{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":24,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":24,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"6e673bb3fda1","filters":{"venue":"Visual Communication"}},"results":[{"id":"W2335111383","doi":"10.1177/1470357211398447","title":"Cartoon drawing as a means of accessing what students know about HIV/AIDS: an alternative method","year":2011,"lang":"en","type":"article","venue":"Visual Communication","topic":"Digital Storytelling and Education","field":"Health Professions","cited_by":35,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Human sexuality; Human immunodeficiency virus (HIV); Sexuality education; Perception; Public health; Psychology; Reproductive health; Sociology; Sex education; Medicine; Gender studies; Population; Family medicine; Nursing","authors":[{"name":"Harriet Mutonyi","is_ca":false},{"name":"Maureen Kendrick","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1624330262330015,"gpt":0.5218857846591459,"spread":0.3594527584261444,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004950884,0.001167102,0.0003282255,0.002821351,0.001412233,0.00409279,0.001662299,0.001513856,0.01381292],"category_scores_gemma":[0.01300637,0.0003062521,0.0004391063,0.002268998,0.00382252,0.003762601,0.00475111,0.001541216,0.001456182],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0006779101,"about_ca_system_score_gemma":0.0008627006,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0006388385,"about_ca_topic_score_gemma":0.001433911,"domain_scores_codex":[0.9949885,0.004071207,0.0000877268,0.0001665831,0.0004960806,0.0001898799],"domain_scores_gemma":[0.9845473,0.01230803,0.0004293756,0.0015833,0.0007512614,0.0003807305],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"qualitative","study_design_scores_codex":[0.0005275569,0.0006340339,0.003751397,0.001678567,0.00003281436,0.002638628,0.4091277,0.001018413,0.02098344,0.0966824,0.01511318,0.4478119],"study_design_scores_gemma":[0.0003194458,0.001390816,0.005037087,0.002757116,0.0001374311,0.006188478,0.3140458,0.0105927,0.02727873,0.06142038,0.5705576,0.0002744619],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.3859023,0.002108077,0.2963839,0.00929321,0.001286604,0.002729876,0.0007529758,0.001565325,0.2999777],"genre_scores_gemma":[0.7828557,0.001682265,0.1852063,0.001042012,0.0001614436,0.001553816,0.000191934,0.0001833212,0.02712326],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01381292,"threshold_uncertainty_score":0.04620886,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1985311462","doi":"10.1177/1470357209343360","title":"Identities in action: a nexus analysis of identity construction and language shift","year":2009,"lang":"en","type":"article","venue":"Visual Communication","topic":"Multilingual Education and Policy","field":"Social Sciences","cited_by":27,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Identity (music); Value (mathematics); Action (physics); Meaning (existential); Sociology; Nexus (standard); The Symbolic; Social identity theory; Linguistics; Symbolic power; Carry (investment); Gender studies; Social psychology; Aesthetics; Epistemology; Social group; Social science; Psychology; Law; Computer science; Political science","authors":[{"name":"Pia Lane","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07596429677423928,"gpt":0.5289268030495716,"spread":0.4529625062753324,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002754245,0.0003134804,0.0002765803,0.002492459,0.007460537,0.006188578,0.001007312,0.001015191,0.003801003],"category_scores_gemma":[0.003978508,0.0001892617,0.000307962,0.001694753,0.02893608,0.005058803,0.008061744,0.001395883,0.0002083876],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01213135,"about_ca_system_score_gemma":0.007039279,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.06933129,"about_ca_topic_score_gemma":0.05058417,"domain_scores_codex":[0.9960388,0.00198891,0.00007932166,0.0003648568,0.0008006849,0.0007274644],"domain_scores_gemma":[0.9981406,0.0008776037,0.0003233793,0.0001509398,0.0002711643,0.0002363284],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00008375752,0.00006427585,0.01973747,0.0000827249,0.00001182868,0.000475562,0.6265365,0.0002794747,0.001203851,0.3282076,0.0002694065,0.02304737],"study_design_scores_gemma":[0.0000202133,0.00005102163,0.03741826,0.0001142661,0.00001804655,0.0001895163,0.8358117,0.001350562,0.001012961,0.0990493,0.02493469,0.00002940796],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8018562,0.0004779066,0.01086548,0.00217644,0.00003005722,0.00007791818,0.0000380346,0.00002207054,0.184456],"genre_scores_gemma":[0.9972425,0.00005269993,0.0009407285,0.00003186934,0.000002114722,0.00001922135,0.00001058687,0.000005651847,0.001694598],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.06933129,"threshold_uncertainty_score":0.1378555,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2111187723","doi":"10.1177/1470357209343375","title":"Communicating emotion with animated text","year":2009,"lang":"en","type":"article","venue":"Visual Communication","topic":"Safety Warnings and Signage","field":"Psychology","cited_by":20,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Sadness; Happiness; Anger; Paralanguage; Meaning (existential); Set (abstract data type); Psychology; Emotion classification; Computer science; Cognitive psychology; Social psychology; Communication","authors":[{"name":"Sabrina Malik","is_ca":true},{"name":"Jonathan M. Aitken","is_ca":true},{"name":"Judith Waalen","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02986115650995321,"gpt":0.3595814972242981,"spread":0.3297203407143449,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001043154,0.0003799452,0.0001612147,0.0003430441,0.0002331454,0.001127733,0.0002936782,0.0005238373,0.00821796],"category_scores_gemma":[0.008718622,0.0001020779,0.000162623,0.0001778882,0.0005585656,0.001063213,0.0009981589,0.0003235124,0.0009275012],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001769325,"about_ca_system_score_gemma":0.00007968859,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00006461426,"about_ca_topic_score_gemma":0.0000834513,"domain_scores_codex":[0.9992846,0.000497927,0.00003353996,0.00004959229,0.0001032347,0.00003111266],"domain_scores_gemma":[0.9937246,0.00517496,0.0003047338,0.0003642426,0.0003193101,0.0001122756],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","study_design_scores_codex":[0.003285217,0.0008753409,0.007984052,0.002234282,0.00009661276,0.00259039,0.07041364,0.005209991,0.5801641,0.01894027,0.008971388,0.2992347],"study_design_scores_gemma":[0.001297913,0.0129383,0.09437131,0.002549878,0.0005512949,0.008770195,0.05137385,0.07001121,0.358455,0.055248,0.3439139,0.000519175],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8921312,0.0005633886,0.06557333,0.0008190536,0.000194598,0.0002967249,0.0001775372,0.0007951508,0.03944894],"genre_scores_gemma":[0.9501488,0.0003865584,0.04000561,0.0003364036,0.00008282396,0.0002111159,0.000127585,0.00009810671,0.008603079],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.00821796,"threshold_uncertainty_score":0.02749181,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2769771983","doi":"10.1177/1470357217740393","title":"The