{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":9,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":9,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"19fcdf152fb1","filters":{"venue":"Visible Language"}},"results":[{"id":"W2910829789","doi":"","title":"Visual Improvisation: Cognition, Materiality, and Postlinguistic Visual Poetry","year":2014,"lang":"en","type":"article","venue":"Visible Language","topic":"Language, Metaphor, and Cognition","field":"Psychology","cited_by":18,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Materiality (auditing); Improvisation; Poetry; Poetics; Linguistics; Meaning (existential); Psychology; Cognitive science; Aesthetics; Art; Visual arts; Philosophy","authors":[{"name":"Mike Borkent","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01157633339900792,"gpt":0.3178577339066361,"spread":0.3062814005076281,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001612647,0.0003990369,0.0001857617,0.001505458,0.002035724,0.005899467,0.0007488932,0.0009826148,0.0036842],"category_scores_gemma":[0.006439097,0.0001399548,0.0002556654,0.0008386153,0.01950095,0.003590525,0.002409279,0.001747815,0.0001833724],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002249469,"about_ca_system_score_gemma":0.001132678,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00395077,"about_ca_topic_score_gemma":0.003423633,"domain_scores_codex":[0.9987398,0.0006496453,0.00002899455,0.0001608554,0.0003036791,0.0001169924],"domain_scores_gemma":[0.9968302,0.001918755,0.0003671529,0.0003107484,0.0003740489,0.0001990636],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000115576,0.0001362574,0.00681503,0.0002702127,0.00002449011,0.0007138386,0.4965584,0.0009212196,0.008509471,0.4428833,0.0008302133,0.04222194],"study_design_scores_gemma":[0.00003610172,0.0002988105,0.05014303,0.000372827,0.0000394403,0.001535703,0.4132757,0.005333087,0.009559329,0.4115406,0.1077452,0.0001201864],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7092248,0.001156874,0.04250089,0.002460515,0.00009105427,0.000073412,0.00004050323,0.0002092502,0.2442428],"genre_scores_gemma":[0.996249,0.00007757773,0.001709523,0.00003089922,0.000008501476,0.00001013583,0.000009600336,0.00001109648,0.001893617],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.005899467,"threshold_uncertainty_score":0.01632106,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2994343371","doi":"","title":"Pictograms: Can They Help Patients Recall Medication Safety Instructions?","year":2016,"lang":"en","type":"article","venue":"Visible Language","topic":"Health Literacy and Information Accessibility","field":"Health Professions","cited_by":16,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Health literacy; Health care; Pictogram; Numeracy; Literacy; Psychology; Nursing; Medicine; Medical education","authors":[{"name":"Louis Del Re","is_ca":false},{"name":"Régis Vaillancourt","is_ca":false},{"name":"Gilda Villarreal","is_ca":false},{"name":"Annie Pouliot","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02205693335278628,"gpt":0.3860611852464086,"spread":0.3640042518936223,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002058832,0.0007300419,0.0007090346,0.0009693067,0.0003953637,0.002252494,0.0007047078,0.001842704,0.04849098],"category_scores_gemma":[0.02451815,0.0002301382,0.0007034992,0.0008626768,0.0004787801,0.002130894,0.0008693231,0.002083171,0.008533831],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0005600466,"about_ca_system_score_gemma":0.0007368483,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00129288,"about_ca_topic_score_gemma":0.001757526,"domain_scores_codex":[0.9988678,0.0005406281,0.0001258731,0.00008184568,0.0003269141,0.00005714174],"domain_scores_gemma":[0.993542,0.004115963,0.0009863253,0.0002090029,0.0008554417,0.0002911536],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"observational","study_design_scores_codex":[0.001012387,0.0006743969,0.01685228,0.004687749,0.0001188285,0.0004980983,0.001577601,0.0002264728,0.0004679247,0.001728675,0.1569597,0.8151959],"study_design_scores_gemma":[0.001321629,0.004424098,0.1230745,0.02232178,0.001362873,0.009228441,0.00768789,0.002010405,0.002725702,0.01056417,0.8149305,0.0003479794],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2294121,0.2378476,0.01102993,0.1543369,0.009491878,0.001969642,0.01031384,0.002846818,0.3427513],"genre_scores_gemma":[0.6401349,0.2241025,0.03042806,0.03665535,0.006449783,0.001459523,0.006010231,0.0002965105,0.05446311],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.04849098,"threshold_uncertainty_score":0.1622185,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W756638288","doi":"","title":"(Mis)understanding: Icon Comprehension in Different Cultural Contexts","year":2014,"lang":"en","type":"article","venue":"Visible Language","topic":"Language, Metaphor, and