{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":27,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":27,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"c51b5af06664","filters":{"venue":"Virtual Creativity"}},"results":[{"id":"W3018794330","doi":"10.1386/vcr_00014_1","title":"Game sketching: Exploring approaches to research-creation for games","year":2020,"lang":"en","type":"article","venue":"Virtual Creativity","topic":"Educational Games and Gamification","field":"Psychology","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Agency (philosophy); Game mechanics; Game design; Game studies; Video game design; Game Developer; Meaning (existential); Context (archaeology); Entertainment; Futures contract; Metagaming; Game art design; Sociology; Computer science; Video game development; Multimedia; Media studies; Non-cooperative game; Epistemology; Game theory; Visual arts; Social science; Art; Business; Simultaneous game; Mathematics","authors":[{"name":"Emma Westecott","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.6690506054600083,"gpt":0.4434125675843422,"spread":0.2256380378756661,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01177745,0.001828594,0.0008718017,0.004535563,0.003935704,0.02140715,0.003808183,0.003355172,0.009523754],"category_scores_gemma":[0.01655517,0.0009345386,0.001889451,0.003205605,0.04209453,0.01875861,0.009233125,0.003981164,0.001182294],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005650207,"about_ca_system_score_gemma":0.003648654,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002674768,"about_ca_topic_score_gemma":0.003286172,"domain_scores_codex":[0.9904074,0.007872019,0.0002951128,0.000610748,0.0005085004,0.000306112],"domain_scores_gemma":[0.9823283,0.0142273,0.0003889313,0.001993946,0.0004700583,0.0005914927],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00001074622,0.00001294904,0.0001387331,0.0001962123,0.000008111458,0.00006569282,0.01529226,0.0007134456,0.0001841753,0.9731047,0.0005509055,0.00972201],"study_design_scores_gemma":[0.00002471375,0.00003046352,0.0001250523,0.0004410557,0.00001522409,0.0002519547,0.01014192,0.004062427,0.0004863236,0.8595572,0.1248396,0.00002426419],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.01608991,0.01261127,0.8018172,0.009459584,0.0004416189,0.0004740447,0.0001271357,0.0005996287,0.1583796],"genre_scores_gemma":[0.5356371,0.009533331,0.4195443,0.001026683,0.0001891283,0.001293531,0.0001752575,0.0004538474,0.03214677],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02140715,"threshold_uncertainty_score":0.06228584,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3019286844","doi":"10.1386/vcr_00022_7","title":"The smooth life: Instagram as a platform of control","year":2020,"lang":"en","type":"article","venue":"Virtual Creativity","topic":"Gender, Feminism, and Media","field":"Social Sciences","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Performative utterance; Distraction; Focus (optics); Aesthetics; Feeling; Control (management); Space (punctuation); Sociology; Internet privacy; Computer science; Psychology; Art; Social psychology; Artificial intelligence","authors":[{"name":"T. J. Fisher","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0450059642770954,"gpt":0.3064963811549341,"spread":0.2614904168778387,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001280747,0.000345568,0.000135806,0.0006512669,0.003915631,0.008691711,0.0006174948,0.0008809646,0.01164125],"category_scores_gemma":[0.002316588,0.0001552987,0.0002265862,0.0006939238,0.009855132,0.005474228,0.006885518,0.001912774,0.001237013],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001103068,"about_ca_system_score_gemma":0.0009014677,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001614573,"about_ca_topic_score_gemma":0.002837134,"domain_scores_codex":[0.998706,0.0007655646,0.00001726289,0.00009981497,0.0002441525,0.00016722],"domain_scores_gemma":[0.9989642,0.0004482613,0.00009489442,0.0001694616,0.00005074578,0.0002724997],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.000137016,0.00006197164,0.002274049,0.0001766887,0.00002134634,0.0004716535,0.06487269,0.0004317152,0.002764784,0.777301,0.03962762,0.1118595],"study_design_scores_gemma":[0.00001841889,0.0001239323,0.002528955,0.0001842229,0.00002142623,0.0005146479,0.05133032,0.0008415526,0.001808194,0.07414685,0.8684234,0.00005809421],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1518698,0.002652075,0.02982614,0.02286113,0.001364734,0.00008569277,0.0001435782,0.0006202629,0.7905766],"genre_scores_gemma":[0.9418814,0.001467148,0.006435525,0.002198312,0.0004849751,0.0001073399,0.00005240099,0.000187936,0.04718498],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01164125,"threshold_uncertainty_score":0.03894383,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2906197146","doi":"10.1386/vcr.8.2.189_1","title":"Crafting virtual reality","year":2018,"lang":"en","type":"article","venue":"Virtual Creativity","topic":"Art, Technology, and Culture","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Avatar; Narrative; Art; Aesthetics; Craft; Sorrow; Visual arts; Virtual reality; Spectacle; Process (computing); Animation; Computer science; Human–computer interaction; Literature","authors":[{"name":"Lynne Heller","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04463546669196053,"gpt":0.2741317730408929,"spread":0.2294963063489324,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001405956,0.0007868489,0.0003765903,0.001325341,0.001486232,0.007070229,0.001227785,0.001208154,0.01924073],"category_scores_gemma":[0.003095718,0.0003380782,0.0006351792,0.0004382828,0.009339896,0.004633235,0.006255981,0.001745157,0.001840012],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001080326,"about_ca_system_score_gemma":0.0009298132,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002033457,"about_ca_topic_score_gemma":0.002022394,"domain_scores_codex":[0.998838,0.0005678533,0.00002913939,0.0001284244,0.0003136582,0.0001229534],"domain_scores_gemma":[0.9988467,0.0007204936,0.00004319723,0.0002214533,0.00009016144,0.00007800805],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005848814,0.00002322851,0.0003202312,0.0003217697,0.00002211111,0.0005266072,0.01157466,0.008031168,0.004391981,0.8710256,0.007573341,0.09613074],"study_design_scores_gemma":[0.00005263602,0.0001877415,0.0005603805,0.0007759945,0.00004561062,0.001316224,0.01017039,0.02031356,0.005211995,0.2922551,0.6690214,0.00008901965],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.07513528,0.004804017,0.4199612,0.004986844,0.001191973,0.0001460403,0.0001097586,0.00130295,0.492362],"genre_scores_gemma":[0.7900555,0.00422361,0.1342773,0.0009056851,0.0002448985,0.0001480354,0.0001176723,0.0003423952,0.06968486],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.01924073,"threshold_uncertainty_score":0.0643667,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3017945746","doi":"10.1386/vcr_00020_1","title":"Postcard Memories: A virtual / tangible memory sharing application for adults with early-stage dementia (ESD)","year":2020,"lang":"en","type":"article","venue":"Virtual Creativity","topic":"Dementia and