semantic and syntactic qualities of paneling in students’ graphic narratives","year":2017,"lang":"en","type":"article","venue":"Visual Communication","topic":"Literacy, Media, and Education","field":"Arts and Humanities","cited_by":19,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Victoria","funders":"","keywords":"Comics; Narrative; Meaning (existential); Selection (genetic algorithm); Reading (process); Pedagogy; Visual arts; Mathematics education; Psychology; Linguistics; Computer science; Art; Literature","authors":[{"name":"Sylvia Pantaleo","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06583153396575699,"gpt":0.3716237882468,"spread":0.3057922542810431,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003684233,0.0004031111,0.0002534998,0.001094389,0.003082653,0.006318515,0.0005923926,0.001100614,0.002304044],"category_scores_gemma":[0.01313852,0.0003315892,0.0002452109,0.0008712669,0.01308594,0.004628285,0.004688994,0.002206326,0.0002254714],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001235457,"about_ca_system_score_gemma":0.001163277,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001266426,"about_ca_topic_score_gemma":0.002501115,"domain_scores_codex":[0.99629,0.002555381,0.0001302969,0.000245296,0.0005103808,0.0002687387],"domain_scores_gemma":[0.9895126,0.008424345,0.0008080303,0.0005194471,0.0003889633,0.0003466272],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00002686855,0.00001601313,0.003125989,0.00008109423,0.000003130117,0.0006218532,0.9635141,0.0001220309,0.003222911,0.02294591,0.000253349,0.006066746],"study_design_scores_gemma":[0.0000100761,0.0000624196,0.01028364,0.0002233599,0.00001708277,0.001449935,0.9313525,0.0007251481,0.005372518,0.01218734,0.03827878,0.00003728475],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9458326,0.000225866,0.01199228,0.001725269,0.00004060548,0.00004788827,0.00005157184,0.00005035028,0.04003362],"genre_scores_gemma":[0.9968089,0.0001157962,0.001315584,0.00006531037,0.000007093658,0.00002484004,0.00001871002,0.00002821346,0.001615396],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.006318515,"threshold_uncertainty_score":0.01948434,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1980777810","doi":"10.1177/1470357208096207","title":"The promise of `makeability': digital editing software and the structuring of everyday cinematic life","year":2009,"lang":"en","type":"article","venue":"Visual Communication","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":18,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Carleton University","funders":"Economic and Social Research Council","keywords":"Amateur; Filmmaking; Compromise; Context (archaeology); Everyday life; Movie theater; Entertainment; Aesthetics; Video editing; Digital media; Sociology; Embodied cognition; Visual arts; Multimedia; Software; Computer science; Art; World Wide Web; History; Epistemology; Social science","authors":[{"name":"Marc Furstenau","is_ca":true},{"name":"Adrian Mackenzie","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02071686469348902,"gpt":0.2460405459189089,"spread":0.2253236812254198,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.002810419,0.0003273171,0.0001675109,0.001909538,0.003650312,0.0113264,0.0009205439,0.001162472,0.00324128],"category_scores_gemma":[0.01166164,0.0002898722,0.0002282197,0.001222879,0.01463468,0.00837045,0.003697948,0.001223762,0.0003531321],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001400949,"about_ca_system_score_gemma":0.0007861272,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002005321,"about_ca_topic_score_gemma":0.001757288,"domain_scores_codex":[0.9976091,0.001554791,0.00007208885,0.0001984641,0.0003752301,0.0001902747],"domain_scores_gemma":[0.9913537,0.006013001,0.0008807855,0.0009398428,0.0004204935,0.0003922008],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00008921794,0.00006049507,0.008670752,0.0002108974,0.00002077181,0.0005897452,0.2845162,0.000625517,0.004024547,0.6049081,0.003049726,0.09323394],"study_design_scores_gemma":[0.00003229143,0.0001682808,0.02436655,0.0005229112,0.00005673871,0.001531299,0.1431701,0.002910704,0.004546517,0.3048479,0.517735,0.0001116892],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6043127,0.003977309,0.06162321,0.01244909,0.000219446,0.00006836763,0.0001069669,0.0003995344,0.3168434],"genre_scores_gemma":[0.9902804,0.0005511863,0.004139967,0.000163077,0.0001101637,0.00002381832,0.00002565809,0.00006174728,0.004644009],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9963497,"threshold_uncertainty_score":0.01486307,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2072591756","doi":"10.1177/1470357212462962","title":"Visual optics: interpreting body art, three ways","year":2013,"lang":"en","type":"article","venue":"Visual Communication","topic":"Visual Culture and Art Theory","field":"Arts and Humanities","cited_by":18,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Brock University","funders":"","keywords":"Semiotics; Visual literacy; Narrative; Identity (music); Multimodality; Relation (database); Conjunction (astronomy); Visual arts; Computer science; Sociology; Aesthetics; Psychology; Art; Epistemology; Literature; Mathematics education","authors":[{"name":"Jennifer Rowsell","is_ca":true},{"name":"Günther Kress","is_ca":false},{"name":"Brian Street","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03392019348599962,"gpt":0.2825654655397377,"spread":0.248645272053738,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01384294,0.001297891,0.0006947917,0.006060925,0.005822598,0.02103473,0.001787636,0.003373245,0.003863448],"category_scores_gemma":[0.01971617,0.0007574463,0.0007607014,0.003652549,0.06779747,0.0221991,0.01235319,0.004196425,0.0005091652],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003730311,"about_ca_system_score_gemma":0.003291143,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003453386,"about_ca_topic_score_gemma":0.003764904,"domain_scores_codex":[0.9849282,0.01158681,0.0004800119,0.0008863423,0.001558408,0.0005601842],"domain_scores_gemma":[0.9895195,0.007551242,0.0007779298,0.001150966,0.0006212773,0.0003790026],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00004010236,0.00001343685,0.00072045,0.0003739984,0.00001554625,0.0002152251,0.3626228,0.0001350739,0.0009598362,0.615047,0.001196079,0.01866052],"study_design_scores_gemma":[0.00003496311,0.00006815518,0.001412364,0.001671008,0.00003488414,0.0006631609,0.434635,0.0009559212,0.00214479,0.441463,0.1168481,0.00006864128],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.1434806,0.0143961,0.4426933,0.03085384,0.001740872,0.0008227265,0.0002938787,0.000414367,0.3653044],"genre_scores_gemma":[0.9001713,0.004420493,0.0769032,0.001780361,0.0002797391,0.0009544236,0.00007791201,0.0003318466,0.01508072],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02103473,"threshold_uncertainty_score":0.07320935,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2805507952","doi":"10.1177/1470357218778876","title":"Calibrating