{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":34,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":34,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"query_hash":"d66a02a862bc","filters":{"venue":"Visual Studies"}},"results":[{"id":"W1986836203","doi":"10.1080/1472586x.2013.830023","title":"Handbook of participatory video","year":2013,"lang":"en","type":"article","venue":"Visual Studies","topic":"Participatory Visual Research Methods","field":"Social Sciences","cited_by":187,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of New Brunswick","funders":"","keywords":"Citizen journalism; Sociology; Visual arts; Art; Computer science; World Wide Web","retraction":null,"screen_n_in":null,"score":{"opus":0.8049903143262165,"gpt":0.7035881400743601,"spread":0.1014021742518564,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002257019,0.0001073072,0.0003088378,0.00008092258,0.0004299356,0.00003187048,0.0002025177,0.0000579819,0.0006015928],"category_scores_gemma":[0.004841757,0.0000905393,0.00007611461,0.0003156822,0.001434434,0.0002548304,0.0001503442,0.0001026844,0.0004265414],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001010179,"about_ca_system_score_gemma":0.0001592586,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001244551,"about_ca_topic_score_gemma":0.0003344761,"domain_scores_codex":[0.9973183,0.000992012,0.0002979364,0.000195806,0.0006368472,0.000559122],"domain_scores_gemma":[0.9980943,0.001017548,0.00009393081,0.0001403085,0.0004363523,0.000217607],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001225217,0.001347137,0.2826537,0.0004129472,0.001390385,0.00002269515,0.2804333,0.00001644952,0.08682566,0.05276686,0.1069783,0.18703],"study_design_scores_gemma":[0.002227576,0.002080582,0.2051283,0.0008628055,0.0002456305,7.575236e-7,0.1992444,0.0006593373,0.2236911,0.05135411,0.3128686,0.001636815],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9841663,0.006478562,0.0002349313,0.0005057877,0.00024747,0.0004341156,0.000001511652,0.00008517881,0.007846115],"genre_scores_gemma":[0.9963471,0.0008036511,0.0007652653,0.0001216827,0.0001637428,0.0002467892,1.833589e-7,0.00001100079,0.001540547],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2058903,"threshold_uncertainty_score":0.658702,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4384499509","doi":"10.1080/1472586x.2023.2231399","title":"Crisis vision: Race and the cultural production of surveillance","year":2023,"lang":"en","type":"article","venue":"Visual Studies","topic":"Media Studies and Communication","field":"Social Sciences","cited_by":38,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Calgary","funders":"","keywords":"Race (biology); Production (economics); Political science; Aesthetics; Sociology; Gender studies; Art; Economics","retraction":null,"screen_n_in":null,"score":{"opus":0.06741890781383428,"gpt":0.4320150603404314,"spread":0.3645961525265971,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001133597,0.00004329291,0.0001441951,0.00001530418,0.0008067814,0.00001383216,0.00008614168,0.00001491126,0.000002736753],"category_scores_gemma":[0.001027135,0.00002427795,0.00002454168,0.0003600743,0.0006837988,0.00005854641,0.0001499598,0.00003824506,0.000007584567],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000131687,"about_ca_system_score_gemma":0.000007602225,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0005028456,"about_ca_topic_score_gemma":0.001411928,"domain_scores_codex":[0.9992795,0.0002354999,0.000107818,0.00009167428,0.0001862293,0.00009927531],"domain_scores_gemma":[0.9993211,0.0003416899,0.00006336899,0.00009122582,0.0001700044,0.00001260058],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001687929,0.00006553487,0.02331906,0.00009961857,0.000389367,6.467698e-7,0.5541162,0.000009657943,0.0002239166,0.05378852,0.3194306,0.04838805],"study_design_scores_gemma":[0.0005252646,0.00007961672,0.07438644,0.00003700737,0.00002788816,2.974041e-7,0.7380763,0.00004434295,0.0001236304,0.00275024,0.1838168,0.0001321062],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8858336,0.01189696,7.869641e-7,0.09995403,0.0005765525,0.0002206822,6.916986e-7,0.00005850263,0.001458254],"genre_scores_gemma":[0.9287983,0.07015976,0.00001131392,0.00003994786,0.000142963,0.00002824407,6.762791e-7,0.00000184312,0.0008169754],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1839601,"threshold_uncertainty_score":0.6205192,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1562650048","doi":"10.1080/1472586x.2015.1024976","title":"Cold War visual alliances","year":2015,"lang":"en","type":"article","venue":"Visual Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":27,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada; Arts and Humanities Research Council","keywords":"Cold war; Visual arts; Art; Political science; History; Law; Politics","retraction":null,"screen_n_in":null,"score":{"opus":0.1799363414078584,"gpt":0.3739833404856793,"spread":0.1940469990778209,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001887167,0.0002167981,0.0003034021,0.00006069113,0.0004565422,0.00009052033,0.0001328788,0.00004338392,0.0001604934],"category_scores_gemma":[0.00007020808,0.0001531318,0.0001116857,0.00008520269,0.0004584291,0.0002630824,0.00009340206,0.0001266813,0.0002934158],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003012349,"about_ca_system_score_gemma":0.00002343814,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00013851,"about_ca_topic_score_gemma":0.000596515,"domain_scores_codex":[0.9988785,0.00004893121,0.0002138739,0.0002465239,0.0003012842,0.0003109192],"domain_scores_gemma":[0.9993597,0.0000536882,0.00007565739,0.00008313658,0.0003054835,0.0001223107],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000199065,0.0008609935,0.002393601,0.0001575876,0.001146194,0.00004329925,0.2609127,0.000004931923,0.00107367,0.1903584,0.5409412,0.001908332],"study_design_scores_gemma":[0.0004925095,0.000773439,0.0001166395,0.00004911349,0.00005403532,0.000001122357,0.08178362,0.00002581553,0.002440059,0.001262878,0.9126776,0.0003231424],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9357698,0.02338457,0.000005357432,0.0004390946,0.002315611,0.000319642,0.00003581793,0.0003842529,0.03734586],"genre_scores_gemma":[0.9913239,0.0005143629,0.00001738284,0.0006782917,0.00140222,0.00005317958,0.000007433487,0.00001739817,0.005985794],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3717364,"threshold_uncertainty_score":0.6244532,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2069000361","doi":"10.1080/14725860802489908","title":"(Not so) crude text and images: staging<i>Native</i>in ‘big oil’ advertising","year":2008,"lang":"en","type":"article","venue":"Visual Studies","topic":"Ecocriticism and Environmental Literature","field":"Arts and Humanities","cited_by":24,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Performative utterance; Context (archaeology); Narrative; Corporate social responsibility; Sociology; Metanarrative; Sustainability; Agency (philosophy); White (mutation); Indigenous; Meaning (existential); Aesthetics; Advertising; Public relations; History; Political science; Social science; Epistemology; Business; Literature; Art; Ecology","retraction":null,"screen_n_in":null,"score":{"opus":0.04020729345203335,"gpt":0.2748638525329968,"spread":0.2346565590809635,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00006889757,0.0001711714,0.0002401443,0.00006494595,0.0006457485,0.00008673864,0.00005422619,0.00002362205,0.0001007236],"category_scores_gemma":[0.00002902975,0.0001402222,0.00003651585,0.00002801758,0.0007551739,0.0002360417,0.0001165778,0.0001322373,0.0000308518],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004165917,"about_ca_system_score_gemma":0.000006252867,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000150983,"about_ca_topic_score_gemma":0.0002679924,"domain_scores_codex":[0.9991458,0.00003224529,0.0001947298,0.0002355315,0.0001386111,0.0002530612],"domain_scores_gemma":[0.9997446,0.00008924297,0.00003347437,0.00007079918,0.00002300035,0.00003889795],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001824689,0.0007578444,0.03667508,0.0006703983,0.0003831029,0.0006106684,0.8149322,0.000008206952,0.002678556,0.04622217,0.02428962,0.07258973],"study_design_scores_gemma":[0.002771822,0.0005786532,0.09163276,0.0008121937,0.00008624381,0.00004555326,0.1131171,0.0000550123,0.004056283,0.002284634,0.7831652,0.001394573],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9565522,0.01403553,0.000001728594,0.0004472441,0.0002814135,0.00005638058,0.00004099003,0.00004641092,0.02853812],"genre_scores_gemma":[0.984139,0.003456731,0.00004756806,0.0009741748,0.0003049503,0.00001474396,0.000005813141,0.00001671026,0.01104033],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7588755,"threshold_uncertainty_score":0.5718094,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1992022557","doi":"10.1080/1472586x.2014.862990","title":"Exploring the ‘craftedness’ of multimedia narratives: from creation to interpretation","year":2014,"lang":"en","type":"article","venue":"Visual Studies","topic":"Participatory Visual Research Methods","field":"Social