Cognition","field":"Psychology","cited_by":11,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Comprehension; Pictogram; Icon; Premise; Psychology; Cultural diversity; Metaphor; Linguistics; Sociology; Computer science","authors":[{"name":"Mike Zender","is_ca":false},{"name":"Amy Cassedy","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03598956095226555,"gpt":0.3152940807486876,"spread":0.2793045197964221,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005849304,0.0006297133,0.0003576642,0.001596383,0.0007874006,0.003274897,0.0006721764,0.001025318,0.003781385],"category_scores_gemma":[0.04921361,0.0002947047,0.0003417227,0.000725873,0.002316803,0.003278521,0.002837894,0.0009828035,0.0002753818],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00079463,"about_ca_system_score_gemma":0.0006025996,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002770467,"about_ca_topic_score_gemma":0.002177462,"domain_scores_codex":[0.9936689,0.004376137,0.0003748568,0.000399262,0.000841681,0.0003390876],"domain_scores_gemma":[0.9610958,0.02904322,0.00456842,0.001683509,0.003200282,0.0004088064],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"observational","study_design_scores_codex":[0.0002257505,0.00009403038,0.08934584,0.0004940346,0.00004959487,0.00082365,0.8601585,0.0003180609,0.008530255,0.001306458,0.001005137,0.03764868],"study_design_scores_gemma":[0.00002121858,0.0004989204,0.1611485,0.0008441061,0.00009864116,0.002073419,0.8069862,0.003792294,0.009463376,0.002904371,0.01205203,0.0001169899],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9928981,0.000276384,0.002067215,0.00019862,0.00001173225,0.00003283166,0.00002875456,0.00002528729,0.004461116],"genre_scores_gemma":[0.9984242,0.0001442929,0.0007055809,0.00006696935,0.000004870951,0.00002153715,0.00002652695,0.00001681328,0.0005893289],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.005849304,"threshold_uncertainty_score":0.03093445,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W897840602","doi":"","title":"After the Death of Film: Writing the Natural World in the Digital Age","year":2008,"lang":"en","type":"article","venue":"Visible Language","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Materiality (auditing); Postmodernism; Art; Natural (archaeology); Aesthetics; Cliché; Modernism (music); Visual arts; Literature; History","authors":[{"name":"Tess Takahashi","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02139919697446752,"gpt":0.2280224954426349,"spread":0.2066232984681674,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002234031,0.0003103047,0.0002022245,0.0007226311,0.008791711,0.01037761,0.0007298928,0.001612377,0.008309388],"category_scores_gemma":[0.006452442,0.0001253856,0.0001084676,0.0004991362,0.01330447,0.006858001,0.003217038,0.002457033,0.001310644],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003323799,"about_ca_system_score_gemma":0.002069539,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007173386,"about_ca_topic_score_gemma":0.0130246,"domain_scores_codex":[0.9976636,0.001536977,0.00006556047,0.0002482579,0.0003025568,0.0001831066],"domain_scores_gemma":[0.9961307,0.002222911,0.0003435546,0.0002860593,0.0004981044,0.0005185835],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0000520715,0.00004874533,0.001763708,0.0002256017,0.00000698416,0.001512385,0.6195445,0.0001108552,0.0008812395,0.2692223,0.06230689,0.04432473],"study_design_scores_gemma":[0.000006908512,0.00002201099,0.0008426551,0.0003288822,0.000004198384,0.0005317872,0.1756853,0.00009663551,0.0005623157,0.01523303,0.8066744,0.00001192446],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1991707,0.01789773,0.00581315,0.07649218,0.004059746,0.00005280039,0.0001994417,0.0001314517,0.6961827],"genre_scores_gemma":[0.8685216,0.006248862,0.001293537,0.005448104,0.0007498352,0.00003552358,0.0001002375,0.0001027815,0.1174996],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01037761,"threshold_uncertainty_score":0.0277977,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W143101661","doi":"","title":"A Mandala Browser User Study: Visualizing XML Versions of Shakespeare's Plays","year":2009,"lang":"en","type":"article","venue":"Visible Language","topic":"Data Visualization and Analytics","field":"Computer Science","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Mandala; Computer science; World Wide Web; Venn diagram; Information retrieval; Interface (matter); User interface; Human–computer interaction; Multimedia; Psychology","authors":[{"name":"Rhiannon Gainor","is_ca":false},{"name":"Stéfan Sinclair","is_ca":true},{"name":"Stan Ruecker","is_ca":false},{"name":"Matt Patey","is_ca":false},{"name":"Sandra