_ca_system_score_gemma":0.01728455,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007880147,"about_ca_topic_score_gemma":0.01073209,"domain_scores_codex":[0.8299968,0.1342709,0.005112381,0.004726767,0.02388057,0.002012461],"domain_scores_gemma":[0.2845274,0.6116335,0.02962403,0.01147878,0.05889134,0.003845032],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"qualitative","study_design_scores_codex":[0.0009014143,0.000358843,0.02518223,0.01079659,0.0003028064,0.00164009,0.3066109,0.0007362491,0.002943153,0.2066704,0.02921464,0.4146427],"study_design_scores_gemma":[0.0002989244,0.001398557,0.05272669,0.01800539,0.0006000666,0.002070967,0.1654842,0.005429768,0.008782778,0.09294114,0.6517736,0.0004879851],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.3690327,0.1388938,0.08381235,0.178215,0.009295627,0.002349037,0.0003294058,0.0004556217,0.2176165],"genre_scores_gemma":[0.9287987,0.02239167,0.0252524,0.01115477,0.002486809,0.0008313033,0.00006219788,0.0002922099,0.008729994],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1030918,"threshold_uncertainty_score":0.5452079,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W49412066","doi":"","title":"The Girl No One Knew: Photographs, Narratives, and Secrets in Modern Fiction","year":2004,"lang":"en","type":"article","venue":"University of the Arts London Research Online (University of the Arts London)","topic":"Visual Culture and Art Theory","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Narrative; Presentation (obstetrics); Photography; Argument (complex analysis); Visual arts; History; Character (mathematics); Literature; Representation (politics); Art; Sociology; Art history; Politics; Law","authors":[{"name":"Janice Hart","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04335993247953647,"gpt":0.2551176172964069,"spread":0.2117576848168705,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004658025,0.0005352974,0.0003503275,0.002188548,0.01207316,0.009115355,0.0009926964,0.002370241,0.002935505],"category_scores_gemma":[0.00693104,0.0004616767,0.0002217274,0.001994782,0.03565047,0.01088569,0.005537971,0.003318606,0.0003364766],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006935087,"about_ca_system_score_gemma":0.00157146,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003876558,"about_ca_topic_score_gemma":0.007910457,"domain_scores_codex":[0.9952462,0.00382356,0.00009218261,0.0002105204,0.0003606872,0.0002667906],"domain_scores_gemma":[0.9937829,0.00480652,0.0005796161,0.0003641702,0.0002002154,0.0002664667],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003226571,0.00001213264,0.0004836043,0.0000970188,0.000003453212,0.0004996332,0.8458428,0.00004534586,0.0001398565,0.1445808,0.003593765,0.00466937],"study_design_scores_gemma":[0.00001395738,0.00005899276,0.001501633,0.0005093204,0.0000142407,0.001408883,0.6284121,0.0001250548,0.0007768946,0.02112666,0.3460211,0.00003115229],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5978465,0.03201101,0.004760609,0.04568186,0.001690482,0.000106022,0.0001678844,0.00007869342,0.3176568],"genre_scores_gemma":[0.9826136,0.003617445,0.0007055977,0.0007126342,0.0002545006,0.00002922296,0.00002002806,0.00002717551,0.01201967],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01207316,"threshold_uncertainty_score":0.05031782,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W6969593396","doi":"10.5683/sp3/xfnz35","title":"The Reach of Russian Propaganda &amp; Disinformation in Canada","year":2022,"lang":"en","type":"dataset","venue":"University of the Arts London Research Online (University of the Arts London)","topic":"","field":"","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Diafiltration; Liquation; Fusible alloy; Hemopericardium; Demotion","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.03372456380172835,"gpt":0.2625840045641796,"spread":0.2288594407624512,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007144919,0.0004709829,0.0006271438,0.004253854,0.003987098,0.003251923,0.001501759,0.0006214902,0.009442853],"category_scores_gemma":[0.003760784,0.0004256017,0.0006295689,0.01237156,0.00075024,0.0008147264,0.001972596,0.001138625,0.001898266],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.03555644,"about_ca_system_score_gemma":0.05414623,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9986297,"about_ca_topic_score_gemma":0.9991415,"domain_scores_codex":[0.9990432,0.00005875692,0.00004103288,0.0001505538,0.000306628,0.0003996997],"domain_scores_gemma":[0.9962988,0.000288177,0.0003541441,0.0001426813,0.002292645,0.0006234942],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0006792521,0.0001437995,0.5820115,0.0009703899,0.0002835576,0.0004504533,0.01017452,0.001553527,0.0004906246,0.007645224,0.3550736,0.04052349],"study_design_scores_gemma":[0.00006930427,0.00002465515,0.8107075,0.0004419552,0.00008834689,0.0001149722,0.01458279,0.001295508,0.0004188001,0.0003387509,0.1718218,0.00009546674],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"dataset","genre_gemma":"dataset","genre_scores_codex":[0.2881425,0.002270697,0.0003191218,0.003021141,0.0000789822,0.0001184741,0.6776498,0.0001422866,0.028257],"genre_scores_gemma":[0.6160706,0.002353275,0.0008562943,0.0007790985,0.00003093549,0.000218433,0.3521083,0.0001274465,0.02745558],"genre_candidate":"dataset","genre_consensus":"dataset","teacher_disagreement_score":0.03555644,"threshold_uncertainty_score":0.2579812,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7028995111","doi":"","title":"Indigenous Arctic Fish Skin Heritage: Sustainability, Craft and Material Innovation","year":2022,"lang":"en","type":"dissertation","venue":"University of the Arts London Research Online (University of the Arts London)","topic":"Skin and Cellular Biology Research","field":"Biochemistry, Genetics and Molecular Biology","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Craft; Traditional knowledge; Indigenous; Sustainability; Arctic; Fish <Actinopterygii>; Citizen journalism; Subsistence agriculture; Focus group; Participatory action research","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.01424392439970973,"gpt":0.2763956931034174,"spread":0.2621517687037077,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001159613,0.0002781927,0.0001249602,0.001085307,0.003486087,0.004672204,0.0006834567,0.0005643963,0.006468075],"category_scores_gemma":[0.001016039,0.000106044,0.0001565754,0.0008266931,0.006693244,0.001833053,0.003386372,0.0005400597,0.0003916716],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002762535,"about_ca_system_score_gemma":0.002569542,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01749445,"about_ca_topic_score_gemma":0.05190003,"domain_scores_codex":[0.9992482,0.0002872132,0.00002306146,0.00008463088,0.0002447881,0.0001120413],"domain_scores_gemma":[0.9994881,0.0002055786,0.00006042045,0.00007771143,0.00008529316,0.00008283692],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001425243,0.0002413449,0.02076542,0.001337421,0.00003266497,0.004026829,0.3283653,0.0009738396,0.007049571,0.1799123,0.006605183,0.4505476],"study_design_scores_gemma":[0.000009131903,0.000264698,0.04959991,0.001565966,0.00005296773,0.003271177,0.4042571,0.001340093,0.00765898,0.04081671,0.4910989,0.0000644145],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5506075,0.006651425,0.004371231,0.003816591,0.0001996225,0.00006389131,0.00004734471,0.00004517784,0.4341972],"genre_scores_gemma":[0.955647,0.005188842,0.004548431,0.0002012363,0.00007027606,0.00002396531,0.000023424,0.00001735569,0.03427958],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01749445,"threshold_uncertainty_score":0.03478521,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2987820147","doi":"","title":"Foundations in Sound Design for Interactive Media : A Multidisciplinary Approach","year":2019,"lang":"en","type":"book","venue":"University of the Arts London Research Online (University of the Arts London)","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Simon Fraser University","funders":"","keywords":"Multidisciplinary approach; Sound (geography); Sound design; Computer science; Acoustics; Sociology","authors":[{"name":"Michael Filimowicz","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08597956352064935,"gpt":0.2987846258391006,"spread":0.2128050623184513,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00156125,0.0008232127,0.0005782846,0.001788022,0.00214694,0.00676388,0.00147299,0.002027587,0.009379732],"category_scores_gemma":[0.001714848,0.0005028874,0.0006996508,0.001251092,0.008052075,0.005382431,0.004042143,0.003239055,0.0021484],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00256627,"about_ca_system_score_gemma":0.002200681,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001221132,"about_ca_topic_score_gemma":0.001402158,"domain_scores_codex":[0.9987428,0.000540635,0.00006522001,0.0001218886,0.0004359768,0.00009351285],"domain_scores_gemma":[0.9990957,0.0006259473,0.00002430999,0.00008037541,0.0001249482,0.00004880481],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000005181037,0.00001166487,0.00003233411,0.0002219439,0.000003669864,0.00006229818,0.002535055,0.0009360506,0.0003847698,0.9508004,0.009119008,0.03588751],"study_design_scores_gemma":[0.000007620134,0.00002096683,0.00008691373,0.0007592808,0.000006169089,0.0002273522,0.001642896,0.002846645,0.0005592334,0.4677143,0.5261114,0.00001730212],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.003615968,0.06322778,0.3700365,0.01307924,0.002956981,0.000165286,0.00007090634,0.0005002789,0.5463471],"genre_scores_gemma":[0.2443422,0.08325313,0.3305875,0.004844055,0.003279812,0.001001828,0.0001662187,0.0007269534,0.3317984],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.009379732,"threshold_uncertainty_score":0.03137839,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W6988981995","doi":"","title":"*************************","year":2014,"lang":"en","type":"other","venue":"University of the Arts London Research Online (University of the Arts London)","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Conversation; Exhibition; Space (punctuation); Work (physics); JADE (particle detector)","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.06881220396435181,"gpt":0.2684499205765814,"spread":0.1996377166122296,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.002615741,0.0002722278,0.0002391153,0.0006819538,0.007891379,0.007038536,0.000741003,0.001491737,0.1427382],"category_scores_gemma":[0.004871738,0.0002151598,0.0002691857,0.0008858226,0.002860268,0.005044912,0.003845675,0.003907178,0.04158384],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003064363,"about_ca_system_score_gemma":0.003812105,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01843098,"about_ca_topic_score_gemma":0.0563432,"domain_scores_codex":[0.9985735,0.0005819788,0.000038633,0.0001477285,0.000416528,0.0002415272],"domain_scores_gemma":[0.9969521,0.0005903915,0.000118608,0.0002877045,0.001065983,0.000985345],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002478928,0.00004325188,0.0006222149,0.00006715697,0.000002112872,0.00008161447,0.01179953,0.00003390863,0.0002847069,0.0402782,0.9159097,0.03085285],"study_design_scores_gemma":[9.007792e-7,0.000003140998,0.0005740343,0.00002472498,5.114943e-7,0.0000309174,0.00565473,0.00001987314,0.0001171026,0.001140609,0.9924282,0.000005243099],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.007246183,0.0008929395,0.002282503,0.06315435,0.008217265,0.00008392322,0.0004923644,0.000361449,0.9172689],"genre_scores_gemma":[0.01986256,0.000262366,0.0007728191,0.003446952,0.0002688302,0.00005454085,0.0001604798,0.000309028,0.9748624],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.8572618,"threshold_uncertainty_score":0.4775067,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2286157088","doi":"","title":"Alive: New Design Frontiers","year":2013,"lang":"en","type":"article","venue":"University of the Arts London Research Online (University of the Arts London)","topic":"Design Education and Practice","field":"Engineering","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Exhibition; Architecture; Studio; Visual arts; Design studio; Architectural engineering; Engineering; Sociology; Art","authors":[{"name":"Carole