{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":57,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":57,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"f588346a57fe","filters":{"venue":"Victorian Literature and Culture"}},"results":[{"id":"W2161145124","doi":"10.1017/s1060150310000367","title":"LITTLE BUILDERS: CORAL INSECTS, MISSIONARY CULTURE, AND THE VICTORIAN CHILD","year":2010,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Island Studies and Pacific Affairs","field":"Social Sciences","cited_by":58,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"University of Guelph","funders":"","keywords":"Coral; Wonder; Pacific islanders; Paradise; History; Pacific ocean; Civility; Ethnology; Ethnic group; Sociology; Anthropology; Oceanography; Art; Art history; Law; Psychology; Political science; Politics; Visual arts","authors":[{"name":"Michelle Elleray","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.003240708799387765,"gpt":0.2276173854989626,"spread":0.2243766766995748,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001422453,0.0002685835,0.0003417774,0.0006345375,0.01352435,0.006854832,0.00103377,0.001463248,0.008948855],"category_scores_gemma":[0.002520062,0.0004052799,0.0001452501,0.0007041385,0.01167754,0.002593095,0.005871489,0.00385503,0.0007638009],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01340367,"about_ca_system_score_gemma":0.00974096,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.3261275,"about_ca_topic_score_gemma":0.6610575,"domain_scores_codex":[0.9988457,0.0003892755,0.00001940547,0.00006986111,0.0002715861,0.0004041484],"domain_scores_gemma":[0.9987778,0.000234667,0.0001476244,0.00005247651,0.0001519194,0.0006355374],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00003001932,0.00007193491,0.004241277,0.0001186583,0.000004349253,0.001411407,0.8877612,0.00002251897,0.0005100718,0.05425135,0.03132521,0.02025199],"study_design_scores_gemma":[0.000006882912,0.00003820886,0.0118991,0.0005078785,0.000006542091,0.001000981,0.647064,0.0000325551,0.0001458998,0.005473443,0.3337963,0.00002813814],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5578871,0.02646646,0.0003446517,0.05843877,0.0009935283,0.00006243166,0.0001835446,0.00005288132,0.3555706],"genre_scores_gemma":[0.8906397,0.006665656,0.0002528712,0.004314981,0.00007009214,0.00005129904,0.00003863457,0.00006455639,0.09790217],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3261275,"threshold_uncertainty_score":0.6484585,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1995136774","doi":"10.1017/s106015030100208x","title":"NAMING, AGENCY, AND “A TISSUE OF FALSEHOODS” IN <i>THE HISTORY OF MARY PRINCE</i>","year":2001,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Scottish History and National Identity","field":"Arts and Humanities","cited_by":40,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Queen's University","funders":"","keywords":"Narrative; Agency (philosophy); Biography; History; Ideology; Literature; Classics; Art history; Art; Philosophy; Politics; Law; Political science; Epistemology","authors":[{"name":"Antje M. Rauwerda","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01216436608787569,"gpt":0.2063503019571874,"spread":0.1941859358693117,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00697418,0.0003304594,0.0002960282,0.001241621,0.02063942,0.01115983,0.001011365,0.002359987,0.00270608],"category_scores_gemma":[0.01356394,0.0004922112,0.0001531451,0.001455338,0.06772359,0.007233962,0.005269161,0.003497923,0.0003274129],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01112736,"about_ca_system_score_gemma":0.004478592,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03611575,"about_ca_topic_score_gemma":0.06823903,"domain_scores_codex":[0.9934737,0.004744015,0.0001377943,0.0003557772,0.0006943918,0.0005943596],"domain_scores_gemma":[0.9927208,0.004559163,0.0009022495,0.000723378,0.0006645357,0.000429979],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003093242,0.000006017157,0.0006302611,0.00005180911,0.000004170825,0.0006741101,0.4609467,0.0000437916,0.000172934,0.5212825,0.01064697,0.005509811],"study_design_scores_gemma":[0.00001720284,0.00004300816,0.003391505,0.0005718999,0.00002080759,0.0009894466,0.2995388,0.0002266641,0.0008757786,0.1139082,0.5803515,0.00006513092],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2818806,0.0165096,0.003961522,0.07631715,0.001391917,0.0000312208,0.00005628862,0.00006452181,0.6197871],"genre_scores_gemma":[0.9826092,0.0009572014,0.0001904912,0.001260641,0.0001216416,0.000008374188,0.000006946254,0.00001944239,0.01482621],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03611575,"threshold_uncertainty_score":0.08073497,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2792383144","doi":"10.1017/s1060150317000444","title":"THE VICTORIAN MENTAL SCIENCES","year":2018,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Religious Studies and Spiritual Practices","field":"Arts and Humanities","cited_by":21,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Phrenology; Scholarship; Victorian era; Historicism; Victorian literature; Narrative; Context (archaeology); Relation (database); Subject (documents); History of psychology; History; Physiognomy; Poetry; Literature; Art history; Sociology; Psychology; Psychoanalysis; Art; Anthropology; Law; Political science; Library science","authors":[{"name":"Suzy Anger","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01422105070168303,"gpt":0.2498890959026886,"spread":0.2356680452010056,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.003101887,0.000655882,0.000775463,0.004030161,0.005738108,0.01130773,0.001686994,0.005314781,0.01551584],"category_scores_gemma":[0.006246507,0.0004563853,0.0005152102,0.003360062,0.0211836,0.006989365,0.008445419,0.00763926,0.006363836],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01221998,"about_ca_system_score_gemma":0.02168603,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03245088,"about_ca_topic_score_gemma":0.05191612,"domain_scores_codex":[0.9964952,0.00119288,0.0002510529,0.0004287836,0.001220933,0.0004112281],"domain_scores_gemma":[0.997788,0.0006447755,0.000155958,0.0003058135,0.0006193476,0.0004861566],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00001493335,0.00002386416,0.0002506565,0.001292714,0.00001512902,0.0001338483,0.007452536,0.00006522671,0.0001883537,0.635004,0.1961898,0.1593688],"study_design_scores_gemma":[0.000001680139,0.000003943398,0.0002991007,0.0008537096,0.00000161512,0.0001297395,0.0008340242,0.00002418896,0.0000181871,0.05743147,0.940396,0.000006303072],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.001219121,0.628413,0.003984657,0.07177025,0.00789318,0.00005328075,0.0001927247,0.00009553445,0.2863783],"genre_scores_gemma":[0.09650028,0.6377758,0.009113135,0.06823329,0.006759253,0.0004494007,0.0005381382,0.0003219594,0.1803087],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9942619,"threshold_uncertainty_score":0.08866256,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2116353774","doi":"10.1017/s1060150311000350","title":"“HOW DOES YOUR COLLAR SUIT ME?”: THE HUMAN ANIMAL IN THE RSPCA'S<i>ANIMAL WORLD</i>AND<i>BAND OF MERCY</i>","year":2012,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":20,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Lakehead University","funders":"","keywords":"Cruelty; Objectification; Human animal; Contradiction; Animal ethics; Subject (documents); Power (physics); Animal welfare; Sociology; Animal rights; Environmental ethics; Psychology; Psychoanalysis; Aesthetics; Criminology; Epistemology; Law; Art; Political science; Philosophy; Biology; Ecology; Computer science","authors":[{"name":"Monica Flegel","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01487492077684823,"gpt":0.2929676057776828,"spread":0.2780926850008346,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00298574,0.0006618548,0.0002669847,0.000882751,0.01311484,0.00722906,0.001033123,0.005539074,0.002986626],"category_scores_gemma":[0.004866581,0.0002954384,0.0002248366,0.0006084177,0.04801109,0.007703342,0.003499692,0.009130864,0.0007822019],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005537441,"about_ca_system_score_gemma":0.003070768,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02461667,"about_ca_topic_score_gemma":0.03445273,"domain_scores_codex":[0.996613,0.002346268,0.00004355091,0.0002242706,0.0004408237,0.0003320921],"domain_scores_gemma":[0.99844,0.000854544,0.0001984646,0.00007978344,0.0002078107,0.0002194831],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001727653,0.00001310716,0.0005482447,0.00005715288,0.000003604076,0.0005992727,0.7791688,0.00003442504,0.0002560173,0.1674239,0.04586529,0.006012907],"study_design_scores_gemma":[0.000004744766,0.00002520605,0.001337136,0.0003031063,0.000006485215,0.001088893,0.3960962,0.0001334464,0.0002846405,0.01400362,0.5866903,0.00002624164],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.1756397,0.02112472,0.00587373,0.3612899,0.00664253,0.00004688657,0.00008444292,0.0001155169,0.4291825],"genre_scores_gemma":[0.9366574,0.004198293,0.001080402,0.02339533,0.001368398,0.00003572013,0.00002804459,0.0001053017,0.03313112],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.02461667,"threshold_uncertainty_score":0.04894674,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2511278305","doi":"10.1017/s1060150316000127","title":"“NO ARTIST HAS ETHICAL SYMPATHIES”: OSCAR WILDE, AESTHETICS, AND MORAL EVOLUTION","year":2016,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Legal and Social Philosophy","field":"Social Sciences","cited_by":20,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Queen's University","funders":"","keywords":"Assertion; Morality; Criticism; Aesthetics; Proposition; Philosophy; Action (physics); Art; Literature; Epistemology","authors":[{"name":"Caroline Sumpter","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01098784183933423,"gpt":0.2436771407028385,"spread":0.2326892988635042,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0043475,0.0005013215,0.0002979991,0.00105145,0.007826198,0.00788998,0.0009467757,0.005393989,0.002705193],"category_scores_gemma":[0.008867854,0.0002684892,0.0002273583,0.0008035972,0.03284344,0.008221081,0.002756593,0.008123421,0.0005250298],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003260417,"about_ca_system_score_gemma":0.002934161,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007009718,"about_ca_topic_score_gemma":0.01446902,"domain_scores_codex":[0.9974598,0.001618393,0.00004485038,0.0002354362,0.0004850563,0.0001565027],"domain_scores_gemma":[0.9959732,0.002796453,0.0002614642,0.0001895747,0.0005206515,0.0002586828],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002540355,0.00002586468,0.0004668004,0.0001287886,0.0000088725,0.0003060397,0.06624556,0.000108987,0.000254807,0.6299066,0.2824613,0.02006108],"study_design_scores_gemma":[0.00001830317,0.00002581532,0.00101345,0.0006256208,0.00001116636,0.0006544334,0.03893432,0.0003103956,0.0005459911,0.2238164,0.734002,0.0000420685],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.02284923,0.05553226,0.003872356,0.8122635,0.008291168,0.00001442114,0.0000353078,0.00004982647,0.09709183],"genre_scores_gemma":[0.7360582,0.02073305,0.003821384,0.1344408,0.007366767,0.00004996789,0.00002457619,0.0002156091,0.09728958],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.00788998,"threshold_uncertainty_score":0.02365613,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2061672986","doi":"10.1017/s1060150300282053","title":"WORKING-CLASS MASCULINITIES IN <i>MARY BARTON</i>","year":2000,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Irish and British Studies","field":"Social Sciences","cited_by":19,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Victoria","funders":"","keywords":"HERO; Masculinity; Character (mathematics); Romance; Plot (graphics); Subject (documents); Extension (predicate logic); History; George (robot); Literature; Art; Art history; Classics; Sociology; Gender studies","authors":[{"name":"Lisa Surridge","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.006615629620238043,"gpt":0.234932256473112,"spread":0.2283166268528739,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00144236,0.000315714,0.0002435429,0.0005817381,0.01522267,0.00590617,0.0005609508,0.001389649,0.004544623],"category_scores_gemma":[0.001457922,0.000273044,0.0001005862,0.000624179,0.01418537,0.001800396,0.002309934,0.002678009,0.0008030629],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007114018,"about_ca_system_score_gemma":0.003117709,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.07811403,"about_ca_topic_score_gemma":0.2086245,"domain_scores_codex":[0.9985624,0.0006549327,0.00001814086,0.0001088198,0.0002610529,0.0003947018],"domain_scores_gemma":[0.9993475,0.0002068531,0.0001113434,0.00002472671,0.00010161,0.0002078513],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008183505,0.00005156018,0.001514085,0.0001118903,0.000006239821,0.0006926199,0.6250725,0.00003667175,0.0006410307,0.2593158,0.09719014,0.01528565],"study_design_scores_gemma":[0.000006212369,0.00002888343,0.005545852,0.0003572826,0.000004909254,0.0003844869,0.1606827,0.00003073178,0.0003748595,0.006204291,0.826353,0.00002687953],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1578963,0.01931364,0.0003361817,0.06068747,0.001800439,0.00002306779,0.00003875323,0.00002211857,0.759882],"genre_scores_gemma":[0.8110948,0.003714737,0.0001299908,0.005922412,0.0005093018,0.00002578419,0.0000106867,0.0000674039,0.178525],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.07811403,"threshold_uncertainty_score":0.1553187,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2162065743","doi":"10.1017/s1060150304000646","title":"ACADEMIC