{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":29,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":29,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"c021f0ea3c15","filters":{"venue":"Voice and Speech Review"}},"results":[{"id":"W3038057196","doi":"10.1080/23268263.2020.1777691","title":"Online Theatre Voice Pedagogy: A Literature Review","year":2020,"lang":"en","type":"review","venue":"Voice and Speech Review","topic":"Online and Blended Learning","field":"Social Sciences","cited_by":18,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Winnipeg","funders":"","keywords":"Context (archaeology); Embodied cognition; Pedagogy; Modalities; Psychology; Sociology; Computer science","authors":[{"name":"Shannon Vickers","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04995451538509792,"gpt":0.4195440731113146,"spread":0.3695895577262167,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002307119,0.0009512102,0.001958857,0.008442485,0.0007010461,0.002095793,0.001518368,0.001596023,0.005725787],"category_scores_gemma":[0.008260258,0.0005025826,0.001424061,0.008857731,0.0009149158,0.00306263,0.001353663,0.001298371,0.001142057],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001329176,"about_ca_system_score_gemma":0.006235433,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003311475,"about_ca_topic_score_gemma":0.00695831,"domain_scores_codex":[0.9987489,0.0003518967,0.00031462,0.0001750653,0.00033116,0.0000783734],"domain_scores_gemma":[0.9925413,0.005644811,0.0006697203,0.00009679524,0.0008813732,0.0001660245],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006459759,0.0001030776,0.0003806382,0.2003317,0.0002296447,0.0002229843,0.0004650473,0.0002046402,0.0003663345,0.002595772,0.01577572,0.7792598],"study_design_scores_gemma":[0.00002662773,0.0001979763,0.003831988,0.3376565,0.001430428,0.001865789,0.001372613,0.0001213479,0.0004292394,0.002327327,0.6506892,0.00005092706],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.0001750823,0.9987103,0.00009554082,0.000282972,0.0001114664,0.00001375369,0.00002411146,0.000004491605,0.0005821887],"genre_scores_gemma":[0.001133331,0.998287,0.0001760954,0.0001838931,0.00006739028,0.00001880506,0.00002594967,0.000001649613,0.0001059171],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.008442485,"threshold_uncertainty_score":0.01915473,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2808916700","doi":"10.1080/23268263.2018.1480172","title":"The Nature of “Voice” in Academic Writing","year":2018,"lang":"en","type":"article","venue":"Voice and Speech Review","topic":"Discourse Analysis in Language Studies","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"York University; University of Alabama","keywords":"Temptation; Blank; Linguistics; Indirect speech; Psychology; Mathematics education; Philosophy; Social psychology; Engineering","authors":[{"name":"Rockford Sansom","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03255738430216417,"gpt":0.3362766280333691,"spread":0.303719243731205,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.02224464,0.0002708324,0.0004924062,0.004888998,0.002265051,0.010318,0.001115567,0.00221491,0.002248019],"category_scores_gemma":[0.09101743,0.0002636744,0.0003335486,0.00327578,0.009791908,0.01012558,0.002541453,0.003608104,0.0005030727],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00356302,"about_ca_system_score_gemma":0.005495914,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003914896,"about_ca_topic_score_gemma":0.009558275,"domain_scores_codex":[0.9657047,0.02668067,0.001845517,0.001170535,0.003848568,0.0007500779],"domain_scores_gemma":[0.8545439,0.1224708,0.0054234,0.002922556,0.01341588,0.001223314],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"qualitative","study_design_scores_codex":[0.0002788759,0.0000405133,0.003421411,0.01479519,0.0003060868,0.0005182678,0.06072311,0.0001330083,0.001572921,0.1606883,0.1552364,0.6022859],"study_design_scores_gemma":[0.00003976268,0.0001243438,0.01053018,0.03047097,0.000207697,0.001190798,0.03602294,0.0001333363,0.001910314,0.03403243,0.8852718,0.00006547134],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.009781395,0.838406,0.001768624,0.1103473,0.01383873,0.00002642673,0.0000991694,0.00002004635,0.02571229],"genre_scores_gemma":[0.3750773,0.538868,0.002589803,0.04323794,0.03224031,0.0001999553,0.0001816909,0.0001462662,0.007458711],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02224464,"threshold_uncertainty_score":0.1176423,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1966220806","doi":"10.1080/23268263.2013.825512","title":"Speaking with skill: a skills based approach to speech training","year":2013,"lang":"en","type":"article","venue":"Voice and Speech Review","topic":"EFL/ESL Teaching and Learning","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"York University","funders":"","keywords":"Training (meteorology); Psychology; Applied psychology; Cognitive psychology; Computer science; Medical education; Geography; Medicine","authors":[{"name":"Eric Armstrong","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03958006191965011,"gpt":0.2546900131387806,"spread":0.2151099512191305,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002570196,0.0006433501,0.0005548767,0.002899418,0.001159422,0.003796502,0.001213423,0.002387138,0.00449281],"category_scores_gemma":[0.002690052,0.0001859694,0.0003692243,0.001446564,0.003990642,0.003255806,0.002357815,0.004883037,0.001859326],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002116562,"about_ca_system_score_gemma":0.003729558,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005589817,"about_ca_topic_score_gemma":0.01720109,"domain_scores_codex":[0.9989346,0.0003792628,0.00008711456,0.0001198852,0.0003970513,0.00008210242],"domain_scores_gemma":[0.9989253,0.0006611026,0.00005379246,0.00003076705,0.0001887109,0.0001402517],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004327219,0.0001188539,0.0004177381,0.002840944,0.00003621655,0.0002063095,0.002090209,0.0002180331,0.0005036317,0.06281167,0.1417502,0.788963],"study_design_scores_gemma":[0.0000151971,0.0001363181,0.001718913,0.002735484,0.00003045357,0.001383111,0.001714786,0.0001873361,0.000380336,0.02816105,0.9635121,0.00002499454],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.00116036,0.8797189,0.01059224,0.04716321,0.01247441,0.00006716147,0.00003892601,0.0001129245,0.04867197],"genre_scores_gemma":[0.03032453,0.8576453,0.01435559,0.03880512,0.01270096,0.0002367144,0.0001055519,0.0001311271,0.0456951],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.005589817,"threshold_uncertainty_score":0.01535678,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2793515418","doi":"10.1080/23268263.2018.1453659","title":"The