Cognitive Impairment Research","field":"Medicine","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Dementia; Formative assessment; Summative assessment; Psychology; Mnemonic; Personalization; Applied psychology; Computer science; Medicine; Disease; World Wide Web; Cognitive psychology","authors":[{"name":"Martha Ladly","is_ca":true},{"name":"Kartikay Chadha","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02219331097835753,"gpt":0.293529376146614,"spread":0.2713360651682565,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001753881,0.000590063,0.0002221383,0.0004610098,0.0003796297,0.0007338707,0.0006808521,0.0005764378,0.00733341],"category_scores_gemma":[0.004910848,0.0001309465,0.0003719779,0.0002389799,0.0004259496,0.0009847967,0.001631077,0.0003788076,0.0005880164],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002533553,"about_ca_system_score_gemma":0.0004880825,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002484283,"about_ca_topic_score_gemma":0.0006779885,"domain_scores_codex":[0.9994697,0.0002884684,0.00005870307,0.0000484833,0.00008661211,0.00004806083],"domain_scores_gemma":[0.9984152,0.0009451078,0.0001230431,0.0001999846,0.0001012247,0.0002154741],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"bench_or_experimental","study_design_scores_codex":[0.002253373,0.002942498,0.01175682,0.002524841,0.00008326126,0.0008292585,0.01800934,0.0003240555,0.01017377,0.001238862,0.01900084,0.9308631],"study_design_scores_gemma":[0.00470596,0.09176127,0.2589782,0.004877494,0.001365945,0.01634234,0.06523722,0.005860288,0.05346878,0.01270139,0.4840392,0.0006619327],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9537238,0.001982027,0.01465291,0.001388307,0.0003178142,0.002988475,0.001353328,0.001473688,0.02211977],"genre_scores_gemma":[0.9277236,0.001823046,0.05409186,0.0007846439,0.0001974103,0.002687396,0.0006917039,0.00008129137,0.01191902],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.00733341,"threshold_uncertainty_score":0.02453268,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4361798748","doi":"10.1386/vcr_00059_1","title":"Sipping the virtual elixir: An autoethnographic close reading of Ayahuasca Kosmik Journey, a self-transcendent virtual experience","year":2022,"lang":"en","type":"article","venue":"Virtual Creativity","topic":"Psychedelics and Drug Studies","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Simon Fraser University","funders":"","keywords":"Ayahuasca; Autoethnography; Psychology; Narrative; Aesthetics; Self; Experiential learning; Embodied cognition; Agency (philosophy); Sociology; Social psychology; Art; Epistemology; Gender studies; Literature","authors":[{"name":"Noah Miller","is_ca":true},{"name":"John Desnoyers-Stewart","is_ca":true},{"name":"Ekaterina R. Stepanova","is_ca":true},{"name":"Alexandra Kitson","is_ca":true},{"name":"Jim Bizzocchi","is_ca":true},{"name":"Bernhard E. Riecke","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04698808269153815,"gpt":0.3497091829331882,"spread":0.3027211002416501,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002101369,0.0008038059,0.0006731283,0.00111714,0.007884685,0.003328546,0.000830625,0.001599676,0.004279247],"category_scores_gemma":[0.003840764,0.0003960059,0.0005071157,0.0008097015,0.007738554,0.003125731,0.004112671,0.003038164,0.0008728507],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002104289,"about_ca_system_score_gemma":0.001365354,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003748698,"about_ca_topic_score_gemma":0.009850158,"domain_scores_codex":[0.9977156,0.001671441,0.00005110646,0.0001953741,0.000149731,0.0002167357],"domain_scores_gemma":[0.9977068,0.001501673,0.0001259009,0.0002279252,0.0001906823,0.0002470191],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00004242585,0.00005817854,0.0009296438,0.0001034727,0.000004783502,0.001446339,0.9873343,0.00008001518,0.002509818,0.002080075,0.001090277,0.004320669],"study_design_scores_gemma":[0.000004991918,0.00008128917,0.001955869,0.0001746299,0.000007554865,0.001021747,0.9555672,0.0002081298,0.001447869,0.000825306,0.03867453,0.00003078279],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9710324,0.0008660099,0.0074557,0.002003471,0.0001559241,0.0002611077,0.0002469847,0.00007943994,0.01789907],"genre_scores_gemma":[0.9792556,0.0008509497,0.004957795,0.0007649256,0.00005031875,0.0002456431,0.0001574459,0.0001437468,0.01357357],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.007884685,"threshold_uncertainty_score":0.01526773,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3020207746","doi":"10.1386/vcr_00018_1","title":"Making SAD Home: An exploration into developing an Alexa with depression","year":2020,"lang":"en","type":"article","venue":"Virtual Creativity","topic":"Mental Health Research Topics","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Popularity; Chatbot; Mental health; Loneliness; Conversation; Social media; Internet privacy; Psychology; Public relations; Sociology; Computer science; World Wide Web; Political science; Psychiatry; Social psychology; Communication","authors":[{"name":"Nadine Lessio","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.3165682851999417,"gpt":0.4828213895791945,"spread":0.1662531043792527,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003584961,0.0004755281,0.0002141016,0.001005098,0.006606124,0.007151912,0.001437641,0.001470907,0.005592078],"category_scores_gemma":[0.006414835,0.0002754151,0.0005554773,0.0005194635,0.00276661,0.005258709,0.005672968,0.002266965,0.002083034],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00200383,"about_ca_system_score_gemma":0.002439064,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002692846,"about_ca_topic_score_gemma":0.01311425,"domain_scores_codex":[0.9975497,0.001633894,0.00005955067,0.0001723453,0.0002713281,0.0003130673],"domain_scores_gemma":[0.996137,0.001481686,0.0001588528,0.0002400954,0.0004490743,0.001533228],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0003632819,0.003235535,0.03716861,0.0006415748,0.00005235943,0.007775332,0.4247871,0.0005152951,0.01411716,0.0660971,0.07594279,0.3693039],"study_design_scores_gemma":[0.00008919781,0.001176876,0.01347724,0.0004277585,0.00008073496,0.0040927,0.2900321,0.003214679,0.004274786,0.01362803,0.6693771,0.000128854],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7671815,0.001492083,0.02885272,0.02082463,0.001011433,0.0007469654,0.0002611693,0.001466052,0.1781635],"genre_scores_gemma":[0.8770617,0.001154769,0.03999007,0.003555016,0.0001727657,0.0003815225,0.0003401819,0.0004402199,0.07690382],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.007151912,"threshold_uncertainty_score":0.01895934,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3019473436","doi":"10.1386/vcr_00016_1","title":"E-textiles: Power and resistance","year":2020,"lang":"en","type":"article","venue":"Virtual Creativity","topic":"Digital Economy and Work Transformation","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Futures contract; Materiality (auditing); Supply chain; Wearable technology; Morphing; Politics; Electronics; Computer science; Wearable computer; Business; Engineering; Electrical