DISCIPLINE OR LITERARY GENRE?: THE ESTABLISHMENT OF BOUNDARIES IN HISTORICAL WRITING","year":2004,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Australian History and Society","field":"Social Sciences","cited_by":18,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Windsor","funders":"","keywords":"Politics; Rhetoric; Narrative; History; Appeal; Literature; Greatness; History of literature; Sociology; Aesthetics; Classics; Law; Art; Political science; Philosophy","authors":[{"name":"Leslie Howsam","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01770645691827911,"gpt":0.2939186328016671,"spread":0.276212175883388,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.02011598,0.0005551275,0.0009105995,0.008261262,0.01677954,0.02885931,0.00234046,0.00303111,0.004278589],"category_scores_gemma":[0.05333448,0.0006044126,0.0004503495,0.005823169,0.07310051,0.02110046,0.01166321,0.005486456,0.001424043],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008489296,"about_ca_system_score_gemma":0.006790115,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002949107,"about_ca_topic_score_gemma":0.003105475,"domain_scores_codex":[0.9699033,0.0240961,0.001137594,0.001035292,0.00259114,0.001236537],"domain_scores_gemma":[0.9473634,0.03487298,0.005104469,0.003973663,0.005339044,0.003346452],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00003419869,0.00002872749,0.001684168,0.0001540118,0.00000886339,0.0002064783,0.2650057,0.0000506538,0.0001283801,0.7079068,0.006753325,0.01803874],"study_design_scores_gemma":[0.00004742033,0.00007183936,0.004616046,0.002505669,0.00002465981,0.0005622562,0.266798,0.0003644864,0.0004235878,0.4369604,0.2875773,0.0000483641],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.09939563,0.03728911,0.007777739,0.07003314,0.003495558,0.00006229277,0.00006629051,0.0001550341,0.7817253],"genre_scores_gemma":[0.9767579,0.005077,0.002153103,0.003893008,0.001785595,0.00009945352,0.00003937127,0.0001571669,0.0100375],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9832205,"threshold_uncertainty_score":0.1063847,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2035836280","doi":"10.1017/s1060150308080042","title":"HISTORICIZING TRAUMA: THE GENEALOGY OF PSYCHIC SHOCK IN<i>DANIEL DERONDA</i>","year":2008,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Medieval Literature and History","field":"Arts and Humanities","cited_by":12,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Hallucinating; Psychoanalysis; Literature; Variety (cybernetics); Psychic; Face (sociological concept); History; Subject (documents); Shock (circulatory); State (computer science); Psychology; Philosophy; Art; Linguistics","authors":[{"name":"Jill L. Matus","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01651472384249845,"gpt":0.1976519129912115,"spread":0.1811371891487131,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001486819,0.0005008213,0.0003831153,0.001522475,0.01477152,0.008261661,0.001132761,0.002643447,0.005186548],"category_scores_gemma":[0.002831063,0.0003190837,0.0002396494,0.001184024,0.03848027,0.006842955,0.007077092,0.007466068,0.0008091659],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01079076,"about_ca_system_score_gemma":0.003465625,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03315912,"about_ca_topic_score_gemma":0.03315643,"domain_scores_codex":[0.9987721,0.000591198,0.00002778408,0.0001581297,0.0002162998,0.0002345323],"domain_scores_gemma":[0.999155,0.0003907895,0.0001056573,0.0000676889,0.0001251685,0.0001556163],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003489457,0.00001770669,0.0008915227,0.00007930452,0.000008727654,0.0008075827,0.3328859,0.0001095192,0.0001878111,0.6295099,0.02478695,0.01068021],"study_design_scores_gemma":[0.00001170489,0.00002915799,0.001347849,0.0004834252,0.00001165862,0.002293265,0.1608365,0.0001217416,0.0003503439,0.08298472,0.7514861,0.00004344773],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1241316,0.0772987,0.007754868,0.1212054,0.004522805,0.00005080954,0.0002186406,0.0001354841,0.6646816],"genre_scores_gemma":[0.9326559,0.01682693,0.0009032917,0.009596339,0.0008110135,0.0000435179,0.00007663509,0.0001493421,0.03893706],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03315912,"threshold_uncertainty_score":0.07829273,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2138501534","doi":"10.1017/s1060150307051698","title":"“FAC-SIMILES OF NATURE”: VICTORIAN WAX FLOWER MODELLING","year":2007,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"History of Science and Natural History","field":"Arts and Humanities","cited_by":11,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"York University","funders":"","keywords":"Art; Queen (butterfly); Art history; Horticulture; Biology; Botany","authors":[{"name":"Ann B. Shteir","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.008322221123308856,"gpt":0.2064917444739278,"spread":0.1981695233506189,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0002276063,0.0003257729,0.00024516,0.0002787308,0.0009869975,0.001580083,0.001220983,0.0008011388,0.01919384],"category_scores_gemma":[0.0009891565,0.000267326,0.000564382,0.0002703387,0.001011267,0.001189019,0.00187112,0.0008879352,0.002712168],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001315401,"about_ca_system_score_gemma":0.0009962636,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02877706,"about_ca_topic_score_gemma":0.06218585,"domain_scores_codex":[0.999873,0.00002687203,0.000003761656,0.00002560388,0.00004049514,0.00003011373],"domain_scores_gemma":[0.9998608,0.00003995966,0.000006827458,0.0000391808,0.00002506462,0.00002829752],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0001637382,0.00004722388,0.003309074,0.0002253548,0.00004466899,0.0009569149,0.001732962,0.1510702,0.005561738,0.6807611,0.0637055,0.09242152],"study_design_scores_gemma":[0.00002112151,0.00002716037,0.001169669,0.0001367557,0.00001731097,0.0006449769,0.0006863115,0.5013483,0.001770811,0.1488992,0.3452308,0.00004761105],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.09174709,0.002351966,0.430122,0.006800709,0.0007931189,0.0001494899,0.001503792,0.002135149,0.4643966],"genre_scores_gemma":[0.6957688,0.001275458,0.1399252,0.0008514396,0.000095638,0.0001344949,0.001190743,0.001233683,0.1595246],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.999013,"threshold_uncertainty_score":0.06420976,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2107562991","doi":"10.1017/s1060150313000235","title":"THE FRANKLIN RELICS IN THE ARCTIC ARCHIVE","year":2014,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Polar Research and Ecology","field":"Environmental Science","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Sublime; Arctic; Indigenous; Exhibition; History; Art history; Painting; Historiography; The arctic; Visual culture; Art; Archaeology; Visual arts; Oceanography","authors":[{"name":"Adriana Craciun","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.002664648546398861,"gpt":0.2041657786610667,"spread":0.2015011301146679,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008606837,0.0002901,0.0001944214,0.001466456,0.01557317,0.005267649,0.0006835288,0.0005793256,0.01595283],"category_scores_gemma":[0.001995922,0.0002507049,0.0001516851,0.001966073,0.006183418,0.001760417,0.005100938,0.001703407,0.002367089],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005428516,"about_ca_system_score_gemma":0.005628311,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.2211063,"about_ca_topic_score_gemma":0.605678,"domain_scores_codex":[0.9992732,0.0001803246,0.00001780915,0.0000761651,0.0003011003,0.0001512804],"domain_scores_gemma":[0.999521,0.0001251797,0.0000356575,0.00005489629,0.0001243735,0.0001389376],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002233969,0.00002592093,0.005818754,0.0003428891,0.00001934679,0.002995969,0.4359384,0.0001527747,0.001821016,0.2307841,0.2283571,0.09352026],"study_design_scores_gemma":[0.000001290781,0.000005030617,0.001970093,0.0001133792,0.00000325513,0.0004006992,0.03859835,0.00001769936,0.0002169793,0.0009874954,0.9576723,0.00001344771],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.1721256,0.01251477,0.001086857,0.01064914,0.001802166,0.00003388663,0.0008803043,0.0002208776,0.8006863],"genre_scores_gemma":[0.6544262,0.006478627,0.001337516,0.001846756,0.000469876,0.00002748684,0.0005721685,0.0003601458,0.3344812],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.7788936,"threshold_uncertainty_score":0.4396387,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2165741726","doi":"10.1017/s1060150310000148","title":"MEDICAL COSMOPOLITANISM:<i>MIDDLEMARCH</i>, CHOLERA, AND THE PATHOLOGIES OF ENGLISH MASCULINITY","year":2010,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Historical Economic and Social Studies","field":"Economics, Econometrics and Finance","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Queen's University","funders":"","keywords":"Cholera; Globe; History; Plague (disease); Pandemic; Ancient history; Alien; White (mutation); Criminology; Medicine; Disease; Coronavirus disease 2019 (COVID-19); Sociology; Politics; Political science; Law; Virology; Pathology","authors":[{"name":"Mary Wilson Carpenter","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.007735087887886812,"gpt":0.1950522472288693,"spread":0.1873171593409825,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001417353,0.0001743479,0.0002604716,0.0009935361,0.002818394,0.003441955,0.0003559805,0.001269091,0.005307009],"category_scores_gemma":[0.001945188,0.000115335,0.0001149353,0.001737488,0.01191826,0.001934961,0.001883204,0.001717028,0.0004126508],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004559852,"about_ca_system_score_gemma":0.003959691,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03504648,"about_ca_topic_score_gemma":0.05775631,"domain_scores_codex":[0.9993072,0.0003396854,0.00003106248,0.0000715437,0.0001298714,0.0001207251],"domain_scores_gemma":[0.9988852,0.0004246298,0.000223496,0.00004345889,0.0001549711,0.0002683264],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001820921,0.00009510976,0.01776105,0.001189836,0.00003212979,0.00212223,0.1451213,0.00009089278,0.0004154755,0.5851972,0.1370472,0.1107455],"study_design_scores_gemma":[0.00002175924,0.00005858567,0.02702396,0.002116836,0.00001305556,0.001424556,0.05826674,0.00004717297,0.00010402,0.04158325,0.869317,0.00002303992],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.06572824,0.4754815,0.0003446469,0.3394011,0.003064089,0.00001312177,0.0000958494,0.00001146848,0.11586],"genre_scores_gemma":[0.746058,0.1928822,0.0001869594,0.03365059,0.005562813,0.00001478778,0.00004771065,0.00001824027,0.02157868],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03504648,"threshold_uncertainty_score":0.06968498,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2134233912","doi":"10.1017/s1060150301002091","title":"GEORGE ELIOT AND THE COLONIES","year":2001,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Housing, Finance, and Neoliberalism","field":"Economics, Econometrics and Finance","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Colonialism; George (robot); History; Shareholder; Government (linguistics); Economic history; Stock (firearms); Law; Political science; Art history; Management; Economics; Archaeology","authors":[{"name":"Nancy Henry","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.008233591732432226,"gpt":0.1905700041169354,"spread":0.1823364123845031,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005845621,0.0005477847,0.0002255322,0.0005642669,0.004745564,0.004529887,0.0008675337,0.00239137,0.05637846],"category_scores_gemma":[0.00198274,0.0002947283,0.0001437709,0.0005961893,0.003207018,0.002641088,0.004225588,0.004928241,0.007227832],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003598582,"about_ca_system_score_gemma":0.002909882,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0398446,"about_ca_topic_score_gemma":0.08073683,"domain_scores_codex":[0.9994136,0.0001113707,0.00001364866,0.0001175754,0.0001422612,0.0002015271],"domain_scores_gemma":[0.999494,0.0000627355,0.00003502054,0.00004253897,0.00009044066,0.0002753413],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00004464239,0.00004775319,0.001056275,0.00009387681,0.000005698706,0.0009835283,0.007855223,0.00005080436,0.0002680529,0.09483832,0.8404222,0.05433366],"study_design_scores_gemma":[0.000002527325,0.000003582801,0.000433332,0.00005757899,5.530821e-7,0.00008333875,0.001209583,0.000005323828,0.00002158072,0.0009124398,0.997268,0.000002277588],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.009606017,0.03025365,0.0002203157,0.2429798,0.009125299,0.00002808575,0.0001122881,0.00008016176,0.7075945],"genre_scores_gemma":[0.05409905,0.01004152,0.0002599287,0.05194092,0.001697419,0.00002719739,0.00004809389,0.0001000569,0.8817859],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.05637846,"threshold_uncertainty_score":0.1886047,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2076855115","doi":"10.1017/s1060150314000163","title":"INTERNATIONALISING THE SONNET: TORU DUTT'S “SONNET – BAUGMAREE”","year":2014,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Postcolonial and Cultural Literary