Neurobiological Basis of Emotion and Imagination in Relationship to Breath and Guts: Smukler’s Swamp as Case Study","year":2018,"lang":"en","type":"article","venue":"Voice and Speech Review","topic":"Music Therapy and Health","field":"Psychology","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":true},"ca_institutions":"Simon Fraser University","funders":"David Geffen School of Medicine, University of California, Los Angeles; Social Sciences and Humanities Research Council of Canada","keywords":"Swamp; Metaphor; Perception; Psychology; Framing (construction); Phenomenon; Value (mathematics); Cognitive psychology; Cognitive science; Epistemology; Linguistics; Computer science; Ecology; History; Neuroscience; Philosophy","authors":[{"name":"Tanya Elchuk","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07333498290366776,"gpt":0.4136330630437179,"spread":0.3402980801400502,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008799729,0.0004929117,0.0005959881,0.001299358,0.001501079,0.002175514,0.0006166353,0.002913856,0.001575237],"category_scores_gemma":[0.001591721,0.0001411854,0.0003558295,0.0007890587,0.007212116,0.002292219,0.001825125,0.001871695,0.0003941085],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001758641,"about_ca_system_score_gemma":0.0008518875,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002995242,"about_ca_topic_score_gemma":0.0064343,"domain_scores_codex":[0.9995232,0.0002444966,0.00002583323,0.00005876071,0.00007776517,0.00006995838],"domain_scores_gemma":[0.9995035,0.000374758,0.00004163904,0.00001967309,0.00002633741,0.0000341998],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"case_report","study_design_scores_codex":[0.0004037839,0.0003374723,0.006074272,0.005001094,0.0001240693,0.1257803,0.268857,0.0006040463,0.01891058,0.2264209,0.02635896,0.3211276],"study_design_scores_gemma":[0.00007546154,0.0007647899,0.01387526,0.004042075,0.0001381922,0.2842408,0.1864917,0.0008260956,0.009902688,0.04647422,0.4530114,0.000157268],"study_design_candidate":"case_report","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.4344895,0.4385919,0.006228412,0.0378169,0.002441457,0.0001613426,0.00006912914,0.00007272125,0.08012865],"genre_scores_gemma":[0.840191,0.1321916,0.003836286,0.004038506,0.0007853181,0.00009788488,0.00002970331,0.00002709657,0.01880259],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.002995242,"threshold_uncertainty_score":0.01275986,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2810960555","doi":"10.1080/23268263.2018.1488461","title":"Performing Arts Training in the Age of #MeToo","year":2018,"lang":"en","type":"article","venue":"Voice and Speech Review","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"MacEwan University","funders":"","keywords":"Psychology; Training (meteorology); Physics","authors":[{"name":"Jennifer C. Spencer","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1475712444834332,"gpt":0.3606661490673788,"spread":0.2130949045839455,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001191032,0.0002697233,0.0005346534,0.001428519,0.0004128973,0.001415579,0.0005905804,0.001232243,0.003759253],"category_scores_gemma":[0.005559241,0.0001068933,0.0004031025,0.001484948,0.0005550827,0.001221739,0.0008815003,0.0009872274,0.0007848929],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0007458478,"about_ca_system_score_gemma":0.003599799,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00915702,"about_ca_topic_score_gemma":0.02674213,"domain_scores_codex":[0.9993886,0.0001572061,0.0001157715,0.00009145452,0.0001357972,0.0001111092],"domain_scores_gemma":[0.9979254,0.00125251,0.0003246598,0.00002931375,0.0002827772,0.0001853835],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001660759,0.00005350308,0.005096708,0.01777326,0.0001495338,0.0005280965,0.0004186866,0.00005594266,0.0002825755,0.002313678,0.04530734,0.9278545],"study_design_scores_gemma":[0.00004398627,0.0002694742,0.06581602,0.06198398,0.0005551261,0.006549392,0.004352085,0.00005433226,0.0003612738,0.001982287,0.8579943,0.00003784404],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.002352902,0.9915546,0.00003291418,0.002436213,0.0007867076,0.000004137528,0.00006311774,0.00000223191,0.002767327],"genre_scores_gemma":[0.01876799,0.9771887,0.00008261479,0.001827548,0.0008637878,0.00001196177,0.0001092547,0.000002569765,0.001145437],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.00915702,"threshold_uncertainty_score":0.01820749,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2914802957","doi":"10.1080/23268263.2019.1573005","title":"David Smukler: My Journey to Now","year":2019,"lang":"en","type":"article","venue":"Voice and Speech Review","topic":"Jungian Analytical Psychology","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"York University","funders":"","keywords":"History; Gerontology; Sociology; Gender studies; Medicine","authors":[{"name":"David Smukler","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0512905889225174,"gpt":0.3834853562274826,"spread":0.3321947673049652,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002675903,0.0005306,0.0006433557,0.001003536,0.004208356,0.004202591,0.001134921,0.002368126,0.01833854],"category_scores_gemma":[0.009155302,0.0002530903,0.0003338808,0.0006221789,0.002733866,0.005254356,0.002615359,0.008730156,0.008020711],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002485638,"about_ca_system_score_gemma":0.005790809,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01106773,"about_ca_topic_score_gemma":0.02395555,"domain_scores_codex":[0.9987515,0.0005052699,0.00004704553,0.0001594591,0.0003564725,0.0001802327],"domain_scores_gemma":[0.995822,0.0009068759,0.0001998543,0.0001091944,0.001168367,0.001793652],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001899063,0.00001311572,0.0001514771,0.0001949861,0.000004783796,0.0002325407,0.002830014,0.000008635189,0.00006919273,0.009776684,0.949159,0.03754059],"study_design_scores_gemma":[0.000002347827,0.000006491789,0.0001725637,0.0004127318,0.000002506754,0.000429263,0.002933188,0.000004942858,0.00002894479,0.002132263,0.9938683,0.000006442486],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.001063051,0.4633831,0.0007131553,0.4389826,0.06817599,0.00001945755,0.00006311277,0.00007933301,0.02752017],"genre_scores_gemma":[0.02941179,0.3816963,0.001307533,0.3092903,0.04177314,0.0001253253,0.0001572936,0.0002278094,0.2360104],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.01833854,"threshold_uncertainty_score":0.0613485,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2990535973","doi":"10.1080/23268263.2020.1698839","title":"Betty