Sciences","cited_by":20,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Narrative; Interpretation (philosophy); Storytelling; Representation (politics); Scholarship; Visual arts; Visualization; Aesthetics; Computer science; Multimedia; Art; Literature; Artificial intelligence; Political science","retraction":null,"screen_n_in":null,"score":{"opus":0.7322972342253415,"gpt":0.6508686696731046,"spread":0.0814285645522369,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaresearch"],"consensus_categories":[],"category_scores_codex":[0.002400869,0.00008215455,0.0001932859,0.00006832784,0.0004259463,0.00003080545,0.0001828344,0.00002135128,0.00002532814],"category_scores_gemma":[0.01134369,0.00005742448,0.00004043543,0.0003735235,0.0004537723,0.0002647448,0.0001027953,0.00007698891,0.0000431784],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00009056932,"about_ca_system_score_gemma":0.0000439809,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001182805,"about_ca_topic_score_gemma":0.001492066,"domain_scores_codex":[0.9974169,0.001486968,0.0002091783,0.0001722738,0.0004902033,0.0002245426],"domain_scores_gemma":[0.9970559,0.002385388,0.0000755461,0.0001090732,0.000283392,0.00009063792],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00007894356,0.00005501467,0.004605083,0.00000895118,0.00009925888,2.564943e-7,0.8728234,0.00003681484,0.008115836,0.002119202,0.0002333747,0.1118239],"study_design_scores_gemma":[0.000502742,0.0007267997,0.1910143,0.000327808,0.00005498738,2.735976e-8,0.7229439,0.003695084,0.034391,0.006597689,0.03937233,0.0003733273],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9899945,0.0001784757,0.006581896,0.0009923185,0.000373294,0.0002663332,0.00000261399,0.00003839382,0.001572147],"genre_scores_gemma":[0.9972159,0.00008526572,0.002016483,0.00008163618,0.0002475812,0.0002058877,9.742881e-7,0.000007052413,0.0001392114],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1864092,"threshold_uncertainty_score":0.9969842,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2026739404","doi":"10.1080/14725861003607207","title":"Feminist art and the maternal","year":2010,"lang":"en","type":"article","venue":"Visual Studies","topic":"Historical Gender and Feminism Studies","field":"Social Sciences","cited_by":14,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Victoria","funders":"","keywords":"Sociology; Gender studies","retraction":null,"screen_n_in":null,"score":{"opus":0.04138176917453416,"gpt":0.3810158689097258,"spread":0.3396340997351916,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0005740124,0.00007637444,0.0001658534,0.00001467432,0.00151643,0.00004509931,0.0001022452,0.00003435653,0.00003642394],"category_scores_gemma":[0.0003727034,0.00004387205,0.00003725032,0.00009060543,0.001970085,0.00002500154,0.0001078071,0.0001313918,0.00007991278],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001582858,"about_ca_system_score_gemma":0.00001665138,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002231961,"about_ca_topic_score_gemma":0.0006269305,"domain_scores_codex":[0.9993034,0.00006024111,0.0001090719,0.0001271628,0.0002072676,0.000192869],"domain_scores_gemma":[0.9994984,0.0003169939,0.00003319782,0.00005876201,0.00004202328,0.00005056869],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009330279,0.00006012982,0.03890039,0.00002092864,0.0002642119,0.00000918257,0.6488636,3.927138e-8,0.0001265483,0.221424,0.0736399,0.01659776],"study_design_scores_gemma":[0.0004486837,0.00003312269,0.007972363,0.000004553577,0.00003332957,0.000001705319,0.08296838,0.000001962786,0.0000334445,0.005017966,0.9033623,0.0001222373],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1414736,0.003927904,0.00001201545,0.005294573,0.002514623,0.0002483834,0.000003190565,0.0001086867,0.846417],"genre_scores_gemma":[0.9877796,0.001259418,0.00005217184,0.0003585255,0.0005059849,0.00002530046,9.977899e-8,0.00000409658,0.01001484],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.846306,"threshold_uncertainty_score":0.9997835,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4385951420","doi":"10.1080/1472586x.2023.2243599","title":"Nervous systems: Art, systems, and politics since the 1960s","year":2023,"lang":"en","type":"article","venue":"Visual Studies","topic":"History of Science and Medicine","field":"Arts and Humanities","cited_by":12,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McMaster University","funders":"","keywords":"Politics; Nervous system; Visual arts; Aesthetics; History; Art; Political science; Neuroscience; Psychology; Law","retraction":null,"screen_n_in":null,"score":{"opus":0.1053813270922681,"gpt":0.3271650880402133,"spread":0.2217837609479453,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003404654,0.00009844985,0.0001959473,0.00006173606,0.001051671,0.00009396198,0.00008862551,0.00001433989,0.00001064795],"category_scores_gemma":[0.00007806153,0.00005442314,0.00001974084,0.000059233,0.0009434755,0.00008261554,0.00006418701,0.00006218797,0.0003307618],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003391903,"about_ca_system_score_gemma":0.00001924589,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0003385927,"about_ca_topic_score_gemma":0.0001545169,"domain_scores_codex":[0.9991919,0.0000363158,0.000162607,0.0001409836,0.0002249441,0.0002432266],"domain_scores_gemma":[0.9995524,0.0001619323,0.00004871202,0.00009424931,0.00009372574,0.00004897438],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000003375343,0.00002069501,0.0001443945,0.0003155414,0.00009816718,0.00003110471,0.09728348,0.00001749527,0.00003402452,0.3589551,0.5426577,0.0004389345],"study_design_scores_gemma":[0.00007969917,0.00009825965,0.0001519302,0.00009729752,0.00002401441,0.000004928401,0.1113608,0.0002220582,0.000001059428,0.00006580372,0.8878213,0.00007290715],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8093831,0.08603464,0.000005793066,0.009899603,0.0108868,0.0008315316,0.00005344778,0.0006002818,0.08230478],"genre_scores_gemma":[0.8991092,0.0009716744,5.051779e-7,0.0003236401,0.00140876,0.0000328781,0.000002529478,0.000008223611,0.09814254],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3588893,"threshold_uncertainty_score":0.8088713,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3141101723","doi":"10.1080/1472586x.2021.1899849","title":"‘Through my eyes’: feminist self-portraits of Osteogenesis Imperfecta as arts-based knowledge translation","year":2021,"lang":"en","type":"article","venue":"Visual Studies","topic":"Disability Rights and Representation","field":"Social Sciences","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Hospital for Sick Children; York University; University of Toronto","funders":"","keywords":"Photovoice; Portrait; The arts; Sociology; Identity (music); Disability studies; Intersectionality; Inclusion (mineral); Gender studies; Psychology; Aesthetics; Visual arts; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.1583420753117103,"gpt":0.4875158289248444,"spread":0.3291737536131341,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003742821,0.0001168485,0.0002628923,0.00002839459,0.0005329033,0.0000371948,0.00008067681,0.00007776238,0.0001639956],"category_scores_gemma":[0.0002414511,0.00009407436,0.0001328405,0.0004291509,0.0005268915,0.0001307472,0.00002561919,0.00004622878,0.00003079537],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006653053,"about_ca_system_score_gemma":0.0003188283,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0005366281,"about_ca_topic_score_gemma":0.003867033,"domain_scores_codex":[0.9986714,0.0002111004,0.000298677,0.0002777992,0.0003356449,0.0002054145],"domain_scores_gemma":[0.9989699,0.0004459161,0.00009561801,0.0001037395,0.000341937,0.00004289264],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001838982,0.004544116,0.05207981,0.001175707,0.001260725,0.00003594799,0.7498863,0.00006613552,0.0186707,0.08349221,0.003897603,0.08470684],"study_design_scores_gemma":[0.002772534,0.0009503821,0.02233398,0.0003334714,0.0007395897,0.000003737172,0.2853791,0.0002062062,0.220016,0.01444919,0.4516588,0.001157084],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9242283,0.004642871,0.0000586895,0.002585609,0.0004732405,0.0003398063,0.0000139282,0.000101869,0.06755567],"genre_scores_gemma":[0.9981883,0.0004787785,0.0003865849,0.0000694552,0.000173837,0.00002478897,0.00001223179,0.00000926178,0.0006568028],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4645073,"threshold_uncertainty_score":0.4098715,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2061845004","doi":"10.1080/1472586x.2012.677259","title":"Dressing up to join the games: Vancouver 2010","year":2012,"lang":"en","type":"article","venue":"Visual Studies","topic":"Sport and Mega-Event Impacts","field":"Social Sciences","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Downtown; Paraphernalia; Georgian; Media studies; Criticism; Skepticism; Sociology; Event (particle physics); Join (topology); Advertising; Public relations; Political