Studies","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Victoria","funders":"","keywords":"Poetry; Ballad; Literature; Sonnet; Poetics; History; Parochialism; Art; Colonialism; Cosmopolitanism; Appropriation; History of literature; Philosophy; Politics","authors":[{"name":"Alison Chapman","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.00576216156896541,"gpt":0.177695274752425,"spread":0.1719331131834596,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005597264,0.0003567439,0.0001909453,0.0003169239,0.007446089,0.003409155,0.0004163462,0.0009977996,0.00891828],"category_scores_gemma":[0.001225769,0.0001859298,0.0001191522,0.0003136231,0.003270941,0.00204195,0.002077018,0.002368508,0.001332962],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004571511,"about_ca_system_score_gemma":0.003136159,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.07097158,"about_ca_topic_score_gemma":0.1666446,"domain_scores_codex":[0.9994888,0.0002019675,0.000009601191,0.00006182161,0.00008020057,0.0001575782],"domain_scores_gemma":[0.9998004,0.00002985064,0.00002039723,0.0000120333,0.00005861378,0.00007875336],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001859495,0.00004997057,0.002141534,0.0002815301,0.00001541829,0.001932705,0.2976574,0.0001144975,0.00275363,0.3824686,0.2430406,0.06935821],"study_design_scores_gemma":[0.000002469744,0.00001407876,0.0006880095,0.00005433214,0.000002455563,0.0002579344,0.01983747,0.00003212458,0.0002812022,0.001188186,0.9776347,0.000007040666],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.120976,0.03203663,0.00249429,0.06596746,0.008859067,0.00009002959,0.0001458594,0.0002122882,0.7692184],"genre_scores_gemma":[0.5685737,0.004952901,0.001032041,0.005260158,0.0005258042,0.0000351769,0.00007761443,0.0002843876,0.4192582],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.07097158,"threshold_uncertainty_score":0.141117,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2126874056","doi":"10.1017/s1060150311000337","title":"SISTER OF THE TYPE: THE FEMINIST COLLECTIVE IN GRANT ALLEN'S<i>THE TYPE-WRITER GIRL</i>","year":2012,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Concordia University","funders":"","keywords":"Wonder; Subject (documents); Girl; Paragraph; Sister; Narrative; Literature; History; Art; Sociology; Philosophy; Psychology; Law; Computer science; Political science; Epistemology","authors":[{"name":"Sharon Cameron","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01565439484359732,"gpt":0.2166553852440777,"spread":0.2010009904004804,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001533027,0.0004825849,0.0003933083,0.0004579941,0.01291814,0.004848167,0.0008198102,0.001794166,0.01070068],"category_scores_gemma":[0.003035807,0.00036228,0.0001781284,0.0004669197,0.0087304,0.004452721,0.004526433,0.00418083,0.001899848],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003778447,"about_ca_system_score_gemma":0.001733354,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01155744,"about_ca_topic_score_gemma":0.02044839,"domain_scores_codex":[0.9983461,0.0008341377,0.00002395358,0.0002244783,0.000340906,0.0002305014],"domain_scores_gemma":[0.9993252,0.0002151244,0.0000898527,0.00004229455,0.0001323849,0.0001952466],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00008468043,0.00003281762,0.0009244708,0.0001312873,0.000005570486,0.001580419,0.4989718,0.00003650486,0.00111387,0.3256402,0.1554893,0.01598914],"study_design_scores_gemma":[0.000006833109,0.00002666155,0.0005362126,0.0001557463,0.000003192742,0.000906076,0.1044717,0.00003602817,0.0003249569,0.006359129,0.8871613,0.00001228669],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1260585,0.009154757,0.005842812,0.07952316,0.007083136,0.00009412,0.0002265098,0.0002013621,0.7718157],"genre_scores_gemma":[0.6912657,0.001824387,0.001102947,0.008292442,0.00109461,0.0001108157,0.00005447758,0.0003024655,0.2959521],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01291814,"threshold_uncertainty_score":0.0357973,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2139319929","doi":"10.1017/s1060150307051558","title":"GIFTS AND INTERESTS:<i>JOHN HALIFAX, GENTLEMAN</i>AND THE PURITY OF BUSINESS","year":2007,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Historical Economic and Social Studies","field":"Economics, Econometrics and Finance","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Generosity; Sentimentality; Reciprocity (cultural anthropology); Individualism; Altruism (biology); Sociology; Law and economics; Epistemology; Law; Philosophy; Aesthetics; Political science; Social psychology; Psychology; Social science","authors":[{"name":"Silvana Colella","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.009767210133727593,"gpt":0.1939015106457296,"spread":0.184134300512002,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001928317,0.0002541586,0.0002324371,0.0007019593,0.00751669,0.003816163,0.0006089427,0.001770451,0.003678932],"category_scores_gemma":[0.002786121,0.0001793032,0.000130364,0.000830295,0.01598051,0.006853154,0.001568751,0.00405443,0.0006045653],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00611919,"about_ca_system_score_gemma":0.002421623,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02980671,"about_ca_topic_score_gemma":0.03447252,"domain_scores_codex":[0.9992211,0.0004173609,0.00001702049,0.0000897678,0.0001657281,0.00008906303],"domain_scores_gemma":[0.9990456,0.0005069931,0.00008228101,0.00003851681,0.0001657344,0.0001608647],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002040614,0.00001619331,0.000376805,0.00005518297,0.00000329059,0.0001141851,0.0211576,0.00005596337,0.00009552146,0.7895994,0.1718079,0.01669757],"study_design_scores_gemma":[0.000005284073,0.000009390056,0.0006811427,0.0002090672,0.000002027659,0.0001877639,0.007235657,0.0000992971,0.0001303793,0.1549511,0.8364759,0.00001296845],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"other","genre_scores_codex":[0.01715485,0.1422244,0.004550264,0.6691397,0.004527439,0.00002786956,0.00006024976,0.00003686093,0.1622783],"genre_scores_gemma":[0.6760016,0.06606323,0.004374159,0.08576404,0.005137641,0.00008799887,0.00003904673,0.00008026897,0.1624521],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.02980671,"threshold_uncertainty_score":0.05926639,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2122883251","doi":"10.1017/s1060150306051096","title":"<i>ARMGART</i>'S VOICE PROBLEMS","year":2006,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McMaster University","funders":"","keywords":"Linguistics; Philosophy","authors":[{"name":"Grace Kehler","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.005954733984014267,"gpt":0.1729051556384015,"spread":0.1669504216543872,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002047583,0.0005794841,0.0003415403,0.0008145684,0.01038933,0.009486174,0.001524346,0.008196042,0.01083246],"category_scores_gemma":[0.004361003,0.0003289886,0.000290708,0.001022377,0.01650394,0.005069793,0.003106215,0.008039429,0.002924849],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008450137,"about_ca_system_score_gemma":0.005457644,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.2209034,"about_ca_topic_score_gemma":0.3444904,"domain_scores_codex":[0.997871,0.0007117027,0.00007830586,0.0002440608,0.0006237237,0.0004712163],"domain_scores_gemma":[0.9984848,0.000761279,0.0001125686,0.00007967555,0.0003150448,0.0002466625],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004844962,0.000008885378,0.0005538666,0.0001479555,0.000008721642,0.0004087966,0.01999268,0.00008171387,0.0002519809,0.2727906,0.6592336,0.04647276],"study_design_scores_gemma":[0.0000046516,0.000009513828,0.001334604,0.000151906,0.000003591349,0.0003807375,0.01320845,0.00004216616,0.0000987543,0.01576362,0.9689883,0.00001365804],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.005525971,0.08243997,0.001338467,0.5759132,0.01889171,0.00002132277,0.00009411323,0.0001460064,0.3156292],"genre_scores_gemma":[0.2360189,0.03022252,0.001268896,0.2270255,0.0110973,0.00005644002,0.00007374854,0.0002452305,0.4939915],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.2209034,"threshold_uncertainty_score":0.4392353,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2157748150","doi":"10.1017/s1060150309090111","title":"THE UNIVERSAL DIVINE PRINCIPLE, THE SPIRITUAL ANDROGYNE, AND THE NEW AGE IN SARAH GRAND'S<i>THE HEAVENLY TWINS</i>","year":2009,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Religious Studies and Spiritual Practices","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Philosophy; Literature; Art","authors":[{"name":"Naomi Lloyd","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.007135502142636313,"gpt":0.2208709977167805,"spread":0.2137354955741441,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001268001,0.000221317,0.0002236704,0.0003213183,0.007759269,0.003572807,0.0004819687,0.002040152,0.002680524],"category_scores_gemma":[0.002213226,0.0002233391,0.0001200207,0.000283486,0.0117939,0.002639212,0.002070073,0.00442874,0.0002358399],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002214161,"about_ca_system_score_gemma":0.002106661,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01146514,"about_ca_topic_score_gemma":0.04418156,"domain_scores_codex":[0.9992108,0.0004338904,0.00001875512,0.00007946468,0.0001397526,0.0001173687],"domain_scores_gemma":[0.9990879,0.0005446807,0.00009090448,0.0000374395,0.00008614474,0.0001529836],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008709053,0.00002149987,0.001252534,0.0002064454,0.000009576445,0.002404826,0.1999082,0.00004761139,0.0004503702,0.4662226,0.3090021,0.02038711],"study_design_scores_gemma":[0.000007277134,0.00001791245,0.001770719,0.0002098973,0.000003639433,0.000648908,0.04727789,0.00002424608,0.0002051608,0.01384984,0.9359729,0.00001148301],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.1155384,0.07974419,0.0006017613,0.5451591,0.0252372,0.00001843323,0.000063281,0.00004010438,0.2335975],"genre_scores_gemma":[0.8338579,0.01247424,0.0003107081,0.03716303,0.009123876,0.00002170366,0.00002305604,0.00006999248,0.1069555],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01146514,"threshold_uncertainty_score":0.02279681,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2108905394","doi":"10.1017/s1060150305000719","title":"THE MAN WHO WROTE A NEW WOMAN NOVEL: GRANT ALLEN'S<i>THE WOMAN WHO DID</i>AND THE GENDERING OF NEW WOMAN AUTHORSHIP","year":2005,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Short Stories in Global Literature","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Simon Fraser University; University of Manitoba","funders":"","keywords":"New Woman; Privilege (computing); Curse; Daughter; Human sexuality; Feminism; Plot (graphics); Girl; Wife; Institution; Lesbian; Ideology; History; Literature; Classics; Psychoanalysis; Art; Gender studies; Sociology; Law; Politics; Psychology; Anthropology; Political science","authors":[{"name":"Vanessa Warne","is_ca":true},{"name":"Colette Colligan","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01360876105119651,"gpt":0.2187058923553836,"spread":0.2050971313041871,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002264892,0.0004611162,0.0002365728,0.0007546113,0.009042514,0.00685866,0.0008271494,0.001622704,0.006310027],"category_scores_gemma":[0.003660671,0.0002984705,0.0001609895,0.000346585,0.009239461,0.005164136,0.003419987,0.004767001,0.001019551],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005430105,"about_ca_system_score_gemma":0.003220951,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006472428,"about_ca_topic_score_gemma":0.02519254,"domain_scores_codex":[0.9984402,0.0007588508,0.00003307656,0.0001918954,0.0003574719,0.0002185124],"domain_scores_gemma":[0.9986476,0.0005728789,0.0001371518,0.00007305216,0.0002147905,0.000354505],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"qualitative","study_design_scores_codex":[0.00003872316,0.00004966357,0.0002723967,0.0001361148,0.000007315749,0.001335618,0.1159048,0.00002931828,0.000888789,0.3231238,0.5359778,0.02223569],"study_design_scores_gemma":[0.000005137341,0.00002114394,0.0001642547,0.00011396,0.000002831544,0.0003741427,0.01648279,0.00001747733,0.0002362085,0.004204023,0.978369,0.000009001521],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.05036201,0.04329982,0.00317731,0.2654128,0.04241654,0.0001177189,0.0001194696,0.0002205648,0.5948737],"genre_scores_gemma":[0.4733483,0.01404171,0.001938799,0.04161966,0.007473741,0.0001829693,0.0000647699,0.000299105,0.4610309],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.009042514,"threshold_uncertainty_score":0.03939831,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2105151602","doi":"10.1017/s1060150314000084","title":"INDIAN MUTINY/ENGLISH MUTINY: NATIONAL GOVERNANCE IN CHARLOTTE YONGE'S<i>THE CLEVER WOMAN OF THE FAMILY</i>","year":2014,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Australian History and Society","field":"Social Sciences","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Waterloo","funders":"","keywords":"Mutiny; History; Colonialism; Confusion; Ancient history; Brother; Law; Genealogy; Archaeology; Psychology; Psychoanalysis; Political science","authors":[{"name":"Kate