the ‘right values’: the role of critical inquiry tasks in social studies textbooks","year":2018,"lang":"en","type":"article","venue":"Visual Communication","topic":"Educator Training and Historical Pedagogy","field":"Social Sciences","cited_by":10,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Systemic functional linguistics; Narrative; Critical thinking; Meaning (existential); Epistemology; Sociology; Variety (cybernetics); Independence (probability theory); Critical discourse analysis; Narrative inquiry; Pedagogy; Psychology; Linguistics; Political science; Computer science; Politics","authors":[{"name":"Gordon Myskow","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.2262488474478221,"gpt":0.5180000139866203,"spread":0.2917511665387982,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.1270765,0.001394359,0.001371346,0.008045406,0.01051479,0.03221801,0.006417132,0.00364019,0.005284967],"category_scores_gemma":[0.3636557,0.001501265,0.0005024548,0.004437874,0.04308411,0.02759054,0.02015106,0.006080792,0.000873121],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01329404,"about_ca_system_score_gemma":0.01482432,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004074269,"about_ca_topic_score_gemma":0.004792774,"domain_scores_codex":[0.8196716,0.1598747,0.003675918,0.005107071,0.00863565,0.003035085],"domain_scores_gemma":[0.4008688,0.5498837,0.01625656,0.01308483,0.01294244,0.006963741],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001315968,0.0002196101,0.004338418,0.000588951,0.00001444887,0.0003131393,0.8460558,0.0005238857,0.001514391,0.0745507,0.001804379,0.06994466],"study_design_scores_gemma":[0.0001391568,0.0002779788,0.008487812,0.002791441,0.0000333686,0.0004011152,0.7036259,0.00376147,0.005050406,0.1998305,0.07537155,0.0002292727],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6829356,0.001950659,0.1406372,0.01574501,0.0004131821,0.001856781,0.0001275435,0.0008448611,0.1554892],"genre_scores_gemma":[0.9466241,0.0003972788,0.04780687,0.0005958815,0.00005709174,0.001062572,0.00004667315,0.0002097807,0.003199738],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1270765,"threshold_uncertainty_score":0.6720527,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1981046320","doi":"10.1177/1470357214565580","title":"Print advertising in anglophone and francophone Canada from a critical discourse analytical point of view: establishing different relations between the producer and viewer of advertisement images","year":2015,"lang":"en","type":"article","venue":"Visual Communication","topic":"Discourse Analysis in Language Studies","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Advertising; Visual language; Grammar; Point (geometry); Reading (process); Critical discourse analysis; French; Power (physics); Sociology; Linguistics; Political science; Art; Business; Visual arts; Humanities; Law; Politics; Mathematics","authors":[{"name":"Erhard Lick","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02794932781271959,"gpt":0.313368522646031,"spread":0.2854191948333114,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002910649,0.0006025827,0.0003524732,0.004386237,0.01545883,0.01130607,0.001022652,0.001315715,0.003422515],"category_scores_gemma":[0.007920125,0.0003479274,0.0002200847,0.005109304,0.01498379,0.002401312,0.002946813,0.001846736,0.000213509],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.06469385,"about_ca_system_score_gemma":0.04231191,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9442622,"about_ca_topic_score_gemma":0.9477261,"domain_scores_codex":[0.996846,0.0007590147,0.00007054862,0.0003117995,0.001145089,0.0008675031],"domain_scores_gemma":[0.9922221,0.00449163,0.0007144502,0.0001382852,0.00176573,0.0006678482],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0000970715,0.00003904454,0.01126529,0.00009540963,0.000007646975,0.0005577205,0.9629737,0.00004387472,0.001257371,0.01408421,0.001056504,0.008522219],"study_design_scores_gemma":[0.000009097163,0.00002673573,0.03610723,0.0001316454,0.00002561995,0.0001403189,0.9358593,0.0001802921,0.0009131297,0.0006425561,0.02592769,0.00003637092],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9358436,0.0009757974,0.0003067345,0.001526373,0.00003063102,0.00002931069,0.00008497255,0.00001143428,0.06119108],"genre_scores_gemma":[0.9946691,0.0003517175,0.0001594636,0.000199311,0.00001166693,0.00001047091,0.0000385893,0.00001064679,0.004549113],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.06469385,"threshold_uncertainty_score":0.469389,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2760459599","doi":"10.1177/1470357217727678","title":"Who’s devising your theatre experience? A director’s approach to inclusive theatre for blind and low vision theatregoers","year":2017,"lang":"en","type":"article","venue":"Visual Communication","topic":"Subtitles and Audiovisual Media","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Amateur; Film director; Entertainment; Art; Theatre director; Program director; Transformative learning; Sociology; Perspective (graphical); Visual arts; Aesthetics; Management; Political science; Movie theater; Medicine; Pedagogy","authors":[{"name":"Mala D. Naraine","is_ca":true},{"name":"Margot Whitfield","is_ca":true},{"name":"Deborah I. Fels","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06862346130795456,"gpt":0.3657267340328975,"spread":0.2971032727249429,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006291553,0.0003763605,0.0002054997,0.0008338122,0.01239808,0.01081491,0.001425659,0.001330653,0.006906186],"category_scores_gemma":[0.00767416,0.0003421686,0.0002817422,0.0005144635,0.009121723,0.004008838,0.01109471,0.003333073,0.001354547],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005759193,"about_ca_system_score_gemma":0.008542558,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.008581826,"about_ca_topic_score_gemma":0.02496251,"domain_scores_codex":[0.9932462,0.004348058,0.0001884275,0.0003841481,0.0009373551,0.0008957796],"domain_scores_gemma":[0.995845,0.001219542,0.0003460808,0.0002796231,0.0006243914,0.001685292],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00009000604,0.0003167176,0.006077833,0.0003815818,0.00001303676,0.001796592,0.8439819,0.0001820195,0.004191638,0.02626087,0.01547421,0.1012336],"study_design_scores_gemma":[0.00001619351,0.0002238589,0.003475849,0.0003598011,0.00001809009,0.002058225,0.6527191,0.0002399405,0.00245798,0.001399981,0.3369736,0.00005733501],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6850656,0.003803485,0.04165256,0.02160789,0.0009873126,0.0004469692,0.0000959446,0.0005073122,0.2458329],"genre_scores_gemma":[0.9269291,0.001260398,0.01758478,0.001662025,0.00007761906,0.0001466187,0.00004031604,0.0001322732,0.05216691],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01239808,"threshold_uncertainty_score":0.04178607,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2074773329","doi":"10.1177/1470357208092323","title":"Designing