Moulton: My Journey to Now","year":2019,"lang":"en","type":"article","venue":"Voice and Speech Review","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"University of Calgary; University of Alberta","funders":"","keywords":"Variety (cybernetics); Sociology; Psychology; Computer science; Artificial intelligence","authors":[{"name":"Betty Moulton","is_ca":true},{"name":"Jane Macfarlane","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02750078365307793,"gpt":0.2985410005966996,"spread":0.2710402169436217,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002528285,0.0005014476,0.0008102352,0.001647046,0.006556841,0.005373322,0.001721748,0.004262394,0.02521215],"category_scores_gemma":[0.01008018,0.0003110841,0.0004327754,0.001997475,0.002809561,0.004509617,0.002841766,0.007813308,0.006146006],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0121657,"about_ca_system_score_gemma":0.03539557,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.3938876,"about_ca_topic_score_gemma":0.5880835,"domain_scores_codex":[0.9986212,0.0002766059,0.00006300952,0.0001381372,0.0005142993,0.0003867424],"domain_scores_gemma":[0.9944676,0.0007209197,0.0001841294,0.0001014771,0.002199552,0.002326323],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001690575,0.000007027159,0.0001629371,0.0005046123,0.000007051394,0.000214861,0.001118357,0.00001026791,0.00004342054,0.003983151,0.9300669,0.06386442],"study_design_scores_gemma":[0.000002748806,0.000004044701,0.0002857478,0.001245542,0.000006548371,0.0003115884,0.001440463,0.000002370354,0.0000165147,0.0005443364,0.9961342,0.000006126416],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.0004109355,0.7254665,0.0001145283,0.2296535,0.02940322,0.00001034763,0.00009632028,0.00003134986,0.01481323],"genre_scores_gemma":[0.01429034,0.7474477,0.0004398254,0.1422965,0.01541805,0.00004644686,0.0003420803,0.00009344243,0.07962558],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.6061124,"threshold_uncertainty_score":0.7831898,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2059262850","doi":"10.1080/23268263.2013.826077","title":"Speech stereotypes: good vs. evil","year":2014,"lang":"en","type":"article","venue":"Voice and Speech Review","topic":"Language, Discourse, Communication Strategies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"York University","funders":"","keywords":"Psychology","authors":[{"name":"Amy Stoller","is_ca":false},{"name":"Eric Armstrong","is_ca":true},{"name":"Kim James Bey","is_ca":false},{"name":"Doug Honorof","is_ca":false},{"name":"Adrianne Moore","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04041676191751935,"gpt":0.2926118334265946,"spread":0.2521950715090753,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005794826,0.0004984796,0.00140446,0.004103507,0.0009970065,0.00449863,0.001141865,0.002564673,0.003999383],"category_scores_gemma":[0.01530498,0.0002357997,0.0005568094,0.002961909,0.006527124,0.00531496,0.002085226,0.003859405,0.0008057262],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002137194,"about_ca_system_score_gemma":0.003128735,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004467599,"about_ca_topic_score_gemma":0.01126953,"domain_scores_codex":[0.9972796,0.00128412,0.0002917649,0.0003114343,0.00062722,0.0002057823],"domain_scores_gemma":[0.9859145,0.01148098,0.0008779266,0.000248463,0.001128171,0.0003499309],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000243887,0.00004049899,0.00141687,0.01689078,0.0002944026,0.0001890368,0.006475541,0.0001503872,0.0006905248,0.07609335,0.06817041,0.8293442],"study_design_scores_gemma":[0.00007005537,0.0001696614,0.0131801,0.07267422,0.0006884983,0.002463499,0.0237718,0.0001750627,0.0008643094,0.04902185,0.8368276,0.00009335217],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.001188706,0.9868076,0.0001208406,0.007932882,0.001318296,0.000002210827,0.00001632524,0.000003364063,0.002609768],"genre_scores_gemma":[0.04199993,0.9459729,0.0001460488,0.005852869,0.005156897,0.00001204384,0.00004142087,0.00001636427,0.0008014959],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.005794826,"threshold_uncertainty_score":0.03064632,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4382562365","doi":"10.1080/23268263.2023.2223818","title":"Cross-Disciplinary Research and Scholarship","year":2023,"lang":"en","type":"article","venue":"Voice and Speech Review","topic":"Evaluation and Performance Assessment","field":"Decision Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Winnipeg","funders":"","keywords":"Scholarship; Cross disciplinary; Discipline; Sociology; Political science; Social science; Computer science; Data science","authors":[{"name":"Shannon