Lawson","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.006592786258481206,"gpt":0.2275988643938506,"spread":0.2210060781353694,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001204736,0.0002620966,0.0002415555,0.0005496662,0.02312519,0.006721343,0.0008619239,0.001191878,0.003327339],"category_scores_gemma":[0.002119797,0.0002471902,0.0001040828,0.0009422711,0.01559322,0.002186423,0.005471623,0.004348008,0.0002932034],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0109186,"about_ca_system_score_gemma":0.007920226,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1778395,"about_ca_topic_score_gemma":0.3548102,"domain_scores_codex":[0.9984949,0.0005597975,0.00002575567,0.0001302735,0.0001779551,0.0006114048],"domain_scores_gemma":[0.9990647,0.0002537184,0.0001352314,0.00005424986,0.0001237666,0.0003683963],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00001275149,0.00002314621,0.001267797,0.00002860902,0.000002489109,0.001155457,0.9025977,0.00002447549,0.0002226383,0.08221631,0.008080826,0.004367828],"study_design_scores_gemma":[0.000002830971,0.00001799946,0.005320046,0.0001251429,0.000007321749,0.0006073065,0.716859,0.00004966369,0.0002608013,0.002421697,0.2743051,0.00002302681],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5945358,0.003131415,0.0005029074,0.02117244,0.0003237659,0.0000306175,0.00003474702,0.00004245738,0.380226],"genre_scores_gemma":[0.9732383,0.000681809,0.00008800276,0.001434158,0.00004141369,0.00001779315,0.000008596528,0.00002166741,0.02446813],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1778395,"threshold_uncertainty_score":0.3536088,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2140534886","doi":"10.1017/s1060150308080091","title":"SELF-TEACHING: MARY CARPENTER, PUBLIC SPEECH, AND THE DISCIPLINE OF DELINQUENCY","year":2008,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Historical Studies on Reproduction, Gender, Health, and Societal Changes","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Carleton University","funders":"","keywords":"Suffrage; Publicity; Power (physics); Sociology; Public space; Criticism; History; Gender studies; Media studies; Criminology; Law; Political science; Politics","authors":[{"name":"Janice Schroeder","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02758099280509183,"gpt":0.2318836039735891,"spread":0.2043026111684973,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003470902,0.0003892857,0.0003088712,0.001504903,0.01530956,0.006565176,0.001494678,0.005121933,0.004811764],"category_scores_gemma":[0.00980915,0.0003402997,0.0001455448,0.001017118,0.02443024,0.004501708,0.003719985,0.008845691,0.0007317091],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007538345,"about_ca_system_score_gemma":0.004894743,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.05179983,"about_ca_topic_score_gemma":0.09538405,"domain_scores_codex":[0.9972022,0.001606375,0.00005880294,0.0002914216,0.0004108403,0.0004303759],"domain_scores_gemma":[0.9895224,0.006995903,0.0009511079,0.0002554162,0.0009494848,0.001325675],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004236327,0.00006572235,0.002674269,0.0001630922,0.000007853909,0.001156674,0.4258436,0.00006633681,0.0002136373,0.1732521,0.3813889,0.01512554],"study_design_scores_gemma":[0.00001256212,0.00002954321,0.006373528,0.000693856,0.000007912,0.0004186309,0.2127729,0.00008970035,0.0003309032,0.01311942,0.7661007,0.00005033149],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.06175254,0.03133714,0.0002343091,0.7755294,0.004062667,0.00001471883,0.00004355763,0.00005204909,0.1269736],"genre_scores_gemma":[0.7904851,0.009022337,0.0001627615,0.08759353,0.005941339,0.00005559826,0.00002265795,0.0001524121,0.1065641],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.05179983,"threshold_uncertainty_score":0.1029966,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2106136737","doi":"10.1017/s1060150311000271","title":"“SKINS TO JUMP INTO”: THE SLIPPERINESS OF IDENTITY AND THE BODY IN WILKIE COLLINS'S<i>NO NAME</i>","year":2012,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Gothic Literature and Media Analysis","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Victoria","funders":"","keywords":"Identity (music); Sensation; Psychoanalysis; Popularity; Aesthetics; Literature; Art; History; Psychology; Social psychology","authors":[{"name":"Kylee-Anne Hingston","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.00502144123278669,"gpt":0.2700762489688268,"spread":0.2650548077360401,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002024952,0.0003003837,0.0003099166,0.001062334,0.007006877,0.008021549,0.0005605617,0.002422238,0.002146121],"category_scores_gemma":[0.002819418,0.000204711,0.0002146475,0.0005630715,0.04866226,0.00627302,0.003396796,0.004349864,0.0003750421],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005836814,"about_ca_system_score_gemma":0.002734725,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01761593,"about_ca_topic_score_gemma":0.02368782,"domain_scores_codex":[0.998643,0.0007786184,0.00002449516,0.0001275722,0.0002260056,0.0002003397],"domain_scores_gemma":[0.9986483,0.0009539629,0.00008915853,0.00006961316,0.0001144959,0.0001244353],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005276303,0.00002082698,0.0004819103,0.0002528899,0.000006360185,0.0007389673,0.3080806,0.00007011116,0.0002814507,0.6029085,0.05953593,0.0275696],"study_design_scores_gemma":[0.00001077965,0.00003833601,0.001437209,0.0009349771,0.00001057885,0.001091172,0.1127492,0.00008753753,0.0007625703,0.06111177,0.8217371,0.00002864168],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1386472,0.1940536,0.005968476,0.2044902,0.009231135,0.00003783807,0.00006437307,0.00009501537,0.4474123],"genre_scores_gemma":[0.9110273,0.01892673,0.0005051906,0.01982302,0.001718194,0.00002254598,0.00002249023,0.0001099374,0.04784461],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01761593,"threshold_uncertainty_score":0.04234928,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2500336741","doi":"10.1017/s1060150315000145","title":"IMPERIAL, ANGLOPHONE, GEOPOLITICAL, WORLDLY: EVALUATING THE “GLOBAL” IN VICTORIAN STUDIES","year":2015,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Postcolonial and Cultural Literary Studies","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Geopolitics; Empire; History; Literary criticism; Victorian literature; Period (music); British literature; Canadian literature; Sociology; Literature; Media studies; English literature; Art history; Political science; Law; Art; Aesthetics; Politics; Ancient history","authors":[{"name":"Tanya Agathocleous","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07546101833772091,"gpt":0.3359780881932059,"spread":0.260517069855485,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.017318,0.0005482367,0.0006621024,0.01196465,0.01219205,0.03354271,0.001325968,0.001873407,0.003333873],"category_scores_gemma":[0.02133415,0.0005995673,0.0002388537,0.01727533,0.042975,0.01640132,0.01330444,0.00381507,0.0003305987],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.03259723,"about_ca_system_score_gemma":0.02707932,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1181658,"about_ca_topic_score_gemma":0.3212784,"domain_scores_codex":[0.9889221,0.006650439,0.0003917298,0.000422753,0.002300197,0.001312758],"domain_scores_gemma":[0.9755762,0.01352029,0.001549136,0.00117486,0.004950964,0.003228616],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00005537672,0.00004153343,0.01071988,0.001840635,0.00006691478,0.0003282397,0.4915033,0.0001683634,0.0003280357,0.4190096,0.00948741,0.06645082],"study_design_scores_gemma":[0.000007958076,0.0000624507,0.02544413,0.00385744,0.00006750264,0.0001615477,0.678006,0.0002205137,0.0002655174,0.04431025,0.2475608,0.00003595502],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3074658,0.09465885,0.001928954,0.04384309,0.0009536318,0.0001782145,0.0001621244,0.00002970278,0.5507796],"genre_scores_gemma":[0.9644085,0.02201856,0.001006436,0.003321581,0.0001930485,0.00008403276,0.00007283944,0.00008064098,0.008814371],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.1181658,"threshold_uncertainty_score":0.2365106,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2130311644","doi":"10.1017/s1060150310000355","title":"NARRATING INSANITY IN THE LETTERS OF THOMAS MULOCK AND DINAH MULOCK CRAIK","year":2010,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Historical Psychiatry and Medical Practices","field":"Psychology","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Scholarship; Sentimentality; Irish; Criticism; Sociology; Literature; Aesthetics; Art; Philosophy; Law","authors":[{"name":"Karen Bourrier","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.006798178508005482,"gpt":0.2785970657599378,"spread":0.2717988872519324,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008789197,0.0005897209,0.0005126093,0.0009635124,0.02858632,0.005953236,0.00151723,0.004419297,0.004063891],"category_scores_gemma":[0.005888221,0.0004039255,0.0002861169,0.001038908,0.00868079,0.002420806,0.003227816,0.01030427,0.001266903],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006820023,"about_ca_system_score_gemma":0.004882704,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1146738,"about_ca_topic_score_gemma":0.2526537,"domain_scores_codex":[0.9984906,0.0005361603,0.00004100079,0.00012863,0.0003772776,0.0004263271],"domain_scores_gemma":[0.9980665,0.0009027843,0.0001489581,0.00005680848,0.0003400616,0.0004849395],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001676976,0.00009008192,0.001329866,0.0001901517,0.00001482058,0.01168478,0.6670424,0.0001283092,0.0009488048,0.0276596,0.280505,0.01023855],"study_design_scores_gemma":[0.0000105677,0.00002916251,0.00163066,0.0003551276,0.000008170528,0.003879706,0.3097492,0.0000916686,0.0003871753,0.001497456,0.6823209,0.00004029391],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.3683064,0.02458581,0.001323573,0.2728377,0.01853481,0.0001372875,0.0004070364,0.000198852,0.3136685],"genre_scores_gemma":[0.8195218,0.006397877,0.0007131929,0.03067444,0.002686963,0.0001083921,0.0001151741,0.0002033272,0.1395788],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1146738,"threshold_uncertainty_score":0.2280126,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2014854051","doi":"10.1017/s1060150309090287","title":"“A PREFACE IS WRITTEN TO THE PUBLIC”: PRINT CENSORSHIP, NOVEL PREFACES, AND THE CONSTRUCTION OF A NEW READING PUBLIC IN LATE-VICTORIAN ENGLAND","year":2009,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Literature: history, themes, analysis","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Carleton University","funders":"","keywords":"Reading (process); Censorship; Etiquette; History; Media studies; Literature; Publication; Public speaking; Sociology; Art; Law; Political science","authors":[{"name":"Barbara Leckie","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01357884673073012,"gpt":0.203476785354085,"spread":0.1898979386233549,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005641563,0.0003203285,0.0005332095,0.002474386,0.0235817,0.02317401,0.001620748,0.003821781,0.005683384],"category_scores_gemma":[0.009881618,0.0008005095,0.0002434779,0.002825168,0.05501967,0.01166072,0.007847728,0.007206304,0.0006589071],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.02418837,"about_ca_system_score_gemma":0.009556019,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0601941,"about_ca_topic_score_gemma":0.1132307,"domain_scores_codex":[0.9937301,0.003378451,0.0001987792,0.0006802293,0.0009662496,0.001046174],"domain_scores_gemma":[0.9926784,0.004328468,0.0007662086,0.0006940699,0.0007566452,0.0007761536],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002569945,0.00001780287,0.000478734,0.00007542921,0.000002735508,0.0006921457,0.7173263,0.00002982895,0.000155557,0.2722732,0.003727986,0.005194463],"study_design_scores_gemma":[0.00002616098,0.00005032472,0.003727188,0.0008120089,0.00001249183,0.0006780794,0.4646433,0.0001409205,0.000556059,0.03901748,0.490288,0.00004792264],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.407799,0.01188639,0.002600852,0.02150448,0.0007189441,0.00007847069,0.0001246542,0.00005987736,0.5552273],"genre_scores_gemma":[0.9594696,0.001070686,0.0003398338,0.0005464252,0.0001135094,0.00002999469,0.00003448741,0.00005789827,0.03833761],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.0601941,"threshold_uncertainty_score":0.1754997,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2150331142","doi":"10.1017/s1060150305000847","title":"CURE, CLASSIFICATION, AND JOHN CLARE","year":2005,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Historical Psychiatry and Medical Practices","field":"Psychology","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Mores; Period (music); Insanity; Narrative; Psychoanalysis; History; Psychology; Psychiatry; Law; Literature; Classics; Art; Political science; Aesthetics; Politics","authors":[{"name":"Michelle