Collet","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05060829140564083,"gpt":0.262552623919766,"spread":0.2119443325141252,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0112571,0.001336049,0.0006943617,0.002055865,0.006043777,0.0173223,0.002710206,0.007301367,0.05902234],"category_scores_gemma":[0.009101781,0.0008037669,0.001299208,0.001372596,0.01538758,0.02561963,0.01293615,0.008412086,0.009819692],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005559874,"about_ca_system_score_gemma":0.003963644,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001604095,"about_ca_topic_score_gemma":0.002696217,"domain_scores_codex":[0.991482,0.004387048,0.0002744098,0.0008276919,0.002155453,0.0008732628],"domain_scores_gemma":[0.993991,0.002651108,0.0001453438,0.001198986,0.0008417001,0.001171902],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00002506316,0.00003634458,0.0001155713,0.0001655831,0.000004794021,0.00007649547,0.004357893,0.0002527269,0.000314884,0.8770862,0.06125121,0.05631315],"study_design_scores_gemma":[0.000005316764,0.0000204036,0.00005313563,0.0001827073,0.00000229325,0.00009223841,0.001730221,0.0002315779,0.0001098975,0.1071955,0.8903672,0.000009404593],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.00821638,0.03148474,0.0852714,0.131792,0.009375439,0.000135653,0.0003010769,0.001518128,0.7319051],"genre_scores_gemma":[0.2841606,0.03521241,0.1091225,0.03866687,0.004340952,0.0009490086,0.0008214982,0.002571766,0.5241544],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.05902234,"threshold_uncertainty_score":0.1974494,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W163086263","doi":"","title":"The Cat Walk as Spectacle: Hussein Chalayan Spring 2007. A Magician of Technology","year":2007,"lang":"en","type":"article","venue":"University of the Arts London Research Online (University of the Arts London)","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Spectacle; Premise; Aesthetics; Clothing; Architecture; Visual arts; Rendering (computer graphics); Perspective (graphical); Style (visual arts); Context (archaeology); Sociology; Art; Computer science; History; Epistemology; Political science; Computer graphics (images); Philosophy; Law","authors":[{"name":"Ceri Isaac","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03645780674222829,"gpt":0.2603221884760973,"spread":0.2238643817338691,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001513005,0.0006855838,0.0003631276,0.0005476669,0.01099214,0.006938872,0.000887769,0.002300857,0.01412412],"category_scores_gemma":[0.001580125,0.0003048696,0.0001973432,0.0005398549,0.00830408,0.005136462,0.004361015,0.004261865,0.003020573],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003907699,"about_ca_system_score_gemma":0.00251043,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01387644,"about_ca_topic_score_gemma":0.03309955,"domain_scores_codex":[0.9991136,0.0003842839,0.0000171908,0.000126248,0.0002126309,0.000146104],"domain_scores_gemma":[0.9992782,0.0002549036,0.00003771716,0.00003817278,0.0001220906,0.0002688706],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001307582,0.00004901665,0.0005160246,0.0002606314,0.00000696708,0.0007886826,0.1284785,0.0001305092,0.0009610775,0.2625785,0.5389705,0.06712881],"study_design_scores_gemma":[0.000007652804,0.00003195697,0.000371924,0.0001314915,0.00000261005,0.0002660055,0.03215244,0.00008017656,0.0002825541,0.006433162,0.9602252,0.0000149392],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.06410986,0.0366748,0.00397713,0.2720679,0.01486217,0.00008030564,0.0001320696,0.0003233633,0.6077725],"genre_scores_gemma":[0.3410988,0.01219656,0.001991247,0.01813855,0.002266265,0.00008564004,0.0000783889,0.000345459,0.6237991],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01412412,"threshold_uncertainty_score":0.04724991,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W593763689","doi":"","title":"The Influence of Ultrasound on Virgin Paper Fibres","year":2002,"lang":"en","type":"article","venue":"University of the Arts London Research Online (University of the Arts London)","topic":"Advanced Cellulose Research Studies","field":"Materials Science","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Refining (metallurgy); Breakage; Materials science; Ultrasonic sensor; Kraft paper; Composite material; Slurry; Ultrasound; Pulp (tooth); Pulp and paper industry; Process engineering; Metallurgy; Acoustics; Engineering","authors":[{"name":"Andrew Manning","is_ca":false},{"name":"Robert C. Thompson","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03248712241615405,"gpt":0.2704168832910974,"spread":0.2379297608749434,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002299976,0.0001702588,0.0001653588,0.0002944385,0.0002423805,0.0003648973,0.0002170017,0.0003029015,0.001732568],"category_scores_gemma":[0.000673547,0.0001314094,0.0002485316,0.0001686962,0.0003443634,0.0002788151,0.0002179495,0.0002639666,0.0001726328],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002465082,"about_ca_system_score_gemma":0.0001318781,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0009707934,"about_ca_topic_score_gemma":0.001034967,"domain_scores_codex":[0.9996989,0.00005513116,0.0000146235,0.00003097506,0.0001375948,0.00006273316],"domain_scores_gemma":[0.9993787,0.0003963918,0.00005460154,0.00002753772,0.00010838,0.00003442572],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","study_design_scores_codex":[0.0002612009,0.00002844014,0.0006227237,0.0001333996,0.00001286832,0.0002811724,0.0001271767,0.0003287169,0.9911471,0.0001029705,0.00003134742,0.006922822],"study_design_scores_gemma":[0.000005374686,0.001156506,0.004903334,0.00001466224,0.00002063696,0.0002445201,0.0001228657,0.0006926157,0.9915924,0.00007058295,0.001166805,0.000009707818],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9930121,0.003385631,0.001014768,0.00002190388,0.00002954666,0.00001279581,0.00002586867,0.0000190778,0.002478246],"genre_scores_gemma":[0.9961661,0.001032659,0.0004954815,0.00002635849,0.00001320825,0.000004343135,0.00004652121,0.00001124209,0.002204104],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.001732568,"threshold_uncertainty_score":0.005795956,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4382334678","doi":"10.5281/zenodo.8087978","title":"Steering latent audio models through interactive machine learning","year":2023,"lang":"en","type":"paratext","venue":"University of the Arts London Research Online (University of the Arts London)","topic":"Music and Audio Processing","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"Alliance de recherche numérique du Canada","keywords":"Computer science; Human–computer interaction; Audio visual; Speech recognition; Artificial intelligence; Multimedia; Machine learning","authors":[{"name":"Gabriel Vigliensoni","is_ca":false},{"name":"Rebecca Fiebrink","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0774202417555013,"gpt":0.2928782454086442,"spread":0.2154580036531429,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003149799,0.001283577,0.0008332601,0.0006133816,0.0005536465,0.001542391,0.002923849,0.001103263,0.005895561],"category_scores_gemma":[0.01369567,0.0007799196,0.001153404,0.0005048705,0.001887884,0.003104634,0.004817665,0.00338807,0.00151511],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0008837251,"about_ca_system_score_gemma":0.000913401,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002340461,"about_ca_topic_score_gemma":0.002946247,"domain_scores_codex":[0.9972735,0.001310859,0.00007940484,0.0005017944,0.0006650102,0.000169413],"domain_scores_gemma":[0.9937087,0.004600123,0.0003460649,0.0008594686,0.0003017867,0.0001837795],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"simulation_or_modeling","study_design_gemma":"bench_or_experimental","study_design_scores_codex":[0.0005243435,0.0003201432,0.001522233,0.0002477605,0.0001523481,0.0001861944,0.0006251223,0.6295859,0.01559273,0.08912834,0.003284838,0.25883],"study_design_scores_gemma":[0.00002150534,0.00003056297,0.00005759409,0.000007351529,0.000005258904,0.00001727701,0.00001766971,0.9718807,0.002178638,0.02475132,0.001021205,0.0000110993],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"other","genre_scores_codex":[0.002815222,0.00003505816,0.9956264,0.00007473113,0.00001242387,0.00002249582,0.00002675871,0.0009259425,0.000460915],"genre_scores_gemma":[0.5258629,0.0001732164,0.4692129,0.000237808,0.00008615867,0.0004014164,0.0003864009,0.0004914507,0.003147692],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.005895561,"threshold_uncertainty_score":0.01972258,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W6977192127","doi":"10.6084/m9.figshare.21586947","title":"The Influence of Influencers","year":2022,"lang":"en","type":"preprint","venue":"University of the Arts London Research Online (University of the Arts London)","topic":"Impact of Technology on Adolescents","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Influencer marketing; Social media; Metropolitan area; Clothing; Survey data collection","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.0401506838778686,"gpt":0.3250072989516109,"spread":0.2848566150737423,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003010618,0.0003760344,0.000522543,0.003284703,0.008169281,0.006526771,0.001019271,0.000898517,0.0097473],"category_scores_gemma":[0.01701286,0.0002854328,0.0003555976,0.002085454,0.005480205,0.001656726,0.003073578,0.001555666,0.0008294474],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007789996,"about_ca_system_score_gemma":0.01015899,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.5327191,"about_ca_topic_score_gemma":0.5411728,"domain_scores_codex":[0.9929765,0.0017267,0.0001264561,0.0007653722,0.002326105,0.00207887],"domain_scores_gemma":[0.9819559,0.005347881,0.002122875,0.0009616043,0.003228169,0.006383639],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002577031,0.0002839147,0.7057567,0.0002087483,0.0002280656,0.001125046,0.1070728,0.0005849134,0.002357337,0.079141,0.01340267,0.08958118],"study_design_scores_gemma":[0.00004848296,0.0001282051,0.7146483,0.0002563753,0.0002033914,0.0005758288,0.08403326,0.000963882,0.0008581284,0.01064873,0.1875455,0.00008996754],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.7147385,0.002175011,0.001698237,0.005209305,0.000215533,0.0001091972,0.0003248445,0.00004854728,0.2754809],"genre_scores_gemma":[0.9923257,0.0004731913,0.00013251,0.0003126971,0.00005023521,0.00001177442,0.00005022266,0.00001488046,0.006628794],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.5327191,"threshold_uncertainty_score":0.9400657,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7051979263","doi":"","title":"Porous Borders: Ambiguities, Uncertainties, and Gaps in Urban History, Identities, and Data","year":2023,"lang":"en","type":"other","venue":"University of the Arts London Research Online (University of the Arts London)","topic":"Particle Detector Development and Performance","field":"Physics and Astronomy","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Carleton University","funders":"","keywords":"Intersection (aeronautics); Colonialism; Circulation (fluid dynamics); Flow (mathematics); Property (philosophy); World War II","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.04725706779083266,"gpt":0.2769701290045342,"spread":0.2297130612137016,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01301131,0.0002402779,0.0004293867,0.002747763,0.002427195,0.007953627,0.001350982,0.0009016895,0.002973746],"category_scores_gemma":[0.05519166,0.0003885298,0.0002864785,0.008620542,0.008517353,0.01049408,0.004367526,0.001218884,0.0002842148],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006024926,"about_ca_system_score_gemma":0.00286964,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04594473,"about_ca_topic_score_gemma":0.06562634,"domain_scores_codex":[0.9918406,0.005908204,0.0003793243,0.0008053891,0.0007856837,0.000280834],"domain_scores_gemma":[0.949568,0.03929727,0.004329569,0.004519896,0.00187587,0.0004094052],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001584402,0.00006406841,0.1308531,0.0002940552,0.0001101429,0.0007469052,0.09079801,0.02921097,0.0002410372,0.6332762,0.007508959,0.1067381],"study_design_scores_gemma":[0.00002195013,0.00005185288,0.04917782,0.001062451,0.00006179484,0.0004916977,0.1897,0.06024509,0.001203348,0.5376444,0.1602132,0.0001264337],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.8048464,0.003147414,0.09017598,0.03329435,0.0001006263,0.0001213631,0.004548444,0.0001949747,0.06357043],"genre_scores_gemma":[0.9893085,0.0005671254,0.007528156,0.0001919738,0.00001847611,0.00005210813,0.0006145131,0.00005557911,0.001663489],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.04594473,"threshold_uncertainty_score":0.09135461,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W6997357200","doi":"","title":"Walter Gropius’s silos and Reyner Banham’s grain elevators as art-objects","year":2015,"lang":"en","type":"other","venue":"University of the Arts London Research Online (University of the Arts London)","topic":"","field":"","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Photography; Vernacular; Information