engineering; Political science; Aesthetics; Marketing; Artificial intelligence; Law","authors":[{"name":"L. M. Wilkins","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02002383102807279,"gpt":0.261435382509149,"spread":0.2414115514810762,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004660551,0.0007032278,0.0004425708,0.001583575,0.004722922,0.0159606,0.0009607437,0.003876225,0.01226924],"category_scores_gemma":[0.006992377,0.0003733405,0.0004411964,0.001554221,0.02812126,0.01584102,0.008807974,0.00399094,0.002562139],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002409013,"about_ca_system_score_gemma":0.001197687,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0009109661,"about_ca_topic_score_gemma":0.0007185144,"domain_scores_codex":[0.9951242,0.002469302,0.0002055115,0.0005724051,0.001276613,0.000352155],"domain_scores_gemma":[0.9958612,0.002497336,0.0003132566,0.0006483341,0.0004259371,0.0002538286],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002234638,0.00001912646,0.0003296751,0.00011069,0.000007324732,0.0001748406,0.01330612,0.0001920893,0.0004700141,0.9544426,0.007285594,0.02363957],"study_design_scores_gemma":[0.00001697797,0.00006560223,0.0005495097,0.0005469515,0.000008738801,0.0007502209,0.01538347,0.000520441,0.0009508735,0.3398713,0.641305,0.00003086599],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.03422836,0.01722043,0.03033697,0.06555104,0.001324254,0.00006934357,0.00005941586,0.0001722798,0.8510379],"genre_scores_gemma":[0.7795023,0.0152773,0.00972669,0.01068962,0.001079479,0.0001741717,0.00005214239,0.0002282938,0.18327],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.0159606,"threshold_uncertainty_score":0.04104465,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3017508168","doi":"10.1386/vcr_00019_7","title":"Ten years of Digital Futures: An oral history, part 4","year":2020,"lang":"en","type":"article","venue":"Virtual Creativity","topic":"Digital Games and Media","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Futures contract; Oral history; History; Financial economics; Economics; Archaeology","authors":[{"name":"Judith Doyle","is_ca":true},{"name":"Cindy Poremba","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05263424813945278,"gpt":0.2926939550971629,"spread":0.2400597069577101,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002807363,0.0005561941,0.0004493983,0.002964876,0.00454566,0.01128327,0.0007067042,0.002632902,0.0172122],"category_scores_gemma":[0.005526953,0.0002185188,0.0003381101,0.004244631,0.005681756,0.008288129,0.005200048,0.003903772,0.001510337],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003672676,"about_ca_system_score_gemma":0.003992204,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003264591,"about_ca_topic_score_gemma":0.006613052,"domain_scores_codex":[0.9991361,0.0002755295,0.00006825521,0.00007931891,0.0002731933,0.0001675456],"domain_scores_gemma":[0.9978471,0.00142116,0.0001345109,0.00009753566,0.0002232905,0.0002763976],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001262318,0.0001356912,0.0006994646,0.001475751,0.000009416508,0.0003121747,0.02419934,0.0001676338,0.0004223965,0.4792233,0.1963115,0.2969171],"study_design_scores_gemma":[0.000002483592,0.00001769678,0.0004501537,0.001031484,0.000001781921,0.0001287911,0.005028074,0.00001708374,0.0001008385,0.009956893,0.9832572,0.00000748396],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.01207496,0.5636578,0.001675392,0.05957402,0.02048648,0.00007233341,0.0002807275,0.00005046272,0.3421279],"genre_scores_gemma":[0.229634,0.4562948,0.00232132,0.02034037,0.02033587,0.0002591516,0.0004428813,0.0002157878,0.2701558],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.0172122,"threshold_uncertainty_score":0.05758059,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4413945164","doi":"10.1386/vcr_00096_3","title":"A love letter to ironing: Learning and unlearning","year":2024,"lang":"en","type":"article","venue":"Virtual Creativity","topic":"Education and Critical Thinking Development","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Ontario College of Art and Design; Toronto Metropolitan University","funders":"","keywords":"Psychology; Business; Cognitive science; Management; Economics","authors":[{"name":"Tricia Crivellaro","is_ca":true},{"name":"Lynne Heller","is_ca":true},{"name":"Kendall M Morris","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02540049902024914,"gpt":0.347924858971038,"spread":0.3225243599507888,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003283896,0.0003195367,0.0002997844,0.0004622965,0.01077653,0.01058726,0.0007007321,0.004601886,0.009905552],"category_scores_gemma":[0.01241592,0.000192332,0.0002824355,0.0004305766,0.0238637,0.01181041,0.004155571,0.007979648,0.002056352],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002510171,"about_ca_system_score_gemma":0.002377423,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00179383,"about_ca_topic_score_gemma":0.002918106,"domain_scores_codex":[0.9967965,0.001750645,0.00006905337,0.0003118245,0.0007377208,0.0003342642],"domain_scores_gemma":[0.9935896,0.003826357,0.0004116207,0.0004550366,0.0006874868,0.001029965],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006379484,0.0000762619,0.0007465052,0.0001994084,0.000006251069,0.0007577708,0.1620928,0.00008859639,0.0006674299,0.4060636,0.3634963,0.06574138],"study_design_scores_gemma":[0.000005836917,0.00006066462,0.0003408276,0.0002909148,0.00000205046,0.0006741922,0.07080647,0.0001287105,0.0004049902,0.03587132,0.8913986,0.00001556933],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"other","genre_scores_codex":[0.03006558,0.01278193,0.008276299,0.5511059,0.0162182,0.000069409,0.00005295709,0.0001630146,0.3812667],"genre_scores_gemma":[0.5631663,0.008875206,0.004506365,0.09605557,0.007730576,0.0001117404,0.00005103324,0.0003271308,0.3191761],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.01077653,"threshold_uncertainty_score":0.03313738,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4361799407","doi":"10.1386/vcr_00063_1","title":"When hearts speak","year":2022,"lang":"en","type":"article","venue":"Virtual Creativity","topic":"Innovative Human-Technology Interaction","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"York University","funders":"","keywords":"Computer science; Schematic; Studio; Human–computer interaction; Sculpture; Container (type theory); Visual arts; Multimedia; Engineering; Art","authors":[{"name":"Ilze