Faubert","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0136302680053984,"gpt":0.3029085578544828,"spread":0.2892782898490844,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004673965,0.0004599778,0.0005979132,0.002742613,0.006884087,0.00625329,0.001379556,0.004367107,0.00772108],"category_scores_gemma":[0.01288415,0.0003291847,0.0002554023,0.001268464,0.02239161,0.006131542,0.003912461,0.009465926,0.002001475],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008011054,"about_ca_system_score_gemma":0.00670474,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0241248,"about_ca_topic_score_gemma":0.04102432,"domain_scores_codex":[0.9965088,0.001252503,0.0001718486,0.0005148104,0.001145768,0.0004062082],"domain_scores_gemma":[0.9973066,0.001094338,0.0002053332,0.0002544551,0.0005805296,0.0005587282],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001309695,0.00002103194,0.0003393001,0.00007451361,0.000002881394,0.0001168648,0.003206891,0.00005706634,0.0000230449,0.5301003,0.4180362,0.04800883],"study_design_scores_gemma":[0.000004100402,0.000006338386,0.0002122136,0.0002559308,0.000001192289,0.0002383264,0.0006396646,0.00003158057,0.000009160351,0.05242231,0.9461727,0.000006549181],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.002516969,0.1901549,0.002140591,0.398903,0.03977579,0.00004145135,0.00009192174,0.00005992104,0.3663155],"genre_scores_gemma":[0.2200092,0.1461812,0.005973839,0.2000494,0.05308268,0.0002814836,0.0003010435,0.0002845046,0.3738367],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.0241248,"threshold_uncertainty_score":0.05812454,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2142006627","doi":"10.1017/s1060150314000035","title":"“NOT ALTOGETHER UNPICTURESQUE”: SAMUEL BOURNE AND THE LANDSCAPING OF THE VICTORIAN HIMALAYA","year":2014,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Glacier; Mode (computer interface); Ideology; Art; History; Art history; Relation (database); Geography; Archaeology; Physical geography; Politics","authors":[{"name":"Sandeep Banerjee","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0063659639831899,"gpt":0.2519606858115881,"spread":0.2455947218283983,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005489126,0.0003658384,0.0001192633,0.0009422133,0.01091723,0.008255303,0.000498305,0.0009662989,0.0022363],"category_scores_gemma":[0.001078974,0.0002623354,0.00009604241,0.0008446086,0.01276375,0.001949207,0.001550893,0.00224095,0.0003248187],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005447146,"about_ca_system_score_gemma":0.002024015,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.07950363,"about_ca_topic_score_gemma":0.233873,"domain_scores_codex":[0.9993758,0.0003730494,0.000006071641,0.00004734016,0.00007244021,0.00012531],"domain_scores_gemma":[0.9996979,0.0001288698,0.00003412714,0.00001510824,0.0000416889,0.00008238926],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00004139636,0.0000174257,0.001980064,0.00008089987,0.000008278396,0.001059289,0.7810129,0.00008747854,0.000606476,0.1757886,0.0200735,0.0192436],"study_design_scores_gemma":[0.000004770993,0.00002741571,0.004015411,0.0003631055,0.000007331884,0.0009150872,0.3895833,0.00009498361,0.0004990625,0.01289411,0.591566,0.00002942966],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4023471,0.07734721,0.002258263,0.04263812,0.001881938,0.00003425933,0.00007641444,0.00007084637,0.4733459],"genre_scores_gemma":[0.9483719,0.006374507,0.0004303781,0.001694135,0.0001927599,0.00001075691,0.00001160277,0.00003804408,0.04287595],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.07950363,"threshold_uncertainty_score":0.1580817,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2313963486","doi":"10.1017/s106015031200037x","title":"ANNE BRONTË'S SHAMEFUL <i>AGNES GREY</i>","year":2013,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Torture, Ethics, and Law","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Queen's University","funders":"","keywords":"Narrative; Scholarship; Individualism; Criticism; Literature; Art history; Sociology; Psychoanalysis; Art; Law; Psychology","authors":[{"name":"Katherine Hallemeier","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.008516681681584122,"gpt":0.2540129455903323,"spread":0.2454962639087482,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009949148,0.0003007316,0.0002387385,0.0003971272,0.007002028,0.004379177,0.0004972298,0.001674566,0.008224635],"category_scores_gemma":[0.002956651,0.0002036385,0.000159231,0.0003419464,0.006800639,0.002221438,0.002802117,0.003844152,0.001673751],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003703146,"about_ca_system_score_gemma":0.002214773,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02132891,"about_ca_topic_score_gemma":0.04920898,"domain_scores_codex":[0.9992442,0.0002982179,0.00001374655,0.00008983034,0.0002443873,0.0001096676],"domain_scores_gemma":[0.9994166,0.0002504038,0.00005446547,0.00003130662,0.0001377651,0.0001095788],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004996273,0.00003490283,0.0006798765,0.0002057088,0.000008139167,0.0008009711,0.08927513,0.00009859459,0.001170206,0.3524825,0.5329707,0.02222323],"study_design_scores_gemma":[0.000001673318,0.000005858986,0.0003285942,0.0001873754,0.000001165904,0.0002258761,0.01328966,0.0000243962,0.0001731946,0.007192756,0.978561,0.000008449285],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.04620327,0.03258951,0.001528891,0.2763828,0.01084541,0.00004471439,0.0001077918,0.00008439727,0.6322131],"genre_scores_gemma":[0.2969765,0.009964387,0.00113059,0.04273649,0.001645347,0.00007542509,0.00003673529,0.0001803994,0.647254],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02132891,"threshold_uncertainty_score":0.04240948,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2315437243","doi":"10.1017/s1060150313000065","title":"EVOLUTIONARY DISCOURSE AND THE CREDIT ECONOMY IN ELIZABETH GASKELL'S<i>WIVES AND DAUGHTERS</i>","year":2013,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Economic Theory and Institutions","field":"Economics, Econometrics and Finance","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Victoria","funders":"","keywords":"Passions; Selfishness; Tribute; Wickedness; Reputation; History; Sociology; Literature; Art; Law; Philosophy; Art history; Theology; Political science; Social science","authors":[{"name":"Mary Elizabeth Leighton","is_ca":true},{"name":"Lisa Surridge","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.005281234270468036,"gpt":0.1862393252934106,"spread":0.1809580910229426,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002640473,0.0001888506,0.0001346197,0.0005089891,0.007520437,0.008007308,0.0007783414,0.002406523,0.004044384],"category_scores_gemma":[0.006074668,0.0001825909,0.00008180075,0.0007705571,0.01657648,0.004094423,0.002448025,0.00290678,0.0002924351],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01028737,"about_ca_system_score_gemma":0.00376516,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03492293,"about_ca_topic_score_gemma":0.05399862,"domain_scores_codex":[0.9985157,0.001049549,0.00002176955,0.0001110146,0.0001456281,0.0001563536],"domain_scores_gemma":[0.9979839,0.001386206,0.0002043477,0.00009786623,0.0001383177,0.0001891797],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00000924608,0.000007592921,0.0004972318,0.00000923215,0.000001031682,0.0000924567,0.02270642,0.0001085356,0.0000342962,0.95604,0.01426668,0.006227246],"study_design_scores_gemma":[0.0000143218,0.000008815258,0.002777549,0.0002398085,0.000003236047,0.0001544377,0.02147202,0.0005925465,0.0002004255,0.2906053,0.6839098,0.00002177002],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1616062,0.01804142,0.003363306,0.2922013,0.0005527625,0.00001622877,0.00008496102,0.0000333088,0.5241005],"genre_scores_gemma":[0.9479807,0.002177105,0.0004486139,0.005254791,0.0001636085,0.00001574558,0.00001116626,0.00002971919,0.04391843],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03492293,"threshold_uncertainty_score":0.07464045,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2318552137","doi":"10.1017/s1060150311000179","title":"CURRENT THINKING: ON TRANSATLANTIC VICTORIANISM","year":2011,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Romanticism; Enlightenment; Sublime; Subject (documents); History; Art history; Literature; Exhibition; Art; Philosophy; Epistemology","authors":[{"name":"John M. Picker","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0254059776179815,"gpt":0.2172718201242958,"spread":0.1918658425063143,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003854471,0.0002989791,0.0003736122,0.001556737,0.01092209,0.01213523,0.001820552,0.002961802,0.008059354],"category_scores_gemma":[0.007237846,0.000253738,0.0002348224,0.002302047,0.02006476,0.01038828,0.003574547,0.007777673,0.001508459],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.02127739,"about_ca_system_score_gemma":0.01872817,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1150291,"about_ca_topic_score_gemma":0.1977179,"domain_scores_codex":[0.9963678,0.001323178,0.0001165721,0.0005756487,0.001097639,0.0005192217],"domain_scores_gemma":[0.996511,0.001054585,0.0002217844,0.0002547365,0.001309258,0.0006486761],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001263876,0.00001421526,0.0003230911,0.0001522357,0.000004094776,0.0001394984,0.08636789,0.00003298053,0.0001671802,0.8473703,0.03793103,0.02748484],"study_design_scores_gemma":[0.000002742336,0.00001242103,0.0006906124,0.0008776124,0.000004013018,0.0001774152,0.05130676,0.00008502835,0.0001196874,0.06083726,0.8858727,0.00001379957],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"commentary","genre_scores_codex":[0.03303014,0.09192355,0.003340644,0.1979041,0.006002472,0.00002593075,0.00007435682,0.00005773566,0.6676411],"genre_scores_gemma":[0.7169067,0.0525136,0.001820541,0.03616427,0.002519622,0.00005003913,0.0001049457,0.0002280613,0.1896922],"genre_candidate":"commentary","genre_consensus":null,"teacher_disagreement_score":0.1150291,"threshold_uncertainty_score":0.2287191,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2015266895","doi":"10.1017/s1060150305000732","title":"UNNATURAL INTERBREEDING: H. G. WELLS'S<i>A MODERN UTOPIA</i>AS SPECIES AND GENRE","year":2005,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Ecocriticism and Environmental Literature","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Alberta","funders":"","keywords":"Utopia; Creatures; Analogy; Philosophy; Natural (archaeology); Literature; Art history; Epistemology; Art; History; Archaeology","authors":[{"name":"Harvey Quamen","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.00632992324769473,"gpt":0.1790834794541096,"spread":0.1727535562064149,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002177272,0.0004106017,0.0002587538,0.001187399,0.005892733,0.006223401,0.0006883269,0.002731498,0.004391421],"category_scores_gemma":[0.00377981,0.0002228543,0.0001443121,0.001019411,0.02241443,0.01123893,0.00266111,0.004022209,0.0008488699],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003681911,"about_ca_system_score_gemma":0.001918334,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01613142,"about_ca_topic_score_gemma":0.0363692,"domain_scores_codex":[0.9988968,0.0006520791,0.00002147747,0.0001413333,0.0001894913,0.00009884452],"domain_scores_gemma":[0.9978861,0.001312403,0.0001357995,0.0001694063,0.0002898028,0.0002064167],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001379075,0.00000682753,0.000228149,0.00004719157,0.000002247898,0.00007746037,0.02809414,0.00003691893,0.0000999341,0.8770742,0.08475894,0.009560227],"study_design_scores_gemma":[0.000005568326,0.000009184225,0.000444038,0.000250837,0.000002924535,0.0002174798,0.02002102,0.0001099558,0.0001330187,0.2953239,0.6834716,0.00001035138],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.02213929,0.1042531,0.004477177,0.5808659,0.0046448,0.00001636181,0.00007253341,0.00006784225,0.2834629],"genre_scores_gemma":[0.7040513,0.03695875,0.002527729,0.07763711,0.003609899,0.00004813526,0.00004226078,0.0002212354,0.1749036],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01613142,"threshold_uncertainty_score":0.03207505,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2017457967","doi":"10.1017/s1060150312000277","title":"DIVERTING THE DRUNKARD'S PATH: CHARTIST TEMPERANCE NARRATIVES","year":2013,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Historical Economic and Social Studies","field":"Economics, Econometrics and Finance","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Nipissing University","funders":"","keywords":"Wright; Narrative; Poverty; Unemployment; Sociology; History; Law; Law and economics; Political science; Economics; Art history; Art; Literature","authors":[{"name":"Rob Breton","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.008789221240190307,"gpt":0.1767043521299365,"spread":0.1679151308897462,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004971922,0.0005778367,0.0003888047,0.001289301,0.0283452,0.01281052,0.001514197,0.004136138,0.00333024],"category_scores_gemma":[0.006774934,0.0004319946,0.0002749657,0.001381892,0.05038548,0.01080362,0.006813592,0.007420392,0.0003945999],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01421368,"about_ca_system_score_gemma":0.003561001,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04468137,"about_ca_topic_score_gemma":0.05253847,"domain_scores_codex":[0.9939236,0.003849274,0.00008545045,0.0004616332,0.0007227737,0.0009572695],"domain_scores_gemma":[0.9975492,0.00124045,0.0003101549,0.000153342,0.0002626878,0.0004841719],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001796967,0.000009919969,0.0003851486,0.00001422171,0.000002035945,0.0003328578,0.8064514,0.00003914898,0.0001181395,0.1854771,0.005279492,0.001872535],"study_design_scores_gemma":[0.000008900478,0.00002330472,0.0009453589,0.0002145464,0.000006053754,0.000308075,0.7086766,0.0002104558,0.0002979531,0.03347904,0.2557875,0.00004221748],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5948867,0.008016271,0.004254266,0.05561034,0.001008709,0.00006191797,0.00009352902,0.0001426214,0.3359257],"genre_scores_gemma":[0.9848281,0.0006650651,0.0002765107,0.002048704,0.00006104471,0.00001826126,0.00001406125,0.0000527078,0.01203554],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.04468137,"threshold_uncertainty_score":0.1031279,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2489387897","doi":"10.1017/s1060150315000649","title":"JEKYLL