science; Law; Aesthetics; History; Art; Business","retraction":null,"screen_n_in":null,"score":{"opus":0.1505170907029303,"gpt":0.4553332324473063,"spread":0.3048161417443759,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007953661,0.00009193069,0.0001437486,0.00004350589,0.0008530401,0.00004111401,0.0001238365,0.00003601881,0.000106948],"category_scores_gemma":[0.0004716485,0.00005596614,0.00004954483,0.0002963145,0.0001830047,0.0002227477,0.00009144833,0.00007593282,0.0001774557],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00007589425,"about_ca_system_score_gemma":0.00004753716,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000679222,"about_ca_topic_score_gemma":0.004798938,"domain_scores_codex":[0.9989319,0.00006081648,0.0001130493,0.00009765111,0.0003212628,0.0004752944],"domain_scores_gemma":[0.9995188,0.0001294922,0.00005018993,0.00008735859,0.00006655096,0.0001476211],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001549102,0.00006663067,0.01440255,0.000007701283,0.00009140243,0.000001397911,0.2482565,0.000001299134,0.0001840436,0.004563862,0.7142696,0.0181395],"study_design_scores_gemma":[0.00008254005,0.00002536036,0.01361322,0.0000265631,0.00002070219,1.527902e-7,0.052316,3.616252e-7,0.0002331783,0.0001638449,0.9334139,0.0001041293],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.974055,0.004106208,0.00002310997,0.002133958,0.006535084,0.0002244803,0.000001101434,0.00007077646,0.01285027],"genre_scores_gemma":[0.9740688,0.0002448193,0.00003065859,0.0008667578,0.001240563,0.00001647325,2.546897e-7,0.000007753259,0.02352395],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2191443,"threshold_uncertainty_score":0.6560981,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2060117395","doi":"10.1080/14725861003607140","title":"Agitate! Educate! Organize! American labor posters","year":2010,"lang":"en","type":"article","venue":"Visual Studies","topic":"Labor Movements and Unions","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Carleton University","funders":"","keywords":"Sociology; Political science","retraction":null,"screen_n_in":null,"score":{"opus":0.02181130863572348,"gpt":0.4016200886392819,"spread":0.3798087800035584,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002236725,0.0001003599,0.0001631756,0.0000458858,0.0007719434,0.00007063279,0.0001659353,0.00002637888,0.0002021348],"category_scores_gemma":[0.0004346466,0.00007921764,0.00003264104,0.000515262,0.0007244622,0.0001170987,0.00008933307,0.0001250634,0.00005090002],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004190149,"about_ca_system_score_gemma":0.0001027892,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005606021,"about_ca_topic_score_gemma":0.02194924,"domain_scores_codex":[0.999091,0.00005435567,0.0001222098,0.0001784453,0.0002323716,0.0003215707],"domain_scores_gemma":[0.9993609,0.0001057163,0.00006770391,0.0001005153,0.0002587112,0.0001064917],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000024603,0.0006730282,0.1298235,0.00001189565,0.000540476,0.00001451862,0.1478772,3.192542e-7,0.01334258,0.5661658,0.07044176,0.07108427],"study_design_scores_gemma":[0.0001896049,0.0001304072,0.1850436,0.000007580921,0.0000290236,2.60625e-7,0.1094336,3.164145e-7,0.0005106537,0.001389547,0.7030268,0.0002386349],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9792737,0.0002387372,7.125321e-7,0.01155955,0.001439656,0.0001194573,0.00001129105,0.00009367734,0.007263236],"genre_scores_gemma":[0.9911509,0.0004505067,0.0001433018,0.002251623,0.0004658745,0.00001257373,0.000002059383,0.00001261111,0.005510597],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.632585,"threshold_uncertainty_score":0.9958977,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4392394261","doi":"10.1080/1472586x.2023.2290943","title":"Critical visual approaches to understand the complexities and contradictions of the city: introduction to the special issue for <i>Visual Studies</i>","year":2024,"lang":"en","type":"article","venue":"Visual Studies","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Waterloo","funders":"","keywords":"Visual research; Sociology; Visual methods; Epistemology; Visual culture; Aesthetics; Visual arts; Cognitive science; Psychology; Anthropology; Art; Philosophy","retraction":null,"screen_n_in":null,"score":{"opus":0.2761368449318448,"gpt":0.4446557669649208,"spread":0.168518922033076,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":["sts"],"category_scores_codex":[0.001552607,0.0001928502,0.0003476546,0.00007220057,0.002681951,0.000285172,0.0002764001,0.00005489191,0.00002932782],"category_scores_gemma":[0.002872488,0.0001015111,0.0001114204,0.0007600473,0.002865415,0.0002193201,0.0003609249,0.0001762999,0.00001068996],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000238651,"about_ca_system_score_gemma":0.0001203702,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002569629,"about_ca_topic_score_gemma":0.00588116,"domain_scores_codex":[0.9980065,0.0003218724,0.0002954492,0.0003902585,0.0005504552,0.0004355291],"domain_scores_gemma":[0.9973153,0.00214555,0.00004604104,0.0001568388,0.0002512602,0.00008493319],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006735909,0.00008578225,0.0001430345,0.00007017797,0.0005425828,4.003242e-7,0.1757997,0.00001247891,0.00002626575,0.3957449,0.4236626,0.003844621],"study_design_scores_gemma":[0.0001178273,0.0002539259,0.0004477368,0.0000358444,0.0001192723,0.000001570054,0.4087864,0.00008763443,0.00009854951,0.008593623,0.5813446,0.0001130604],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.1101957,0.008591878,0.001620463,0.8623492,0.009305022,0.002767083,0.0001036349,0.0001676866,0.004899379],"genre_scores_gemma":[0.9739325,0.0003943692,0.0001017264,0.001314079,0.02229844,0.0002084383,0.000001439869,0.00002022232,0.001728786],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8637368,"threshold_uncertainty_score":0.9998482,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3139003869","doi":"10.1080/1472586x.2021.1876527","title":"Marshland revival: a narrative rephotography essay on the False Creek Flats neighbourhood in Vancouver","year":2021,"lang":"en","type":"article","venue":"Visual Studies","topic":"Cultural Heritage Management and Preservation","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Narrative; Futures contract; Neighbourhood (mathematics); Restructuring; Plan (archaeology); Sociology; History; Visual arts; Political science; Archaeology; Law","retraction":null,"screen_n_in":null,"score":{"opus":0.1437722819249014,"gpt":0.3118109085835207,"spread":0.1680386266586193,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002240609,0.0001356103,0.0002014632,0.00004261639,0.0004772775,0.0001884654,0.00008487941,0.00001976695,0.001452012],"category_scores_gemma":[0.0001354395,0.00008504048,0.00008462137,0.0001368866,0.0001176974,0.0001729297,0.0001149924,0.0001216961,0.0000215035],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002770212,"about_ca_system_score_gemma":0.00000804109,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0004212366,"about_ca_topic_score_gemma":0.1067962,"domain_scores_codex":[0.9990868,0.0001347611,0.0002002487,0.0002199021,0.0001894818,0.0001687933],"domain_scores_gemma":[0.9994208,0.0002062893,0.00006705405,0.000135691,0.0001539237,0.0000162064],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001674894,0.0003662366,0.01161236,0.0002228381,0.0008054734,0.0001242322,0.5317519,0.00000979352,0.0001301222,0.1184147,0.3297449,0.006649955],"study_design_scores_gemma":[0.0007109578,0.0002877655,0.01090302,0.000388303,0.0000578261,3.878374e-7,0.3717793,0.00005623356,0.0001548448,0.01485532,0.600433,0.0003730385],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.883588,0.002728588,0.000001117576,0.002088984,0.0007371897,0.0003718927,0.00000899442,0.00005776586,0.1104175],"genre_scores_gemma":[0.976059,0.0004496042,0.000007553884,0.00105995,0.0002869586,0.00007486843,0.000009219409,0.00001024926,0.02204263],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2706881,"threshold_uncertainty_score":0.9994608,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4220920649","doi":"10.1080/1472586x.2021.1962735","title":"Embracing new paths in visual research facilitation: opportunities, tensions &amp; ethical considerations","year":2022,"lang":"en","type":"article","venue":"Visual Studies","topic":"Participatory Visual Research Methods","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada; New Brunswick Innovation Foundation","keywords":"Facilitation; Reflexivity; Visual research; Sociology; Action (physics); Power (physics); Research ethics; Economic Justice; Action research; Engineering ethics; Environmental ethics; Social science; Political science; Law; Visual