Briede","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02496390057811777,"gpt":0.2687363198495961,"spread":0.2437724192714783,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001899454,0.0006596661,0.0004598855,0.0008037565,0.005783272,0.009003003,0.0009202904,0.002476858,0.1751966],"category_scores_gemma":[0.01030316,0.0002803285,0.0004184338,0.0003876075,0.004656487,0.007052383,0.006939792,0.005305814,0.09110693],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001322012,"about_ca_system_score_gemma":0.001413164,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001564348,"about_ca_topic_score_gemma":0.002700922,"domain_scores_codex":[0.9980801,0.0005551807,0.00006524572,0.0003367312,0.0005372582,0.0004253906],"domain_scores_gemma":[0.9977355,0.000513976,0.0001704199,0.000246115,0.0004514999,0.0008824145],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001661805,0.00005947558,0.00177429,0.0001556617,0.00001674726,0.001294377,0.03397872,0.00004765994,0.0008675341,0.1131292,0.7333512,0.115159],"study_design_scores_gemma":[0.000008279221,0.0000164178,0.0004020999,0.0001486286,0.000003069213,0.0003879338,0.01189139,0.00001276333,0.0001186603,0.005211956,0.9817846,0.00001414569],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.009178771,0.003892037,0.005087072,0.06303499,0.02818316,0.0001261393,0.0004655578,0.0009269978,0.8891053],"genre_scores_gemma":[0.1170347,0.002396507,0.002663191,0.03901817,0.005285347,0.0001711811,0.000434923,0.001168894,0.8318271],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1751966,"threshold_uncertainty_score":0.586091,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4254869946","doi":"10.1386/vcr.8.2.221_5","title":"Event Review","year":2018,"lang":"en","type":"article","venue":"Virtual Creativity","topic":"Ukraine: War, Education, Health","field":"Environmental Science","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Praise; Event (particle physics); History; Psychology; Social psychology; Physics; Astrophysics","authors":[{"name":"Nina Czeglédy","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01878626811036822,"gpt":0.3177894970938688,"spread":0.2990032289835006,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.003087394,0.0008982675,0.001231793,0.003391008,0.0009359573,0.003841546,0.001699305,0.003661897,0.09412273],"category_scores_gemma":[0.01813642,0.0003488385,0.001457349,0.002878224,0.0006775264,0.002167764,0.002556452,0.003129125,0.02519115],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002364909,"about_ca_system_score_gemma":0.006416595,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003312882,"about_ca_topic_score_gemma":0.005215416,"domain_scores_codex":[0.9981521,0.0005361661,0.0003058501,0.0002292152,0.0005527207,0.0002239861],"domain_scores_gemma":[0.9919217,0.002553105,0.001416145,0.0003546541,0.002849227,0.0009052239],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001344637,0.00002731634,0.000113269,0.01156187,0.00008886347,0.0001172615,0.00003396437,0.00003651118,0.00006363711,0.0008076926,0.9034418,0.08357335],"study_design_scores_gemma":[0.00004432777,0.00003293127,0.0002564742,0.01251813,0.00009479924,0.0001778235,0.000060045,0.000009651068,0.00003523756,0.0003431561,0.9864202,0.00000720063],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.0003442006,0.7581729,0.0004557352,0.06029739,0.1460169,0.0003762202,0.00263596,0.0001374867,0.03156319],"genre_scores_gemma":[0.006950771,0.7960554,0.0008889397,0.06121545,0.08175649,0.000634861,0.003908728,0.0001167635,0.04847246],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.9058773,"threshold_uncertainty_score":0.3148719,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3020617210","doi":"10.1386/vcr_00023_7","title":"Ten years of Digital Futures: An oral history, part 6","year":2020,"lang":"en","type":"article","venue":"Virtual Creativity","topic":"Digital Games and Media","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Futures contract; Oral history; History; Economics; Financial economics; Archaeology","authors":[{"name":"Judith Doyle","is_ca":true},{"name":"Cindy Poremba","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05217945210182175,"gpt":0.2923282812584065,"spread":0.2401488291565847,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00285977,0.0005505541,0.0004596879,0.002790558,0.004306902,0.01090892,0.0006640555,0.00264138,0.01742997],"category_scores_gemma":[0.005828497,0.0002237026,0.0003249866,0.003931142,0.005182355,0.008211689,0.004825779,0.004006041,0.001728048],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003409002,"about_ca_system_score_gemma":0.003794088,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002822113,"about_ca_topic_score_gemma":0.006265584,"domain_scores_codex":[0.9991145,0.0002781531,0.00007711652,0.00008117955,0.000283541,0.0001655033],"domain_scores_gemma":[0.9978138,0.001405254,0.0001365656,0.00009690141,0.0002520416,0.0002954172],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001211385,0.000133364,0.000665496,0.00147174,0.000009059017,0.0002932422,0.0214289,0.0001442867,0.0003788229,0.4400295,0.2388651,0.2964594],"study_design_scores_gemma":[0.000002291785,0.00001593081,0.0004006115,0.0009973809,0.000001630948,0.0001162446,0.004275451,0.00001479144,0.00008409743,0.007678819,0.986406,0.00000670541],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.009789506,0.5873965,0.001448584,0.06365816,0.02502916,0.00006237329,0.0002712296,0.0000457765,0.3122987],"genre_scores_gemma":[0.1966027,0.4841632,0.002193009,0.02068348,0.02405166,0.0002300057,0.0004413935,0.0002020383,0.2714326],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9956931,"threshold_uncertainty_score":0.05830908,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3020700637","doi":"10.1386/vcr_00013_7","title":"Ten years of Digital Futures: An oral history, part 1","year":2020,"lang":"en","type":"article","venue":"Virtual Creativity","topic":"Digital Games and Media","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Futures contract; Oral history; History; Computer science; Economics; Financial economics; Archaeology","authors":[{"name":"Judith Doyle","is_ca":true},{"name":"Cindy Poremba","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05322667100517384,"gpt":0.2926824360270144,"spread":0.2394557650218405,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002484137,0.0006073901,0.0004986326,0.002871948,0.00454868,0.01234485,0.0007006724,0.002566604,0.0150853],"category_scores_gemma":[0.005601159,0.0002310024,0.0002843235,0.004567544,0.006433974,0.009573712,0.005570326,0.003891868,0.001486876],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003317805,"about_ca_system_score_gemma":0.003652707,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002999702,"about_ca_topic_score_gemma":0.005843544,"domain_scores_codex":[0.9991025,0.0002938211,0.00007636545,0.00008766973,0.0002737126,0.000165989],"domain_scores_gemma":[0.9979716,0.001312731,0.0001455121,0.00008928712,0.0002084051,0.0002724193],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001291032,0.0001272159,0.0006951097,0.001693564,0.000009113285,0.0002798582,0.02532167,0.0001432575,0.0003811121,0.4917866,0.1852685,0.294165],"study_design_scores_gemma":[0.000002455187,0.000017951,0.0004357513,0.001063874,0.000001616032,0.0001400822,0.005108974,0.00001468528,0.00007068012,0.01078836,0.9823481,0.000007581456],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.01052091,0.630065,0.001465865,0.05010405,0.01820343,0.00006418947,0.0002784514,0.00004658803,0.2892515],"genre_scores_gemma":[0.2134605,0.525992,0.002394688,0.01931624,0.0236398,0.0002508369,0.0004966136,0.0001891449,0.2142603],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.0150853,"threshold_uncertainty_score":0.0504654,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3020335952","doi":"10.1386/vcr_00021_7","title":"Ten