for the unexpected: the role of creative group work for emerging interaction design paradigms","year":2008,"lang":"en","type":"article","venue":"Visual Communication","topic":"Creativity in Education and Neuroscience","field":"Psychology","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Human–computer interaction; Wearable computer; Interaction design; Computer science; Underpinning; Relevance (law); User experience design; Product design; User interface; Product (mathematics); Sociology; Engineering","authors":[{"name":"Antti Pirhonen","is_ca":false},{"name":"Emma Murphy","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1292041137555927,"gpt":0.4240400913066242,"spread":0.2948359775510315,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0216502,0.001094459,0.0007213957,0.002943137,0.007299173,0.0198071,0.003720294,0.003985645,0.007488484],"category_scores_gemma":[0.02480867,0.0007398098,0.001219947,0.001187683,0.05934163,0.02081822,0.009915528,0.004475891,0.001038174],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003139693,"about_ca_system_score_gemma":0.003544517,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0005744039,"about_ca_topic_score_gemma":0.0005797449,"domain_scores_codex":[0.9821475,0.01425454,0.0003362434,0.00153966,0.00124151,0.0004805954],"domain_scores_gemma":[0.9640061,0.02646894,0.001320104,0.00547086,0.0008655608,0.001868452],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00003165267,0.00003344776,0.0003877276,0.0001571916,0.00001099475,0.0001486647,0.03749513,0.00051089,0.0003532867,0.9407229,0.0008612521,0.01928682],"study_design_scores_gemma":[0.00006966732,0.00005171491,0.0002240484,0.0002291241,0.00001431119,0.0003033509,0.01039611,0.003293532,0.0004496325,0.9465101,0.03842858,0.00002983317],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.06881248,0.007641849,0.582579,0.02585704,0.0008962665,0.0004237978,0.00004924772,0.0005081045,0.3132322],"genre_scores_gemma":[0.8160256,0.001823789,0.1725954,0.001040299,0.0002642443,0.0008333354,0.00003774128,0.0002389993,0.007140685],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.0216502,"threshold_uncertainty_score":0.1144986,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2017879816","doi":"10.1177/1470357209356373","title":"Powell’s point: ‘denial and deception’ at the UN","year":2010,"lang":"en","type":"article","venue":"Visual Communication","topic":"Rhetoric and Communication Studies","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Presentation (obstetrics); Denial; Representation (politics); Deception; Point (geometry); Visual media; Cognitive science; Epistemology; Psychology; Computer science; Social psychology; Psychoanalysis; Law; Multimedia; Philosophy; Political science; Politics","authors":[{"name":"Jonathan Finn","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02208480131325846,"gpt":0.2719747526194509,"spread":0.2498899513061924,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006096392,0.0004572845,0.0003254945,0.0009248622,0.01075216,0.009843878,0.001039584,0.009140222,0.003929581],"category_scores_gemma":[0.02568973,0.0003212273,0.0003235003,0.0007793827,0.03053685,0.0129805,0.004205412,0.01244074,0.0007764476],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004277447,"about_ca_system_score_gemma":0.002485079,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.009638644,"about_ca_topic_score_gemma":0.008218993,"domain_scores_codex":[0.9895061,0.007043099,0.0002052702,0.0007233731,0.001787825,0.0007343793],"domain_scores_gemma":[0.9914641,0.006433537,0.0004953382,0.0006448814,0.0007475292,0.0002146566],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001969475,0.000005042357,0.0001052095,0.00005123071,0.000003032704,0.0002976322,0.04104781,0.00008471306,0.0001304243,0.9153135,0.03126098,0.01168079],"study_design_scores_gemma":[0.000007552316,0.00002498698,0.00034396,0.0006077369,0.000009134538,0.0008584662,0.03084041,0.0004129162,0.001004288,0.2798245,0.6860288,0.00003731139],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.02738525,0.01441786,0.03284907,0.4005858,0.004256585,0.000040768,0.00004399777,0.0001615977,0.520259],"genre_scores_gemma":[0.9005228,0.003194259,0.004291853,0.03939749,0.0009968833,0.00005668779,0.00001223301,0.0001352701,0.05139244],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01075216,"threshold_uncertainty_score":0.03224117,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2804918907","doi":"10.1177/1470357218775127","title":"What does knowledge look like? Interpreting diagrams as contemporary hieroglyphics","year":2018,"lang":"en","type":"article","venue":"Visual Communication","topic":"Language, Metaphor, and Cognition","field":"Psychology","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University; University of Toronto","funders":"","keywords":"Representation (politics); Graphics; Graphic communication; Computer science; Meaning (existential); Object (grammar); Graphic design; Psychology; Artificial intelligence; Multimedia; Computer graphics (images)","authors":[{"name":"Tracey Bowen","is_ca":true},{"name":"M. Max Evans","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03946712186689127,"gpt":0.3812637052764461,"spread":0.3417965834095548,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004479049,0.0008688958,0.000378141,0.007481926,0.003055534,0.01046927,0.0009371217,0.001370319,0.003560979],"category_scores_gemma":[0.01296314,0.000305215,0.0003753887,0.005502248,0.01343371,0.01265814,0.003232667,0.001505143,0.0004510562],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003551183,"about_ca_system_score_gemma":0.001591916,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00506753,"about_ca_topic_score_gemma":0.005521326,"domain_scores_codex":[0.9951716,0.003724206,0.0001411263,0.0002471232,0.0004756317,0.0002403319],"domain_scores_gemma":[0.9937783,0.004690023,0.0004129676,0.0004542183,0.0004381553,0.0002263079],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.0000394724,0.00001077232,0.002432149,0.0002411847,0.00001877796,0.000422358,0.3641199,0.000609123,0.001003508,0.6040156,0.003156383,0.02393064],"study_design_scores_gemma":[0.00001814502,0.00003351998,0.00391796,0.0007106552,0.00004371659,0.0007708516,0.3257568,0.002523016,0.0007671088,0.4080361,0.2573771,0.0000451225],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3898579,0.01158193,0.1654357,0.02507297,0.00129644,0.0002045563,0.0008122057,0.0006054441,0.4051327],"genre_scores_gemma":[0.9739602,0.002152364,0.01876968,0.0003720373,0.0001167814,0.00009169003,0.00018776,0.0001338721,0.004215717],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01046927,"threshold_uncertainty_score":0.02576578,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2948236211","doi":"10.1177/1470357219851807","title":"On