Vickers","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.6704574161198528,"gpt":0.6576873409442576,"spread":0.01277007517559514,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.1128803,0.001004867,0.002569411,0.006125413,0.01157196,0.03570265,0.003687215,0.01156499,0.0286362],"category_scores_gemma":[0.2051086,0.0007640222,0.0009984386,0.008300943,0.03053533,0.02476026,0.03433105,0.0173997,0.009692842],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01076312,"about_ca_system_score_gemma":0.03415945,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002136523,"about_ca_topic_score_gemma":0.002793124,"domain_scores_codex":[0.8518575,0.0891575,0.00636815,0.01211659,0.03094667,0.009553588],"domain_scores_gemma":[0.6457829,0.1673116,0.0108926,0.04309177,0.06318517,0.06973591],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006822909,0.0001757749,0.002074552,0.001699065,0.000188699,0.0004384257,0.01779667,0.0002288419,0.0004405097,0.4248037,0.4135049,0.1385806],"study_design_scores_gemma":[0.00001889183,0.00005393295,0.0009583377,0.003209458,0.00001669806,0.0002333296,0.01151808,0.0001555637,0.0001614495,0.1168128,0.8668349,0.00002646794],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.003824492,0.156937,0.006823875,0.6799467,0.05999286,0.00008971931,0.00008306492,0.0001796762,0.09212263],"genre_scores_gemma":[0.2562051,0.1666278,0.01333412,0.3608087,0.07126009,0.0007407769,0.0003740716,0.0009489304,0.1297004],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.1128803,"threshold_uncertainty_score":0.5969752,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4386496733","doi":"10.1080/23268263.2023.2250242","title":"A Focus on the Voice: Attention as a Unifying Mechanism Underlying Vocal Training and Mindfulness","year":2023,"lang":"en","type":"article","venue":"Voice and Speech Review","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Women and Children’s Health Research Institute; University of Alberta; University of Saskatchewan","funders":"","keywords":"Mindfulness; Meditation; Psychology; Mechanism (biology); Empirical research; Cognitive psychology; Psychotherapist; Epistemology; History","authors":[{"name":"Shannon Blanchet","is_ca":true},{"name":"Alice Elizabeth Atkin","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1717649330168551,"gpt":0.3561905871817322,"spread":0.1844256541648771,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001943092,0.0006893799,0.0008519511,0.001870243,0.0009554442,0.002980672,0.001297541,0.002788987,0.00431859],"category_scores_gemma":[0.003118008,0.0002704681,0.0008406963,0.0009249203,0.009011695,0.003307885,0.002832162,0.0036173,0.00060798],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001200965,"about_ca_system_score_gemma":0.001845021,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0016634,"about_ca_topic_score_gemma":0.001983433,"domain_scores_codex":[0.9988673,0.0003593133,0.00008883065,0.0002979917,0.0002734586,0.0001130853],"domain_scores_gemma":[0.997777,0.001575153,0.000219053,0.0001094392,0.0002091303,0.0001101632],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0003494599,0.0001574053,0.003546599,0.0150312,0.0003277115,0.0005929152,0.00754457,0.0004201378,0.02218794,0.1482424,0.004674473,0.7969252],"study_design_scores_gemma":[0.0001646598,0.00183356,0.07994764,0.03212773,0.001161059,0.0106705,0.01057177,0.002056101,0.01895731,0.4132732,0.4289199,0.0003164858],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.01675477,0.9039443,0.0299223,0.01963283,0.001666909,0.0001184591,0.00006476871,0.0001099799,0.02778572],"genre_scores_gemma":[0.312436,0.6466484,0.02017265,0.01050768,0.003328251,0.0003229137,0.000114414,0.0000949168,0.006374844],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.00431859,"threshold_uncertainty_score":0.01444715,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4387435273","doi":"10.1080/23268263.2023.2257987","title":"Origins of Theatre Performance and Voice Training in Canada: Consciously Bringing Trauma-Informed Voice into View","year":2023,"lang":"en","type":"article","venue":"Voice and Speech Review","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"University of Winnipeg","funders":"","keywords":"Scholarship; Discipline; Performance studies; Sociology; Pedagogy; Psychology; Political science; Social science","authors":[{"name":"Shannon Vickers","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03496852813755669,"gpt":0.2986557051712235,"spread":0.2636871770336668,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004913683,0.0004941965,0.0006160849,0.003127945,0.01458609,0.01378677,0.002147486,0.00222199,0.0049297],"category_scores_gemma":[0.01111695,0.0003113434,0.0003258369,0.005141121,0.02425516,0.003950125,0.007059442,0.004570997,0.0002924022],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.1258826,"about_ca_system_score_gemma":0.3237074,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9777475,"about_ca_topic_score_gemma":0.9895325,"domain_scores_codex":[0.9947844,0.00123389,0.0001658819,0.000436051,0.002029149,0.001350634],"domain_scores_gemma":[0.9917524,0.002927436,0.0005693717,0.0002651142,0.003259576,0.001226063],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.000121593,0.00005748899,0.005837169,0.002848509,0.00006466818,0.001565784,0.2011578,0.0008803901,0.0006854825,0.4747642,0.03310685,0.27891],"study_design_scores_gemma":[0.00001753126,0.00006146055,0.01948396,0.00602943,0.00007880117,0.0006397487,0.2245827,0.0004190085,0.00100747,0.02502957,0.7225261,0.0001241851],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1298658,0.3216374,0.009702174,0.1988091,0.005495076,0.000183652,0.0005953692,0.0001186709,0.3335928],"genre_scores_gemma":[0.8436601,0.1277444,0.002605256,0.005938986,0.0005535461,0.00005372206,0.0001315151,0.00007041342,0.01924217],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.1258826,"threshold_uncertainty_score":0.9133468,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2068057032","doi":"10.1080/23268263.2007.10769757","title":"Essay Speaking Physical Sentences","year":2007,"lang":"en","type":"article","venue":"Voice and Speech Review","topic":"Posthumanist Ethics and Activism","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Fields Institute for Research in Mathematical Sciences","funders":"","keywords":"Linguistics; Psychology; Natural language processing; History; Computer science; Philosophy","authors":[{"name":"Mark