years of Digital Futures: An oral history, part 5","year":2020,"lang":"en","type":"article","venue":"Virtual Creativity","topic":"Digital Games and Media","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Futures contract; Oral history; Computer science; History; Economics; Financial economics; Archaeology","authors":[{"name":"Judith Doyle","is_ca":true},{"name":"Cindy Poremba","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05219725638286765,"gpt":0.2923773185363903,"spread":0.2401800621535227,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002939615,0.0005639059,0.0004795298,0.003015296,0.004635723,0.01151035,0.0007156808,0.002713149,0.01741316],"category_scores_gemma":[0.006003419,0.0002293632,0.000336181,0.0042015,0.005290659,0.008391492,0.005403791,0.004126725,0.001597867],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003853862,"about_ca_system_score_gemma":0.003900293,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003138793,"about_ca_topic_score_gemma":0.006599659,"domain_scores_codex":[0.9990996,0.0002751629,0.0000761507,0.00008054492,0.0002877913,0.0001808773],"domain_scores_gemma":[0.997612,0.001549965,0.0001533002,0.0001035474,0.0002596589,0.0003215819],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001293811,0.0001465254,0.000692113,0.001584019,0.000009714575,0.00030363,0.02251262,0.0001535761,0.0004011736,0.4545159,0.2157536,0.3037977],"study_design_scores_gemma":[0.000002283903,0.00001812752,0.0004369437,0.001084971,0.000001829963,0.0001220536,0.004749921,0.0000150116,0.0000875692,0.008555697,0.9849184,0.00000723458],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.01064156,0.5959625,0.001488833,0.06086298,0.02436472,0.00006785688,0.0002924533,0.00004882018,0.3062703],"genre_scores_gemma":[0.2091204,0.4844962,0.002307996,0.02286774,0.023813,0.000250807,0.0004840128,0.0002035456,0.2564563],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01741316,"threshold_uncertainty_score":0.05825287,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3019930809","doi":"10.1386/vcr_00017_7","title":"Ten years of Digital Futures: An oral history, part 3","year":2020,"lang":"en","type":"article","venue":"Virtual Creativity","topic":"Digital Games and Media","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Futures contract; Oral history; History; Economics; Financial economics; Archaeology","authors":[{"name":"Judith Doyle","is_ca":true},{"name":"Cindy Poremba","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0521740206541941,"gpt":0.2921961402968111,"spread":0.240022119642617,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002945182,0.0005710375,0.0004690098,0.002875744,0.004518269,0.01160812,0.0007108685,0.002584488,0.0169171],"category_scores_gemma":[0.005608161,0.000218276,0.0003270385,0.0040365,0.005615093,0.008248454,0.005286499,0.003735228,0.001485836],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003647574,"about_ca_system_score_gemma":0.003815135,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003243794,"about_ca_topic_score_gemma":0.006278182,"domain_scores_codex":[0.9991296,0.0002677854,0.0000684528,0.00008510124,0.0002809384,0.0001680715],"domain_scores_gemma":[0.9978229,0.001435229,0.0001306096,0.00009741524,0.0002366512,0.0002771534],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001302078,0.0001367,0.0006846192,0.001527199,0.000009590203,0.0003066728,0.02448247,0.0001658556,0.0004337278,0.4757193,0.1899972,0.3064064],"study_design_scores_gemma":[0.000002520341,0.00001688324,0.0004435728,0.001042235,0.00000178451,0.000125293,0.004771303,0.00001706636,0.0000961826,0.009387841,0.984088,0.000007314371],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.01235877,0.5691184,0.001626205,0.05523488,0.0203466,0.00006953048,0.000292861,0.00005027109,0.3409025],"genre_scores_gemma":[0.2343988,0.4588221,0.002233837,0.01960542,0.02144149,0.0002610672,0.0004744896,0.0002154086,0.2625473],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.0169171,"threshold_uncertainty_score":0.05659336,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3018326322","doi":"10.1386/vcr_00015_7","title":"Ten years of Digital Futures: An oral history, part 2","year":2020,"lang":"en","type":"article","venue":"Virtual Creativity","topic":"Digital Games and Media","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Futures contract; Oral history; History; Economics; Financial economics; Archaeology","authors":[{"name":"Judith Doyle","is_ca":true},{"name":"Cindy Poremba","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05118055086951269,"gpt":0.2920085243121994,"spread":0.2408279734426867,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002735898,0.0005687179,0.0004485246,0.002971696,0.004674269,0.01151145,0.000689264,0.002505697,0.01681061],"category_scores_gemma":[0.005519279,0.0002173106,0.0003139809,0.004168098,0.00546303,0.008641016,0.005329358,0.003788653,0.001493792],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003429694,"about_ca_system_score_gemma":0.003836323,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003064669,"about_ca_topic_score_gemma":0.006026726,"domain_scores_codex":[0.999128,0.0002760883,0.00006566603,0.00008453956,0.0002784069,0.0001674199],"domain_scores_gemma":[0.9979193,0.001363033,0.0001355473,0.000089377,0.0002091065,0.0002837568],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001403822,0.0001433726,0.0007560132,0.001595956,0.000009316786,0.0003371278,0.02763446,0.0001689669,0.0004430648,0.4682124,0.190341,0.310218],"study_design_scores_gemma":[0.000002591709,0.0000175951,0.000502261,0.0009739308,0.000001790338,0.0001465948,0.005111954,0.00001651108,0.00009163629,0.009293155,0.9838344,0.000007619593],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.01461105,0.5536078,0.001745865,0.05683419,0.02124684,0.0000803256,0.0003402652,0.00005307674,0.3514805],"genre_scores_gemma":[0.2498726,0.440515,0.002323665,0.01944295,0.02231926,0.000294552,0.0005590289,0.000221678,0.2644515],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01681061,"threshold_uncertainty_score":0.05623716,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3134140399","doi":"10.1386/vcr_00037_5","title":"Shifting Interfaces: An Anthology of Presence, Empathy and Agency in 21st-Century Media Arts, Hava Aldouby (ed.) (2020)","year":2020,"lang":"en","type":"article","venue":"Virtual Creativity","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Empathy; The arts; Agency (philosophy); Media studies; Art; Art history; Sociology; Humanities; Visual arts; Psychology; Social psychology; Social science","authors":[{"name":"Lynne