arts; Pedagogy","retraction":null,"screen_n_in":null,"score":{"opus":0.9300747328218275,"gpt":0.7291832268111007,"spread":0.2008915060107268,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaresearch","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.01984678,0.0001691759,0.0003918629,0.0005594501,0.005932017,0.0001471281,0.0002405562,0.000143208,0.001200348],"category_scores_gemma":[0.03950429,0.0001779951,0.00008418996,0.001467718,0.001499836,0.000239918,0.0008387529,0.001939577,0.00009164884],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0009278556,"about_ca_system_score_gemma":0.002981571,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004487634,"about_ca_topic_score_gemma":0.0120704,"domain_scores_codex":[0.9835658,0.01173574,0.0005571671,0.000512987,0.002545446,0.001082854],"domain_scores_gemma":[0.9873902,0.01116971,0.00007964495,0.000217323,0.0006628697,0.0004802468],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0002291858,0.0009064614,0.003982093,0.00006825308,0.0002176265,0.0003679618,0.4189556,0.0005555738,0.003023794,0.4009824,0.1559102,0.01480091],"study_design_scores_gemma":[0.000665941,0.0005649114,0.003673794,0.00005733786,0.00001789699,0.000004735959,0.4899236,0.0002782881,0.00008652447,0.08726621,0.4170453,0.0004154067],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9257143,0.003584064,0.0002295778,0.04741786,0.0009128096,0.001356043,0.000048365,0.0002538796,0.0204831],"genre_scores_gemma":[0.9894881,0.0003632793,0.0008957001,0.001034602,0.0003586781,0.0004851776,0.00001080198,0.00002178361,0.007341862],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3137161,"threshold_uncertainty_score":0.9997127,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4389573196","doi":"10.1080/1472586x.2023.2273340","title":"Gentrification and changing visual landscapes: a Google Street View analysis of residential upgrading and class aesthetics in Hamilton’s Lower City","year":2023,"lang":"en","type":"article","venue":"Visual Studies","topic":"Urban Planning and Governance","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":true},"ca_institutions":"University of Waterloo","funders":"Social Sciences and Humanities Research Council of Canada; Canada Research Chairs","keywords":"Gentrification; Neighbourhood (mathematics); Census; Sociology; Pace; Socioeconomic status; Geography; Cityscape; Economic geography; Regional science; Aesthetics; Visual arts; Economic growth; Demography; Economics; Population; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.04952667112081931,"gpt":0.3718221168708682,"spread":0.3222954457500489,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006982238,0.00008440927,0.0002813608,0.0003213267,0.0002744737,0.00003465766,0.00005667135,0.00004772617,0.000003096832],"category_scores_gemma":[0.0001999492,0.00008003181,0.00003991439,0.00159821,0.0001476682,0.00008309691,0.00005636832,0.00005861782,0.000001355814],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004412473,"about_ca_system_score_gemma":0.00001848082,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001280524,"about_ca_topic_score_gemma":0.01063463,"domain_scores_codex":[0.9990172,0.00009544031,0.0001943976,0.0002062025,0.0002516153,0.0002350804],"domain_scores_gemma":[0.9995549,0.0001832218,0.0001183316,0.00005231699,0.00005296828,0.0000382288],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.00003247382,0.00007271385,0.9071552,0.00006443047,0.0004633846,0.00001528323,0.08606115,0.00006859583,0.0001732046,0.001147808,0.0009648444,0.003780876],"study_design_scores_gemma":[0.0005072122,0.0001595429,0.9256377,0.0002323921,0.0004886345,3.297225e-7,0.05729121,0.007447844,0.0001267074,0.0001845669,0.007626022,0.0002978795],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9960021,0.003385079,0.00001760648,0.0002706526,0.00008102399,0.00008753015,0.00001194229,0.00003469135,0.0001093147],"genre_scores_gemma":[0.9926524,0.006964561,0.00001498795,0.000018711,0.00005075548,0.000008099611,0.0000056049,0.000004581015,0.000280274],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.02876994,"threshold_uncertainty_score":0.5934374,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4281711677","doi":"10.1080/1472586x.2022.2043179","title":"Exploring visual representations by the UNHCR of the experiences of resettled Syrian refugees in Canada","year":2022,"lang":"en","type":"article","venue":"Visual Studies","topic":"Migration, Refugees, and Integration","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Syrian refugees; Refugee; Sociology; Gender studies; History; Archaeology","retraction":null,"screen_n_in":null,"score":{"opus":0.09124968652098518,"gpt":0.3826986690771308,"spread":0.2914489825561456,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005844093,0.00006713756,0.0001505586,0.00003936936,0.0009884201,0.00001100319,0.0002683781,0.00001042488,0.00008581587],"category_scores_gemma":[0.0006394245,0.00004128058,0.00004166171,0.0006670838,0.0003186369,0.0001578933,0.0001211882,0.0000993202,2.273969e-7],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002935462,"about_ca_system_score_gemma":0.0004745994,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.7521411,"about_ca_topic_score_gemma":0.9643137,"domain_scores_codex":[0.9982333,0.0005242092,0.0003155296,0.0001366322,0.0006387996,0.0001515402],"domain_scores_gemma":[0.9992708,0.0003125979,0.0001761632,0.0001106941,0.0001117843,0.00001793701],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0000279054,0.00008888489,0.02495904,0.00001298635,0.00005938805,5.086426e-7,0.9502949,0.0001676518,0.001235694,0.005892455,0.01555441,0.001706178],"study_design_scores_gemma":[0.00008917913,0.00005565279,0.01083953,0.00001453473,0.000007569869,1.19439e-7,0.9715826,0.00005104598,0.004378637,0.0001577828,0.01276552,0.00005786069],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9964601,0.001176483,0.000001996029,0.0009545216,0.0005288668,0.0002252792,0.00001007822,0.000006215038,0.0006364842],"genre_scores_gemma":[0.9986907,0.0003377185,0.000004275924,0.00004974351,0.00005087132,0.0003069223,0.000002899683,0.00000367286,0.0005532505],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2121726,"threshold_uncertainty_score":0.7602228,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4385341401","doi":"10.1080/1472586x.2023.2230466","title":"Elaborated images as decolonial praxis","year":2023,"lang":"en","type":"article","venue":"Visual Studies","topic":"Participatory Visual Research Methods","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto; York University","funders":"","keywords":"Praxis; Polyphony; Honour; Citizen journalism; Sociology; Meaning (existential); Perspective (graphical); Futures contract; Visual arts; Generative grammar; Aesthetics; Epistemology; Art; Computer science; History; Philosophy; Artificial intelligence; Pedagogy","retraction":null,"screen_n_in":null,"score":{"opus":0.665018689435152,"gpt":0.7303810255996009,"spread":0.06536233616444898,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaresearch","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.004200752,0.0001328168,0.0002637368,0.0001665296,0.001261109,0.00009788566,0.0002439601,0.00008077679,0.0002100075],"category_scores_gemma":[0.01872812,0.0001189852,0.0000579418,0.002161201,0.0009294429,0.000229493,0.0002517399,0.0001584961,0.00282364],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001856115,"about_ca_system_score_gemma":0.0004003872,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0007697496,"about_ca_topic_score_gemma":0.0009859406,"domain_scores_codex":[0.9965796,0.001309054,0.0002142758,0.0003011025,0.0007896306,0.0008063298],"domain_scores_gemma":[0.9976786,0.001455812,0.00006135561,0.0001211229,0.0004615614,0.0002214953],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004678812,0.0008130777,0.1114843,0.000197725,0.001634148,0.0008265824,0.2268439,0.00004442038,0.02751918,0.05300829,0.4550848,0.1220757],"study_design_scores_gemma":[0.0009869531,0.001099519,0.1066433,0.00007826857,0.00007345119,8.335424e-7,0.1059138,0.0001672792,0.01862341,0.01477675,0.7508461,0.0007901913],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9827325,0.0007969163,0.00001684326,0.003330544,0.0005899618,0.0003421346,0.000008818818,0.0005957497,0.01158657],"genre_scores_gemma":[0.9879017,0.00180883,0.0002506443,0.0001743613,0.0004432506,0.0001867452,0.000002483748,0.00002122618,0.009210765],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2957614,"threshold_uncertainty_score":0.9979528,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4392394242","doi":"10.1080/1472586x.2024.2292436","title":"The death and life of great visual urbanism","year":2024,"lang":"en","type":"article","venue":"Visual Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Urbanism; History; Aesthetics; Sociology; Visual arts; Art; Architecture","retraction":null,"screen_n_in":null,"score":{"opus":0.0742634680847067,"gpt":0.338947644116432,"spread":0.2646841760317253,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001488982,0.0001441817,0.000193705,0.00004590371,0.0006495247,0.0001945607,0.00007047006,0.00002812419,0.00006158297],"category_scores_gemma":[0.00004910801,0.00007549221,0.00009159285,0.00005022661,0.0005268196,0.0001132176,0.00008773833,0.000107714,0.00001478897],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000007515705,"about_ca_system_score_gemma":0.00001400135,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001151342,"about_ca_topic_score_gemma":0.0002303628,"domain_scores_codex":[0.9993113,0.00003425548,0.0001803612,0.0001697529,0.0001294835,0.0001748527],"domain_scores_gemma":[0.9995556,0.000222211,0.00003271974,0.00005949508,0.00008592258,0.00004401894],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003880476,0.00005525559,0.0005111276,0.0002377409,0.0008286367,0.00001000035,0.05247519,1.056141e-7,0.0003213557,0.9225461,0.01885697,0.00411865],"study_design_scores_gemma":[0.000308962,0.001074871,0.002486815,0.0002719856,0.0002587925,0.000004584621,0.05534568,0.0001636407,0.001570715,0.01457372,0.9235632,0.000376998],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8908896,0.09835769,0.00000289925,0.0004168241,0.0008778671,0.0001670259,0.00002907701,0.0001292608,0.009129764],"genre_scores_gemma":[0.9936541,0.00297965,0.000002425234,0.0001305338,0.0005081117,0.00002241945,0.000001936208,0.00001199033,0.002688817],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9079725,"threshold_uncertainty_score":0.4995685,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2084199635","doi":"10.1080/1472586x.2012.642970","title":"Felt: Fluxus, Joseph Beuys, and the Dalai Lama","year":2012,"lang":"en","type":"article","venue":"Visual Studies","topic":"Chinese history and philosophy","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Concordia University","funders":"","keywords":"Lama; Art; Medicine","retraction":null,"screen_n_in":null,"score":{"opus":0.06400679801743062,"gpt":0.3855072182047626,"spread":0.321500420187332,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0008759529,0.00008721263,0.0001658882,0.00001961784,0.001497025,0.00002635596,0.00009391133,0.00003583453,0.00002975298],"category_scores_gemma":[0.0003147757,0.0000520609,0.00004546006,0.0001344535,0.001071246,0.0001612738,0.00009568262,0.0000815977,0.00005748172],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003748898,"about_ca_system_score_gemma":0.00001475268,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0003198604,"about_ca_topic_score_gemma":0.0005113533,"domain_scores_codex":[0.9992031,0.0002078098,0.00009930541,0.00009891548,0.0001961906,0.0001946928],"domain_scores_gemma":[0.9994584,0.0003201546,0.00004050973,0.00007148502,0.00004179498,0.00006764009],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000646902,0.00009032091,0.02178932,0.00002224108,0.0001418561,0.000001270751,0.2673488,2.361434e-7,0.00002200065,0.6913528,0.01549755,0.003668888],"study_design_scores_gemma":[0.0006990131,0.00003962244,0.0131654,0.00001632614,0.00005986891,0.000001163133,0.008336236,0.000002305936,0.00001699085,0.06816638,0.9093045,0.0001922068],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8502699,0.04543356,0.000002631419,0.009383815,0.001375993,0.0002472878,0.000003815595,0.00007888446,0.09320413],"genre_scores_gemma":[0.9958417,0.000698866,0.00001467266,0.0005345264,0.001453453,0.00001709838,6.477834e-7,0.000005319814,0.001433757],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8938069,"threshold_uncertainty_score":0.9998029,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4393190217","doi":"10.1080/1472586x.2024.2324296","title":"A photographic essay on socio-economic organisation – temporary shelters in Kelowna, British Columbia (Canada)","year":2024,"lang":"en","type":"article","venue":"Visual Studies","topic":"Homelessness and Social Issues","field":"Health Professions","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"University of British Columbia, Okanagan Campus; University of British Columbia","funders":"Universidad Nacional de Mar del Plata; University of Stirling","keywords":"Economic history; History; Geography; Political science; Media studies; Sociology","retraction":null,"screen_n_in":null,"score":{"opus":0.04280330737327308,"gpt":0.3965182356978748,"spread":0.3537149283246017,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000402621,0.0001214743,0.0004521763,0.00006760984,0.0007264146,0.00007568615,0.00008694109,0.0001262619,0.0005006704],"category_scores_gemma":[0.0000533879,0.0001597852,0.00005401344,0.0002136925,0.00009300467,0.0001066882,0.00008048988,0.0003607276,0.0001004385],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0008984116,"about_ca_system_score_gemma":0.0008540213,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.8670228,"about_ca_topic_score_gemma":0.9949891,"domain_scores_codex":[0.9984744,0.000237036,0.0004064737,0.0003225935,0.0001961083,0.0003633448],"domain_scores_gemma":[0.9993048,0.0004479336,0.00006636812,0.00008263266,0.000038719,0.00005948769],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.00001301202,0.00005843731,0.9365362,0.0005708237,0.0001944038,0.000109308,0.03603078,0.000001918415,0.00003063984,0.0002615017,0.01419512,0.01199789],"study_design_scores_gemma":[0.0006336962,0.0001451657,0.642567,0.001382662,0.00003181633,2.386938e-7,0.3418218,0.000105928,0.0000135023,0.002402035,0.01046211,0.0004339991],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9911401,0.004688372,0.00000132216,0.000429106,0.001626299,0.0004451871,0.00004976897,0.0001285482,0.001491342],"genre_scores_gemma":[0.9960196,0.002023257,0.000003866712,0.0002682307,0.0003457573,0.0002101929,0.00001801728,0.00003549146,0.001075566],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3057911,"threshold_uncertainty_score":0.6515849,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4413382117","doi":"10.1080/1472586x.2025.2539828","title":"Outline of an interdisciplinary method: from counter-visual ethnography to tracing","year":2025,"lang":"en","type":"article","venue":"Visual Studies","topic":"Participatory Visual Research Methods","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"University of Winnipeg; Brandon University","funders":"","keywords":"Ethnography; Tracing; Visual methods; Sociology; Visual anthropology; Visual arts; Anthropology; Computer science; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.503825834045435,"gpt":0.7236720593287488,"spread":0.2198462252833138,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005529067,0.0002148669,0.0006327801,0.0004659274,0.0008464527,0.00006486938,0.0004544118,0.0001165869,0.00005831462],"category_scores_gemma":[0.002899488,0.0001952937,0.0001596,0.001493475,0.0007027152,0.0002898284,0.0008163234,0.0002531052,0.00001698426],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001707192,"about_ca_system_score_gemma":0.0001876061,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002757402,"about_ca_topic_score_gemma":0.006968563,"domain_scores_codex":[0.9953279,0.002272239,0.0005432855,0.0005064278,0.0007453823,0.0006047386],"domain_scores_gemma":[0.9967002,0.002237869,0.0001180587,0.0002322481,0.0004497101,0.0002619458],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"qualitative","study_design_scores_codex":[0.001177513,0.002050679,0.02965258,0.000246723,0.001940691,0.00004245559,0.4510912,0.000135215,0.03570517,0.006635447,0.003921711,0.4674006],"study_design_scores_gemma":[0.001667826,0.003047209,0.081465,0.001154114,0.0003943226,3.064488e-7,0.7953943,0.00336134,0.06291139,0.03183557,0.01767441,0.001094198],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9743007,0.001244569,0.01891133,0.001180797,0.0006199371,0.0004486489,0.00002939125,0.0001236357,0.003140998],"genre_scores_gemma":[0.9835894,0.00007951789,0.01531715,0.0002907866,0.0002435197,0.00009916139,0.00000362369,0.00001682405,0.0003600938],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4663064,"threshold_uncertainty_score":0.7963848,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4377820560","doi":"10.1080/1472586x.2023.2211953","title":"The architecture of disability: buildings, cities, and landscapes beyond access <b>The architecture of disability: buildings, cities, and landscapes beyond access</b> by David GissenMinneapolis, MN, University of Minnesota, 2022, 224 pages, ISBN: 978-1-5179-1250-5(pb), $100","year":2023,"lang":"en","type":"article","venue":"Visual Studies","topic":"Latin American Urban Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Architecture; Sociology; Geography; Archaeology","retraction":null,"screen_n_in":null,"score":{"opus":0.02317995162905213,"gpt":0.3160954841448327,"spread":0.2929155325157806,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.00159011,0.000583742,0.001309849,0.0001433998,0.002170436,0.0002001803,0.00132842,0.0001986096,0.0000403156],"category_scores_gemma":[0.001354655,0.0003975359,0.0002269097,0.001808606,0.01190568,0.0003018721,0.002476372,0.0004948065,7.382843e-7],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001505195,"about_ca_system_score_gemma":0.0001537563,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.009274989,"about_ca_topic_score_gemma":0.03772997,"domain_scores_codex":[0.9956725,0.000703656,0.0007617114,0.0008677752,0.001107499,0.0008868636],"domain_scores_gemma":[0.9932808,0.004863913,0.0007766397,0.0005542751,0.0003437139,0.0001807175],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0007404294,0.0005045016,0.6485825,0.00180776,0.002531049,0.00001286135,0.1323455,0.00007532003,0.001442339,0.005731892,0.09404542,0.1121804],"study_design_scores_gemma":[0.002379143,0.0009438799,0.1488544,0.0005385103,0.001034321,0.00001039637,0.3880081,0.00004747359,0.002189714,0.01997585,0.4344736,0.001544588],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9496669,0.03038688,0.00002872706,0.01601348,0.0002862469,0.0009255437,0.001528056,0.0001226349,0.001041539],"genre_scores_gemma":[0.9661196,0.03240969,0.0001336112,0.0001080193,0.0002836335,0.00002977202,0.00006171475,0.00004787401,0.000806019],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4997281,"threshold_uncertainty_score":0.9998477,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4399743145","doi":"10.1080/1472586x.2024.2362233","title":"Survival