humanitarian virality: <i>Kony 2012</i> , or, the rise and fall of a pictorial artifact in the digital age","year":2019,"lang":"en","type":"article","venue":"Visual Communication","topic":"Agriculture and Rural Development Research","field":"Agricultural and Biological Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"York University","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Artifact (error); Computer science; Media studies; Political science; Sociology; Artificial intelligence","authors":[{"name":"Fuyuki Kurasawa","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02914536115101631,"gpt":0.2782840675968893,"spread":0.249138706445873,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001789301,0.0006450763,0.0002475747,0.001171482,0.006245265,0.008905586,0.000615084,0.001552343,0.004394111],"category_scores_gemma":[0.005328272,0.0002373631,0.0001859958,0.001307599,0.02140074,0.008628892,0.005068633,0.002905236,0.0004571307],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003339963,"about_ca_system_score_gemma":0.001283777,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005313152,"about_ca_topic_score_gemma":0.006991344,"domain_scores_codex":[0.9985577,0.0009283728,0.00003249977,0.0001284587,0.0001986352,0.0001543016],"domain_scores_gemma":[0.9982413,0.001055642,0.0002243504,0.000189152,0.0001820457,0.0001075248],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.0000977532,0.00002313732,0.001502846,0.0004188579,0.00001033289,0.0008319314,0.3207486,0.0003179145,0.001248095,0.6072004,0.03062544,0.03697473],"study_design_scores_gemma":[0.000008722906,0.00008030951,0.003756556,0.001219363,0.00001381213,0.00129735,0.2031578,0.00051362,0.002109627,0.02599415,0.7617982,0.00005050138],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3332639,0.0245071,0.03314667,0.06895036,0.004138003,0.0001821854,0.0003793133,0.0003180301,0.5351143],"genre_scores_gemma":[0.9537014,0.004866467,0.003499859,0.00303418,0.0007273795,0.0001225348,0.00008397094,0.0001788342,0.03378522],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.008905586,"threshold_uncertainty_score":0.02423322,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3034302564","doi":"10.1177/1470357220912457","title":"Neon visions: from techno-optimism to urban vice","year":2020,"lang":"en","type":"article","venue":"Visual Communication","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Neon; Aesthetics; Vision; Cityscape; History; Visual arts; Media studies; Art; Sociology; Chemistry","authors":[{"name":"Carolyn L. Kane","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05407338153909768,"gpt":0.2898645436928811,"spread":0.2357911621537834,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005157392,0.0003685153,0.0001958475,0.0007951276,0.007314707,0.01171335,0.0007371985,0.001799905,0.006466541],"category_scores_gemma":[0.007868234,0.0002312825,0.0001812466,0.0006373801,0.0289185,0.01067346,0.007018984,0.004525408,0.001088685],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007138746,"about_ca_system_score_gemma":0.003043833,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003943441,"about_ca_topic_score_gemma":0.005234274,"domain_scores_codex":[0.9960302,0.002533042,0.0000650012,0.0003229092,0.0006921557,0.0003568152],"domain_scores_gemma":[0.9979458,0.0009144961,0.0001470932,0.0002435327,0.0003350734,0.0004139546],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002052017,0.0000123139,0.000389457,0.00002749332,0.000002321999,0.00008208342,0.03065534,0.0001691167,0.0001243077,0.938127,0.01271499,0.017675],"study_design_scores_gemma":[0.000008685937,0.00005687695,0.0008049364,0.0002532949,0.000004835125,0.0003310907,0.06376085,0.0006504933,0.0007069501,0.3410622,0.5923254,0.00003433743],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.06857007,0.006189039,0.01473894,0.07940093,0.0008795429,0.00002151813,0.0000419216,0.0001790055,0.8299791],"genre_scores_gemma":[0.9493612,0.003198371,0.002413403,0.003461561,0.0001873269,0.00002517241,0.00002139068,0.0001930604,0.04113848],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01171335,"threshold_uncertainty_score":0.05179548,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4211257526","doi":"10.1177/14703572211071117","title":"Tailings and tracings: using art and social science to explore the limits of visual methods at mining and industrial ruins","year":2022,"lang":"en","type":"article","venue":"Visual Communication","topic":"Participatory Visual Research Methods","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Brandon University; University of Winnipeg","funders":"","keywords":"Tracing; Sociology; Dialogical self; Visual research; Representation (politics); Visual arts; Discipline; Environmental justice; Resource (disambiguation); Engineering ethics; Computer science; Social science; Psychology; Law; Social psychology; Engineering; Art; Political science; Politics","authors":[{"name":"Kevin Walby","is_ca":true},{"name":"Ben Davis","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.7653769342041561,"gpt":0.6685896691264871,"spread":0.096787265077669,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0256577,0.001193214,0.0007185705,0.008924048,0.01240908,0.0185455,0.00285623,0.003629349,0.004448358],"category_scores_gemma":[0.02985314,0.0006744045,0.0007667161,0.004685826,0.08243187,0.01843979,0.01422967,0.005038408,0.0004477522],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005829646,"about_ca_system_score_gemma":0.004275459,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005148367,"about_ca_topic_score_gemma":0.007574115,"domain_scores_codex":[0.9641961,0.03111626,0.0004244526,0.001337989,0.00218391,0.0007413274],"domain_scores_gemma":[0.9274784,0.06395805,0.00184086,0.004946767,0.001148501,0.0006273142],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00003775832,0.0000353759,0.001079278,0.0003112407,0.00002010289,0.0002771315,0.7348572,0.0003436094,0.0006083152,0.2169483,0.001832333,0.0436493],"study_design_scores_gemma":[0.00003595206,0.0001088678,0.001464131,0.001588548,0.00002723044,0.0006635003,0.5289811,0.001191392,0.001743114,0.2624823,0.2016498,0.00006407474],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.3457935,0.02308297,0.2798001,0.03736335,0.001279898,0.0007899544,0.0001941646,0.000594874,0.3111014],"genre_scores_gemma":[0.9310487,0.005434234,0.04701268,0.001974406,0.0002806985,0.0005495109,0.00005076812,0.0003316564,0.01331735],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.0256577,"threshold_uncertainty_score":0.1356925,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2116995446","doi":"10.1177/1470357209106470","title":"Remote