Heller","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06030484687888152,"gpt":0.312726078850124,"spread":0.2524212319712424,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001717259,0.001099698,0.0008584678,0.00293352,0.002042738,0.009650873,0.001159781,0.002954964,0.008804399],"category_scores_gemma":[0.002890266,0.0005048593,0.0005034294,0.0034335,0.005782954,0.009419573,0.003646462,0.005741467,0.002513047],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002171926,"about_ca_system_score_gemma":0.00280181,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00227751,"about_ca_topic_score_gemma":0.00357835,"domain_scores_codex":[0.998716,0.0005606674,0.00008357796,0.0001167644,0.0004308669,0.0000921618],"domain_scores_gemma":[0.9981629,0.001276831,0.000114995,0.00004307644,0.0002358528,0.0001664304],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008497969,0.00007325853,0.0002143013,0.003120426,0.00002080162,0.0003925134,0.01918824,0.0003185682,0.0009355422,0.1413763,0.4911489,0.3431262],"study_design_scores_gemma":[0.000007401562,0.00002943895,0.0005731611,0.002602634,0.000007473483,0.0004547517,0.004907751,0.00008198734,0.0001674894,0.017893,0.97326,0.00001496071],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.001159818,0.9136472,0.002438012,0.02113925,0.009839245,0.00002053287,0.0000366946,0.00004787837,0.05167123],"genre_scores_gemma":[0.03062991,0.8798296,0.003722699,0.007636215,0.01495569,0.0001178901,0.0001261794,0.0001544278,0.06282733],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.009650873,"threshold_uncertainty_score":0.02945369,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2772232826","doi":"10.1386/vcr.7.2.163_7","title":"Report from ISEA2017: A personal reflection","year":2017,"lang":"en","type":"article","venue":"Virtual Creativity","topic":"Interdisciplinary Research and Collaboration","field":"Decision Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Reflection (computer programming); Psychology; Computer science","authors":[{"name":"Lynne Heller","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1926637935012889,"gpt":0.4904642471127415,"spread":0.2978004536114526,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01415167,0.001291459,0.0005369976,0.002108054,0.006084779,0.01160011,0.002427915,0.008816641,0.01532345],"category_scores_gemma":[0.0353091,0.0003613232,0.00129046,0.001801018,0.002445225,0.004070961,0.008351066,0.01356497,0.005376438],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005374554,"about_ca_system_score_gemma":0.007744459,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01230086,"about_ca_topic_score_gemma":0.01282629,"domain_scores_codex":[0.9903942,0.001619932,0.000383976,0.000590377,0.005273861,0.001737752],"domain_scores_gemma":[0.9760024,0.006998444,0.001051746,0.001782835,0.00894627,0.005218213],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004779254,0.0009134811,0.003191213,0.0003044433,0.00006800302,0.002361469,0.01117858,0.001591779,0.00370943,0.01082308,0.9209474,0.04443306],"study_design_scores_gemma":[0.00003734769,0.0001582355,0.002896699,0.0003222836,0.00002722167,0.0003029732,0.0131124,0.0006906428,0.004059477,0.002777664,0.9755434,0.00007182689],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"commentary","genre_scores_codex":[0.07908095,0.006039419,0.01372864,0.5774655,0.1193042,0.0006625389,0.00411147,0.0006294593,0.1989778],"genre_scores_gemma":[0.4694614,0.008240439,0.009549554,0.08437474,0.03206287,0.0007826841,0.004098924,0.001427018,0.3900023],"genre_candidate":"commentary","genre_consensus":"commentary","teacher_disagreement_score":0.01532345,"threshold_uncertainty_score":0.07484204,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4245073303","doi":"10.1386/vcr.8.2.217_5","title":"Event Review","year":2018,"lang":"en","type":"article","venue":"Virtual Creativity","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Event (particle physics); History; Computer science; Physics","authors":[{"name":"Nina Czeglédy","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07063145766726178,"gpt":0.345892113914541,"spread":0.2752606562472792,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.005318379,0.001007978,0.001658534,0.005019216,0.001230906,0.005403175,0.002666488,0.004574735,0.1522388],"category_scores_gemma":[0.04379574,0.0004699006,0.001810068,0.003989028,0.0009312779,0.003524157,0.003461801,0.004608163,0.04602825],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003491491,"about_ca_system_score_gemma":0.00973999,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004523428,"about_ca_topic_score_gemma":0.007356811,"domain_scores_codex":[0.9965674,0.001031649,0.0005767994,0.0003997787,0.001021831,0.0004026555],"domain_scores_gemma":[0.9790099,0.007247195,0.002573883,0.0009965472,0.008401346,0.001771126],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001553936,0.000035727,0.0001242882,0.008623895,0.00009366606,0.0000810065,0.00003650218,0.00003220041,0.00003736499,0.0009660737,0.8956024,0.09421142],"study_design_scores_gemma":[0.00007037387,0.00003043304,0.0002790564,0.0137569,0.0001191231,0.0001283921,0.00006822561,0.000009649467,0.00003515291,0.0006454526,0.9848486,0.000008715953],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.0004357145,0.5940471,0.001078273,0.1629693,0.1705049,0.00103466,0.007363864,0.0002911739,0.06227488],"genre_scores_gemma":[0.006988822,0.6863901,0.001525011,0.1336607,0.09603349,0.001479864,0.007674988,0.0002312853,0.0660157],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.8477612,"threshold_uncertainty_score":0.5092895,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4400777014","doi":"10.1386/vcr_00079_1","title":"Vera Frenkel’s String Games: Improvisations for Inter-City Video","year":2023,"lang":"en","type":"article","venue":"Virtual Creativity","topic":"Arts, Culture, and Music Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Queen's University","funders":"","keywords":"String (physics); Computer science; Art; Theoretical physics; Physics","authors":[{"name":"Mikhel Proulx","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08201118833114492,"gpt":0.358310960249869,"spread":0.2762997719187241,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00139961,0.0009222786,0.0002371663,0.001583766,0.0105046,0.006997382,0.001338732,0.001813852,0.01582981],"category_scores_gemma":[0.003548383,0.0002427919,0.0003890125,0.0008414709,0.008485696,0.002843628,0.004112497,0.00294709,0.002298256],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.009139894,"about_ca_system_score_gemma":0.005152948,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.16616,"about_ca_topic_score_gemma":0.4210451,"domain_scores_codex":[0.9982443,0.0005432628,0.00002949752,0.0001868433,0.0006228375,0.0003732812],"domain_scores_gemma":[0.9990394,0.0003969193,0.00002643588,0.00007279145,0.0001914382,0.0002730889],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002164465,0.0001256034,0.001348967,0.0003283498,0.00002996518,0.001210303,0.1218946,0.001080794,0.005114926,0.3316603,0.2986186,0.238371],"study_design_scores_gemma":[0.00001240735,0.00003865831,0.00114315,0.0002493537,0.000005795873,0.0003999748,0.0172807,0.0004832791,0.001376106,0.009466102,0.9695075,0.00003710904],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.05603011,0.01196865,0.02777547,0.01803405,0.004354075,0.0003074568,0.0002418341,0.0009093856,0.880379],"genre_scores_gemma":[0.5722593,0.008594114,0.01974284,0.004565164,0.0009971278,0.0002673245,0.0003660002,0.001001203,0.3922069],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.16616,"threshold_uncertainty_score":0.3303856,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3019662696","doi":"10.1386/vcr_00024_5","title":"Morality by Design: Technology’s