AND HYDE, INC.: LIMITED LIABILITY, COMPANIFICATION, AND GOTHIC SUBJECTIVITY","year":2016,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Legal principles and applications","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Northern British Columbia","funders":"","keywords":"Corporation; Limited liability; Power (physics); Law; Subjectivity; Liability; Parliament; Drama; Speculation; Sociology; Political science; Economics; Finance; Politics; Art; Literature","authors":[{"name":"Kristen Guest","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.009456527145270328,"gpt":0.2628297726419514,"spread":0.2533732454966811,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001030379,0.0002861884,0.0001948033,0.0007323885,0.007608198,0.006609576,0.000518178,0.002994449,0.006773734],"category_scores_gemma":[0.001881855,0.0002407365,0.0001122954,0.0006988791,0.01917635,0.004556732,0.002783199,0.004627688,0.001163942],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005738528,"about_ca_system_score_gemma":0.003334044,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02699297,"about_ca_topic_score_gemma":0.05788665,"domain_scores_codex":[0.9992556,0.0003231338,0.00002791591,0.00009937491,0.000175724,0.0001182833],"domain_scores_gemma":[0.9994876,0.0002683848,0.00004898775,0.00005318484,0.00007088806,0.00007089969],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000009138716,0.000009940496,0.0001591458,0.00004693881,0.000001805247,0.0001652736,0.02572301,0.00002982415,0.00007431918,0.8629362,0.09573594,0.01510834],"study_design_scores_gemma":[0.000002792673,0.000004974343,0.0003892131,0.00025336,0.000001729115,0.0001446106,0.007965449,0.00003677547,0.0001019699,0.0487165,0.9423758,0.000006735044],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.01508802,0.1118437,0.001195221,0.1418646,0.003842535,0.00002048501,0.00005404737,0.00005404376,0.7260375],"genre_scores_gemma":[0.3818413,0.04147261,0.0008542358,0.02837705,0.002593872,0.00005700141,0.00003935714,0.000148302,0.5446162],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.02699297,"threshold_uncertainty_score":0.05367172,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2089123909","doi":"10.1017/s1060150309090317","title":"THE TRAGIC MULATTA PLAYS THE TRAGIC MUSE","year":2009,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Short Stories in Global Literature","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Declaration of independence; Independence (probability theory); HERO; Declaration; History; Art; Literature; Law; Political science; Politics","authors":[{"name":"Kimberly Snyder Manganelli","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.006555002324222295,"gpt":0.2058941881773585,"spread":0.1993391858531362,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008569595,0.0004664333,0.0002814799,0.0006916935,0.03169221,0.006251343,0.000691946,0.001623215,0.009421877],"category_scores_gemma":[0.001665445,0.0002505479,0.0001926429,0.0006036331,0.0145687,0.002752171,0.005434101,0.003948605,0.001211193],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008204096,"about_ca_system_score_gemma":0.003383804,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.05234251,"about_ca_topic_score_gemma":0.2589318,"domain_scores_codex":[0.999153,0.0003555117,0.000009414891,0.00006630286,0.0001001972,0.0003155913],"domain_scores_gemma":[0.9994072,0.0001577483,0.00005747595,0.00004560867,0.00006710673,0.0002650152],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004494446,0.00002602694,0.001060015,0.0001141027,0.00001080579,0.001246378,0.63995,0.00005126405,0.0005016659,0.1450278,0.1918421,0.02012484],"study_design_scores_gemma":[0.000002679802,0.0000146222,0.00119754,0.0002328277,0.000005237728,0.0006196924,0.1667341,0.00002116852,0.0001820805,0.003043625,0.8279352,0.00001123364],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1670689,0.02668303,0.0009430454,0.05949101,0.002493217,0.00004495596,0.0001393288,0.0001347082,0.7430018],"genre_scores_gemma":[0.6983717,0.00399861,0.0004945364,0.006264606,0.0003952111,0.00004536042,0.00004685418,0.0001479674,0.2902351],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.05234251,"threshold_uncertainty_score":0.1040757,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2170237063","doi":"10.1017/s1060150308080364","title":"KITTENS AND KITCHENS: FOOD, GENDER, AND<i>THE TALE OF SAMUEL WHISKERS</i>","year":2008,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Queen's University","funders":"","keywords":"Decorum; Creatures; Literature; Deference; Art; History; Aesthetics; Psychology","authors":[{"name":"Heather A. Evans","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01666774762580982,"gpt":0.2032793713461103,"spread":0.1866116237203004,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009595352,0.0004211907,0.0002395562,0.0007089562,0.009892869,0.005805715,0.0006766453,0.001398786,0.005300075],"category_scores_gemma":[0.001263056,0.0002411327,0.0001356536,0.0007024837,0.02133119,0.002896486,0.0030001,0.001671959,0.0006218247],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003403429,"about_ca_system_score_gemma":0.001334295,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04936306,"about_ca_topic_score_gemma":0.1317906,"domain_scores_codex":[0.9991948,0.0004853363,0.00001075901,0.00006451937,0.00008029673,0.0001643809],"domain_scores_gemma":[0.9995266,0.0002071666,0.00007839472,0.00002269652,0.00004770759,0.0001174166],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006218741,0.00003958082,0.003448707,0.0001148815,0.000009491889,0.0006358015,0.7829982,0.00005161913,0.0003706818,0.1646646,0.02819789,0.01940643],"study_design_scores_gemma":[0.000006335688,0.00003697938,0.00844309,0.000383879,0.000007680248,0.0004536369,0.6819152,0.00003887673,0.0002380283,0.0169267,0.2915297,0.00001986985],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3187957,0.03992298,0.0008967513,0.03874455,0.0006745783,0.00002039437,0.00008670488,0.00003457817,0.6008239],"genre_scores_gemma":[0.9257795,0.00380234,0.0002299598,0.002041374,0.00007728193,0.00001581921,0.00001486457,0.00003066587,0.06800834],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.04936306,"threshold_uncertainty_score":0.09815145,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2018407685","doi":"10.1017/s1060150304000518","title":"“THE USUAL SAD CATASTROPHE”: FROM THE STREET TO THE PARLOR IN<i>ADAM BEDE</i>","year":2004,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of New Brunswick","funders":"","keywords":"Politics; Literature; Symbol (formal); Girl; Art; Narrative; History; Hyperbole; Criticism; Art history; Philosophy; Metaphor; Law; Psychology","authors":[{"name":"Miriam Jones","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.007837626866638392,"gpt":0.2001336058950559,"spread":0.1922959790284175,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009396999,0.0007899427,0.0003553129,0.0005307814,0.02234535,0.006131129,0.001159753,0.004551762,0.009035863],"category_scores_gemma":[0.004031953,0.0004771074,0.0003156135,0.0003315604,0.01485769,0.006464041,0.005725296,0.01263295,0.002165183],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00434244,"about_ca_system_score_gemma":0.002193609,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0247529,"about_ca_topic_score_gemma":0.04698626,"domain_scores_codex":[0.9981305,0.001176041,0.00002624525,0.0001723234,0.0001958858,0.0002990026],"domain_scores_gemma":[0.9991183,0.0001901148,0.0001083778,0.00005328751,0.0002150323,0.0003149757],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006591789,0.00003960938,0.0007738514,0.0001378726,0.00001193978,0.00472851,0.4075566,0.00005735441,0.000564918,0.07172824,0.5046309,0.009704227],"study_design_scores_gemma":[0.000009172235,0.0000314488,0.0009546466,0.0002597301,0.000005167646,0.00198782,0.3677609,0.00006458797,0.0002303672,0.004591184,0.624081,0.0000239887],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.1197057,0.01771716,0.002699543,0.492864,0.01430488,0.0001144172,0.0002157822,0.0003459143,0.3520326],"genre_scores_gemma":[0.7698278,0.005442703,0.0009487767,0.07413708,0.00265525,0.0001080434,0.0001424829,0.0003370122,0.1464008],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.0247529,"threshold_uncertainty_score":0.0492177,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2141453481","doi":"10.1017/s1060150312000289","title":"IMITATION FICTION: PIRATE CITINGS IN ROBERT LOUIS STEVENSON'S<i>TREASURE ISLAND</i>","year":2013,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Treasure; Ideology; Democracy; Imitation; Intellectual property; History; Law; Popular culture; Literature; Art history; Art; Political science; Politics","authors":[{"name":"Monica F. Cohen","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.008919633895416852,"gpt":0.1881485157989838,"spread":0.179228881903567,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00239837,0.0004682625,0.0004578175,0.002484233,0.02304234,0.007970964,0.001295103,0.005298775,0.005450327],"category_scores_gemma":[0.0138995,0.0003063286,0.000301601,0.001493331,0.0131889,0.005067188,0.004126272,0.005941024,0.001217654],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004444808,"about_ca_system_score_gemma":0.001649036,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01723206,"about_ca_topic_score_gemma":0.054772,"domain_scores_codex":[0.9977047,0.001154232,0.0000660088,0.0002204933,0.0006541325,0.0002004852],"domain_scores_gemma":[0.9934982,0.004743924,0.0004760811,0.0003942698,0.0006003511,0.0002871779],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004929779,0.00004279636,0.001545894,0.0001478666,0.00001893711,0.004850946,0.5326999,0.0001129997,0.0005495039,0.2775809,0.1555192,0.02688179],"study_design_scores_gemma":[0.00001079569,0.00002487345,0.002256537,0.0005307763,0.00002573455,0.002072374,0.1068568,0.0003278097,0.0009267148,0.01816652,0.8687585,0.00004251056],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2026362,0.01711799,0.002229276,0.1032853,0.005354237,0.00003706954,0.00008889035,0.0002098521,0.6690411],"genre_scores_gemma":[0.8483892,0.003593064,0.0005582115,0.01214567,0.002254778,0.00003226174,0.0000388655,0.000230598,0.1327572],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02304234,"threshold_uncertainty_score":0.03426349,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2109082858","doi":"10.1017/s1060150314000540","title":"“SAVING BRITISH NATIVES”: FAMILY EMIGRATION AND THE LOGIC OF SETTLER COLONIALISM IN CHARLES DICKENS AND CAROLINE CHISHOLM","year":2015,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Postcolonial and Cultural Literary Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Empire; Colonialism; Destiny (ISS module); History; British Empire; Emigration; Narrative; Creole language; Politics; White (mutation); Negotiation; Sociology; Literature; Art; Ancient history; Political science; Law; Archaeology; Philosophy; Social science","authors":[{"name":"Terra Walston Joseph","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01535103287748574,"gpt":0.2122603022055032,"spread":0.1969092693280174,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002386971,0.0002449149,0.0002689927,0.0007678073,0.01770564,0.004761855,0.0007819415,0.001946683,0.003147792],"category_scores_gemma":[0.003286091,0.0002429832,0.000115795,0.0008199723,0.0261755,0.002688761,0.002721934,0.002990034,0.0002714213],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00988258,"about_ca_system_score_gemma":0.005065155,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.2470696,"about_ca_topic_score_gemma":0.3971795,"domain_scores_codex":[0.9984591,0.001037981,0.00002692195,0.00008740098,0.0001309061,0.0002576392],"domain_scores_gemma":[0.9989488,0.0006149981,0.00005940901,0.00005389746,0.0001639411,0.0001589355],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003137091,0.00002201812,0.0009516382,0.00008351857,0.000006738794,0.0009563952,0.6341609,0.00005639192,0.0001314804,0.3106129,0.03522708,0.01775947],"study_design_scores_gemma":[0.00001319469,0.0000249968,0.00363368,0.0006265856,0.00000833863,0.0006236079,0.2803481,0.0001161594,0.0001100234,0.03354414,0.6809211,0.00003007929],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2243037,0.1029114,0.001478382,0.1690195,0.002636435,0.00003847745,0.00003935011,0.00004081822,0.499532],"genre_scores_gemma":[0.9214566,0.01483743,0.0003557289,0.008664368,0.0003849756,0.00002497225,0.000008321073,0.0000332675,0.05423435],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.2470696,"threshold_uncertainty_score":0.491263,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2087196170","doi":"10.1017/s1060150303000184","title":"“POPISH LEGENDS AND BIBLE TRUTHS”: ENGLISH PROTESTANT IDENTITY IN CATHERINE SINCLAIR'S <i>Beatrice</i>","year":2003,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Irish and British Studies","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Western University","funders":"","keywords":"Bishops; Protestantism; Irish; History; Synod; Heresy; Independence (probability theory); English Reformation; Settlement (finance); Archbishop; Hierarchy; Law; Classics; Theology; Religious studies; Philosophy; Political science","authors":[{"name":"Gabrielle