silo; Elevator; Negative","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.03747135185947225,"gpt":0.2786990192775338,"spread":0.2412276674180616,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000300916,0.0004130799,0.00009621832,0.001039977,0.0046131,0.004984362,0.0004878209,0.001078233,0.02104637],"category_scores_gemma":[0.0008586834,0.0002045559,0.0001025391,0.00126635,0.007349576,0.002909994,0.002098572,0.001341774,0.002636566],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002857996,"about_ca_system_score_gemma":0.0007766996,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03727607,"about_ca_topic_score_gemma":0.1168207,"domain_scores_codex":[0.9995028,0.0001691368,0.00000876558,0.00007734304,0.0001489178,0.00009294636],"domain_scores_gemma":[0.9997831,0.00006978404,0.00002006041,0.00004509633,0.00003161132,0.0000504522],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005153648,0.00001309286,0.0007640232,0.0001220237,0.000003579255,0.0005004803,0.1087559,0.00009211489,0.00118834,0.69394,0.1477157,0.04685331],"study_design_scores_gemma":[0.000001534498,0.000004238692,0.001306187,0.00006537048,0.000001403959,0.0002309704,0.01579274,0.00003343042,0.0004701368,0.007004938,0.9750827,0.000006391366],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.02850903,0.005394099,0.001529705,0.006420543,0.0004799153,0.00001726434,0.0001153399,0.00008041012,0.9574537],"genre_scores_gemma":[0.5136094,0.005165707,0.001713615,0.001652645,0.0003982911,0.00003604699,0.0001069755,0.0002390587,0.4770783],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.03727607,"threshold_uncertainty_score":0.07411826,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1732054024","doi":"","title":"Graham Rawle, Julie Doucet and the Art of Collage","year":2008,"lang":"en","type":"article","venue":"University of the Arts London Research Online (University of the Arts London)","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Punk; Situationism; Narrative; Art; Visual arts; Art history; Aesthetics; Sociology; Literature","authors":[{"name":"Roger Sabin","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06464034350369287,"gpt":0.2612320964050739,"spread":0.1965917529013811,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002362749,0.0006726406,0.0003479555,0.00161619,0.01376679,0.01191335,0.0008251372,0.004247234,0.01383801],"category_scores_gemma":[0.004891309,0.0004135829,0.0002846805,0.001358655,0.02000068,0.008589773,0.003294974,0.00486665,0.002000044],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.009391539,"about_ca_system_score_gemma":0.003542067,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1070345,"about_ca_topic_score_gemma":0.2364581,"domain_scores_codex":[0.9976156,0.001169093,0.00003743227,0.0002127891,0.0006443188,0.0003207958],"domain_scores_gemma":[0.9977694,0.001397801,0.0001018545,0.0001125648,0.0003228908,0.000295599],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006687577,0.00002414295,0.000407948,0.0002615291,0.000008480372,0.0004946972,0.07335997,0.0001606149,0.000227753,0.4181878,0.4701917,0.03660858],"study_design_scores_gemma":[0.000005429174,0.000008832933,0.0003144236,0.0002199599,0.000002080694,0.0001888479,0.02500744,0.00001795813,0.0001100727,0.0143431,0.959767,0.00001483414],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.01616052,0.1141537,0.002005028,0.3461104,0.003544033,0.0000585704,0.0001003532,0.0001017767,0.5177656],"genre_scores_gemma":[0.4246609,0.06359523,0.004047734,0.04592499,0.002140816,0.0001554394,0.00005830974,0.0005073186,0.4589092],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1070345,"threshold_uncertainty_score":0.212823,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7136095988","doi":"","title":"Homo Mondialis","year":2025,"lang":"en","type":"other","venue":"University of the Arts London Research Online (University of the Arts London)","topic":"","field":"","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Exhibition; Desert (philosophy); Weaving; Indigenous; Studio; Clothing; Poetry; Natural (archaeology)","authors":[{"name":"Lucy Orta","is_ca":false},{"name":"Jorge Orta","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03596698879865413,"gpt":0.2815862889288015,"spread":0.2456193001301474,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003068252,0.0008466908,0.0004512508,0.0008789192,0.003284541,0.001752198,0.0005810052,0.0007593207,0.09944037],"category_scores_gemma":[0.0005561323,0.000217737,0.0002308432,0.0004994548,0.00144268,0.001910252,0.002080347,0.001343007,0.02381348],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004807557,"about_ca_system_score_gemma":0.0002954863,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003178787,"about_ca_topic_score_gemma":0.008724311,"domain_scores_codex":[0.9996364,0.0000662587,0.00001952598,0.0001283835,0.00008353037,0.00006587769],"domain_scores_gemma":[0.9998895,0.00002126347,0.00001875915,0.00002398014,0.00001695042,0.00002965543],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004265,0.000131834,0.001972317,0.001032476,0.00002436454,0.001373175,0.008061559,0.0001207466,0.006551749,0.1097423,0.2782919,0.5922711],"study_design_scores_gemma":[0.000004642896,0.00004374187,0.001779791,0.00007731845,0.000003646103,0.0008575497,0.0005580427,0.00002368935,0.0002322687,0.00108675,0.9953237,0.000008936341],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.01920936,0.02220966,0.002516563,0.003130039,0.003665419,0.0001834075,0.001983342,0.000628431,0.9464737],"genre_scores_gemma":[0.2040189,0.007886736,0.004026741,0.003922239,0.0008689809,0.0001739229,0.00155097,0.0002322444,0.7773193],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.09944037,"threshold_uncertainty_score":0,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7032790018","doi":"","title":"DIY Lessons (2006)","year":2006,"lang":"en","type":"other","venue":"University of the Arts London Research Online (University of the Arts London)","topic":"Financial Markets and Investment Strategies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; Liquation; TSG101; Diafiltration; Dysgeusia; Emperipolesis; Fusible alloy; Pretext","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.0545043766423666,"gpt":0.2466848970245659,"spread":0.1921805203821993,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006492953,0.0005464275,0.0002141626,0.001312488,0.00278772,0.003580876,0.0007263581,0.001207898,0.3375193],"category_scores_gemma":[0.001519759,0.0002216608,0.0002428836,0.001171447,0.0007362987,0.002124389,0.002469696,0.001509335,0.09942367],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003301368,"about_ca_system_score_gemma":0.002913333,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01735186,"about_ca_topic_score_gemma":0.09208263,"domain_scores_codex":[0.9994839,0.00004865662,0.000023006,0.0000901181,0.0002207853,0.0001334654],"domain_scores_gemma":[0.9993061,0.00004610476,0.0000334469,0.00005046311,0.0002077884,0.0003560704],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004674216,0.00006171553,0.0006807994,0.000127802,0.000001958555,0.000148511,0.001503538,0.00005483322,0.0002483804,0.02464239,0.8620681,0.1104152],"study_design_scores_gemma":[0.000001228437,0.000003992607,0.0004472907,0.0000240298,1.977671e-7,0.00003096914,0.0001569894,0.000004980493,0.00004480248,0.0002847549,0.9989995,0.000001303258],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.002120194,0.0008889875,0.0003207526,0.001988728,0.0006452471,0.00006282407,0.001698362,0.0002533167,0.9920216],"genre_scores_gemma":[0.005698325,0.0004022219,0.00035348,0.0004184431,0.00006013788,0.00001951747,0.0005510161,0.00009854248,0.9923983],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.3375193,"threshold_uncertainty_score":0.9449483,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W644776403","doi":"","title":"Conference Proceedings: 1st International Conference on Preservation and Conservation Issues related to Digital Printing","year":2001,"lang":"en","type":"book","venue":"University of the Arts London Research Online (University of the Arts London)","topic":"Conservation Techniques and Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Digital printing; Subject (documents); Publishing; Engineering; Computer science; Multimedia; Visual arts; Art; Library science; Political science; Law","authors":[{"name":"Robert Thompson","is_ca":false},{"name":"Andrew Manning","is_ca":false},{"name":"Joyce H. Townsend","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.09864768907130358,"gpt":0.2884788957064063,"spread":0.1898312066351027,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004036342,0.002051844,0.001365869,0.003077376,0.003073271,0.01430275,0.003321395,0.004402781,0.1861966],"category_scores_gemma":[0.006981906,0.0005011714,0.001186567,0.003469322,0.001225901,0.00684842,0.003858,0.005553297,0.06402948],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002478829,"about_ca_system_score_gemma":0.004431642,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00198037,"about_ca_topic_score_gemma":0.003491624,"domain_scores_codex":[0.9967083,0.0005010433,0.0002190679,0.0005261389,0.001658639,0.0003867147],"domain_scores_gemma":[0.9929449,0.0008378199,0.000408735,0.0003584085,0.003459389,0.001990664],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008990444,0.00007282843,0.000133406,0.0006355163,0.00001182724,0.0001227082,0.0002057637,0.0001208037,0.0007330649,0.002935214,0.92191,0.07302893],"study_design_scores_gemma":[0.000005703496,0.00002831885,0.00025308,0.0002323234,0.000007575305,0.0001024404,0.0001454622,0.00004904509,0.0001713869,0.0005732129,0.9984202,0.00001121361],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"editorial","genre_gemma":"other","genre_scores_codex":[0.003667068,0.1395182,0.006996103,0.0572117,0.4295103,0.0007946762,0.001995784,0.0009715346,0.3593347],"genre_scores_gemma":[0.01244417,0.05743732,0.004218617,0.007310854,0.06046272,0.0005647796,0.003219824,0.0007528262,0.8535888],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.1861966,"threshold_uncertainty_score":0.6228898,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W149972224","doi":"","title":"War Stories – or why I make videos about old soldiers.","year":2006,"lang":"en","type":"book-chapter","venue":"University of the Arts London Research Online (University of the Arts London)","topic":"Gender, Security, and Conflict","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Ethos; Masculinity; Narrative; HERO; Mythology; The arts; Storytelling; History; Exhibition; Art history; Art; Visual arts; Sociology; Gender studies; Literature; Law; Political science","authors":[{"name":"Catherine Elwes","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0646493399594096,"gpt":0.2929378102126455,"spread":0.2282884702532359,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001069513,0.0007201456,0.0002046514,0.001135906,0.003923841,0.005149532,0.001138766,0.001532151,0.05733455],"category_scores_gemma":[0.006218546,0.0002462136,0.0001592605,0.0007695576,0.004192332,0.01058316,0.003455357,0.002661807,0.01392691],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00133143,"about_ca_system_score_gemma":0.0004898359,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004095142,"about_ca_topic_score_gemma":0.01033863,"domain_scores_codex":[0.9992338,0.0003803284,0.00001845893,0.00006541532,0.0001438981,0.0001581087],"domain_scores_gemma":[0.9978116,0.001189012,0.0001516174,0.0001234987,0.00027605,0.0004481999],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007034036,0.00006099667,0.0008050382,0.000385431,0.00000875372,0.0006082971,0.1382076,0.00004370908,0.0007408053,0.02669371,0.7324657,0.09990957],"study_design_scores_gemma":[0.000002309712,0.00001119086,0.0005286632,0.000194319,0.000001925755,0.0001695102,0.03648575,0.00001310077,0.0001256716,0.0009270443,0.9615333,0.000007254638],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.05109221,0.02934677,0.005442372,0.1293499,0.01937684,0.0002323316,0.001750074,0.001139169,0.7622703],"genre_scores_gemma":[0.3131382,0.01851214,0.004197757,0.03353511,0.007779958,0.0003383074,0.001361829,0.001019835,0.6201169],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.05733455,"threshold_uncertainty_score":0.1918032,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W6986559742","doi":"","title":"Preface. The Origins of Narrative Expansions","year":2021,"lang":"en","type":"other","venue":"University of the Arts London Research Online (University of the Arts London)","topic":"","field":"","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Decolonization; Curriculum; Context (archaeology); Narrative; Inclusion (mineral); Higher