Challenge to Human Values, Wade Rowland (2019)","year":2020,"lang":"en","type":"article","venue":"Virtual Creativity","topic":"Ethics and Social Impacts of AI","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Morality; Philosophy; Sociology; Environmental ethics; Epistemology","authors":[{"name":"Lynne Heller","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1146196494808718,"gpt":0.3885636283859394,"spread":0.2739439789050676,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.002976265,0.001245035,0.0007183911,0.00169489,0.001838771,0.007615622,0.0009641213,0.004363845,0.02220284],"category_scores_gemma":[0.006883142,0.0006303741,0.0004207483,0.001918997,0.006406558,0.01011085,0.003022495,0.006344751,0.006349443],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004419752,"about_ca_system_score_gemma":0.005810058,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01078182,"about_ca_topic_score_gemma":0.02122043,"domain_scores_codex":[0.9977488,0.001046888,0.0001414381,0.0002276211,0.0007051124,0.0001301648],"domain_scores_gemma":[0.9960901,0.002401055,0.0002223995,0.0001837991,0.0007775684,0.0003250293],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001570478,0.00001483417,0.00006989782,0.0008805461,0.00001084637,0.00004410532,0.0009366439,0.000123279,0.0001697412,0.03728976,0.8115029,0.1489418],"study_design_scores_gemma":[0.000003058721,0.000009346441,0.0002492939,0.001476368,0.000004265443,0.0001072014,0.0007858219,0.00005209781,0.0000747789,0.01431741,0.9829101,0.00001009846],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.0003298301,0.8613863,0.001331246,0.09034413,0.01155524,0.00001269184,0.00006110077,0.00006059845,0.0349188],"genre_scores_gemma":[0.01710466,0.8012501,0.002463294,0.0261669,0.008999036,0.00008420524,0.0001850438,0.0001778158,0.1435689],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.9981613,"threshold_uncertainty_score":0.07427591,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4293170570","doi":"10.1386/vcr_00052_5","title":"A Biography of the Pixel, Alvy Ray Smith (2021)","year":2021,"lang":"en","type":"article","venue":"Virtual Creativity","topic":"Art, Technology, and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Biography; Art; Art history","authors":[{"name":"Lynne Heller","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01883663490448276,"gpt":0.2210450820590745,"spread":0.2022084471545917,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001663603,0.0009250662,0.0009041762,0.001763673,0.002002454,0.006108907,0.0008539505,0.003018635,0.02428783],"category_scores_gemma":[0.004449928,0.0005563304,0.0003447743,0.002672194,0.001675917,0.007725089,0.002285806,0.005756946,0.01531455],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003239142,"about_ca_system_score_gemma":0.004853982,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01228908,"about_ca_topic_score_gemma":0.01457091,"domain_scores_codex":[0.9988225,0.0002952146,0.00005776777,0.0002461872,0.0004633856,0.000114916],"domain_scores_gemma":[0.9984744,0.0004425131,0.00009721241,0.00004794955,0.0006404435,0.0002973707],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001124353,0.000004722482,0.00006451252,0.0001234962,0.000001943667,0.00002493107,0.0001971066,0.0000176665,0.00003057932,0.003036367,0.9592175,0.03726995],"study_design_scores_gemma":[0.000001227293,0.000003424562,0.0001038992,0.0001685512,0.000001328956,0.0001023583,0.0001650212,0.000007260619,0.00002256799,0.0006748288,0.9987464,0.000003129957],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.0003061496,0.775387,0.0005838753,0.1376421,0.04806096,0.00001503948,0.0001631107,0.00006630888,0.03777538],"genre_scores_gemma":[0.009112136,0.555932,0.001634086,0.08444665,0.04289855,0.00006946173,0.0002227327,0.0002647404,0.3054197],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.02428783,"threshold_uncertainty_score":0.08125085,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4413945963","doi":"10.1386/vcr_00095_5","title":"Tasty bites – a review of the exhibition Cao Fei: My City Is Yours, Art Gallery of New South Wales, 30 November 2024–30 April 2025","year":2024,"lang":"en","type":"article","venue":"Virtual Creativity","topic":"Museums and Cultural Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Exhibition; Art; Art history; Visual arts; Art gallery; Archaeology; History","authors":[{"name":"Lynne Heller","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0527621181596216,"gpt":0.2624396340607839,"spread":0.2096775159011622,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003615811,0.0009502288,0.001302083,0.005798875,0.001059888,0.003343109,0.001393609,0.001822257,0.02400827],"category_scores_gemma":[0.01007694,0.0005321783,0.0009196067,0.006088676,0.001229783,0.002911539,0.002562674,0.002859367,0.005420547],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003094669,"about_ca_system_score_gemma":0.008069847,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02119955,"about_ca_topic_score_gemma":0.05967155,"domain_scores_codex":[0.9980142,0.0004252828,0.0002936892,0.0001521865,0.0009392491,0.0001752406],"domain_scores_gemma":[0.9917901,0.002324864,0.001061236,0.0002315465,0.003798052,0.0007942711],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001319856,0.00003354839,0.0003223919,0.02599458,0.00007865154,0.0001940851,0.0006033705,0.0000762005,0.0004503582,0.001276051,0.6677242,0.3031147],"study_design_scores_gemma":[0.000006231464,0.00002874291,0.001442384,0.01162782,0.0000290868,0.0002091107,0.0003379949,0.000005658531,0.00006008727,0.00007622876,0.9861614,0.00001535539],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.000305308,0.9785603,0.00006166312,0.005651496,0.006843918,0.00003365247,0.0002183282,0.00001745864,0.008307946],"genre_scores_gemma":[0.002171126,0.9706269,0.0002757742,0.004993676,0.004500946,0.0000771981,0.0006110505,0.00004111754,0.01670228],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.02400827,"threshold_uncertainty_score":0.08031565,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2773228938","doi":"10.1386/vcr.7.2.155_1","title":"Pillflower World – an app in development","year":2017,"lang":"en","type":"article","venue":"Virtual Creativity","topic":"Diverse academic research themes","field":"Decision Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Mandala; Dream; Function (biology); Visual arts; Art; Computer science; Aesthetics; Psychology; History; Biology","authors":[{"name":"Lynne