Gabriele","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01590518737692463,"gpt":0.3192975842213154,"spread":0.3033923968443908,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00653819,0.0009314066,0.0008491805,0.001356829,0.002441514,0.00235343,0.001538569,0.001751886,0.003303923],"category_scores_gemma":[0.02188176,0.0006513207,0.0005870569,0.0008627356,0.001812593,0.003006526,0.001564541,0.00100331,0.00044912],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0008984926,"about_ca_system_score_gemma":0.0004642887,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006762967,"about_ca_topic_score_gemma":0.01126072,"domain_scores_codex":[0.9970821,0.002002718,0.0001445906,0.0003308581,0.0002613629,0.0001784328],"domain_scores_gemma":[0.9673768,0.02858193,0.0004354669,0.001439093,0.001499734,0.0006670247],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"observational","study_design_scores_codex":[0.001889874,0.002119482,0.03340811,0.0009559579,0.0001175025,0.004809699,0.8667356,0.001145957,0.04004141,0.001352939,0.00379727,0.04362622],"study_design_scores_gemma":[0.0007816298,0.01696128,0.1553194,0.000740845,0.0003195264,0.009315045,0.6684105,0.02934606,0.06180755,0.002028555,0.05411512,0.0008544286],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9971008,0.00005063977,0.001462847,0.00008820024,0.000005865563,0.0001059122,0.00009514255,0.0001676811,0.0009230129],"genre_scores_gemma":[0.9893836,0.00006978663,0.008440146,0.0001132046,0.000009134349,0.0001639971,0.0002300359,0.0001292804,0.001460859],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.006762967,"threshold_uncertainty_score":0.03457773,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W345455769","doi":"","title":"Alphabet to Email-How Written English Evolves and Where It's Heading","year":2001,"lang":"en","type":"article","venue":"Visible Language","topic":"Digital Communication and Language","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Punctuation; Vernacular; Linguistics; Grammar; Written language; Sociology; History; Computer science; Philosophy","authors":[{"name":"Sharon Poggenpohl","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0123273328305913,"gpt":0.2612092517106811,"spread":0.2488819188800898,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0009161745,0.0004646888,0.0004870387,0.001465668,0.002965974,0.01753266,0.0007988445,0.001964215,0.04230471],"category_scores_gemma":[0.004344102,0.0003227471,0.0002944239,0.002632865,0.004184821,0.01169296,0.002791164,0.003842246,0.02591014],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001930214,"about_ca_system_score_gemma":0.002965454,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003427874,"about_ca_topic_score_gemma":0.004303099,"domain_scores_codex":[0.9984699,0.0006634565,0.0001176449,0.0001432423,0.0003975955,0.0002082439],"domain_scores_gemma":[0.9977823,0.0008315129,0.0001363696,0.0001402685,0.0006838713,0.0004257737],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003335587,0.00005172055,0.0006801395,0.000524314,0.0000055197,0.0002587872,0.010429,0.00009957396,0.0005251883,0.1334045,0.6353092,0.2186786],"study_design_scores_gemma":[0.000002596367,0.00001032465,0.0006192923,0.0005548344,0.000001925614,0.0001468528,0.004191808,0.00002703236,0.00009207227,0.005839207,0.9885077,0.000006391283],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.005289712,0.0950222,0.004930909,0.07081497,0.03283263,0.0000712819,0.0004274402,0.0007991905,0.7898117],"genre_scores_gemma":[0.1086039,0.07848959,0.004408992,0.0254714,0.008986027,0.0001273317,0.0006893917,0.001356129,0.7718672],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9824674,"threshold_uncertainty_score":0.1415234,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W334114913","doi":"","title":"Language Culture Type","year":2003,"lang":"en","type":"article","venue":"Visible Language","topic":"Optics and Image Analysis","field":"Business, Management and Accounting","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Typeface; Typography; Linguistics; Computer science; Art; Visual arts; Philosophy","authors":[{"name":"Sharon Poggenpohl","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.007059167134007495,"gpt":0.2348586638363952,"spread":0.2277994967023877,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001026248,0.0009776549,0.0007615087,0.002167452,0.002744813,0.0148456,0.001235801,0.001346915,0.1156118],"category_scores_gemma":[0.003965753,0.0002961236,0.000458029,0.003467321,0.002352775,0.008934471,0.0034632,0.003092291,0.05681712],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003172975,"about_ca_system_score_gemma":0.003432469,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003707464,"about_ca_topic_score_gemma":0.003476579,"domain_scores_codex":[0.9980617,0.0005504011,0.0001268164,0.0002994708,0.000672854,0.0002887926],"domain_scores_gemma":[0.9982904,0.0002996066,0.0001206036,0.0002459458,0.0007472724,0.0002963149],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000023754,0.00001269813,0.0004031236,0.0002475207,0.000006217342,0.0001321399,0.002777267,0.00004471904,0.0002179574,0.1486468,0.6920966,0.1553912],"study_design_scores_gemma":[0.000001298752,0.000004718529,0.0001643523,0.0001281466,0.000001455865,0.0001078811,0.001026794,0.00001928337,0.00006712072,0.004107384,0.9943671,0.000004599489],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.0009519354,0.008302683,0.001658063,0.009234512,0.01089726,0.00003061254,0.0003584657,0.0002309298,0.9683355],"genre_scores_gemma":[0.03232015,0.01286895,0.001861195,0.006299603,0.003864508,0.0001492457,0.0009754364,0.000767795,0.9408931],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.1156118,"threshold_uncertainty_score":0.3867599,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W308194251","doi":"","title":"The