education; Publishing; Discipline; Experiential learning; Economic Justice","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.05598576271417956,"gpt":0.3031457781968518,"spread":0.2471600154826723,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001334586,0.0004783574,0.0003093527,0.001170671,0.006195849,0.006740065,0.001132292,0.001749383,0.04410166],"category_scores_gemma":[0.005131342,0.0002919871,0.0003273726,0.001445783,0.006816885,0.006268681,0.003969533,0.005899821,0.008508632],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00471061,"about_ca_system_score_gemma":0.001996804,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005848291,"about_ca_topic_score_gemma":0.006665524,"domain_scores_codex":[0.9988514,0.0005642987,0.0000409626,0.0001462386,0.0002798674,0.0001172904],"domain_scores_gemma":[0.9978917,0.001167921,0.0001214916,0.0001465683,0.0004506031,0.0002216974],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003361337,0.00002523318,0.0002923836,0.0002071458,0.000002590421,0.0003050136,0.04045877,0.00009238069,0.0001881904,0.5356109,0.3826849,0.04009884],"study_design_scores_gemma":[0.000001675382,0.000006871131,0.0002461481,0.0002485412,6.461762e-7,0.0001309829,0.00618875,0.00004214058,0.00005551724,0.0138792,0.9791947,0.000004872073],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.004544744,0.01297268,0.005198908,0.0366593,0.01395912,0.0001478309,0.0003746446,0.0001579002,0.925985],"genre_scores_gemma":[0.170045,0.01609559,0.004620723,0.01401729,0.009244074,0.0004577993,0.0008636403,0.0005201118,0.7841358],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.04410166,"threshold_uncertainty_score":0.1475347,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W6986193152","doi":"","title":"Other Voices: Collaborative Learning and Publishing","year":2018,"lang":"en","type":"other","venue":"University of the Arts London Research Online (University of the Arts London)","topic":"","field":"","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Presentation (obstetrics); Publishing; Dissemination; Collaborative learning; Process (computing); Electronic publishing; Collaborative writing; Project commissioning; Collaborative software; Educational technology","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.0357657717463149,"gpt":0.2858190096867778,"spread":0.2500532379404629,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003174721,0.0007295868,0.0005029795,0.00194669,0.008849467,0.02077194,0.001680587,0.002375768,0.2186932],"category_scores_gemma":[0.008020177,0.0003303536,0.0004097022,0.002798388,0.005440617,0.01044946,0.01238841,0.001952056,0.04318362],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004090173,"about_ca_system_score_gemma":0.006721636,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01134172,"about_ca_topic_score_gemma":0.02744695,"domain_scores_codex":[0.9967813,0.001065152,0.0001280094,0.0002847799,0.001356471,0.0003841821],"domain_scores_gemma":[0.9914858,0.001705682,0.0003483748,0.001483069,0.00113051,0.003846641],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007050532,0.00006177375,0.0003335264,0.0004183105,0.000006780737,0.0005457418,0.02782756,0.0001068002,0.0004882907,0.1525936,0.5557446,0.2618026],"study_design_scores_gemma":[0.000008118704,0.000009775149,0.0001621656,0.0001630549,0.000001893503,0.0002224631,0.006740467,0.00004298917,0.0001642093,0.007035332,0.9854435,0.000006028466],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.002399881,0.002422886,0.00359488,0.008352058,0.001484575,0.00007426278,0.0002214062,0.0009856181,0.9804643],"genre_scores_gemma":[0.06278167,0.003911799,0.003395886,0.0008727871,0.0009053377,0.0001346702,0.0006107779,0.001243712,0.9261433],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.2186932,"threshold_uncertainty_score":0.7316016,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3010428147","doi":"","title":"Concepts Have Teeth","year":2019,"lang":"en","type":"article","venue":"University of the Arts London Research Online (University of the Arts London)","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Indigenous; Fieldnotes; Ethnography; Assemblage (archaeology); Colonialism; Sociology; Object (grammar); Aesthetics; History; Anthropology; Art; Linguistics; Archaeology","authors":[{"name":"Louisa Minkin","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05096259135374509,"gpt":0.3406274381442375,"spread":0.2896648467904924,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003184737,0.0008772313,0.0005082059,0.001915135,0.005907797,0.00915615,0.001147696,0.002571117,0.03818456],"category_scores_gemma":[0.007120027,0.0004101236,0.0007538667,0.001992242,0.02533013,0.01947401,0.005144153,0.003918524,0.006593518],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004447938,"about_ca_system_score_gemma":0.003407613,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002610011,"about_ca_topic_score_gemma":0.002495492,"domain_scores_codex":[0.9958905,0.001478399,0.0002280477,0.0007867963,0.00110489,0.0005113087],"domain_scores_gemma":[0.9971123,0.000969947,0.0003210253,0.0005542003,0.0007129189,0.0003295744],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00001443781,0.000007902127,0.000167476,0.00006364031,0.000003189961,0.00007242226,0.01004045,0.00002003654,0.0001092704,0.9721627,0.008958757,0.008379681],"study_design_scores_gemma":[0.00001353253,0.00002734981,0.0004445516,0.0001778666,0.00001012222,0.0004898485,0.01091665,0.0000865242,0.0001835699,0.3601127,0.6275141,0.00002318657],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01439199,0.005133366,0.01982178,0.01819748,0.003614729,0.0001353264,0.0004980376,0.0002788005,0.9379286],"genre_scores_gemma":[0.8090646,0.0038347,0.01648135,0.006261907,0.002116035,0.0004068389,0.0008473773,0.0005624253,0.1604247],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03818456,"threshold_uncertainty_score":0.1277401,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7053716746","doi":"","title":"What do we mean when we talk about care?","year":2024,"lang":"en","type":"other","venue":"University of the Arts London Research Online (University of the Arts London)","topic":"Atomic and Subatomic Physics Research","field":"Physics and Astronomy","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Reading (process); Session (web analytics); Politics; Feminism; Duration (music); Ethnography; Event (particle physics); Coronavirus disease 2019 (COVID-19); Close reading","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.02805704121890579,"gpt":0.2805194500122539,"spread":0.2524624087933481,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01470022,0.001487971,0.001548641,0.002661453,0.0228059,0.02740547,0.002406651,0.01038719,0.01185855],"category_scores_gemma":[0.03234155,0.0008173485,0.0008714728,0.002122466,0.0779884,0.03127512,0.01010378,0.02810453,0.005171658],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01199602,"about_ca_system_score_gemma":0.008192143,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01747407,"about_ca_topic_score_gemma":0.01814914,"domain_scores_codex":[0.9726586,0.02003787,0.0005790041,0.001707754,0.002686945,0.002329763],"domain_scores_gemma":[0.9840846,0.008654791,0.001041232,0.0007580126,0.001928401,0.003532967],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004082851,0.00003197559,0.000931495,0.0004295097,0.00002535336,0.0003598544,0.642705,0.0000412092,0.0002088292,0.1563701,0.178734,0.02012193],"study_design_scores_gemma":[0.00001101726,0.00003001452,0.0005901805,0.001670044,0.00001170343,0.000374223,0.3642944,0.00003781746,0.0001083594,0.0400048,0.5928205,0.00004688191],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"other","genre_scores_codex":[0.00769556,0.04776642,0.003835761,0.8283491,0.02635449,0.00006969194,0.0001301744,0.0001360387,0.08566275],"genre_scores_gemma":[0.4839385,0.04554904,0.004830085,0.391417,0.01474154,0.0007463946,0.0002592501,0.001030885,0.05748729],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.02740547,"threshold_uncertainty_score":0.08703762,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7069940816","doi":"","title":"Plated (lecture)","year":2016,"lang":"en","type":"other","venue":"University of the Arts London Research Online (University of the Arts London)","topic":"Iron oxide chemistry and applications","field":"Energy","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Craft; Antique; Cove; The arts; Period (music); Quarter (Canadian coin); Value (mathematics)","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.02591867469352832,"gpt":0.2629183613023817,"spread":0.2369996866088534,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004918142,0.001074307,0.0005166365,0.0007184641,0.002598465,0.003146384,0.001098579,0.001760042,0.7331421],"category_scores_gemma":[0.001028953,0.000383653,0.0006689353,0.0003845882,0.000517027,0.003105748,0.002934578,0.002572391,0.476123],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00120393,"about_ca_system_score_gemma":0.0007876126,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002600541,"about_ca_topic_score_gemma":0.01076463,"domain_scores_codex":[0.9996166,0.00003890501,0.00001306386,0.0001084083,0.0001351569,0.0000878503],"domain_scores_gemma":[0.9995376,0.00002982376,0.00001611511,0.00003298527,0.0001535112,0.0002300788],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004787483,0.00005395313,0.00009950603,0.00004964909,0.00000114415,0.0001183063,0.0001189296,0.00004468126,0.0003661731,0.003441903,0.951082,0.04457581],"study_design_scores_gemma":[0.000006130256,0.00003070473,0.000198797,0.00004072984,0.000001230498,0.0001093047,0.0001830012,0.00003082264,0.000168229,0.0006764644,0.9985511,0.00000360968],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.001721067,0.001908311,0.001361543,0.00866339,0.02850296,0.0001359025,0.0009187855,0.001041417,0.9557467],"genre_scores_gemma":[0.00243955,0.0003839124,0.000316973,0.0008564725,0.0009640951,0.00001809498,0.0002008587,0.000132844,0.9946871],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.7331421,"threshold_uncertainty_score":0.3806403,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7004755140","doi":"","title":"Invention","year":2015,"lang":"en","type":"other","venue":"University of the Arts London Research Online (University of the Arts London)","topic":"Cell Image Analysis Techniques","field":"Biochemistry, Genetics and Molecular Biology","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Fusible alloy; Hyporeflexia; Triacetin","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.02922652119409329,"gpt":0.2857964933656802,"spread":0.2565699721715869,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006548474,0.0008799051,0.0003608616,0.002415947,0.003574398,0.007153747,0.0007958634,0.001346382,0.3279004],"category_scores_gemma":[0.002229164,0.0003068788,0.0004161613,0.001922151,0.001993285,0.002755513,0.002637873,0.001511555,0.09178033],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00451005,"about_ca_system_score_gemma":0.003256889,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03668549,"about_ca_topic_score_gemma":0.1090051,"domain_scores_codex":[0.9991931,0.00008450638,0.00002064159,0.0001450403,0.0004245337,0.0001322012],"domain_scores_gemma":[0.9991738,0.0001144949,0.00003243056,0.000123856,0.0002556126,0.0002997434],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002251662,0.00001171981,0.000202962,0.0001311783,0.000003124077,0.0002745002,0.00148207,0.00005187382,0.0004042336,0.07449939,0.8582519,0.0646645],"study_design_scores_gemma":[5.451882e-7,0.000001362867,0.0001276567,0.00002134687,5.927407e-7,0.00005596783,0.00013057,0.000006802481,0.00005305015,0.0003318314,0.9992686,0.000001613363],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.0007950705,0.001753588,0.0006744649,0.001790029,0.002163404,0.00003044602,0.0007369919,0.0004245249,0.9916314],"genre_scores_gemma":[0.005555343,0.001090368,0.0004322194,0.0003614363,0.0002909407,0.00001260321,0.0003670784,0.0002339935,0.9916561],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.6720996,"threshold_uncertainty_score":0,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7051554232","doi":"","title":"Mark Lewis: Canada","year":2017,"lang":"en","type":"other","venue":"University of the Arts London Research Online (University of the Arts London)","topic":"Magnetic confinement fusion research","field":"Physics and Astronomy","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Triacetin; Emperipolesis; Fusible