and social support networks: visual narratives of labour market integration among highly skilled African immigrants in Quebec","year":2024,"lang":"en","type":"article","venue":"Visual Studies","topic":"Education, sociology, and vocational training","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":true},"ca_institutions":"McGill University","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Immigration; Narrative; Sociology; Demographic economics; Gender studies; Labour economics; Political science; Economics; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.09433309951701309,"gpt":0.4553785357255685,"spread":0.3610454362085554,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002235359,0.000128801,0.0002957099,0.0001264266,0.0004365355,0.00005883026,0.00007721932,0.0001020741,0.00004825479],"category_scores_gemma":[0.0005432511,0.0001143509,0.00005359527,0.000431694,0.001390349,0.0002518859,0.00003491551,0.0001439012,0.000001499888],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001054502,"about_ca_system_score_gemma":0.000188512,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.01244468,"about_ca_topic_score_gemma":0.1162727,"domain_scores_codex":[0.9983052,0.0006841923,0.0003039705,0.0002400448,0.0002230726,0.0002435141],"domain_scores_gemma":[0.9984244,0.001253363,0.00009148194,0.00002950673,0.0001669741,0.0000342557],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00002508342,0.0001206614,0.08581324,0.00007069499,0.0001958315,0.000002013476,0.8305329,0.000001950392,0.00003888263,0.07483856,0.001725838,0.006634323],"study_design_scores_gemma":[0.0001244413,0.00005762911,0.2908294,0.00005335035,0.00001101301,8.055948e-8,0.7060883,0.00005468574,0.000004222259,0.000744106,0.001929631,0.0001031763],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9913061,0.001133515,0.00006436474,0.003623439,0.001347005,0.0001736535,0.000008628386,0.00005110827,0.002292152],"genre_scores_gemma":[0.9952324,0.0008426355,0.00005891497,0.00002632938,0.001113712,0.0000455534,0.0000134016,0.000009938345,0.002657134],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2050161,"threshold_uncertainty_score":0.9941315,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4220984053","doi":"10.1080/1472586x.2022.2046501","title":"The Astronomer's Chair: A Visual and Cultural History","year":2022,"lang":"en","type":"article","venue":"Visual Studies","topic":"History of Science and Medicine","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Astronomer; Cultural history; Visual culture; Visual arts; Art history; Art; History; Sociology; Anthropology","retraction":null,"screen_n_in":null,"score":{"opus":0.07512023055727418,"gpt":0.3064405077497341,"spread":0.23132027719246,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0002570517,0.00008597182,0.0001257536,0.00003423326,0.002467981,0.00002200288,0.00009277051,0.000004803799,0.0004966161],"category_scores_gemma":[0.00002780168,0.00005137135,0.00003308214,0.00001838261,0.001336759,0.0001012071,0.0001493253,0.0001093933,0.00001982996],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002210837,"about_ca_system_score_gemma":0.00002921811,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00009031111,"about_ca_topic_score_gemma":0.0002686142,"domain_scores_codex":[0.9993055,0.00003391375,0.0001141966,0.0001425396,0.000217063,0.000186746],"domain_scores_gemma":[0.9997615,0.00005775952,0.00004840925,0.00004785337,0.00004489621,0.0000395382],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005178126,0.00009744132,0.0002914992,0.00001918358,0.0001516715,0.000009719575,0.4054342,0.000001939871,0.0001519164,0.03884697,0.5207632,0.03418053],"study_design_scores_gemma":[0.0001283212,0.000347905,0.0001644008,0.00000323924,0.0000120248,0.000002027406,0.1573294,0.00001830015,0.000001600651,0.0000362076,0.8418924,0.00006417152],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8893735,0.07795897,7.382045e-7,0.003325994,0.003825271,0.0001838231,0.000004995783,0.00008662201,0.02524006],"genre_scores_gemma":[0.9430621,0.0003940412,0.000002951722,0.0006619037,0.0005887917,0.00007269461,0.000001681749,0.00000596345,0.0552099],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3211293,"threshold_uncertainty_score":0.9988307,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2732073969","doi":"10.1080/1472586x.2017.1345473","title":"Photography, humanitarianism, empire by Jane Lydon","year":2017,"lang":"en","type":"article","venue":"Visual Studies","topic":"Historical and Contemporary Political Dynamics","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Western University","funders":"","keywords":"Humanity; Photography; Empire; Human rights; Art; Set (abstract data type); Art history; Sociology; Visual arts; Law; History; Political science; Computer science","retraction":null,"screen_n_in":null,"score":{"opus":0.08628058302200242,"gpt":0.3281121404775824,"spread":0.24183155745558,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00007680859,0.0001875091,0.0002903999,0.00003596654,0.002504532,0.0002638914,0.0002744292,0.00003826771,0.0003423485],"category_scores_gemma":[0.00006432399,0.0001450202,0.0001237156,0.000009901371,0.0008680455,0.0002443131,0.0001476533,0.0001216644,0.0002111976],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004158758,"about_ca_system_score_gemma":0.00001027365,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001507778,"about_ca_topic_score_gemma":0.001605373,"domain_scores_codex":[0.9990382,0.00002389636,0.0002118434,0.0002381725,0.0001855158,0.0003023926],"domain_scores_gemma":[0.9994066,0.00005293569,0.0000986966,0.0002537067,0.0000981554,0.00008985285],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003040964,0.0003108305,0.00118362,0.00006971764,0.0003546713,0.00002757353,0.01468013,4.490525e-8,0.00008859481,0.8040548,0.1746559,0.00454369],"study_design_scores_gemma":[0.0002496449,0.0002583855,0.0004660244,0.00002550688,0.00003763706,4.624607e-7,0.002909756,0.0000200176,0.00003536468,0.008055531,0.9876872,0.0002545195],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3547941,0.007035547,0.00001769426,0.002691118,0.002892319,0.0003140426,0.0002758597,0.0002645878,0.6317147],"genre_scores_gemma":[0.9584706,0.0001580923,0.000006302029,0.0005311244,0.0006481793,0.00002763921,0.00001569682,0.00001793809,0.04012442],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8130313,"threshold_uncertainty_score":0.9987941,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4390501883","doi":"10.1080/1472586x.2023.2275918","title":"Guest Editors’ introduction","year":2023,"lang":"en","type":"article","venue":"Visual Studies","topic":"Migration, Refugees, and Integration","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Sociology","retraction":null,"screen_n_in":null,"score":{"opus":0.05296190146910851,"gpt":0.4234191764244056,"spread":0.3704572749552971,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000494252,0.0000615651,0.00009358001,0.00007384318,0.0007252822,0.00004126273,0.00005582468,0.00004326484,0.00006495119],"category_scores_gemma":[0.0008312101,0.00005076579,0.00003215142,0.0004803804,0.0001517476,0.0002090833,0.00002193292,0.00004973929,0.0005599073],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00007763519,"about_ca_system_score_gemma":0.00003180042,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0004236777,"about_ca_topic_score_gemma":0.004436755,"domain_scores_codex":[0.9992135,0.0000850713,0.000121188,0.0001467147,0.0002668311,0.0001667373],"domain_scores_gemma":[0.9996187,0.00006334104,0.00003994936,0.00005310152,0.0001942965,0.00003060463],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000002959812,0.00001533933,0.0009034796,0.000004769691,0.00002212655,3.315488e-7,0.02738438,0.000001968988,0.0002174654,0.008539193,0.9608919,0.002016057],"study_design_scores_gemma":[0.00004277668,0.00004927189,0.002184634,0.000005049083,0.000007119465,6.427915e-8,0.0233781,0.00001879289,0.0003940637,0.0008423196,0.9730116,0.00006618969],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8697359,0.001300002,0.00008945469,0.02471592,0.09052783,0.0004735167,0.00000633402,0.001180765,0.01197027],"genre_scores_gemma":[0.7437419,0.004271538,0.00003718063,0.0001119729,0.225215,0.00006340804,0.0000391358,0.00001252297,0.02650726],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1346872,"threshold_uncertainty_score":0.7196662,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4412086984","doi":"10.1080/1472586x.2025.2518189","title":"Palestine time: Liu Xiaodong’s <i>In Between Israel and Palestine</i> (April 2013)","year":2025,"lang":"en","type":"article","venue":"Visual Studies","topic":"Jewish and Middle Eastern Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Alberta","funders":"","keywords":"Palestine; Mandatory Palestine; History; Ancient