Ingram","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04813772400433245,"gpt":0.379467596353651,"spread":0.3313298723493185,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001172749,0.0004383375,0.0004132625,0.001343423,0.002058407,0.002460893,0.0005796808,0.002070108,0.02807695],"category_scores_gemma":[0.009750523,0.0001381925,0.0003613273,0.0006125371,0.001407824,0.001400432,0.001460437,0.00326277,0.00742485],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001812563,"about_ca_system_score_gemma":0.001022637,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001535905,"about_ca_topic_score_gemma":0.002646236,"domain_scores_codex":[0.9990546,0.0003518157,0.00005498382,0.0001638092,0.0002667079,0.0001080946],"domain_scores_gemma":[0.9967772,0.001814602,0.0002004964,0.0001461781,0.0008149687,0.0002465725],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003557551,0.00007513042,0.0001986804,0.0008701017,0.00004138872,0.0004857564,0.002407465,0.00008731512,0.004438558,0.02157586,0.8938678,0.07559614],"study_design_scores_gemma":[0.00002116186,0.00007691993,0.001701311,0.0003884823,0.00001767968,0.0002883085,0.001159012,0.00004965524,0.001052257,0.002727402,0.9925089,0.00000893475],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.02767931,0.1112209,0.002375532,0.1599359,0.2391326,0.0001726538,0.001235102,0.0002571261,0.4579909],"genre_scores_gemma":[0.2725869,0.03133243,0.001059527,0.04575586,0.09864091,0.000240255,0.001122419,0.0002589412,0.5490026],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.02807695,"threshold_uncertainty_score":0.09392673,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2771060652","doi":"10.1080/23268263.2017.1402557","title":"VASTA President’s note","year":2017,"lang":"en","type":"article","venue":"Voice and Speech Review","topic":"Legal Cases and Commentary","field":"Medicine","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Alberta","funders":"","keywords":"Aeronautics; Engineering","authors":[{"name":"Betty Moulton","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03659710857109349,"gpt":0.3595330608774577,"spread":0.3229359523063642,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005308163,0.0009593853,0.002497972,0.001862226,0.01316994,0.01302547,0.005640025,0.07812835,0.02990524],"category_scores_gemma":[0.02644223,0.001671238,0.002476765,0.001378122,0.00354535,0.004229579,0.004769736,0.0394144,0.02049191],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006897604,"about_ca_system_score_gemma":0.02534701,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.05747224,"about_ca_topic_score_gemma":0.1779928,"domain_scores_codex":[0.9927928,0.00056761,0.0005772396,0.001129994,0.002725157,0.002207216],"domain_scores_gemma":[0.9887706,0.005882616,0.0004612716,0.0004430026,0.002543389,0.001899136],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003789856,0.00006156966,0.0002412746,0.00005095224,0.00003300257,0.0007986848,0.0002216716,0.00006862097,0.0001987901,0.008766112,0.9865725,0.002948797],"study_design_scores_gemma":[0.00007367149,0.00003819458,0.001678911,0.000264024,0.00007542482,0.000266473,0.0005463852,0.000283944,0.0004009686,0.00532021,0.9909652,0.00008663124],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"editorial","genre_scores_codex":[0.002679202,0.002959116,0.000225382,0.8457778,0.06727898,0.0001632182,0.0005544294,0.0001841368,0.08017776],"genre_scores_gemma":[0.008101172,0.0009486876,0.0003203848,0.7924668,0.01578863,0.0002420329,0.0001161202,0.00008815422,0.181928],"genre_candidate":"editorial","genre_consensus":null,"teacher_disagreement_score":0.07812835,"threshold_uncertainty_score":0.1142754,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4386462234","doi":"10.1080/23268263.2023.2246308","title":"Voicing for Life: A Study to Explore the Benefits of Linklater Voice in a Community Music Curriculum","year":2023,"lang":"en","type":"article","venue":"Voice and Speech Review","topic":"Voice and Speech Disorders","field":"Medicine","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Singing; Habilitation; Psychology; Voice; The arts; Curriculum; Voice Training; Choir; Pedagogy; Medical education; Visual arts; Linguistics; Audiology; Art; Humanities; Medicine; Management","authors":[{"name":"Amanda Brunk","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1141074796398957,"gpt":0.3605642359521952,"spread":0.2464567563122995,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004110206,0.0004120772,0.0007055693,0.001222207,0.004953315,0.002568698,0.001017465,0.001927918,0.003485554],"category_scores_gemma":[0.004360407,0.0005299596,0.0003776838,0.0008535295,0.001510978,0.002073019,0.002232419,0.002881185,0.0008916771],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001202651,"about_ca_system_score_gemma":0.001918058,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002768541,"about_ca_topic_score_gemma":0.01082979,"domain_scores_codex":[0.9982978,0.0008794353,0.00008307207,0.0001899983,0.0002123323,0.0003374042],"domain_scores_gemma":[0.9978941,0.0007013632,0.0002835366,0.0001030958,0.0001735959,0.0008444051],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0005969182,0.0212484,0.04299023,0.00109883,0.00003766709,0.004032635,0.8341881,0.00004766923,0.006363846,0.001133556,0.00263879,0.08562346],"study_design_scores_gemma":[0.0003535769,0.009071034,0.0680939,0.0004399216,0.00004914304,0.002647363,0.8890455,0.0001229551,0.001079343,0.0004384075,0.02858596,0.00007290755],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9960244,0.000787333,0.0002437865,0.0005288387,0.00005472084,0.0003313492,0.00003404863,0.000005427488,0.001990175],"genre_scores_gemma":[0.9854033,0.002576756,0.0017284,0.002140941,0.0001241335,0.0007787342,0.00009594181,0.0000137155,0.007138128],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.004953315,"threshold_uncertainty_score":0.0217371,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4402575022","doi":"10.1080/23268263.2024.2403787","title":"Building Embodiment: Integrating Acting, Voice, and Movement to Illuminate Poetic Text","year":2024,"lang":"en","type":"article","venue":"Voice and Speech Review","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Winnipeg","funders":"","keywords":"Movement (music); Poetry; Communication; Linguistics; Psychology; Art; Aesthetics; Philosophy","authors":[{"name":"Tom