Use of Metaphors in Dietary Visual Displays around the World","year":2007,"lang":"en","type":"article","venue":"Visible Language","topic":"Culinary Culture and Tourism","field":"Agricultural and Biological Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Consumption (sociology); Food choice; Variety (cybernetics); Perception; Marketing; Psychology; Business; Sociology; Medicine; Social science; Computer science","authors":[{"name":"Isabel Meirelles","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03300280995691806,"gpt":0.2771822314707125,"spread":0.2441794215137945,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002151969,0.0005899654,0.0002089016,0.002571575,0.001288707,0.00546374,0.0005204485,0.0008778479,0.005222618],"category_scores_gemma":[0.0123189,0.0002843674,0.0003698894,0.001637301,0.003259446,0.003832511,0.002997485,0.0007921442,0.0003611162],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001262311,"about_ca_system_score_gemma":0.0004614526,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001856011,"about_ca_topic_score_gemma":0.001094581,"domain_scores_codex":[0.997175,0.002279852,0.00006594456,0.000153325,0.0002119065,0.0001139483],"domain_scores_gemma":[0.9938346,0.004033339,0.0008555689,0.0004818967,0.0005923609,0.0002021412],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"observational","study_design_scores_codex":[0.0006369233,0.00009669836,0.02057263,0.001011388,0.0000832695,0.00184679,0.6914144,0.002466,0.01710157,0.1658555,0.01046952,0.0884454],"study_design_scores_gemma":[0.0001471948,0.0005307369,0.04345884,0.001540559,0.0001705568,0.004209036,0.4947912,0.01027268,0.006904198,0.06721666,0.3704176,0.000340843],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8609383,0.003286291,0.04434606,0.003961881,0.0002557254,0.00009178597,0.0004389298,0.0006394932,0.08604155],"genre_scores_gemma":[0.9923477,0.0002853977,0.005829487,0.0001076407,0.00001351535,0.00002986515,0.00007192906,0.00004821459,0.001266288],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.00546374,"threshold_uncertainty_score":0.01747137,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W239958255","doi":"","title":"Excerpts from the Drawn like Money Series","year":2008,"lang":"en","type":"article","venue":"Visible Language","topic":"Indigenous Studies and Ecology","field":"Health Professions","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Capitalism; Visual arts; Sociology; History; Art history; Art; Law; Politics; Political science","authors":[{"name":"Patrick Mahon","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02935506016053377,"gpt":0.341566039555332,"spread":0.3122109793947982,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001645009,0.000816097,0.0002712042,0.001631182,0.003942983,0.001495166,0.0005380582,0.0005921679,0.1196388],"category_scores_gemma":[0.001324976,0.0001762867,0.0002244788,0.004207431,0.0008363334,0.0008394623,0.0009487018,0.001261022,0.02144086],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002046163,"about_ca_system_score_gemma":0.001014974,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.06135516,"about_ca_topic_score_gemma":0.1864453,"domain_scores_codex":[0.9997315,0.00005330598,0.000007368966,0.00002547775,0.0001426065,0.00003970002],"domain_scores_gemma":[0.99966,0.0001439853,0.00001993085,0.00002121682,0.0001168334,0.00003815595],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007120137,0.00002360732,0.0001467345,0.0002553778,0.000002488682,0.000667009,0.01045777,0.0001140671,0.001099825,0.009149669,0.9447876,0.03322473],"study_design_scores_gemma":[0.000002311041,0.00000353431,0.0008869585,0.00005752314,6.737962e-7,0.0001342036,0.00233243,0.00002383575,0.00009863378,0.0003695815,0.9960858,0.000004411013],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.01682376,0.004671444,0.001805453,0.003977715,0.006641566,0.0001996177,0.009868301,0.0002852019,0.9557269],"genre_scores_gemma":[0.09307304,0.004666489,0.003414645,0.002122581,0.001575612,0.0003640563,0.007972724,0.001165821,0.8856451],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1196388,"threshold_uncertainty_score":0.4002317,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}