alloy","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.02247768632200123,"gpt":0.2509317122215719,"spread":0.2284540258995707,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003688067,0.0005756565,0.0002914401,0.0009973504,0.007956528,0.007536812,0.0007588016,0.002108026,0.3647126],"category_scores_gemma":[0.001630099,0.0002304647,0.0002150228,0.002020201,0.001600975,0.003472228,0.002282374,0.002571851,0.07022842],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01281752,"about_ca_system_score_gemma":0.01470929,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.6200751,"about_ca_topic_score_gemma":0.8316332,"domain_scores_codex":[0.9993333,0.00003504251,0.000009565145,0.0000874674,0.000359497,0.0001750768],"domain_scores_gemma":[0.9990752,0.0000554739,0.00002720256,0.00003687205,0.0003800259,0.0004252627],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000006811983,0.000004018231,0.00006117008,0.00002897666,7.027753e-7,0.00006801834,0.0003726769,0.00001670141,0.00009240601,0.009798893,0.9747371,0.01481263],"study_design_scores_gemma":[5.038485e-7,4.463722e-7,0.00007277996,0.00002139078,2.58235e-7,0.0000185561,0.000296738,0.000005205024,0.00002735873,0.0001784725,0.9993761,0.000002146939],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.0007896459,0.007330622,0.0002083854,0.01989826,0.003996514,0.00002708333,0.0008915808,0.000223269,0.9666346],"genre_scores_gemma":[0.005148364,0.002713379,0.00009372617,0.001533199,0.0002267396,0.000009441448,0.0001553013,0.0001400068,0.9899799],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.3799249,"threshold_uncertainty_score":0.9061604,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7004672271","doi":"","title":"Lucy + Jorge Orta","year":2016,"lang":"en","type":"other","venue":"University of the Arts London Research Online (University of the Arts London)","topic":"Diverse Scientific and Economic Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Exhibition; Beauty; Sculpture; Chapel; Creatures; The arts","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.06141122752697334,"gpt":0.2459651591381001,"spread":0.1845539316111268,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006716644,0.001143509,0.0004693363,0.0009247556,0.002304713,0.00379209,0.0007545793,0.001056798,0.375593],"category_scores_gemma":[0.001939718,0.0004316895,0.0003327521,0.0004326935,0.001172686,0.001712683,0.003693623,0.001829872,0.156252],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002091089,"about_ca_system_score_gemma":0.001503287,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01194166,"about_ca_topic_score_gemma":0.0313898,"domain_scores_codex":[0.9991989,0.00009551283,0.00001791687,0.000211793,0.0003313892,0.000144648],"domain_scores_gemma":[0.9994099,0.00007634271,0.00003783822,0.00006028243,0.0001628716,0.0002527493],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007154662,0.00001516578,0.0001902528,0.0001720667,0.000003698658,0.0001607541,0.0004487794,0.00008224513,0.0009087047,0.007957128,0.9181919,0.07179788],"study_design_scores_gemma":[0.000001447931,0.000006823117,0.0001725464,0.00004658785,7.080247e-7,0.00007207985,0.0001124859,0.0000186479,0.0001057668,0.0001774038,0.9992821,0.000003589168],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.003112234,0.01560511,0.002605998,0.01786805,0.01361485,0.00009002459,0.001017257,0.002628572,0.9434579],"genre_scores_gemma":[0.009441461,0.002937372,0.0009620238,0.001675959,0.000626414,0.00004183316,0.0002289888,0.0006888463,0.9833971],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.6244071,"threshold_uncertainty_score":0.8906409,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W6986788629","doi":"","title":"Queering the Trans* Family Album. Elspeth H. Brown and Sara Davidmann, in conversation","year":2015,"lang":"en","type":"article","venue":"University of the Arts London Research Online (University of the Arts London)","topic":"Ophthalmology and Visual Impairment Studies","field":"Medicine","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Conversation; Identity (music); Forgetting; Politics; Oral history","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.1022547655610239,"gpt":0.338039232236754,"spread":0.2357844666757301,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001955655,0.0004484419,0.0002012122,0.0004665371,0.01301386,0.004150024,0.0004459932,0.001468316,0.01142046],"category_scores_gemma":[0.004863899,0.0002556622,0.0001357249,0.0004245514,0.007926006,0.004221461,0.002430738,0.004136128,0.001784942],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00531817,"about_ca_system_score_gemma":0.004011529,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.07592414,"about_ca_topic_score_gemma":0.1470659,"domain_scores_codex":[0.998654,0.0007945151,0.00002499789,0.0001123734,0.0002545011,0.0001595275],"domain_scores_gemma":[0.9980051,0.0007068483,0.0001704181,0.0001078171,0.0003665925,0.0006433236],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"qualitative","study_design_scores_codex":[0.00002601816,0.00002610142,0.0007731256,0.00004959068,0.000003958205,0.0004868612,0.1510193,0.00002082114,0.0003578765,0.06300396,0.7561662,0.02806612],"study_design_scores_gemma":[0.000002043422,0.00001051212,0.0008754521,0.00006617166,0.000001762732,0.0003198856,0.1084474,0.00001989655,0.0002035414,0.001785384,0.8882575,0.00001041319],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"other","genre_scores_codex":[0.04343981,0.0339266,0.001249535,0.6584945,0.01590421,0.00004535889,0.0001126977,0.0001150938,0.2467122],"genre_scores_gemma":[0.540687,0.01580847,0.0009591923,0.05018636,0.002364886,0.00005485001,0.00004183562,0.0001616544,0.3897358],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.07592414,"threshold_uncertainty_score":0.1509644,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7046845778","doi":"","title":"From eBay to Vinted: Selling secondhand fashion","year":2024,"lang":"en","type":"other","venue":"University of the Arts London Research Online (University of the Arts London)","topic":"Magnetic confinement fusion research","field":"Physics and Astronomy","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Clothing; Value (mathematics); Consumption (sociology); Market share; Quarter (Canadian coin)","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.02442957075588918,"gpt":0.2679851777887082,"spread":0.243555607032819,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007012589,0.0001902349,0.0001157509,0.0004800592,0.002050913,0.004756839,0.0002968008,0.0005418564,0.05003683],"category_scores_gemma":[0.001889792,0.0001561715,0.0001573308,0.0005722321,0.0009442762,0.004337322,0.002042905,0.0007866672,0.005905476],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0008872866,"about_ca_system_score_gemma":0.0003075553,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004255854,"about_ca_topic_score_gemma":0.01340037,"domain_scores_codex":[0.9995434,0.0001141768,0.00001602476,0.00006708542,0.0001849363,0.00007440551],"domain_scores_gemma":[0.9994707,0.0002031877,0.00006729789,0.00005284423,0.00009713379,0.0001088661],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.001741773,0.0006541284,0.04794574,0.001334716,0.0000724197,0.007006445,0.2603234,0.0003592019,0.01334166,0.06578556,0.1419065,0.4595286],"study_design_scores_gemma":[0.000022357,0.000494961,0.04810052,0.0004249081,0.00001981452,0.003087312,0.1607725,0.0003978975,0.004254006,0.002670968,0.779686,0.00006878446],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.489741,0.001401606,0.000683826,0.00171225,0.0001709052,0.00003396397,0.0002709897,0.00007075939,0.5059146],"genre_scores_gemma":[0.7084831,0.001595624,0.001665642,0.0008411209,0.0000691025,0.00001696235,0.0002194649,0.000154773,0.2869542],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.05003683,"threshold_uncertainty_score":0.1673898,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7060975139","doi":"","title":"Anspayaxw","year":2013,"lang":"en","type":"other","venue":"University of the Arts London Research Online (University of the Arts London)","topic":"Gyrotron and Vacuum Electronics Research","field":"Physics and Astronomy","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Active listening; Exhibition; Politics; Indigenous; Anticipation (artificial intelligence)","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.03070798704251988,"gpt":0.2775633078068263,"spread":0.2468553207643064,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003799162,0.000544122,0.0003111728,0.00106602,0.002936373,0.004991808,0.0008179499,0.001220038,0.5738282],"category_scores_gemma":[0.001175904,0.0003100803,0.0002680652,0.001359604,0.0009536349,0.002612753,0.002987157,0.001318138,0.3014991],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003694422,"about_ca_system_score_gemma":0.004587956,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.07079061,"about_ca_topic_score_gemma":0.1860104,"domain_scores_codex":[0.9994321,0.00003313548,0.00001687967,0.00008582077,0.0003453409,0.00008652044],"domain_scores_gemma":[0.9994771,0.00004910276,0.00001927807,0.00007632477,0.0002496952,0.0001284363],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004306178,0.00002409928,0.0004118154,0.0001757387,0.00000278105,0.000164297,0.001087621,0.00009043622,0.001571117,0.05035921,0.7253138,0.2207559],"study_design_scores_gemma":[6.537664e-7,0.000001326312,0.0001785883,0.00002069306,2.872637e-7,0.0000296532,0.0001054552,0.00001672602,0.0001107536,0.0005757091,0.9989582,0.000001751743],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.0006476077,0.0004891718,0.0008454242,0.0006805021,0.0003928874,0.00003031865,0.0009704222,0.0006530687,0.9952906],"genre_scores_gemma":[0.001650036,0.0002980713,0.0004352287,0.0001276594,0.00001996555,0.00001471119,0.0004751247,0.0002966528,0.9966825],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.5738282,"threshold_uncertainty_score":0,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W106301336","doi":"","title":"Take No Photographs, Leave Only Ripples","year":2009,"lang":"en","type":"article","venue":"University of the Arts London Research Online (University of the Arts London)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Exhibition; Photography; Visual arts; Art; Newspaper; Subject (documents); Photojournalism; White (mutation); Art history; Meaning (existential); Negative; Media studies; Sociology; Library science; Computer science","authors":[{"name":"Clunie Reid","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05629893208017715,"gpt":0.2705171757966599,"spread":0.2142182437164828,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001166266,0.000980344,0.0003905484,0.001212912,0.005243677,0.005620956,0.001005127,0.001629426,0.08767406],"category_scores_gemma":[0.005636208,0.0006241038,0.0005146227,0.0007617983,0.005340459,0.005783539,0.005032631,0.001978503,0.04994332],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001676815,"about_ca_system_score_gemma":0.001024108,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003947547,"about_ca_topic_score_gemma":0.01061314,"domain_scores_codex":[0.9983171,0.0004130414,0.00005081419,0.0001860596,0.0008232405,0.0002097584],"domain_scores_gemma":[0.9979469,0.000372205,0.0001704916,0.0009566442,0.0003391985,0.0002146527],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001047159,0.00005629109,0.0008198405,0.0004323727,0.00001584099,0.0006234093,0.02976813,0.00007276048,0.00242078,0.03936119,0.7805049,0.1458198],"study_design_scores_gemma":[0.000005884913,0.00002171728,0.0008129281,0.0001066119,0.000007944242,0.0003743243,0.008536681,0.00001528983,0.0009252937,0.002475474,0.9867062,0.00001165874],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.009820036,0.002321878,0.002632658,0.01475928,0.005014818,0.0001136778,0.000390805,0.0008415324,0.9641053],"genre_scores_gemma":[0.1333212,0.003539589,0.003797292,0.007713645,0.002361009,0.0001672568,0.0003574518,0.00111997,0.8476227],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.08767406,"threshold_uncertainty_score":0.2932989,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W6985966526","doi":"","title":"Anspayaxw","year":2010,"lang":"en","type":"other","venue":"University of the Arts London Research Online (University of the Arts London)","topic":"","field":"","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Indigenous; Sound (geography); Photography; Subject (documents); Natural (archaeology)","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.03964569993997501,"gpt":0.2787035740461729,"spread":0.2390578741061978,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003511263,0.0005319582,0.0002980354,0.001290171,0.003563477,0.001683733,0.0007695844,0.0005128479,0.2961589],"category_scores_gemma":[0.0006896767,0.0003732583,0.0001755644,0.001130578,0.0006592353,0.0008160403,0.001930331,0.0006838584,0.07016653],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002190761,"about_ca_system_score_gemma":0.002891726,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.3124785,"about_ca_topic_score_gemma":0.6514378,"domain_scores_codex":[0.9996274,0.00002397719,0.000005581394,0.00006586453,0.000193498,0.00008368088],"domain_scores_gemma":[0.9995191,0.0000317656,0.00001012984,0.00007072176,0.000286843,0.00008151147],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004249155,0.00008102434,0.00372021,0.0003179275,0.000008942641,0.0004518427,0.002780183,0.0002175797,0.01683287,0.007084745,0.6677504,0.3003294],"study_design_scores_gemma":[0.00001500741,0.00002439865,0.01259837,0.00005403908,0.000005848043,0.0001945166,0.0009950156,0.0002382654,0.002265487,0.0005430329,0.9830466,0.00001944863],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.01300322,0.0002672324,0.003806953,0.0002681172,0.0002190396,0.0001843307,0.006383753,0.003272544,0.9725948],"genre_scores_gemma":[0.04329383,0.0001938907,0.004225904,0.00009875911,0.00002030839,0.00008554913,0.00418688,0.001083981,0.9468109],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.7038411,"threshold_uncertainty_score":0,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7024081342","doi":"","title":"Reliquiengarten staub in The 6th Tallinn Drawing Triennial","year":2021,"lang":"en","type":"other","venue":"University of the Arts London Research Online (University of the Arts London)","topic":"","field":"","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Exhibition; Estonian; Performance art; Visual culture","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.05044803621864154,"gpt":0.2904585480022349,"spread":0.2400105117835933,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001190969,0.001667925,0.0007989948,0.001230438,0.005320133,0.007929568,0.001912255,0.002030885,0.726546],"category_scores_gemma":[0.001320469,0.000598683,0.000748367,0.001110263,0.0006486087,0.002333892,0.005314738,0.003620024,0.428345],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003665432,"about_ca_system_score_gemma":0.002367957,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03641588,"about_ca_topic_score_gemma":0.1334907,"domain_scores_codex":[0.9989641,0.00006315317,0.00003365574,0.0002042899,0.0004606198,0.0002741808],"domain_scores_gemma":[0.9991128,0.00002632295,0.00002162675,0.00007174239,0.0003307504,0.0004367236],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000296598,0.00002318891,0.00008670399,0.00002204397,0.000001224603,0.00003251579,0.00003938879,0.00003149123,0.0001475098,0.001230909,0.9832097,0.01514569],"study_design_scores_gemma":[0.000002489005,0.00001071385,0.0004444103,0.00001882698,7.246899e-7,0.000009814761,0.0001162634,0.00002672808,0.00005980275,0.0001070272,0.9991991,0.000004109158],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.001904755,0.001052929,0.0009690908,0.004514726,0.01728602,0.0002692025,0.003027519,0.00131302,0.9696628],"genre_scores_gemma":[0.00146927,0.0001503028,0.0001951895,0.0002200434,0.0001872663,0.00003316435,0.0007858571,0.0003610142,0.9965979],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.726546,"threshold_uncertainty_score":0.3900489,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7042056128","doi":"","title":"Sound proof 2","year":2009,"lang":"en","type":"other","venue":"University of the Arts London Research Online (University of the Arts London)","topic":"Multiculturalism, Politics, Migration, Gender","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Sound (geography); Exhibition; Window (computing); Scheme (mathematics); Noise (video)","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.1351041735265891,"gpt":0.3773264942318122,"spread":0.2422223207052231,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.002005035,0.001612557,0.001448901,0.002345365,0.002921561,0.004886231,0.00211682,0.002504898,0.6691386],"category_scores_gemma":[0.01368262,0.0008041664,0.001479441,0.001662675,0.001656733,0.006650991,0.004198124,0.004556157,0.4134219],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003025963,"about_ca_system_score_gemma":0.002516009,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005740566,"about_ca_topic_score_gemma":0.006710541,"domain_scores_codex":[0.9976166,0.0004137005,0.0001189492,0.000579577,0.001065688,0.0002054376],"domain_scores_gemma":[0.9949122,0.0009739875,0.0001573562,0.001050882,0.002643392,0.0002621129],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002251684,0.0000149819,0.00005175662,0.00008383042,0.000004937227,0.00005730226,0.00005053348,0.00004023194,0.0001988759,0.03372395,0.9511063,0.01464488],"study_design_scores_gemma":[0.00001032261,0.000005487696,0.000102664,0.00007609244,0.000004932387,0.0001129367,0.00005340442,0.0001340773,0.0002338422,0.01536723,0.9838891,0.000009970948],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.0006217192,0.002653282,0.02055423,0.03254364,0.02627833,0.0002838061,0.00993136,0.006164485,0.9009691],"genre_scores_gemma":[0.01763592,0.001750905,0.01114994,0.007576213,0.004112025,0.00032952,0.005708293,0.004853965,0.9468832],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.3308614,"threshold_uncertainty_score":0.4719336,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W59617087","doi":"","title":"Artist Talk by John Wynne","year":2010,"lang":"en","type":"article","venue":"University of the Arts London Research Online (University of the Arts London)","topic":"Anthropology: Ethics, History, Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Visual arts","authors":[{"name":"John Wynne","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04156444883935619,"gpt":0.3207441667431456,"spread":0.2791797179037894,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001213368,0.00114255,0.0004997639,0.001379495,0.005187525,0.005557335,0.0008346114,0.00237972,0.1743869],"category_scores_gemma":[0.00325144,0.0004659729,0.0005203551,0.0008364182,0.001234533,0.003327274,0.002995462,0.005102664,0.08123176],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002046776,"about_ca_system_score_gemma":0.00156256,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01449711,"about_ca_topic_score_gemma":0.04322907,"domain_scores_codex":[0.9992428,0.0001098968,0.00002625757,0.0001714934,0.0003314385,0.0001182615],"domain_scores_gemma":[0.9989434,0.0001706058,0.00003390442,0.00006751315,0.0004031223,0.0003814477],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000008498462,0.000003735807,0.00002061581,0.00001705227,7.775208e-7,0.00002914892,0.00009063227,0.000007606604,0.00007925205,0.001083791,0.993223,0.005436021],"study_design_scores_gemma":[0.00000116105,0.000001737095,0.00005449821,0.00002302012,5.831812e-7,0.0000355349,0.0001668426,0.000005867899,0.00003416981,0.0001737329,0.9995005,0.000002476164],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.001274545,0.03107065,0.001457913,0.2030918,0.2159305,0.0001052091,0.0007222859,0.0005507952,0.5457962],"genre_scores_gemma":[0.003753477,0.004732645,0.0003313007,0.02138624,0.006274315,0.0000379317,0.0001369558,0.0002628469,0.9630843],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1743869,"threshold_uncertainty_score":0.5833822,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W841936298","doi":"","title":"Symphony for Absent Wildlife | Spirits of Alberta","year":2014,"lang":"en","type":"article","venue":"University of the Arts London Research Online (University of the Arts London)","topic":"Indigenous Studies and Ecology","field":"Health Professions","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Symphony; Wildlife; Woodland; Visual arts; Geography; Art; Apprehension; History; Art history; Ecology; Psychology","authors":[{"name":"Lucy Orta","is_ca":false},{"name":"Jorge Orta","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05998692306386062,"gpt":0.3443252102731936,"spread":0.284338287209333,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004967776,0.0004429597,0.0002131307,0.0006781107,0.003675889,0.003732045,0.0008018971,0.0008257618,0.1682378],"category_scores_gemma":[0.0007729473,0.0001731633,0.0001733164,0.0006138102,0.001220159,0.001101813,0.003021915,0.001549111,0.02559163],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004647443,"about_ca_system_score_gemma":0.006931814,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.2229754,"about_ca_topic_score_gemma":0.5582706,"domain_scores_codex":[0.9995152,0.00003064873,0.000007754914,0.00006996182,0.0002578215,0.0001186752],"domain_scores_gemma":[0.9991303,0.00005387426,0.00002102573,0.00003001658,0.0001550007,0.0006097663],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008168859,0.00003221599,0.0006298751,0.0001227585,0.0000030499,0.0003929327,0.001626265,0.00005069026,0.002071896,0.0125149,0.8746257,0.107848],"study_design_scores_gemma":[0.000003454277,0.000006648598,0.0008916356,0.00005448271,0.00000110523,0.0001005824,0.0006975224,0.00001938754,0.00008721953,0.0003974602,0.9977347,0.000005631452],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.01043434,0.01917157,0.002402406,0.02802883,0.02373649,0.00008088722,0.001953627,0.001774946,0.9124168],"genre_scores_gemma":[0.02974891,0.004771173,0.001389253,0.002713889,0.001421438,0.00002997549,0.0005364693,0.0005114634,0.9588774],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.7770246,"threshold_uncertainty_score":0.5628114,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7053519012","doi":"","title":"Works from Hilary Lloyd","year":2012,"lang":"en","type":"other","venue":"University of the Arts London Research Online (University of the Arts London)","topic":"Mass Spectrometry Techniques and Applications","field":"Chemistry","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Tower; Performance art; Square (algebra); Negotiation; Photography","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.03021696510497833,"gpt":0.2665600203888875,"spread":0.2363430552839091,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007203807,0.0008758248,0.0003802713,0.001489212,0.004710292,0.00284757,0.0007056554,0.001059675,0.2177136],"category_scores_gemma":[0.001270958,0.0003717962,0.0003469817,0.0006729718,0.0009695368,0.002058806,0.004257936,0.001871796,0.05285419],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002369041,"about_ca_system_score_gemma":0.00130854,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01869449,"about_ca_topic_score_gemma":0.05467898,"domain_scores_codex":[0.9993631,0.00007047239,0.00001724232,0.0001435965,0.0002929824,0.0001125748],"domain_scores_gemma":[0.9992568,0.00007359482,0.00003298173,0.00006089883,0.0002118802,0.0003637389],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003436653,0.00003906656,0.0002034022,0.00009887511,0.000001970609,0.0003435579,0.001135275,0.00003271106,0.0007672231,0.003409349,0.9482755,0.04565879],"study_design_scores_gemma":[7.242288e-7,0.000004691716,0.0002730876,0.00002982249,3.588644e-7,0.0001157439,0.0002810273,0.000006638223,0.0000764459,0.00007044735,0.9991386,0.000002371468],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.006647292,0.01770987,0.001181874,0.02480782,0.0119742,0.0001168937,0.0007441565,0.0007759019,0.9360419],"genre_scores_gemma":[0.009773362,0.002856191,0.0006214184,0.002575467,0.0008751795,0.00002164157,0.0001461088,0.0002664358,0.9828641],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.7822864,"threshold_uncertainty_score":0.7283246,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7032810711","doi":"","title":"Exhibiting Fashion","year":2024,"lang":"en","type":"other","venue":"University of the Arts London Research Online (University of the Arts London)","topic":"Female Genital Mutilation/Cutting Issues","field":"Medicine","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Exhibition; Documentation; Fashion industry; Clothing; Original research","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.05213082658841711,"gpt":0.3052495281001118,"spread":0.2531187015116947,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000680966,0.0005050118,0.0002359209,0.0009031391,0.004123144,0.003921883,0.0008865235,0.0008620815,0.3848845],"category_scores_gemma":[0.0008654044,0.0002687036,0.0005312453,0.0008804284,0.0009799349,0.002230701,0.004726967,0.00143853,0.08144718],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001409292,"about_ca_system_score_gemma":0.001516438,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007903201,"about_ca_topic_score_gemma":0.04581571,"domain_scores_codex":[0.9994037,0.0001139572,0.00001885882,0.0001331615,0.0001864857,0.000143912],"domain_scores_gemma":[0.9994597,0.00004056021,0.00002530656,0.0001490432,0.0001234421,0.0002020245],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001801669,0.00009943717,0.002019695,0.0002559183,0.000009736235,0.0005101469,0.005854458,0.0001630305,0.002936048,0.05978949,0.7978154,0.1303664],"study_design_scores_gemma":[0.00000367743,0.0000288811,0.002745078,0.00004420479,0.000002014157,0.0001585294,0.001654995,0.00003382698,0.0002409387,0.0005408133,0.9945397,0.000007388151],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.00874716,0.0003028924,0.001477456,0.001085269,0.0008655709,0.0001626774,0.001957512,0.0006364917,0.9847649],"genre_scores_gemma":[0.02961582,0.0002562778,0.002134617,0.0002924315,0.0001160743,0.0001022987,0.0015291,0.0002782665,0.9656752],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.3848845,"threshold_uncertainty_score":0.8773875,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W6986637292","doi":"","title":"Prisoners