history","retraction":null,"screen_n_in":null,"score":{"opus":0.04375948958361456,"gpt":0.37664694724346,"spread":0.3328874576598454,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005929363,0.0002016852,0.0004623501,0.0001274083,0.0006470362,0.00005305071,0.000143803,0.00008661539,0.000004978186],"category_scores_gemma":[0.0007138957,0.0001808382,0.00004636196,0.0005423828,0.0008787208,0.0001197972,0.0002933591,0.0001415162,0.00009581332],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006423447,"about_ca_system_score_gemma":0.0000620654,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002065911,"about_ca_topic_score_gemma":0.01133665,"domain_scores_codex":[0.9984747,0.0001492938,0.0003001601,0.0003553037,0.0002443147,0.0004762457],"domain_scores_gemma":[0.999096,0.0004842148,0.00007697967,0.0001005188,0.000163735,0.00007857625],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.00001974405,0.00005576768,0.9060575,0.00006066949,0.0001656944,0.000008239625,0.003413782,1.917047e-7,0.00006396065,0.004416249,0.005270904,0.08046725],"study_design_scores_gemma":[0.001548967,0.0002806951,0.8461348,0.000635659,0.000211369,7.470681e-7,0.0490378,0.00003346013,0.0001563344,0.003755564,0.09752333,0.0006812824],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.902784,0.05968247,0.00003207311,0.00474071,0.0004593581,0.0003885144,0.00001343913,0.0001587075,0.03174069],"genre_scores_gemma":[0.98592,0.004243923,0.0001089165,0.000366043,0.0004953528,0.00003338665,0.000002176167,0.0000103799,0.008819816],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.09225243,"threshold_uncertainty_score":0.7374368,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4252040780","doi":"10.1080/1472586042000204889b","title":"Avatara by Donato Mancini, Flick Harrison and Jeremy Turner Vancouver: 536, 2003, DVD. 72 minutes Produced and distributed by 536, 536 east 20th Avenue, Vancouver, BC, Canada, V5V 1M8 Can$20","year":2004,"lang":"en","type":"article","venue":"Visual Studies","topic":"Digital Games and Media","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Sociology; Art; Humanities; Gerontology; Medicine","retraction":null,"screen_n_in":null,"score":{"opus":0.01439925048098952,"gpt":0.272404307941658,"spread":0.2580050574606685,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0003023576,0.000418692,0.0006074248,0.0000527611,0.0005750004,0.0001411508,0.0002264211,0.0001288092,0.00001906429],"category_scores_gemma":[0.0006237152,0.0003656314,0.00005057201,0.0005351884,0.000640357,0.0002880061,0.0002123025,0.0002175035,0.000005786332],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004771599,"about_ca_system_score_gemma":0.0005934869,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.2258381,"about_ca_topic_score_gemma":0.9419655,"domain_scores_codex":[0.9971724,0.000068373,0.0003916149,0.0007082832,0.0007423106,0.0009170898],"domain_scores_gemma":[0.9987262,0.0001072269,0.0001988524,0.0001864191,0.0003353704,0.0004458831],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000445862,0.0001563551,0.01034251,0.00007370605,0.0001885872,0.0000279112,0.006626926,0.000004123691,0.0001641496,0.00004291373,0.9693825,0.01294575],"study_design_scores_gemma":[0.001171424,0.000182281,0.002278666,0.0001170436,0.00007556521,0.000001447998,0.0198633,0.000006245431,0.0007891885,0.0001287777,0.9748416,0.0005444585],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9418394,0.04391635,0.00001507592,0.003108783,0.00340858,0.001066961,0.002951393,0.0001428011,0.003550658],"genre_scores_gemma":[0.95968,0.003969281,0.00006497428,0.0007161846,0.0005134054,0.00009808684,0.0001436638,0.0000495496,0.03476488],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7161274,"threshold_uncertainty_score":0.9998795,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4390822223","doi":"10.1080/1472586x.2023.2299849","title":"Poetic Operations: Trans of Color Art in Digital Media","year":2024,"lang":"en","type":"article","venue":"Visual Studies","topic":"Digital Media and Visual Art","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Poetry; Art; Digital media; Art history; Sociology; Literature; Computer science; World Wide Web","retraction":null,"screen_n_in":null,"score":{"opus":0.04135036377759091,"gpt":0.347588544047826,"spread":0.3062381802702351,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00009704407,0.00009833831,0.0001899858,0.0001260783,0.00002848913,0.0001671823,0.0001989778,0.00002206304,0.000004125342],"category_scores_gemma":[0.0001766279,0.00007556214,0.00004821659,0.0004916539,0.000103614,0.0007543837,0.0001173695,0.00005896972,0.0001345383],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002425912,"about_ca_system_score_gemma":0.00004055123,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000003191753,"about_ca_topic_score_gemma":0.00004420605,"domain_scores_codex":[0.9991783,0.00001023567,0.0002343463,0.0002178317,0.0001984422,0.0001608791],"domain_scores_gemma":[0.9995329,0.0002736554,0.00000954125,0.0000912076,0.00005299782,0.00003972218],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003972471,0.001666132,0.002858836,0.0007009305,0.0005386759,0.0004863055,0.1003026,0.0002942602,0.003182786,0.4053165,0.0185701,0.4660431],"study_design_scores_gemma":[0.005729483,0.01177931,0.0364347,0.006688279,0.0002133986,0.0002006424,0.02245828,0.3721486,0.04393973,0.09209243,0.4035223,0.004792795],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9617458,0.007363011,0.01964668,0.002926172,0.001893769,0.0003552292,0.00003130874,0.0002985752,0.005739477],"genre_scores_gemma":[0.9988452,0.0001670958,0.0002760476,0.00008193255,0.00004759244,0.00002572579,0.000003203061,0.000005595326,0.0005476049],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4612503,"threshold_uncertainty_score":0.3081335,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4240637802","doi":"10.1080/1472586x.2017.1366057","title":"Corrigendum","year":2017,"lang":"en","type":"erratum","venue":"Visual Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Vernacular; Period (music); Photography; Sociology; History; Geography; Aesthetics; Art; Visual arts; Literature","retraction":null,"screen_n_in":null,"score":{"opus":0.1913607489186607,"gpt":0.3762128836532688,"spread":0.1848521347346081,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001213021,0.0004955616,0.0007555012,0.0001232874,0.002213027,0.0004573798,0.0004612038,0.0002584025,0.00111542],"category_scores_gemma":[0.0001113411,0.0003536321,0.0003693586,0.00002214191,0.0009642756,0.0001787855,0.0002470842,0.0007982632,0.000484151],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003842582,"about_ca_system_score_gemma":0.00005926986,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002985889,"about_ca_topic_score_gemma":0.00270079,"domain_scores_codex":[0.9984745,0.00004006969,0.0002766987,0.0004387036,0.0003473237,0.0004226851],"domain_scores_gemma":[0.9988532,0.0000225385,0.0003484009,0.0003623764,0.000338355,0.00007511555],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001106363,0.00007119055,0.000008087,0.0002314353,0.0007263334,0.0000234392,0.01993324,4.201157e-9,0.000002601325,0.01375474,0.9644926,0.0007453364],"study_design_scores_gemma":[0.0001278576,0.0002252384,0.0000404738,0.0003387639,0.0001771934,0.000001296282,0.006985434,0.00000155469,0.00001438768,0.0009279585,0.9906703,0.0004895225],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.0002565903,0.04792109,2.954697e-7,0.0001843398,0.204886,0.0002896322,0.0003290072,0.0002472193,0.7458858],"genre_scores_gemma":[0.006250358,0.00634574,0.000001690359,0.0003846792,0.01860966,0.0000759364,0.0002459674,0.00005480201,0.9680312],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.2221453,"threshold_uncertainty_score":0.9998916,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4407626935","doi":"10.1080/1472586x.2025.2453172","title":"Kodachrome and the fantasy of colourisation or what time is there?","year":2025,"lang":"en","type":"article","venue":"Visual Studies","topic":"Color Science and Applications","field":"Physics and Astronomy","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université de Montréal","funders":"","keywords":"Fantasy; Art; Sociology; Aesthetics; History; Literature","retraction":null,"screen_n_in":null,"score":{"opus":0.01858973754821697,"gpt":0.3605160728196493,"spread":0.3419263352714323,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00009741476,0.00004336033,0.0001068552,0.00001434018,0.0001648772,0.00003111473,0.00005741868,0.000006499693,0.00007675221],"category_scores_gemma":[0.000004779038,0.00002274055,0.00002334497,0.0001562862,0.0002102715,0.00007634806,0.00007201399,0.00002281725,0.00001237127],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000004494958,"about_ca_system_score_gemma":0.00001699149,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00003629807,"about_ca_topic_score_gemma":0.000004650545,"domain_scores_codex":[0.9997149,0.00001475535,0.00008409725,0.00008067847,0.00004873876,0.00005680922],"domain_scores_gemma":[0.9996887,0.0001657851,0.00003889304,0.00006247641,0.00003752932,0.000006623658],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0003929572,0.0006347625,0.04970018,0.0001121048,0.001740395,4.447546e-7,0.03206195,0.00001937023,0.006937312,0.4922847,0.03864286,0.3774729],"study_design_scores_gemma":[0.0105179,0.0008141698,0.2546809,0.000732652,0.0009272445,9.979037e-7,0.2007979,0.01112809,0.0719575,0.3028139,0.1446216,0.001007131],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9921073,0.001249069,0.0001241431,0.003537739,0.0000320127,0.0001951603,0.000005013842,0.000006477582,0.002743067],"genre_scores_gemma":[0.997587,0.0002225153,0.00001870571,0.000112112,0.00002340712,0.00004940887,8.4232e-7,0.000001201207,0.001984848],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3764658,"threshold_uncertainty_score":0.1268119,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4214531204","doi":"10.1080/1472586042000204889a","title":"<b><i>Avatara</i></b>by