messaging: exploring graphic manifestations of human relationships to the terrain through site markers and cognitive mapping in Ladakh, India","year":2009,"lang":"en","type":"article","venue":"Visual Communication","topic":"Spatial Cognition and Navigation","field":"Engineering","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"York University","funders":"","keywords":"Reverence; Tourism; Perception; Cognitive map; Cognition; Agrarian society; Visual communication; Representation (politics); Geography; Sociology; Computer science; Multimedia; Psychology; Political science; Archaeology; Agriculture","authors":[{"name":"Angela Norwood","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07590773650370136,"gpt":0.3139857023410612,"spread":0.2380779658373599,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003768897,0.0003165525,0.0001495372,0.00116239,0.002875046,0.002609354,0.0006499237,0.0004966778,0.002674939],"category_scores_gemma":[0.001094798,0.0001648553,0.0001709689,0.001189034,0.003432622,0.0009499377,0.002329792,0.0005824088,0.000197981],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001371499,"about_ca_system_score_gemma":0.0008747331,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02716715,"about_ca_topic_score_gemma":0.04949536,"domain_scores_codex":[0.9996058,0.0002244108,0.000007257705,0.00004021246,0.00003887606,0.00008346436],"domain_scores_gemma":[0.9993464,0.0004662323,0.00006817764,0.00004569297,0.00003274367,0.00004070976],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001017559,0.00005573482,0.01486852,0.000155762,0.00001094225,0.001892652,0.9447906,0.000320612,0.003669437,0.007681887,0.001007145,0.02544492],"study_design_scores_gemma":[0.00001055788,0.000111245,0.04422596,0.00007493803,0.0000314555,0.0008362142,0.9313463,0.000458417,0.001194788,0.001669869,0.02001083,0.00002935598],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9773365,0.0001345359,0.0009543581,0.0003288156,0.00000741301,0.00001309195,0.00004190319,0.00004422171,0.02113911],"genre_scores_gemma":[0.9981383,0.00007950083,0.0004059065,0.00002732776,0.000002605971,0.000006869585,0.00001500035,0.000007482346,0.001317083],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.02716715,"threshold_uncertainty_score":0.05401802,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2334304618","doi":"10.1177/1470357211408816","title":"Illustrating Medicine: Line, Luminance and the Lessons from J.C.B. Grant’s <i>Atlas of Anatomy</i> (1943)","year":2011,"lang":"en","type":"article","venue":"Visual Communication","topic":"Historical Medical Research and Treatments","field":"Medicine","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"University of Toronto; Concordia University","funders":"","keywords":"Line drawings; Atlas (anatomy); Argument (complex analysis); Visual arts; Medicine; Art; Anatomy","authors":[{"name":"Kim Sawchuk","is_ca":true},{"name":"Nicholas Woolridge","is_ca":true},{"name":"Jodie Jenkinson","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.09526329449938654,"gpt":0.395059171040628,"spread":0.2997958765412415,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003627275,0.0005890987,0.0001960067,0.001647709,0.004092073,0.008133979,0.0009423565,0.00178986,0.006741585],"category_scores_gemma":[0.01022301,0.0002127301,0.0002695524,0.001007706,0.01487313,0.005402281,0.002468016,0.004483346,0.001603403],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003614155,"about_ca_system_score_gemma":0.001389159,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005719829,"about_ca_topic_score_gemma":0.01161366,"domain_scores_codex":[0.9978008,0.001647432,0.00003840098,0.00008594232,0.0003310164,0.00009638163],"domain_scores_gemma":[0.9954408,0.00353561,0.0001822029,0.0002184649,0.0004110763,0.0002119037],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000475454,0.00001700723,0.000225809,0.0003495519,0.000009169236,0.0004584345,0.06376748,0.0004325338,0.0006211888,0.591491,0.2555238,0.08705636],"study_design_scores_gemma":[0.00000769807,0.000025702,0.0001984922,0.0002670431,0.000005214362,0.0006521046,0.01327225,0.0001814678,0.0003295156,0.04646657,0.9385778,0.00001613994],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01980643,0.06121197,0.03862517,0.2319872,0.01409631,0.00008848769,0.0001189217,0.0004965286,0.633569],"genre_scores_gemma":[0.6331733,0.0611663,0.05382008,0.0338787,0.01005623,0.0002284772,0.00008592041,0.001096346,0.2064945],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.008133979,"threshold_uncertainty_score":0.02622265,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2329493284","doi":"10.1177/1470357211434028","title":"Research methods in visual and comparative analysis: transportation and sociability in Saint-Henri, Quebec and Lowell, Massachusetts, 1905–45","year":2012,"lang":"en","type":"article","venue":"Visual Communication","topic":"Spatial and Cultural Studies","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Mount Allison University","funders":"","keywords":"SAINT; Period (music); Interwar period; World War II; First world war; Value (mathematics); Sociology; History; Economic history; Art history; Archaeology; Art; Aesthetics; Ancient history","authors":[{"name":"Kathleen Lord","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.169812621154976,"gpt":0.5280715092866943,"spread":0.3582588881317183,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003036465,0.000412158,0.000256485,0.007457629,0.008277823,0.003174366,0.001346988,0.0006800619,0.008780428],"category_scores_gemma":[0.004974852,0.0001978255,0.0001740831,0.01067386,0.008431586,0.001567328,0.001573209,0.000741021,0.0002520514],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.04081522,"about_ca_system_score_gemma":0.02024906,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9538662,"about_ca_topic_score_gemma":0.9825515,"domain_scores_codex":[0.9983235,0.0009874197,0.00003863965,0.0001639312,0.0002797176,0.0002067765],"domain_scores_gemma":[0.9966491,0.001509381,0.0003372435,0.0002705429,0.001007831,0.0002257831],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001010686,0.0001062783,0.08671416,0.000588754,0.00006236829,0.0008851403,0.549238,0.0006383889,0.001101522,0.1596237,0.02955765,0.1713829],"study_design_scores_gemma":[0.00001891322,0.00007974482,0.3372343,0.0008807963,0.00003966486,0.0003637647,0.3588572,0.0005161308,0.000734046,0.006564853,0.2946407,0.00006993446],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6356877,0.03067242,0.01136476,0.01173508,0.0004649739,0.0005429068,0.004449986,0.000104993,0.3049771],"genre_scores_gemma":[0.9650618,0.005359621,0.004672799,0.0004580844,0.00008288696,0.0005258187,0.0005778835,0.00002472369,0.02323633],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.04613376,"threshold_uncertainty_score":0.2961366,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2317144162","doi":"10.1177/1470357211415160","title":"Editorial: Visual Essays","year":2011,"lang":"en","type":"editorial","venue":"Visual Communication","topic":"Digital Storytelling and Education","field":"Health Professions","cited_by":1,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"York University","funders":"","keywords":"History; Visual arts; Art; Sociology","authors":[{"name":"Carey Jewitt","is_ca":false},{"name":"Theo van Leeuwen","is_ca":false},{"name":"Teal Triggs","is_ca":false},{"name":"Michael Longford","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05943637516711945,"gpt":0.4484652514796835,"spread":0.389028876312564,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006510305,0.003509915,0.00292422,0.007748634,0.005421541,0.01151429,0.004685028,0.02155217,0.04558497],"category_scores_gemma":[0.03650438,0.001325648,0.003051447,0.003055936,0.003497806,0.004417755,0.004076349,0.01593714,0.02295531],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005954373,"about_ca_system_score_gemma":0.004817391,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005569722,"about_ca_topic_score_gemma":0.01467111,"domain_scores_codex":[0.9933742,0.001350528,0.0006572733,0.0005813758,0.003438487,0.0005981503],"domain_scores_gemma":[0.9781572,0.007786216,0.001679978,0.0007981966,0.008878075,0.002700284],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001036773,0.000003388831,0.000005339322,0.00006036536,0.000004112776,0.00004607094,0.000007292791,0.000006025634,0.00001292462,0.00009602695,0.9981274,0.001620776],"study_design_scores_gemma":[0.00003702825,0.000009447857,0.0001205003,0.0004517903,0.0000287234,0.0001225603,0.00004509866,0.0000475998,0.00005483596,0.0004623529,0.9986073,0.00001275404],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"editorial","genre_gemma":"editorial","genre_scores_codex":[0.00002534712,0.003906312,0.00006861034,0.05139515,0.9399681,0.00002607082,0.00006373535,0.00004776445,0.004498941],"genre_scores_gemma":[0.000618941,0.004256718,0.0001167437,0.03803217,0.9195977,0.00006302551,0.00007214322,0.00008136599,0.0371612],"genre_candidate":"editorial","genre_consensus":"editorial","teacher_disagreement_score":0.04558497,"threshold_uncertainty_score":0.1524969,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4408041717","doi":"10.1177/14703572241305804","title":"The smart home: a visual analysis","year":2025,"lang":"en","type":"article","venue":"Visual Communication","topic":"Innovative Human-Technology Interaction","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Western University","funders":"","keywords":"Semiotics; Modalities; Narrative; Home automation; Multimodality; Sociology; Mythology; Internet privacy; Multimedia; Computer science; Telecommunications; Epistemology; World Wide Web; History; Linguistics; Social science","authors":[{"name":"Sara Sadati Far","is_ca":true},{"name":"Agnieszka Leszczynski","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01235074161710785,"gpt":0.3475814830643826,"spread":0.3352307414472748,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001171526,0.0003756326,0.0001513053,0.003929059,0.002142298,0.006901926,0.0004207755,0.0007392598,0.006393159],"category_scores_gemma":[0.003020339,0.0001628058,0.0003080475,0.002845382,0.006839721,0.004759548,0.002375418,0.0008957731,0.0004792305],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001690083,"about_ca_system_score_gemma":0.0008752805,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00368365,"about_ca_topic_score_gemma":0.003398539,"domain_scores_codex":[0.9992536,0.000406104,0.0000205923,0.00006916466,0.0001694425,0.00008109205],"domain_scores_gemma":[0.998579,0.0009807502,0.00009049878,0.0001084656,0.0001823894,0.00005894723],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","study_design_scores_codex":[0.0001527796,0.00003633545,0.004491693,0.0004723301,0.00001931387,0.001224154,0.4082536,0.0005549292,0.005036189,0.4965394,0.009803047,0.07341624],"study_design_scores_gemma":[0.00002285839,0.00007342067,0.01017677,0.0007381095,0.00004024571,0.001532865,0.4947495,0.002917178,0.00413113,0.1169471,0.3686159,0.00005495783],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4024488,0.003627964,0.0750832,0.007137181,0.0004466998,0.0002444845,0.0009679947,0.0003451718,0.5096985],"genre_scores_gemma":[0.9673387,0.0013783,0.01475642,0.0003715922,0.0001190372,0.0001047732,0.0002307711,0.0001593179,0.01554106],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.006901926,"threshold_uncertainty_score":0.02138728,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2080955693","doi":"10.1177/1470357213482607","title":"Montage as Tool of Political Visual Realignment","year":2013,"lang":"en","type":"article","venue":"Visual Communication","topic":"Middle East Politics and Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Politics; Political science; Visual arts; Aesthetics; Sociology; Advertising; Business; Art; Law","authors":[{"name":"Fatimah Tuggar","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02583188106101773,"gpt":0.368143449198707,"spread":0.3423115681376892,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000893807,0.0005899461,0.0002840268,0.002560848,0.001612811,0.004392268,0.0006074501,0.0007532488,0.1673572],"category_scores_gemma":[0.002681733,0.0002833809,0.0004230491,0.001261253,0.001251107,0.002132205,0.003004132,0.001384447,0.0289469],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004876458,"about_ca_system_score_gemma":0.0006214508,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002336464,"about_ca_topic_score_gemma":0.004294173,"domain_scores_codex":[0.9995259,0.0001751434,0.00001299081,0.00006532384,0.0001609485,0.00005964122],"domain_scores_gemma":[0.999253,0.0002421424,0.00002848259,0.0002006466,0.0001561571,0.000119609],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"qualitative","study_design_scores_codex":[0.0004762172,0.00008135528,0.0009928257,0.0004738196,0.00002085095,0.0007218557,0.00958886,0.0007661225,0.01360129,0.1118193,0.4252733,0.4361842],"study_design_scores_gemma":[0.00002881623,0.00004311487,0.0008977235,0.0001357905,0.00001327095,0.0004261853,0.001658094,0.001750415,0.003461001,0.006336388,0.9852206,0.00002858819],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01504136,0.001104718,0.0905651,0.004536863,0.001741557,0.0002680062,0.001677521,0.02292354,0.8621414],"genre_scores_gemma":[0.1991153,0.001459115,0.1356695,0.001031696,0.00109125,0.000515799,0.001715065,0.0105021,0.6489001],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.1673572,"threshold_uncertainty_score":0.5598655,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2108729968","doi":"10.1177/1470357209106629","title":"FishNet: the Great Lakes Craft and Release Project","year":2009,"lang":"en","type":"article","venue":"Visual Communication","topic":"Fish Ecology and Management Studies","field":"Environmental Science","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Sheridan College","funders":"","keywords":"Craft; Exhibition; Government (linguistics); The arts; Visual arts; Fish <Actinopterygii>; Sociology; Political science; Public relations; Art; Fishery","authors":[{"name":"Claire Ironside","is_ca":true},{"name":"Angela Iarocci","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01690510816547265,"gpt":0.2816603822647493,"spread":0.2647552740992766,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002408811,0.0004144886,0.0001837669,0.000777383,0.00245531,0.002198104,0.0007077955,0.0006288413,0.01781901],"category_scores_gemma":[0.002201768,0.0003145225,0.0001284304,0.0009668257,0.001295231,0.0008793825,0.002183369,0.0006611383,0.00297455],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006665881,"about_ca_system_score_gemma":0.01369918,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.6779545,"about_ca_topic_score_gemma":0.8395269,"domain_scores_codex":[0.998719,0.000194282,0.00002499515,0.00009342629,0.0007435287,0.0002248266],"domain_scores_gemma":[0.9982682,0.0001813494,0.00008321646,0.000108471,0.0005757852,0.0007830151],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004042996,0.0001549766,0.009248286,0.0001753305,0.00001512938,0.0002513144,0.003534017,0.0007088642,0.001870419,0.006246283,0.8761767,0.1012144],"study_design_scores_gemma":[0.0001326411,0.0001165646,0.04668292,0.00009817789,0.00001396433,0.00006891057,0.006855405,0.0008668731,0.0007646448,0.0005809665,0.9437842,0.00003476666],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2153634,0.003544342,0.009983927,0.03435079,0.001422439,0.002711262,0.09571043,0.004858509,0.6320549],"genre_scores_gemma":[0.2752899,0.002730867,0.01846558,0.002810301,0.0002113197,0.001928582,0.06256112,0.001910599,0.6340917],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.6779545,"threshold_uncertainty_score":0.6478841,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1866774647","doi":"10.1177/1470357216668693","title":"Transparent choices: communicating packaged food content to children","year":2017,"lang":"en","type":"article","venue":"Visual Communication","topic":"Consumer Packaging Perceptions and Trends","field":"Business, Management and Accounting","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Calgary","funders":"","keywords":"Food choice; Marketing; Healthy food; Focus group; Psychology; Action (physics); Business; Public relations; Medicine; Political science; Food science","authors":[{"name":"Meaghan Brierley","is_ca":true},{"name":"Charlene Elliott","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.136455813868916,"gpt":0.3355207217924532,"spread":0.1990649079235371,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004591677,0.0006808261,0.0002712138,0.001022819,0.00128027,0.003805201,0.0007054207,0.001619399,0.004195746],"category_scores_gemma":[0.0162238,0.0004555935,0.0004429027,0.0007037541,0.003534438,0.005419994,0.00293329,0.001591724,0.0006002426],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00131954,"about_ca_system_score_gemma":0.001336881,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004125818,"about_ca_topic_score_gemma":0.005215582,"domain_scores_codex":[0.9969837,0.001649353,0.0001562372,0.0002693204,0.000597832,0.0003434879],"domain_scores_gemma":[0.9904287,0.005919471,0.002124335,0.0006769254,0.0004928749,0.0003578151],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"observational","study_design_scores_codex":[0.0002556342,0.0005685476,0.0856901,0.00107742,0.0000678571,0.002735723,0.6586648,0.0007016013,0.0138873,0.04034051,0.00685971,0.1891508],"study_design_scores_gemma":[0.0001303589,0.0011065,0.1020941,0.002824631,0.0002666525,0.00566874,0.503462,0.002170693,0.02132741,0.03247138,0.3281159,0.0003615473],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9105878,0.002830762,0.02811263,0.006011475,0.0001652873,0.0001528412,0.0002085012,0.0001977754,0.05173295],"genre_scores_gemma":[0.9729298,0.002779411,0.01974391,0.0006515848,0.00004942685,0.0001233246,0.0001023878,0.00004746503,0.003572637],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.004591677,"threshold_uncertainty_score":0.02428341,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4311627865","doi":"10.1177/14703572221111804","title":"The optometry of visual communication: the Museum of Vision Science","year":2022,"lang":"en","type":"article","venue":"Visual Communication","topic":"Visual Culture and Art Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Vision science; Conversation; Visual arts; Sociology; History of science; Point (geometry); Optometry; Art; Medicine; Computer science; Epistemology; Communication; Artificial intelligence","authors":[{"name":"Jane Griffith","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02796606345908199,"gpt":0.3541181672072011,"spread":0.3261521037481191,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002662552,0.0003183857,0.0002999968,0.001780768,0.0142232,0.01423558,0.001227355,0.003107342,0.008418612],"category_scores_gemma":[0.004592181,0.0002720814,0.000318581,0.002261518,0.03201982,0.01009545,0.009957245,0.003682888,0.0005304569],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01038072,"about_ca_system_score_gemma":0.01025739,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03971859,"about_ca_topic_score_gemma":0.06239896,"domain_scores_codex":[0.9967828,0.001782343,0.00005899504,0.0002155863,0.0006744546,0.0004858313],"domain_scores_gemma":[0.9975266,0.001161928,0.0002775665,0.0003374217,0.0002660446,0.0004305578],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002826036,0.0000151414,0.0008045911,0.0001509579,0.0000066198,0.0003167195,0.09948862,0.000122871,0.0002810859,0.8399286,0.02203615,0.0368204],"study_design_scores_gemma":[0.00001444401,0.00003486928,0.002261339,0.0006023456,0.00001361414,0.0007466503,0.08420064,0.0002165249,0.0003879253,0.1172479,0.794232,0.00004163944],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.06575377,0.03817149,0.009684361,0.1196762,0.001913444,0.00004878501,0.00009271366,0.0001910581,0.7644682],"genre_scores_gemma":[0.9472277,0.008771672,0.002958407,0.003410865,0.0007503859,0.00004932303,0.00003051563,0.00009365331,0.03670751],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.03971859,"threshold_uncertainty_score":0.07897484,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}