of Love: Affect, Containment and Alternative Futures","year":2024,"lang":"en","type":"other","venue":"University of the Arts London Research Online (University of the Arts London)","topic":"Posthumanist Ethics and Activism","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Exhibition; Futures contract; Conversation; Work (physics); Invocation; Exposition (narrative); Containment (computer programming)","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.04438610902003946,"gpt":0.3310119004314864,"spread":0.286625791411447,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005070616,0.0003589667,0.0004253435,0.0008779362,0.01529222,0.009090018,0.0008572164,0.002392784,0.005528022],"category_scores_gemma":[0.007517818,0.0003491442,0.0004775237,0.0004144838,0.03159223,0.005965388,0.01140008,0.004619945,0.0004269469],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002421098,"about_ca_system_score_gemma":0.001271994,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004109182,"about_ca_topic_score_gemma":0.004767641,"domain_scores_codex":[0.9928914,0.005026054,0.0001387927,0.0004200165,0.0006483454,0.0008752826],"domain_scores_gemma":[0.9960966,0.001208931,0.0008075036,0.0005039776,0.0003753089,0.001007727],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00005699951,0.00005030894,0.004009743,0.00005771707,0.00001916236,0.00129428,0.9232517,0.00008216912,0.0006163666,0.05529151,0.004815557,0.01045455],"study_design_scores_gemma":[0.000009746013,0.0000687812,0.005367619,0.0001417272,0.0000108378,0.001257581,0.9151751,0.0001693253,0.0002585756,0.01161702,0.06588199,0.00004170911],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8083832,0.004394501,0.004507232,0.03052439,0.0007614023,0.00007384809,0.00004607547,0.0000871811,0.1512223],"genre_scores_gemma":[0.9944394,0.0002844043,0.0002817068,0.0005712449,0.00004386678,0.00001736336,0.000005669195,0.0000135421,0.004342834],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01529222,"threshold_uncertainty_score":0.02681631,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7061002447","doi":"","title":"Heavy the Sea","year":2017,"lang":"en","type":"other","venue":"University of the Arts London Research Online (University of the Arts London)","topic":"Advanced Frequency and Time Standards","field":"Physics and Astronomy","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Studio; Sculpture; Exhibition; Photography; Poetry; Romance; Adventure; Sister","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.02947699052111709,"gpt":0.2873921331990203,"spread":0.2579151426779032,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004741579,0.0009003673,0.0003888013,0.0006207447,0.007572409,0.00583641,0.0005827911,0.001612909,0.2056368],"category_scores_gemma":[0.001274094,0.0002599933,0.0004472088,0.0004747222,0.003231342,0.003652575,0.006519947,0.003633647,0.06931411],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002269402,"about_ca_system_score_gemma":0.002083301,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01298244,"about_ca_topic_score_gemma":0.03189295,"domain_scores_codex":[0.9993223,0.0001144587,0.00001917016,0.0001323508,0.0002162898,0.0001953993],"domain_scores_gemma":[0.9995117,0.00002610795,0.00002820171,0.00006165403,0.0001411265,0.0002312301],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009455421,0.00005547805,0.001989737,0.0001830766,0.00002373893,0.0007060471,0.0119695,0.0000890521,0.002316146,0.08642586,0.80437,0.09177679],"study_design_scores_gemma":[0.000002300606,0.00001244692,0.0005205348,0.00005776818,0.000001902076,0.0001147647,0.003015526,0.00001146649,0.0001060917,0.001349346,0.9948026,0.000005385385],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.008422068,0.001841505,0.001201484,0.02001278,0.006384493,0.00004967139,0.0003934072,0.000381402,0.9613132],"genre_scores_gemma":[0.04110818,0.001262798,0.0006035718,0.007316539,0.0006160024,0.0000222492,0.000251321,0.0003440643,0.9484754],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.2056368,"threshold_uncertainty_score":0.6879236,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W6995355444","doi":"","title":"Nest of Stone","year":2016,"lang":"en","type":"other","venue":"University of the Arts London Research Online (University of the Arts London)","topic":"Autophagy in Disease and Therapy","field":"Medicine","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Movie theater; Jury; Atmosphere (unit); Nest (protein structural motif)","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.03379101343650468,"gpt":0.3030288835663003,"spread":0.2692378701297956,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000481937,0.0009220717,0.0004901161,0.001027598,0.006992178,0.006079412,0.0009072648,0.00224384,0.3862449],"category_scores_gemma":[0.002537507,0.0004338978,0.0005648707,0.0005892032,0.001426195,0.004304503,0.005329055,0.002833241,0.1041973],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002030886,"about_ca_system_score_gemma":0.001989196,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01465672,"about_ca_topic_score_gemma":0.04878775,"domain_scores_codex":[0.9992117,0.0001201696,0.0000226115,0.0001851702,0.0002622541,0.0001980351],"domain_scores_gemma":[0.9991907,0.00007892151,0.00002560506,0.0000941386,0.000246254,0.0003643663],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006693622,0.00002041167,0.0002377884,0.00007791256,0.000004636888,0.0004279655,0.00172576,0.00003745447,0.0004054905,0.02510657,0.9209194,0.05096963],"study_design_scores_gemma":[0.000001514488,0.000006015155,0.0001063584,0.00002668121,7.586336e-7,0.0001010184,0.000443574,0.00001445449,0.00004740305,0.0005487862,0.9987005,0.00000294035],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.002644645,0.002977367,0.002103435,0.009127719,0.01036815,0.00008176963,0.0006000411,0.0008673909,0.9712295],"genre_scores_gemma":[0.01252977,0.001120747,0.001115186,0.002157584,0.0006315683,0.00003128642,0.0003121485,0.0004837734,0.9816179],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.3862449,"threshold_uncertainty_score":0.8754472,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7033054921","doi":"","title":"The Odd Guide","year":2017,"lang":"en","type":"other","venue":"University of the Arts London Research Online (University of the Arts London)","topic":"Nuclear Structure and Function","field":"Biochemistry, Genetics and Molecular Biology","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Tribute; Queen (butterfly); Quarter (Canadian coin); EPIC; National park; Natural (archaeology); Fountain; Ephemeral key; Cultural history; Recreation","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.02033203611582518,"gpt":0.266923066046659,"spread":0.2465910299308338,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000889731,0.00108164,0.0005754558,0.001183675,0.005047909,0.006931141,0.00152001,0.002376025,0.5992202],"category_scores_gemma":[0.00386562,0.0005913419,0.0006238894,0.0008418867,0.001440282,0.005114372,0.006439222,0.003732527,0.3975607],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001770687,"about_ca_system_score_gemma":0.003255594,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00823849,"about_ca_topic_score_gemma":0.03207215,"domain_scores_codex":[0.9990774,0.000136199,0.00003321821,0.000197226,0.0003538724,0.0002020279],"domain_scores_gemma":[0.9985744,0.0001281292,0.00003881277,0.0001571808,0.0004907206,0.0006107956],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001505517,0.00001770032,0.0001140685,0.00003288128,9.776792e-7,0.0001134237,0.0002973784,0.00001686719,0.00007277117,0.00608991,0.9547866,0.03844244],"study_design_scores_gemma":[0.00000126504,0.000003907876,0.00006953561,0.00002686452,3.865401e-7,0.00008872105,0.0002170798,0.000008842216,0.00001496999,0.0004196325,0.9991459,0.000002748912],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.0009112247,0.002113917,0.002334965,0.0106509,0.008574075,0.0001252386,0.001133612,0.001425773,0.9727304],"genre_scores_gemma":[0.002069862,0.0007641293,0.0008022369,0.00270055,0.0003066986,0.00003971476,0.0003902904,0.0004667037,0.9924598],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.5992202,"threshold_uncertainty_score":0.5716637,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7032574532","doi":"","title":"Andromache","year":2011,"lang":"en","type":"other","venue":"University of the Arts London Research Online (University of the Arts London)","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Bespoke; Sound (geography); Composition (language); Principal (computer security); Channel (broadcasting)","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.08902648408580957,"gpt":0.2769634637065303,"spread":0.1879369796207207,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008698004,0.0008742764,0.0004869277,0.0011374,0.003230914,0.004714853,0.001001208,0.001359574,0.5226115],"category_scores_gemma":[0.004478412,0.0003286783,0.0002504947,0.0009754861,0.0009417856,0.001826692,0.003102514,0.002453106,0.3195899],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001794061,"about_ca_system_score_gemma":0.003788338,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01242592,"about_ca_topic_score_gemma":0.03283449,"domain_scores_codex":[0.9984693,0.0001583652,0.00005036367,0.0003080953,0.0007993471,0.0002145431],"domain_scores_gemma":[0.9982468,0.0001777745,0.0001006959,0.0002313492,0.0008429283,0.0004005374],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006116146,0.00001879526,0.000245144,0.0001357048,0.000003901679,0.000249388,0.000519446,0.00007326654,0.0007687581,0.04306365,0.8529739,0.1018869],"study_design_scores_gemma":[8.307375e-7,0.00000169862,0.00007198546,0.0000227132,6.033821e-7,0.00009981969,0.00008208501,0.00001249922,0.00007732478,0.000298304,0.9993306,0.000001592009],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.0009203028,0.001791345,0.001236687,0.004855861,0.004688075,0.00003668213,0.0008208023,0.0008198232,0.9848305],"genre_scores_gemma":[0.004274787,0.0004005653,0.000385343,0.0003635236,0.0001324992,0.00001471976,0.0001947484,0.0002202423,0.9940137],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.4773885,"threshold_uncertainty_score":0,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7056836278","doi":"","title":"Gift of Masks / RTS Masks for J18","year":2022,"lang":"en","type":"other","venue":"University of the Arts London Research Online (University of the Arts London)","topic":"Magnetic confinement fusion research","field":"Physics and Astronomy","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Face (sociological concept); Face masks; Clothing; Negotiation","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.03131556693090876,"gpt":0.2729005806365849,"spread":0.2415850137056761,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005647767,0.0005768138,0.0002606234,0.0005172567,0.003557587,0.002541356,0.0005793446,0.0009998636,0.5780194],"category_scores_gemma":[0.0009320457,0.0003163615,0.0003924944,0.0004454901,0.0005944709,0.001389013,0.002456723,0.001605618,0.230129],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001007416,"about_ca_system_score_gemma":0.000906102,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01380267,"about_ca_topic_score_gemma":0.05687455,"domain_scores_codex":[0.9996752,0.00002423287,0.000006350167,0.00004195218,0.0001347388,0.0001175901],"domain_scores_gemma":[0.9995447,0.00002859813,0.00002059697,0.00008655593,0.00008696699,0.00023255],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007796905,0.00002633156,0.0002124591,0.00002621673,0.000002140958,0.0001500633,0.0002379724,0.00002354624,0.0007688264,0.003807385,0.9793493,0.01531772],"study_design_scores_gemma":[0.000009678715,0.00001155868,0.00112023,0.000007543832,8.747056e-7,0.00006005432,0.0001248361,0.00002361355,0.0002368018,0.0002795454,0.9981198,0.000005463152],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.004284139,0.0002070946,0.0005694464,0.00256944,0.001657683,0.0001061328,0.004078849,0.002057579,0.9844695],"genre_scores_gemma":[0.008218573,0.00006989025,0.0003820927,0.0003562671,0.000172502,0.00003169862,0.001135842,0.0009495284,0.9886835],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.5780194,"threshold_uncertainty_score":0.6019042,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W6996941152","doi":"","title":"The