Donato Mancini, Flick Harrison and Jeremy Turner Vancouver: 536, 2003, DVD. 72 minutes Produced and distributed by 536, 536 east 20th Avenue, Vancouver, BC, Canada, V5V 1M8 Can$20","year":2004,"lang":"en","type":"article","venue":"Visual Studies","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Art history","retraction":null,"screen_n_in":null,"score":{"opus":0.01724182175770334,"gpt":0.223446347287648,"spread":0.2062045255299446,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0002924275,0.0006027797,0.001220504,0.0001424808,0.0006079741,0.00006985271,0.0002044892,0.0001396162,0.00002598977],"category_scores_gemma":[0.000531701,0.0005943908,0.00007529728,0.0005391555,0.0003218105,0.0001864417,0.0003238682,0.0002974176,0.00001775022],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000461909,"about_ca_system_score_gemma":0.0001488364,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.118063,"about_ca_topic_score_gemma":0.7369885,"domain_scores_codex":[0.9969955,0.00002366779,0.0008166765,0.001064421,0.0001873497,0.0009123891],"domain_scores_gemma":[0.9986349,0.000110095,0.0004256693,0.0003211923,0.0002174655,0.0002907204],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006553486,0.0001747232,0.07373315,0.0001917788,0.000479159,0.00002509296,0.001653736,0.00001219068,0.0001248705,0.0001047398,0.9225283,0.0009067201],"study_design_scores_gemma":[0.00410659,0.000390151,0.01850802,0.0001610726,0.0001210073,0.000007749437,0.005381811,0.0000614196,0.001852112,0.0008278913,0.9673131,0.001269123],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8009002,0.1851305,0.00005535864,0.00292241,0.003128064,0.0008108022,0.006477193,0.00008509782,0.00049043],"genre_scores_gemma":[0.9760759,0.01531112,0.0001222535,0.0008151574,0.000438897,0.0002050568,0.0002108951,0.00008280878,0.006737895],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6189255,"threshold_uncertainty_score":0.9996508,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3216882170","doi":"10.54664/myet2917","title":"From Nature as a \"First Teacher\" to the \"Subjective Idea\". Changes in Aesthetic Criteria in the Second Half of the ХVI Century and Their Impact on the Studies of Proportions","year":2020,"lang":"en","type":"article","venue":"Visual Studies","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"The Renaissance; Humanism; Soul; Period (music); Feeling; Quarter (Canadian coin); Aesthetics; Art; Literature; History; Psychology; Philosophy; Art history; Epistemology; Social psychology; Theology","retraction":null,"screen_n_in":null,"score":{"opus":0.07643172090283788,"gpt":0.3457687024441287,"spread":0.2693369815412908,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003944195,0.0002529088,0.000465574,0.0000469106,0.0005716918,0.00005701651,0.0002986073,0.00003988256,0.00009709009],"category_scores_gemma":[0.0003303585,0.00008033816,0.0001061967,0.0001637901,0.0008492432,0.00006416906,0.0002727835,0.0003593089,0.000004203593],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003180198,"about_ca_system_score_gemma":0.00001877802,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0009294159,"about_ca_topic_score_gemma":0.03456261,"domain_scores_codex":[0.9987832,0.0002749844,0.0002685266,0.0002415978,0.0002146413,0.0002170758],"domain_scores_gemma":[0.9987738,0.0007068905,0.0001542234,0.0002193335,0.0001280359,0.00001779011],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001593334,0.0001257214,0.002405185,0.00007922712,0.0004647411,0.00000222222,0.9795678,0.00000619993,0.00009213635,0.003329171,0.01305862,0.0007096395],"study_design_scores_gemma":[0.0003105967,0.0009126805,0.055414,0.0005441455,0.00005794059,0.000001469593,0.9014181,0.00001857521,0.0005180177,0.004192612,0.03642482,0.0001870716],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9356619,0.02225231,9.173966e-8,0.04000898,0.0001406422,0.000726585,0.0001866818,0.000009813217,0.001012979],"genre_scores_gemma":[0.9967591,0.001357143,7.582643e-7,0.001335131,0.0002262407,0.0001965585,0.000002016953,0.00001291946,0.0001101263],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.07814974,"threshold_uncertainty_score":0.9830541,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2999770299","doi":"10.1080/1472586x.2020.1715077","title":"Painting publics: transnational legal graffiti scenes as spaces of encounters","year":2020,"lang":"en","type":"article","venue":"Visual Studies","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Guelph","funders":"","keywords":"Graffiti; Publics; Painting; Visual arts; Aesthetics; Sociology; Art; Media studies; Political science; Law; Politics","retraction":null,"screen_n_in":null,"score":{"opus":0.07211004028000542,"gpt":0.3978492471617451,"spread":0.3257392068817397,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006849216,0.0001259991,0.000264294,0.00006934388,0.0004563273,0.0001247108,0.0002500599,0.00005234014,0.0001111492],"category_scores_gemma":[0.001637446,0.0001177781,0.00009577669,0.000567217,0.0007102367,0.0006412811,0.00008409922,0.00009281109,0.00001968699],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00007014552,"about_ca_system_score_gemma":0.0002036719,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0006615698,"about_ca_topic_score_gemma":0.001695601,"domain_scores_codex":[0.9983318,0.0001473266,0.000242024,0.0002434562,0.0007078495,0.0003275715],"domain_scores_gemma":[0.9990355,0.0003190252,0.0001289536,0.00005322523,0.0003438833,0.0001193808],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000428911,0.0001258598,0.02693777,0.00008959341,0.0004267205,0.000008206622,0.1547598,0.00003413415,0.0005997999,0.7987179,0.01323789,0.005019511],"study_design_scores_gemma":[0.0005526711,0.0003256863,0.003059679,0.00003633295,0.0000457529,8.608926e-7,0.3641468,0.0002413336,0.0008108255,0.00178621,0.6286305,0.0003633759],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8226241,0.001095266,0.0001102104,0.1482001,0.0005002859,0.0002450485,0.00001152297,0.0002110715,0.02700236],"genre_scores_gemma":[0.9978072,0.0002284943,0.0002479614,0.001008604,0.0004117251,0.00001424782,0.000002751634,0.00001020953,0.0002688043],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7969316,"threshold_uncertainty_score":0.4802852,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4412931057","doi":"10.1080/1472586x.2025.2537738","title":"Copyright as an ethical dimension of visual research: preserving ownership across the research process","year":2025,"lang":"en","type":"article","venue":"Visual Studies","topic":"Participatory Visual Research Methods","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Waterloo","funders":"","keywords":"Dimension (graph theory); Process (computing); Sociology; Visual research; Aesthetics; Law and economics; Psychology; Business; Visual arts; Computer science; Art; Mathematics","retraction":null,"screen_n_in":null,"score":{"opus":0.8356546328775808,"gpt":0.777479964255003,"spread":0.05817466862257781,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaresearch","sts","research_integrity"],"consensus_categories":["metaresearch","sts"],"category_scores_codex":[0.08609882,0.0002175721,0.000517004,0.0003882449,0.006689783,0.0002962746,0.001564345,0.0004280229,0.0001047112],"category_scores_gemma":[0.07903069,0.0001410732,0.0001057183,0.004408081,0.00999575,0.0004050918,0.001770515,0.002797952,0.00007341273],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004246825,"about_ca_system_score_gemma":0.0015176,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003626144,"about_ca_topic_score_gemma":0.00472631,"domain_scores_codex":[0.9671128,0.02403799,0.0006249245,0.0008085148,0.005218363,0.00219739],"domain_scores_gemma":[0.9754068,0.01854737,0.0001127425,0.0005575178,0.004993204,0.0003823981],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.002185789,0.002345822,0.03063067,0.001144614,0.0008041216,0.00007284709,0.6694437,0.00003106047,0.02498734,0.2270349,0.02178147,0.0195376],"study_design_scores_gemma":[0.0009301268,0.00251467,0.02058029,0.0009079637,0.00004395236,6.973764e-7,0.7558455,0.001198735,0.05944682,0.1132674,0.04479873,0.0004651037],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9757729,0.001949812,0.00003037473,0.009731213,0.0002851011,0.001068618,0.000004393482,0.00009212468,0.01106548],"genre_scores_gemma":[0.9947752,0.0005150586,0.00009217578,0.0002194411,0.0003219624,0.0003472252,0.000001341366,0.00002365407,0.003703924],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1137675,"threshold_uncertainty_score":0.9995027,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}