Heller","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.299295627968487,"gpt":0.4841607925656479,"spread":0.1848651645971609,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00158464,0.0005379235,0.0001648242,0.00089944,0.0009939957,0.002733495,0.0007786193,0.001096867,0.03621716],"category_scores_gemma":[0.004613223,0.0002102031,0.0002977702,0.0003251047,0.001226594,0.003224111,0.003358174,0.0008303631,0.008284732],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004439115,"about_ca_system_score_gemma":0.0005582947,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0003481854,"about_ca_topic_score_gemma":0.0007008968,"domain_scores_codex":[0.998949,0.0004271634,0.000050165,0.00008862967,0.0003901052,0.0000949491],"domain_scores_gemma":[0.9985929,0.0008359719,0.00005903492,0.0001080526,0.0001859758,0.0002181058],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002322942,0.0002389351,0.001414804,0.0006897805,0.00001165543,0.0009295007,0.009713335,0.0005458893,0.00498968,0.0635716,0.4202189,0.4974436],"study_design_scores_gemma":[0.0000192072,0.00009606176,0.0006294353,0.0002904462,0.000004545998,0.0005036628,0.001201427,0.0004838525,0.0009663914,0.005375955,0.9904072,0.0000218724],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"software","genre_scores_codex":[0.04836287,0.003564382,0.08412151,0.01056218,0.00255951,0.00093968,0.001088171,0.00946084,0.8393408],"genre_scores_gemma":[0.3144034,0.004801893,0.1812822,0.006714073,0.0009679492,0.001662364,0.002068656,0.003235133,0.4848644],"genre_candidate":"software","genre_consensus":null,"teacher_disagreement_score":0.03621716,"threshold_uncertainty_score":0.1211584,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3020629002","doi":"10.1386/vcr_00012_2","title":"Ten years of Digital Futures","year":2020,"lang":"en","type":"article","venue":"Virtual Creativity","topic":"Educational Leadership and Innovation","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Futures contract; Computer science; Economics; Financial economics","authors":[{"name":"Cindy Poremba","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06590811869050336,"gpt":0.3293077400974816,"spread":0.2633996214069783,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007972574,0.0005371128,0.0003404318,0.001596278,0.005469576,0.01401853,0.001034776,0.002332001,0.04172032],"category_scores_gemma":[0.009506389,0.0002460172,0.0005101366,0.001557486,0.007057928,0.008738364,0.01097255,0.00447162,0.004359997],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005338251,"about_ca_system_score_gemma":0.005751452,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003161903,"about_ca_topic_score_gemma":0.007325337,"domain_scores_codex":[0.9975655,0.0008220289,0.00007841278,0.000222608,0.0006812228,0.0006303499],"domain_scores_gemma":[0.9952224,0.001181494,0.0002061694,0.0004482784,0.0005396188,0.002402093],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002135482,0.0003100632,0.002066545,0.0001707749,0.00001878412,0.0004101952,0.01612287,0.0004216024,0.0003855105,0.710672,0.08498332,0.1842247],"study_design_scores_gemma":[0.000009694471,0.0000765229,0.001431876,0.000263667,0.000003304252,0.0001119211,0.01004747,0.0001383562,0.0002045821,0.0426595,0.94504,0.00001314865],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"commentary","genre_scores_codex":[0.1215713,0.04847426,0.005668445,0.1156189,0.01280766,0.000125848,0.0005679297,0.000182731,0.694983],"genre_scores_gemma":[0.6861039,0.01830531,0.003444292,0.008577836,0.002492049,0.0001141133,0.0005188913,0.0001383631,0.2803052],"genre_candidate":"commentary","genre_consensus":null,"teacher_disagreement_score":0.04172032,"threshold_uncertainty_score":0.1395683,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4365451254","doi":"10.1386/vcr_00068_5","title":"Gore Techs59th Venice Biennale, curated by Cecilia Alemani, Venice, Italy, 23 April–27 November 2022","year":2022,"lang":"en","type":"article","venue":"Virtual Creativity","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Ontario College of Art and Design; Toronto Metropolitan University","funders":"","keywords":"Art","authors":[{"name":"Tricia Crivellaro","is_ca":true},{"name":"Lynne Heller","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03046085429864833,"gpt":0.2826184405927802,"spread":0.2521575862941319,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002185878,0.001605,0.001514357,0.002857363,0.001448368,0.004011453,0.001598025,0.003310777,0.2061905],"category_scores_gemma":[0.006371059,0.0005582189,0.0007441952,0.001468101,0.0009859256,0.002575379,0.00497477,0.003893293,0.1328554],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002507415,"about_ca_system_score_gemma":0.003230795,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006636861,"about_ca_topic_score_gemma":0.01510401,"domain_scores_codex":[0.9977846,0.0004090112,0.00009637804,0.0004653099,0.0009326678,0.0003121749],"domain_scores_gemma":[0.9970436,0.0004259296,0.0002323465,0.0002027616,0.001247708,0.0008475814],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001841156,0.000004744402,0.00002661857,0.0002581665,0.000003324798,0.00003217857,0.00001446033,0.00001879865,0.00007583648,0.0004889545,0.9806881,0.01837024],"study_design_scores_gemma":[0.000003285003,0.000007897173,0.0001405649,0.0002534463,0.000001880991,0.00006059458,0.00001581354,0.000006794439,0.00003331763,0.00008794457,0.9993856,0.000002806379],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.0004889255,0.5262991,0.001120133,0.07193619,0.1855924,0.0002501399,0.002614992,0.0009013013,0.2107968],"genre_scores_gemma":[0.004561934,0.1255282,0.001064097,0.02331724,0.03761952,0.0003112381,0.003326433,0.001000878,0.8032705],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.2061905,"threshold_uncertainty_score":0.6897758,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4413945044","doi":"10.1386/vcr_00093_2","title":"Editorial","year":2024,"lang":"en","type":"article","venue":"Virtual Creativity","topic":"Ethics and Social Impacts of AI","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Computer science","authors":[{"name":"Denise Doyle","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03886491299722011,"gpt":0.3918003318374421,"spread":0.352935418840222,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003776163,0.001956543,0.001505068,0.001930195,0.002568895,0.006931604,0.002010906,0.006750074,0.07987348],"category_scores_gemma":[0.02130068,0.0005947982,0.001592963,0.0007132636,0.001350969,0.003121614,0.001536125,0.008961897,0.05143861],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001944059,"about_ca_system_score_gemma":0.002957002,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0009023675,"about_ca_topic_score_gemma":0.001795623,"domain_scores_codex":[0.9962751,0.0004458416,0.0003336987,0.0007069446,0.001854011,0.0003843989],"domain_scores_gemma":[0.9809433,0.003011025,0.0009203392,0.0009487704,0.01084086,0.003335784],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002042172,0.000006605559,0.00002586699,0.00007249368,0.000004113459,0.00005718911,0.000007989715,0.00001030568,0.00005353782,0.0002534219,0.9931418,0.006346464],"study_design_scores_gemma":[0.00001719183,0.00001764799,0.0001653897,0.0001544097,0.000007355362,0.0001270738,0.00003361519,0.00003588741,0.0001010686,0.0004113869,0.9989218,0.000007301275],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"editorial","genre_gemma":"editorial","genre_scores_codex":[0.00006351628,0.001932749,0.00009746368,0.02223094,0.9684247,0.00002271255,0.0001066528,0.00008124134,0.007040058],"genre_scores_gemma":[0.00162775,0.003368356,0.0001734816,0.02679842,0.9047914,0.00004738062,0.0002280803,0.0001248655,0.06284022],"genre_candidate":"editorial","genre_consensus":"editorial","teacher_disagreement_score":0.07987348,"threshold_uncertainty_score":0,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}