Ceraldi","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.005463901858743807,"gpt":0.2535185798568428,"spread":0.248054677998099,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003142791,0.0003727352,0.0003546804,0.001068302,0.02313019,0.008861629,0.0007560033,0.002019695,0.003787375],"category_scores_gemma":[0.004643604,0.0003847756,0.0001076744,0.0007603297,0.02301683,0.002936741,0.004686004,0.00503835,0.0007416055],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005034646,"about_ca_system_score_gemma":0.002395344,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04187244,"about_ca_topic_score_gemma":0.09938025,"domain_scores_codex":[0.9974299,0.001602623,0.0000627415,0.0001627335,0.000383535,0.0003583961],"domain_scores_gemma":[0.9979724,0.0007703473,0.000281343,0.00009576952,0.0003471284,0.0005329184],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002390684,0.00002247305,0.0005543131,0.00004145435,0.000002908638,0.0005583818,0.79376,0.00002204555,0.0002473598,0.1385175,0.05960533,0.006644207],"study_design_scores_gemma":[0.000008762782,0.00002600095,0.001633618,0.0001650007,0.000002727834,0.0003741622,0.2407197,0.00006818142,0.0002156783,0.003998615,0.7527661,0.00002143661],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2505425,0.01826962,0.001272809,0.1466121,0.005689295,0.00005493234,0.0001068867,0.0001090765,0.5773427],"genre_scores_gemma":[0.9074756,0.002193536,0.0003458029,0.01398139,0.000954827,0.00001867253,0.00002121031,0.0001153387,0.07489367],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.04187244,"threshold_uncertainty_score":0.08325744,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2804876819","doi":"10.1017/s1060150318000025","title":"GEORGE EGERTON'S<i>KEYNOTES</i>: FOOD AND FEMINISM AT THE<i>FIN DE SIÈCLE</i>","year":2018,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Literature: history, themes, analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Queen's University","funders":"","keywords":"Praise; Passions; Feminism; Epigraph; Fin de siecle; Literature; George (robot); Exaggeration; Dandy; Decadence; History; Art; Sociology; Art history; Psychoanalysis; Psychology; Gender studies","authors":[{"name":"Sharon Cameron","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.007234078983628518,"gpt":0.1917367068956229,"spread":0.1845026279119943,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006231786,0.0005566236,0.0002365396,0.0008799076,0.003179075,0.004279025,0.0004823499,0.001488425,0.01290606],"category_scores_gemma":[0.001578584,0.0001958436,0.0001569366,0.0007563957,0.002697454,0.002632538,0.001297749,0.002838556,0.002224226],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003401169,"about_ca_system_score_gemma":0.001553401,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01472081,"about_ca_topic_score_gemma":0.03503603,"domain_scores_codex":[0.9996118,0.0001370867,0.000007515957,0.00005257977,0.0001239927,0.00006704434],"domain_scores_gemma":[0.9995496,0.000230968,0.00004225256,0.00002287165,0.00008667356,0.00006764895],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003213252,0.000008343955,0.0001755947,0.0001701711,0.00000301642,0.0002485941,0.00882971,0.00002789084,0.0004762628,0.06839743,0.8964663,0.02516466],"study_design_scores_gemma":[8.037147e-7,0.000003987407,0.0002716975,0.0001644171,0.000001039527,0.00006453146,0.00189133,0.000004385395,0.0001714461,0.0009176667,0.9965061,0.000002623936],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01342782,0.2277475,0.001495913,0.1766491,0.05896521,0.00004565029,0.0002833065,0.0001849568,0.5212006],"genre_scores_gemma":[0.1606527,0.06299157,0.0008444643,0.03487247,0.01075978,0.00005622928,0.0001236627,0.0004149869,0.729284],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01472081,"threshold_uncertainty_score":0.0431751,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2274563491","doi":"10.1017/s1060150315000273","title":"STATISTICAL CRITICISM AND THE EMINENT MAN IN FRANCIS GALTON'S<i>HEREDITARY GENIUS</i>","year":2015,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Philosophy and History of Science","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"MacEwan University","funders":"","keywords":"Galton's problem; Eugenics; Heredity; Genius; Genealogy; Nature versus nurture; Sociology; Reproduction; Criticism; Power (physics); Cartoonist; History; Epistemology; Environmental ethics; Law; Anthropology; Philosophy; Biology; Political science; Art history; Computer science; Genetics; Politics","authors":[{"name":"Sherrin Berezowsky","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01573528693978603,"gpt":0.209123713453338,"spread":0.193388426513552,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.07070499,0.0006123378,0.001021883,0.00406644,0.007226124,0.009045416,0.003610978,0.00863292,0.002574382],"category_scores_gemma":[0.1830685,0.0006045299,0.0006331275,0.003827695,0.05981368,0.01011771,0.004711878,0.01843442,0.0009295236],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007233784,"about_ca_system_score_gemma":0.005599717,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007355235,"about_ca_topic_score_gemma":0.007060726,"domain_scores_codex":[0.949405,0.03638624,0.001302876,0.003237648,0.008926117,0.0007421987],"domain_scores_gemma":[0.720238,0.2504632,0.003727153,0.006634583,0.01629933,0.002637777],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00003915895,0.00000983804,0.0006286551,0.00007736019,0.00002109954,0.0001228043,0.005003624,0.0002274068,0.00004864819,0.6720838,0.3011029,0.0206346],"study_design_scores_gemma":[0.00001833634,0.00001800519,0.0006453462,0.0005805507,0.00001106073,0.00015988,0.001718488,0.000794948,0.0001335204,0.4774658,0.5184113,0.00004260246],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.001138839,0.01625885,0.005979162,0.9554793,0.01023643,0.000007015556,0.00003777651,0.00005478108,0.01080779],"genre_scores_gemma":[0.1813052,0.02145414,0.01409052,0.6493655,0.1031066,0.0001918403,0.00009783381,0.0007697324,0.02961862],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9927739,"threshold_uncertainty_score":0.3739282,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2107487433","doi":"10.1017/s1060150311000180","title":"REVOLUTIONIZING ELIZABETH BARRETT BROWNING: A REVIEW OF <i>THE COMPLETE WORKS OF ELIZABETH BARRETT BROWNING</i>","year":2011,"lang":"en","type":"review","venue":"Victorian Literature and Culture","topic":"Digital Humanities and Scholarship","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Victoria","funders":"","keywords":"Sonnet; Estate; Poetry; Hymn; Ephemera; History; Literature; Reading (process); Narrative; Art; Browning; Art history; Philosophy; Law; Political science; Linguistics","authors":[{"name":"Alison Chapman","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05144016432201099,"gpt":0.2523861226826565,"spread":0.2009459583606455,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003756786,0.0006679078,0.0005677606,0.003913714,0.003435133,0.007058339,0.001363443,0.002157441,0.009244574],"category_scores_gemma":[0.008773508,0.00042087,0.0002919312,0.004944799,0.005588285,0.005259804,0.00327703,0.004049087,0.005683424],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005687444,"about_ca_system_score_gemma":0.007398884,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02452014,"about_ca_topic_score_gemma":0.05102605,"domain_scores_codex":[0.9967068,0.001037308,0.0002018675,0.0002737598,0.00153467,0.0002456393],"domain_scores_gemma":[0.9942082,0.002391948,0.0003719737,0.0002661065,0.002129316,0.0006323287],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002451037,0.00002194055,0.000199276,0.00263022,0.00001438105,0.0001769006,0.005022549,0.00006194855,0.0004448728,0.02525995,0.7852451,0.1808984],"study_design_scores_gemma":[3.577923e-7,0.000002057041,0.0001324406,0.0007360753,0.000001649923,0.00005398558,0.0003238298,0.000001773578,0.00003372794,0.0002128326,0.9984982,0.00000301161],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.0005410857,0.9202437,0.0004300783,0.02802506,0.009530913,0.00001598039,0.00003006202,0.00003418501,0.04114889],"genre_scores_gemma":[0.007657079,0.8915467,0.001108962,0.02520406,0.006979457,0.00005849269,0.00008052931,0.0001862674,0.0671785],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.02452014,"threshold_uncertainty_score":0.04875481,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2293244368","doi":"10.1017/s106015031500042x","title":"“THE BLOOD OF OUR POOR PEOPLE”: 1848, INCIPIENT NATIONAL IDENTITY, AND THE FRENCH REVOLUTION IN ANTHONY TROLLOPE'S<i>LA VENDÉE</i>","year":2016,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Irish and British Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Victoria","funders":"","keywords":"Royalist; Irish; History; Context (archaeology); Nationalism; National identity; Population; Sovereignty; Politics; Political science; Economic history; Law; Sociology","authors":[{"name":"Patricia Cove","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.005348146245741141,"gpt":0.2604907713962951,"spread":0.255142625150554,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001845203,0.0003272684,0.0003117444,0.0008481168,0.01460753,0.005895765,0.0007758969,0.00267669,0.00324562],"category_scores_gemma":[0.001739074,0.0002291521,0.0002068325,0.0008301542,0.01684394,0.002928883,0.002985096,0.004325431,0.0003675307],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01647142,"about_ca_system_score_gemma":0.003923062,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.3351404,"about_ca_topic_score_gemma":0.4234405,"domain_scores_codex":[0.9982443,0.000928594,0.00002027433,0.0001017288,0.0001430577,0.0005621759],"domain_scores_gemma":[0.9993691,0.0002931745,0.00009655374,0.00002094689,0.00008106816,0.000139284],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006596973,0.00003003359,0.002995387,0.00009161908,0.00001037869,0.001291999,0.7667161,0.00006900375,0.0001716826,0.1280069,0.0819016,0.01864934],"study_design_scores_gemma":[0.000008965049,0.00003506148,0.00706169,0.0003934729,0.000006941819,0.0004153965,0.2286789,0.00003287492,0.00008328583,0.004107109,0.7591482,0.00002806144],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.3565637,0.08336315,0.0003791238,0.3016564,0.001937761,0.000029614,0.0001647673,0.0000376783,0.2558677],"genre_scores_gemma":[0.9054808,0.009593045,0.000182593,0.02823924,0.0008678525,0.00002754758,0.00003595664,0.00004086337,0.05553207],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3351404,"threshold_uncertainty_score":0.6663794,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2939466579","doi":"10.1017/s1060150319000068","title":"Having It Both Ways with Erving Goffman","year":2019,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Cross-Cultural and Social Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Sociology; Ethnography; Reading (process); Presentation (obstetrics); Psychoanalysis; Period (music); Identity (music); Media studies; Gender studies; Psychology; Aesthetics; Anthropology; Art; Law","authors":[{"name":"John Plotz","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.007122416214484659,"gpt":0.2512378305818561,"spread":0.2441154143673714,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003178935,0.0007489132,0.0008030239,0.001760593,0.007954677,0.006937857,0.001340765,0.005307806,0.007747314],"category_scores_gemma":[0.01240757,0.0003456804,0.0003683378,0.001430746,0.0149274,0.01014879,0.003785425,0.01297469,0.003764108],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004676648,"about_ca_system_score_gemma":0.005534446,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0178542,"about_ca_topic_score_gemma":0.02931589,"domain_scores_codex":[0.9964743,0.001397392,0.00008867846,0.0005764774,0.001184319,0.0002787186],"domain_scores_gemma":[0.9946421,0.002386313,0.0002902668,0.0002605924,0.00145587,0.0009647385],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001401304,0.0000181858,0.0002538135,0.00004877454,0.000005056452,0.0001083268,0.003351392,0.00002094319,0.00004888472,0.07795547,0.9010136,0.01716155],"study_design_scores_gemma":[0.000004594015,0.000006985869,0.0001874649,0.0002836479,0.000001937524,0.0001494183,0.002446592,0.00002254309,0.0000569705,0.02556712,0.9712606,0.00001218437],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"other","genre_scores_codex":[0.001296458,0.05003047,0.000786366,0.8997412,0.01646893,0.000008218148,0.00003850683,0.00004977996,0.03158007],"genre_scores_gemma":[0.05593874,0.06001391,0.002535858,0.7014387,0.02213074,0.0001041048,0.00008784295,0.0003203734,0.1574298],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.0178542,"threshold_uncertainty_score":0.03550053,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2114094759","doi":"10.1017/s1060150314000552","title":"SELF-MADE MAIDS: BRITISH EMIGRATION TO THE PACIFIC RIM AND SELF-HELP NARRATIVES","year":2015,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Australian History and Society","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"University of Guelph","funders":"","keywords":"Colonialism; Emigration; Narrative; HERO; History; Rhetoric; Sociology; Gender studies; Literature; Art; Archaeology","authors":[{"name":"Melissa