Time Is Always Now: Artists Reframe the Black Figure","year":2024,"lang":"en","type":"other","venue":"University of the Arts London Research Online (University of the Arts London)","topic":"Animal Law and Welfare","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Exhibition; Portrait; Painting; Cognitive reframing; Sculpture; Guardian; Representation (politics); Sister; Visual art of the United States","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.02908694474927588,"gpt":0.2931840265483026,"spread":0.2640970817990267,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002586711,0.0008447209,0.0003554342,0.0008486595,0.02036956,0.01256107,0.001379224,0.003289444,0.07864109],"category_scores_gemma":[0.002748181,0.0004388029,0.0005535466,0.000929846,0.007083928,0.003992331,0.007830553,0.00729093,0.02036751],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006613839,"about_ca_system_score_gemma":0.005272966,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.07197826,"about_ca_topic_score_gemma":0.2852831,"domain_scores_codex":[0.9979485,0.0005359019,0.00002873028,0.0002122945,0.0006332722,0.0006412982],"domain_scores_gemma":[0.9982061,0.0002428595,0.00007927199,0.0001785838,0.0003306163,0.0009626509],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002042559,0.0000132914,0.0001693331,0.00005867446,0.000002174464,0.0002165634,0.0207884,0.0000180264,0.0004895427,0.01114425,0.9433007,0.02377857],"study_design_scores_gemma":[0.000001644968,0.000003259948,0.0002166424,0.00005109654,8.11606e-7,0.00006397998,0.007469617,0.000003621637,0.0000450416,0.00022703,0.9919126,0.000004567995],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.01065136,0.01292154,0.001298973,0.07780333,0.02371917,0.0001273629,0.0002303796,0.0004783949,0.8727697],"genre_scores_gemma":[0.05515472,0.0056544,0.002044363,0.01431306,0.002827444,0.00009265691,0.0001626536,0.0007444153,0.9190063],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.07864109,"threshold_uncertainty_score":0.2630807,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7014868582","doi":"","title":"Punk As Product: Selling Punk Histories","year":2025,"lang":"en","type":"other","venue":"University of the Arts London Research Online (University of the Arts London)","topic":"","field":"","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Punk; Headline; Casual; Paraphernalia; Circumstantial evidence","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.03473376012381602,"gpt":0.2745447564595599,"spread":0.2398109963357439,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005785702,0.0003419208,0.0001894349,0.0007726339,0.008234638,0.00580347,0.0004570904,0.0008566362,0.1190664],"category_scores_gemma":[0.0008171923,0.0002941139,0.00009039867,0.00136884,0.001681126,0.003794218,0.003614527,0.001785642,0.01117151],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002593507,"about_ca_system_score_gemma":0.003394045,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04441894,"about_ca_topic_score_gemma":0.193014,"domain_scores_codex":[0.9996459,0.0000684582,0.000007636047,0.00004510791,0.0001573861,0.0000754262],"domain_scores_gemma":[0.9996393,0.00004313851,0.00001506365,0.00002062238,0.00009168324,0.0001902996],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003842126,0.00006570681,0.001353943,0.0001383764,0.000004417912,0.0002457026,0.009473338,0.00003648276,0.0005092653,0.01862347,0.8448509,0.12466],"study_design_scores_gemma":[0.000001713382,0.00001138726,0.001709371,0.00005541935,0.00000140103,0.0000718738,0.004757208,0.00001283175,0.00005749938,0.000365581,0.99295,0.000005726791],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.01944417,0.01223205,0.0003529441,0.03202368,0.003128945,0.00005777005,0.0003807998,0.0002310333,0.9321486],"genre_scores_gemma":[0.0665579,0.007576355,0.0006982738,0.004756687,0.0004023678,0.0000263518,0.0003122514,0.0001629067,0.9195069],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1190664,"threshold_uncertainty_score":0.3983167,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7130765517","doi":"","title":"OST","year":2023,"lang":"en","type":"other","venue":"University of the Arts London Research Online (University of the Arts London)","topic":"","field":"","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Power (physics); Space (punctuation); Painting; Exhibition; Oral history; Presentation (obstetrics); Work (physics); Point (geometry)","authors":[{"name":"Louisa Minkin","is_ca":false},{"name":"Esi Eshun","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05505192698427272,"gpt":0.2897601710723148,"spread":0.2347082440880421,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008666739,0.0006694838,0.0005068011,0.001370261,0.002717438,0.008185404,0.001129954,0.002395126,0.7582572],"category_scores_gemma":[0.003891252,0.0004378842,0.0004311255,0.00138062,0.0009166874,0.004820513,0.005041301,0.001947509,0.6038038],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001776445,"about_ca_system_score_gemma":0.002216852,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005655222,"about_ca_topic_score_gemma":0.009839742,"domain_scores_codex":[0.9986285,0.0001714913,0.00008293468,0.0003105399,0.000579487,0.0002270379],"domain_scores_gemma":[0.9984127,0.0001624489,0.00009340639,0.0002998266,0.000537329,0.0004941834],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006240966,0.00003089591,0.0006079774,0.0001685782,0.000004480414,0.0002174571,0.0007030987,0.00003395857,0.0005067628,0.02005733,0.8730918,0.1045153],"study_design_scores_gemma":[0.000002134918,0.000004556559,0.0002375789,0.00003763448,8.293759e-7,0.0001019595,0.0001882767,0.0000137132,0.00006280545,0.0006473623,0.9986999,0.00000324668],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.001575581,0.001229514,0.001614681,0.006036677,0.003076923,0.0001411574,0.004016026,0.002120695,0.9801888],"genre_scores_gemma":[0.005981137,0.0007496337,0.0009271013,0.001801216,0.0003308288,0.00005552958,0.00191146,0.0009241374,0.9873189],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.2417428,"threshold_uncertainty_score":0,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W6987315119","doi":"","title":"Sottobosco: Tales of the Undergrowth","year":2024,"lang":"en","type":"other","venue":"University of the Arts London Research Online (University of the Arts London)","topic":"","field":"","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Exhibition; Globe; Quarter (Canadian coin); North west; Doors; Art gallery; Craft; The arts","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.04460056439031325,"gpt":0.2857922098555998,"spread":0.2411916454652866,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009573327,0.001220473,0.0004661141,0.001214293,0.01536751,0.008990314,0.0007212874,0.001474979,0.0388064],"category_scores_gemma":[0.001322967,0.0002818978,0.0004205335,0.0008457989,0.004705589,0.00544271,0.008827532,0.004536698,0.007264847],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001841426,"about_ca_system_score_gemma":0.001229588,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006931348,"about_ca_topic_score_gemma":0.0361163,"domain_scores_codex":[0.9994003,0.0001622442,0.000009471703,0.00007336241,0.0001706656,0.0001838457],"domain_scores_gemma":[0.999523,0.00008012526,0.00002287881,0.00004103955,0.00007247473,0.0002604569],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001078179,0.00004105274,0.0007856627,0.0001793891,0.00000802507,0.0008932358,0.06028671,0.00008346571,0.001074004,0.05390082,0.8349981,0.04764163],"study_design_scores_gemma":[0.000001676008,0.000007865836,0.0003124636,0.0001063751,0.000001350389,0.0001820867,0.01338468,0.00001996048,0.00007188027,0.001255837,0.98465,0.000005916666],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.03728052,0.03220422,0.002099601,0.05322286,0.04963361,0.00009422428,0.0002874459,0.0005703297,0.8246071],"genre_scores_gemma":[0.09925099,0.008074724,0.001211244,0.006448607,0.004248092,0.0000669239,0.0002167921,0.001145818,0.8793368],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.0388064,"threshold_uncertainty_score":0.1298203,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7115095148","doi":"","title":"Homage: Hans Arp and Ian Hamilton Finlay","year":2025,"lang":"en","type":"other","venue":"University of the Arts London Research Online (University of the Arts London)","topic":"","field":"","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Exhibition; Poetry; Event (particle physics); Portrait; Royal family; Period (music)","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.02993735269456734,"gpt":0.2721306702407277,"spread":0.2421933175461604,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008704861,0.0005924437,0.0003456034,0.0006969087,0.007761613,0.004151108,0.0006077326,0.001762712,0.02590482],"category_scores_gemma":[0.001923048,0.0003138384,0.0001628856,0.0005927755,0.004542154,0.002602489,0.003347611,0.004030988,0.005585996],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004577669,"about_ca_system_score_gemma":0.002810526,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.06818444,"about_ca_topic_score_gemma":0.1210991,"domain_scores_codex":[0.9992315,0.0001458744,0.00001352109,0.0001401372,0.000291361,0.0001776447],"domain_scores_gemma":[0.9995323,0.00007856543,0.00002668136,0.00002525965,0.00009483563,0.0002422979],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001858491,0.00001470452,0.0001898362,0.00003866359,0.000001743356,0.0003105808,0.007487729,0.0000188525,0.0001608538,0.03083957,0.9410819,0.01983692],"study_design_scores_gemma":[0.000001576536,0.000004771271,0.0002100353,0.00004042987,6.702526e-7,0.0001316114,0.003489352,0.000006913313,0.00003879902,0.0009983946,0.9950725,0.000004832077],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.0147822,0.05389857,0.001312161,0.2557864,0.05203719,0.00008559173,0.0002108936,0.0003399732,0.621547],"genre_scores_gemma":[0.1268517,0.0126196,0.0008821459,0.03142385,0.006789722,0.00005610349,0.00008016812,0.000214899,0.8210818],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.06818444,"threshold_uncertainty_score":0.1355751,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W86522586","doi":"","title":"Hunted (the cannibalism of colonial collectorexia) - variety of artworks including 150 handmade dolls, 2 films, images, drawings and bronze and glass sculptures.","year":2007,"lang":"en","type":"article","venue":"University of the Arts London Research Online (University of the Arts London)","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Exhibition; Sculpture; Visual arts; Art; Narrative; Museology; Cabinet (room); Colonialism; Decorative arts; Theme (computing); The arts; Art history; History; Archaeology; Literature","authors":[{"name":"Dallas Seitz","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04522332523140227,"gpt":0.264008476861718,"spread":0.2187851516303157,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003639375,0.000247145,0.0001537086,0.0007984762,0.004445994,0.002694155,0.0003002417,0.0004062368,0.01926014],"category_scores_gemma":[0.0004666345,0.0002582949,0.0002252715,0.00129479,0.002089327,0.0007684478,0.001608744,0.0004829676,0.001542284],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001457563,"about_ca_system_score_gemma":0.001474452,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03866693,"about_ca_topic_score_gemma":0.1872979,"domain_scores_codex":[0.9997707,0.00005067789,0.00001295228,0.00006203385,0.00005051061,0.0000530346],"domain_scores_gemma":[0.9998106,0.0000511118,0.00002542675,0.00004151225,0.00002511538,0.00004624185],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003700147,0.0001139894,0.08115685,0.00127274,0.00007531683,0.004695364,0.4335857,0.0002714404,0.02686151,0.02978124,0.0538184,0.3679973],"study_design_scores_gemma":[0.000009592356,0.000126023,0.2075702,0.0005090869,0.00004104729,0.003490323,0.1095777,0.0000658157,0.004091143,0.0008542281,0.6736197,0.00004520347],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.6589281,0.003710703,0.0013387,0.000809496,0.0001862638,0.0002116598,0.001193295,0.0001936066,0.3334282],"genre_scores_gemma":[0.8187771,0.001763939,0.003467882,0.0002167571,0.00002268652,0.00007456278,0.0004165788,0.0001114712,0.1751491],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.03866693,"threshold_uncertainty_score":0.07688373,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}