Soares","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02452725197620629,"gpt":0.2859234992571331,"spread":0.2613962472809268,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01032898,0.0005672203,0.0004754032,0.002786567,0.002797538,0.008043309,0.001180222,0.001595158,0.002409057],"category_scores_gemma":[0.01646354,0.0002122392,0.0004555986,0.001641774,0.01435536,0.01023055,0.004500646,0.003573892,0.0006276252],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0023232,"about_ca_system_score_gemma":0.004545669,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002238643,"about_ca_topic_score_gemma":0.004734697,"domain_scores_codex":[0.9924539,0.005640273,0.0002957598,0.0002736951,0.001036896,0.0002995988],"domain_scores_gemma":[0.9859545,0.01162699,0.0006423842,0.0004302873,0.001036978,0.0003089235],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008181246,0.00006822075,0.0008302117,0.006631763,0.00008226264,0.0003994945,0.1427278,0.0002596066,0.001997364,0.3882836,0.0585338,0.4001041],"study_design_scores_gemma":[0.00002044724,0.0001066491,0.002007894,0.006133862,0.00007678461,0.0007419836,0.05537869,0.0001421177,0.001876908,0.04180374,0.8916759,0.00003501396],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.04861405,0.4470253,0.04052273,0.1392881,0.01111904,0.0002779502,0.0001271208,0.0002198865,0.3128059],"genre_scores_gemma":[0.6513377,0.2490505,0.0279264,0.01621239,0.006180653,0.0005453894,0.0002173433,0.0003658224,0.04816379],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01032898,"threshold_uncertainty_score":0.05462551,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4387245353","doi":"10.1080/23268263.2023.2259075","title":"Creativity and Innovation in Performance Pedagogy: Beginning with the Self","year":2023,"lang":"en","type":"article","venue":"Voice and Speech Review","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Creativity; The arts; Media studies; Power (physics); Homeland; Metis; Sociology; History; Visual arts; Art; Political science; Law; Computer science","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.07778895768084328,"gpt":0.346013884891617,"spread":0.2682249272107737,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01362119,0.0003177695,0.0003791788,0.001550402,0.00992332,0.008813429,0.0006395781,0.002743736,0.003279995],"category_scores_gemma":[0.013564,0.0002466678,0.0003190576,0.001410664,0.02045748,0.01409989,0.006322769,0.006707268,0.0005311496],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00498345,"about_ca_system_score_gemma":0.007547094,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006744792,"about_ca_topic_score_gemma":0.01043746,"domain_scores_codex":[0.9870968,0.01071251,0.0001744681,0.0003995085,0.000890539,0.0007262041],"domain_scores_gemma":[0.9881329,0.008217949,0.0005608014,0.0003830659,0.001483144,0.001222091],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002816125,0.0000551031,0.001624986,0.0002284917,0.000004227027,0.0002573068,0.8007553,0.00003737626,0.0002144385,0.158331,0.02155627,0.01690741],"study_design_scores_gemma":[0.000009008769,0.00004473826,0.001279649,0.0006865613,0.000003684555,0.0002210576,0.6787274,0.0000802821,0.0002130891,0.02630025,0.2924201,0.0000142686],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.209519,0.03403493,0.01392529,0.3769371,0.00415476,0.0004819813,0.0001295301,0.00008513124,0.3607324],"genre_scores_gemma":[0.9226828,0.006658189,0.00279458,0.01941306,0.0007054942,0.0003764518,0.00003688748,0.00008676245,0.04724583],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01362119,"threshold_uncertainty_score":0.07203662,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4387106208","doi":"10.1080/23268263.2023.2262196","title":"Sining Kambayoka Ensemble’s <i>Bayok</i> : Connecting Philippines and Canada in Teaching Voice and Performance","year":2023,"lang":"en","type":"article","venue":"Voice and Speech Review","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"University of Winnipeg","funders":"","keywords":"Appropriation; Sociology; Indigenous; Reflexivity; Politics; Attunement; Generosity; Autoethnography; Conversation; Pedagogy; Aesthetics; Gender studies; Political science; Epistemology; Social science; Law; Art","authors":[{"name":"Dennis Gupa","is_ca":true},{"name":"Pepito Sumayan","is_ca":false},{"name":"Rosa Zerrudo","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02998484677296415,"gpt":0.2482504015319377,"spread":0.2182655547589736,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002737295,0.0004001964,0.0002015352,0.0008593218,0.01010602,0.005779792,0.001037922,0.0009213129,0.00346627],"category_scores_gemma":[0.004172176,0.0001523633,0.0001286306,0.001783925,0.009511792,0.003169154,0.003906304,0.002042765,0.0002822256],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01441084,"about_ca_system_score_gemma":0.03117542,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.528104,"about_ca_topic_score_gemma":0.7257637,"domain_scores_codex":[0.9981912,0.0009684921,0.00003927768,0.0001225397,0.0003066097,0.0003719222],"domain_scores_gemma":[0.9975299,0.0007994768,0.0002169243,0.0001214118,0.0009252538,0.0004070922],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001548863,0.00007483285,0.008439576,0.002613245,0.00003195774,0.002108382,0.6440276,0.0004632304,0.003010831,0.09675261,0.02808537,0.2142375],"study_design_scores_gemma":[0.000009253413,0.00009318294,0.01023851,0.001045553,0.00003283315,0.0004152023,0.5259433,0.0002299159,0.002111715,0.002992958,0.456835,0.0000526193],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6097175,0.08903136,0.007204061,0.05840344,0.001591274,0.0002303495,0.0001647283,0.0002052989,0.2334519],"genre_scores_gemma":[0.9563274,0.02024292,0.001815794,0.00222024,0.0001162342,0.00006660545,0.00004630984,0.0000644047,0.01910001],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.471896,"threshold_uncertainty_score":0.9493502,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4387222394","doi":"10.1080/23268263.2023.2259644","title":"Innovating Cross-Disciplinary Methods for Performance Voice: My Journey Applying Massage Therapy to Actor Training","year":2023,"lang":"en","type":"article","venue":"Voice and Speech Review","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Alberta","funders":"","keywords":"Voice Training; Massage; Drama; Discipline; Psychology; Medical education; Visual arts; Sociology; Art; Medicine; Audiology; Social science; Alternative medicine","authors":[{"name":"David