Walker","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01033375661410958,"gpt":0.2482277030804573,"spread":0.2378939464663477,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00226307,0.0005458921,0.0004367774,0.001326189,0.02927255,0.009048125,0.0018029,0.002745565,0.004612264],"category_scores_gemma":[0.004325,0.0004916075,0.0001652028,0.002588315,0.01935221,0.004713772,0.009298339,0.006288528,0.0006646142],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01460912,"about_ca_system_score_gemma":0.008950107,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.3700975,"about_ca_topic_score_gemma":0.549316,"domain_scores_codex":[0.9980562,0.0008714615,0.00004731553,0.0001259807,0.0003061388,0.0005929338],"domain_scores_gemma":[0.997743,0.0007569814,0.000191099,0.0001044412,0.0004090907,0.0007953748],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00001180744,0.000009171347,0.0004957901,0.0000283427,0.000001404323,0.0005993688,0.9861437,0.000008429742,0.00009339781,0.008653762,0.002504161,0.001450603],"study_design_scores_gemma":[0.000001700884,0.000009428628,0.001485605,0.0001302223,0.000002576452,0.0002422223,0.8924707,0.00003020118,0.00007819102,0.0008989952,0.1046377,0.00001239022],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7450311,0.004543026,0.0004613351,0.01650878,0.000351523,0.0000405372,0.00007680338,0.00004642381,0.2329404],"genre_scores_gemma":[0.959677,0.002625257,0.0002467717,0.002263926,0.00004812598,0.00003703386,0.00005121723,0.00005668128,0.03499387],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3700975,"threshold_uncertainty_score":0.7358866,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2749296020","doi":"10.1017/s1060150317000092","title":"WORKING-CLASS SUBJECTIVITY IN MARGARET HARKNESS'S<i>A CITY GIRL</i>","year":2017,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Girl; Subjectivity; Watson; Sociology; Gender studies; History; Art; Psychology; Philosophy","authors":[{"name":"Tabitha Sparks","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02095403763272711,"gpt":0.2335322761656412,"spread":0.2125782385329141,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001828457,0.0004653076,0.0003965302,0.0006003378,0.01981063,0.009236538,0.001079425,0.002118171,0.007978516],"category_scores_gemma":[0.0022046,0.0004423028,0.0002140393,0.0005554532,0.01968639,0.002710106,0.006064632,0.003927529,0.001196937],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006244712,"about_ca_system_score_gemma":0.0019984,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01791917,"about_ca_topic_score_gemma":0.04180188,"domain_scores_codex":[0.9980478,0.001111736,0.00003616503,0.0002193613,0.0002213778,0.0003634924],"domain_scores_gemma":[0.9986938,0.0004812533,0.0001899802,0.00007583385,0.0001120601,0.0004471601],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005404217,0.00002890471,0.001070431,0.0000711903,0.000005746182,0.001287923,0.844542,0.00004196004,0.000682054,0.1048817,0.04279787,0.004536184],"study_design_scores_gemma":[0.000007272505,0.0000278068,0.001851462,0.0001591454,0.000004653271,0.0008725725,0.2823009,0.0000307562,0.00035446,0.002915992,0.7114531,0.00002188947],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4409395,0.01025517,0.001485041,0.04833486,0.002130528,0.00004839024,0.0001616874,0.0001502205,0.4964946],"genre_scores_gemma":[0.8886924,0.001297699,0.0002788648,0.003156868,0.0003753506,0.00005930618,0.00003682752,0.0002489375,0.1058539],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01981063,"threshold_uncertainty_score":0.04530871,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4241973088","doi":"10.1017/s1060150309990465","title":"VICTORIANS LIVE","year":2010,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Postcolonial and Cultural Literary Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Decadence; Aestheticism; Afterlife; Art history; Art; History; Literature","authors":[{"name":"Herbert Sussman","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.004924758357635957,"gpt":0.1869747707352058,"spread":0.1820500123775698,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007852396,0.0002735922,0.0002688679,0.0005586761,0.01344036,0.005052581,0.0006995125,0.001370033,0.1015846],"category_scores_gemma":[0.001754719,0.000354131,0.0002218699,0.0007931439,0.002319935,0.002544565,0.004109364,0.002891234,0.01470244],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01094119,"about_ca_system_score_gemma":0.01282402,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.3187636,"about_ca_topic_score_gemma":0.7154782,"domain_scores_codex":[0.9987249,0.0001897317,0.00002630409,0.0001221895,0.0004804153,0.0004564907],"domain_scores_gemma":[0.9989032,0.00005806973,0.00003849124,0.00005372298,0.0003836468,0.0005629414],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005460382,0.00005116626,0.002048907,0.0002486788,0.00001079044,0.0005758619,0.04345547,0.0000598459,0.001213558,0.1314149,0.7110282,0.109838],"study_design_scores_gemma":[7.207133e-7,0.000002678873,0.000605198,0.00003426895,6.76357e-7,0.00003753936,0.003102664,0.000006283102,0.00003207551,0.0005972813,0.9955773,0.000003278207],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.01701915,0.006744008,0.0004076414,0.01760557,0.001722052,0.0000525045,0.0005200741,0.00007199253,0.9558569],"genre_scores_gemma":[0.03836874,0.001641584,0.0002348212,0.00287778,0.00006873476,0.00001992571,0.0001308927,0.00008798196,0.9565694],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.3187636,"threshold_uncertainty_score":0.6338165,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4404086028","doi":"10.1017/s1060150323000967","title":"Climate Period. Punctuation as Infrastructure","year":2024,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Water Governance and Infrastructure","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Carleton University","funders":"","keywords":"Punctuation; Period (music); Climatology; Computer science; Geology; Artificial intelligence; Art","authors":[{"name":"Barbara Leckie","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.003097236830820086,"gpt":0.2537615208134955,"spread":0.2506642839826754,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002224903,0.0002217527,0.0002272292,0.001238503,0.004224795,0.006518971,0.0007513801,0.001207857,0.005566115],"category_scores_gemma":[0.006098608,0.0002444448,0.0002654195,0.002933127,0.01771897,0.00613088,0.004833383,0.002301426,0.0005231106],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00905725,"about_ca_system_score_gemma":0.004747896,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03028385,"about_ca_topic_score_gemma":0.04686658,"domain_scores_codex":[0.9978964,0.001064457,0.00009961695,0.0002151872,0.0003480367,0.0003762645],"domain_scores_gemma":[0.9965539,0.001567076,0.0007618319,0.0003322989,0.0003821478,0.0004026856],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002207524,0.000007303711,0.001629765,0.0001252296,0.000004480609,0.00007971124,0.02342393,0.0002417787,0.0001345205,0.9608825,0.002290931,0.01115771],"study_design_scores_gemma":[0.00001305009,0.00005404462,0.015995,0.0008339002,0.00002324452,0.0002597909,0.04514785,0.0006693631,0.0004640591,0.4649051,0.4715799,0.00005484117],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1186967,0.01994271,0.01560151,0.05190122,0.001389688,0.0000769648,0.0003656127,0.0001092013,0.7919165],"genre_scores_gemma":[0.9831682,0.002579266,0.001079145,0.001399088,0.0001528159,0.00003163363,0.0000351017,0.00006321591,0.01149152],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03028385,"threshold_uncertainty_score":0.06571525,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4404086424","doi":"10.1017/s1060150323000876","title":"Urban Transportation and London's Imagined Infrastructure","year":2024,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Urban Design and Spatial Analysis","field":"Engineering","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"York University","funders":"","keywords":"Regional science; Transport engineering; Geography; History; Business; Engineering","authors":[{"name":"Tina Young Choi","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.001279031067493334,"gpt":0.1590629743159427,"spread":0.1577839432484494,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006695288,0.000401509,0.0001446697,0.001231014,0.004241869,0.01188213,0.0008103653,0.001562967,0.008563835],"category_scores_gemma":[0.001596206,0.00041795,0.0002357239,0.001340593,0.02001366,0.004322446,0.003572119,0.001290512,0.001632549],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01509051,"about_ca_system_score_gemma":0.004031802,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.09259261,"about_ca_topic_score_gemma":0.1335789,"domain_scores_codex":[0.998847,0.0006682585,0.00003555437,0.0001265574,0.0001442268,0.0001783667],"domain_scores_gemma":[0.9994362,0.00018248,0.00007346812,0.0001216907,0.00008820731,0.00009789692],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000007561885,0.000002311574,0.0002776141,0.00003294902,0.000002296838,0.0001365656,0.012267,0.0004187756,0.00007985326,0.9806705,0.003617017,0.002487674],"study_design_scores_gemma":[0.00001768549,0.00001803009,0.0009820642,0.0002831794,0.00001083073,0.0003305319,0.03228483,0.001220634,0.0001861527,0.2131452,0.7514863,0.00003462017],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.05412234,0.006407462,0.009838862,0.02173554,0.0002125492,0.00002410712,0.0002918065,0.0001029689,0.9072644],"genre_scores_gemma":[0.9018558,0.002757059,0.002920867,0.0007925906,0.0000579755,0.00004632059,0.0001204556,0.00009371895,0.0913552],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.09259261,"threshold_uncertainty_score":0.1841073,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4285176054","doi":"10.1017/s1060150320000406","title":"Becoming What You Eat: Anna Kingsford's Vegetarian Posthuman","year":2022,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Lethbridge","funders":"","keywords":"Posthuman; Posthumanism; Subjectivity; Materiality (auditing); Sociology; Materialism; Aesthetics; Technoscience; Rhetoric; Environmental ethics; Epistemology; Philosophy; Social science","authors":[{"name":"Natasha Rebry Coulthard","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01258286427210277,"gpt":0.2794203296666081,"spread":0.2668374653945054,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002121607,0.0001913813,0.0002248079,0.0007179449,0.0121015,0.004955593,0.0006964725,0.002182325,0.001824638],"category_scores_gemma":[0.002410435,0.000225071,0.0001296459,0.0007323027,0.02542904,0.003763128,0.003746923,0.003227217,0.0002920008],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01118639,"about_ca_system_score_gemma":0.004834484,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.09392441,"about_ca_topic_score_gemma":0.1939241,"domain_scores_codex":[0.9985796,0.0007754434,0.00003250748,0.0001216639,0.0002845032,0.0002063227],"domain_scores_gemma":[0.9983268,0.0009952462,0.0001413188,0.0000930864,0.0002416784,0.0002018911],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002234101,0.00002061161,0.0007039866,0.000117658,0.000005615813,0.0003635911,0.5570005,0.00007142736,0.0005936722,0.4018336,0.02157941,0.01768773],"study_design_scores_gemma":[0.000002624643,0.0000137079,0.00169791,0.0002418908,0.000006328849,0.0003365246,0.09624486,0.0001115951,0.0004051824,0.04486831,0.8560457,0.00002533561],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3370187,0.06902536,0.006110709,0.2069255,0.001902628,0.00002946774,0.00006607179,0.00008672144,0.3788349],"genre_scores_gemma":[0.9225214,0.00920932,0.001587751,0.00990522,0.0001838902,0.0000141724,0.00001230201,0.0000616005,0.05650438],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.09392441,"threshold_uncertainty_score":0.1867554,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4404086141","doi":"10.1017/s1060150323000980","title":"An Empire of Red Weed: Environmental Infrastructure in H. G. Wells's <i>The War of the Worlds</i>","year":2024,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Ecocriticism and Environmental Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Empire; Weed; Ancient history; History; Agronomy; Biology","authors":[{"name":"Martyn J. Bowden","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.002685041151969263,"gpt":0.176518173049394,"spread":0.1738331318974247,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006845816,0.0002231966,0.0001412102,0.0006363543,0.007326429,0.005577064,0.0004980633,0.001663334,0.003367762],"category_scores_gemma":[0.001056987,0.000250456,0.000121137,0.000727033,0.02696212,0.003416276,0.00293319,0.002527228,0.0003833482],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01005705,"about_ca_system_score_gemma":0.004136028,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.103912,"about_ca_topic_score_gemma":0.2100756,"domain_scores_codex":[0.999338,0.0002740765,0.000009313657,0.00007012723,0.0001336023,0.0001749541],"domain_scores_gemma":[0.9995573,0.0002092914,0.00004155567,0.00003835889,0.00005844912,0.00009493536],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001677566,0.000007541735,0.0002462676,0.00004813414,0.000002541327,0.0003225369,0.07610629,0.0002139657,0.0003544058,0.8942758,0.02033331,0.008072357],"study_design_scores_gemma":[0.000008178902,0.00001723345,0.0009281613,0.0001610698,0.000004208288,0.0001987735,0.04113135,0.0001612134,0.0003146766,0.0763384,0.8807184,0.00001841482],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.1239767,0.01644896,0.004687494,0.1088678,0.0008835436,0.00002277213,0.00005309777,0.00009649716,0.7449631],"genre_scores_gemma":[0.9342978,0.002539728,0.0005538149,0.004176276,0.0000780827,0.000009780654,0.000009275242,0.0000613399,0.05827386],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.103912,"threshold_uncertainty_score":0.2066143,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}