Ley","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.4221557161313455,"gpt":0.4368223630071239,"spread":0.0146666468757784,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.02465454,0.0004323412,0.0006015268,0.001610629,0.002212267,0.005613557,0.001930138,0.001970044,0.004964779],"category_scores_gemma":[0.01705894,0.0002071439,0.0006576367,0.001081405,0.006433279,0.006113118,0.008272537,0.004372947,0.001267946],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001786955,"about_ca_system_score_gemma":0.004624823,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001208267,"about_ca_topic_score_gemma":0.00411853,"domain_scores_codex":[0.9910277,0.006377068,0.0003869797,0.0005860938,0.001248139,0.0003739888],"domain_scores_gemma":[0.9834637,0.01323067,0.0005338863,0.0008611166,0.001083406,0.0008271718],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"qualitative","study_design_scores_codex":[0.00007762848,0.00045511,0.001001417,0.005910475,0.00009678098,0.000297741,0.04020731,0.0001352694,0.0009913974,0.03116385,0.01235887,0.9073042],"study_design_scores_gemma":[0.0001178163,0.001090977,0.007027619,0.0239375,0.0001609983,0.003551327,0.08754151,0.0002560033,0.002865342,0.0354798,0.8378899,0.00008116321],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.04231539,0.7880231,0.03157521,0.07759702,0.005893343,0.0005694391,0.00004118913,0.0001332136,0.05385211],"genre_scores_gemma":[0.2585553,0.6239669,0.06457179,0.03113809,0.002870856,0.001170807,0.0001003638,0.0002005109,0.01742538],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02465454,"threshold_uncertainty_score":0.1303873,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4388452422","doi":"10.1080/23268263.2023.2278242","title":"Staging Sex: Best Practices, Tools, and Techniques for Theatrical Intimacy","year":2023,"lang":"en","type":"article","venue":"Voice and Speech Review","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Winnipeg","funders":"","keywords":"Theatre director; Storytelling; Pace; Media studies; Best practice; Political theatre; Performance art; Visual arts; Art; Sociology; Art history; Library science; Management; Narrative; Literature; Computer science; Geography","authors":[{"name":"Heidi Malazdrewich","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1395774294174761,"gpt":0.3606956385243111,"spread":0.221118209106835,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01564025,0.0007343923,0.0005707216,0.003750591,0.003650944,0.009257633,0.001619546,0.002325513,0.005006456],"category_scores_gemma":[0.02335483,0.0003337188,0.0004949935,0.002643319,0.01507163,0.009915799,0.004863984,0.005534524,0.001695417],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003129736,"about_ca_system_score_gemma":0.007462928,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005406028,"about_ca_topic_score_gemma":0.01403913,"domain_scores_codex":[0.9867721,0.008733565,0.0008414368,0.0003297264,0.002882783,0.0004403133],"domain_scores_gemma":[0.9855878,0.01017688,0.0009130382,0.0008589147,0.001931324,0.0005320288],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004547231,0.00005486771,0.0003706094,0.004578002,0.00002381126,0.000209285,0.02581777,0.0001414428,0.0005001309,0.1769663,0.2129584,0.5783339],"study_design_scores_gemma":[0.000008369489,0.00005691193,0.0008202288,0.009574424,0.00001613981,0.0007230084,0.01954812,0.00007375107,0.0005537168,0.02613227,0.9424518,0.00004114314],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"methods","genre_scores_codex":[0.005035478,0.7263845,0.01933273,0.1156757,0.01617044,0.00020214,0.0001142975,0.0002744517,0.1168103],"genre_scores_gemma":[0.1044422,0.7429385,0.06030098,0.02569135,0.008274276,0.0007252131,0.0001858979,0.0005251485,0.05691647],"genre_candidate":"methods","genre_consensus":null,"teacher_disagreement_score":0.01564025,"threshold_uncertainty_score":0.0827145,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4393008586","doi":"10.1080/23268263.2024.2324414","title":"<i>Voicing Creativity</i> Podcast","year":2024,"lang":"en","type":"article","venue":"Voice and Speech Review","topic":"Academic Publishing and Open Access","field":"Decision Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Windsor","funders":"","keywords":"Voice; Creativity; Psychology; Social psychology; Computer science; Speech recognition","authors":[{"name":"Johanna Frank","is_ca":true},{"name":"Michelle MacArthur","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1122452199807917,"gpt":0.4362893354330694,"spread":0.3240441154522776,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005798218,0.0006352,0.0006225826,0.001233852,0.00510543,0.01460782,0.001792484,0.005420053,0.04057658],"category_scores_gemma":[0.02947458,0.0003415112,0.0009275105,0.0009066206,0.004560567,0.006851275,0.004520985,0.01452707,0.01586938],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003802613,"about_ca_system_score_gemma":0.006554552,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.008633462,"about_ca_topic_score_gemma":0.02195932,"domain_scores_codex":[0.9961653,0.0009035355,0.0001706852,0.0003166229,0.001866988,0.0005768807],"domain_scores_gemma":[0.9872524,0.004525543,0.0006742694,0.001248777,0.003615579,0.002683577],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001114974,0.0000044061,0.0000284797,0.00004982884,0.000002433437,0.00002491933,0.00009471646,0.00001148539,0.00004410176,0.008155921,0.9859481,0.005624484],"study_design_scores_gemma":[0.000004628444,0.000006883941,0.0001029961,0.0001101301,0.000002327882,0.00003841748,0.0001780095,0.00001964648,0.00006072436,0.002138167,0.9973323,0.000005849015],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"other","genre_scores_codex":[0.0007550733,0.02359596,0.00124189,0.5873397,0.2765125,0.00005686364,0.0005250099,0.0003886154,0.1095843],"genre_scores_gemma":[0.03418,0.02495492,0.002106562,0.3690262,0.1653198,0.0001851693,0.0007960247,0.0007849438,0.4026465],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.04057658,"threshold_uncertainty_score":0.1357422,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4321331903","doi":"10.1080/23268263.2023.2176407","title":"Reclaiming Calliope: Freeing the Female Voice through Undomesticated Singing <b>Reclaiming Calliope: Freeing the Female Voice through Undomesticated Singing</b> , by Fides Krucker, Berkeley, CA, USA North Atlantic Books, 2022, 320 pp., US $18.35 (paperback), ISBN 9781623177065","year":2023,"lang":"en","type":"article","venue":"Voice and Speech Review","topic":"Asian Culture and Media Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"University of Regina","funders":"","keywords":"Singing; Drama; Improvisation; Art; Visual arts; Dance; Performing arts; Literature; Media studies; History; Sociology; Acoustics","authors":[{"name":"Shannon Holmes","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04959509531760246,"gpt":0.3247260784278485,"spread":0.275130983110246,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001141966,0.0006744488,0.0003796299,0.000736716,0.001451707,0.003133888,0.0009041477,0.001598712,0.02007196],"category_scores_gemma":[0.001974302,0.0001900928,0.0003472142,0.0004588479,0.002203866,0.00482949,0.002243576,0.002249331,0.007030189],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003932619,"about_ca_system_score_gemma":0.001638684,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003923077,"about_ca_topic_score_gemma":0.008200338,"domain_scores_codex":[0.9995556,0.0001481854,0.00003023174,0.00005408544,0.0001355906,0.00007620914],"domain_scores_gemma":[0.9996384,0.000174653,0.00003529311,0.00001992698,0.00005991715,0.00007179958],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001348597,0.00005108943,0.0002126655,0.002770354,0.00002546847,0.0005262693,0.00510246,0.00003305579,0.002719758,0.01081319,0.4150811,0.5625297],"study_design_scores_gemma":[0.00001461342,0.00005132038,0.0010019,0.001146193,0.00001717897,0.001044104,0.002456478,0.00002119077,0.000553489,0.001246076,0.9924373,0.00001019563],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.005436371,0.827258,0.002368582,0.02751157,0.01568822,0.00006372965,0.0001009056,0.0003526217,0.12122],"genre_scores_gemma":[0.05768587,0.5432201,0.004666137,0.02056515,0.008537952,0.000212485,0.0002862349,0.0004742613,0.3643518],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.02007196,"threshold_uncertainty_score":0.06714737,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4388223684","doi":"10.1080/23268263.2023.2267300","title":"Canadian Voice","year":2023,"lang":"en","type":"article","venue":"Voice and Speech Review","topic":"Translation Studies and Practices","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"University of Winnipeg","funders":"","keywords":"Scholarship; Voice; Creativity; The arts; Coaching; Knight; Performing arts; Visual arts; Sociology; Art; Media studies; Psychology; Linguistics; Political science; Social psychology","authors":[{"name":"Shannon Vickers","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07596622680102419,"gpt":0.3012003427446641,"spread":0.2252341159436399,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005053248,0.000885967,0.000932373,0.003500422,0.01075618,0.01137948,0.002584159,0.004899741,0.1921604],"category_scores_gemma":[0.02782762,0.0004440065,0.000903622,0.004265595,0.002668138,0.003081553,0.003129345,0.005382364,0.05186454],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.04006998,"about_ca_system_score_gemma":0.1396232,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.8129986,"about_ca_topic_score_gemma":0.9050426,"domain_scores_codex":[0.9897721,0.0006331083,0.0003050894,0.0009561072,0.006770576,0.001562921],"domain_scores_gemma":[0.9647108,0.001781914,0.0006552291,0.0007899977,0.02666185,0.005400143],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000008445647,0.000001489818,0.00007488021,0.0001007822,0.0000029521,0.00003167681,0.00009696811,0.000005258614,0.00004530661,0.002211073,0.9868,0.01062118],"study_design_scores_gemma":[0.000001805955,0.000001503216,0.0002066876,0.00009307518,0.000002504532,0.00002372,0.0001487876,0.000003653694,0.00001843941,0.0001138286,0.9993801,0.00000579468],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"other","genre_scores_codex":[0.0008201371,0.08795421,0.0009265265,0.4118137,0.1367209,0.0001596653,0.007409233,0.0006462968,0.3535494],"genre_scores_gemma":[0.01621645,0.06505087,0.001523549,0.1590621,0.01607908,0.0001611083,0.004180004,0.0006661199,0.7370608],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.1921604,"threshold_uncertainty_score":0.6428407,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4392858326","doi":"10.1080/23268263.2024.2330223","title":"The Woman’s Voice","year":2024,"lang":"en","type":"article","venue":"Voice and Speech Review","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Capilano University","funders":"","keywords":"Drama; Publishing; Art; Literature","authors":[{"name":"Cathy Wilmot","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03175186477524841,"gpt":0.272573232358441,"spread":0.2408213675831926,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001789353,0.0003459911,0.0004240161,0.001112942,0.0013068,0.003190981,0.0005181192,0.001789702,0.009861978],"category_scores_gemma":[0.008709108,0.0001653774,0.0002906565,0.0009248719,0.001863589,0.003116568,0.0015046,0.002910019,0.003548324],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00182646,"about_ca_system_score_gemma":0.002618098,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006509914,"about_ca_topic_score_gemma":0.007942858,"domain_scores_codex":[0.997887,0.001080333,0.000117756,0.0001717467,0.000562593,0.0001806772],"domain_scores_gemma":[0.9980032,0.001089588,0.0001352876,0.00006859338,0.0005508887,0.0001525833],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007364233,0.00001666398,0.0002327575,0.004187196,0.00003160498,0.0004700605,0.002478342,0.00003488212,0.000546841,0.02268824,0.5613442,0.4078956],"study_design_scores_gemma":[0.000003651869,0.00001882886,0.0003657495,0.002859385,0.0000110144,0.0008326921,0.001278717,0.000003848317,0.00008725423,0.0005455397,0.993989,0.000004269443],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.0007096147,0.9280829,0.0001440466,0.03318454,0.009986278,0.00000797689,0.00004638712,0.00001241163,0.02782593],"genre_scores_gemma":[0.02818169,0.9051896,0.0001453017,0.03380184,0.007526369,0.00002898014,0.00009781608,0.00003126163,0.02499714],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.009861978,"threshold_uncertainty_score":0.03299159,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4417352621","doi":"10.1080/23268263.2025.2603146","title":"Composing Character: A Music Director’s Guide to Score-Based Character Analysis in Musical Theater Performance","year":2025,"lang":"en","type":"article","venue":"Voice and Speech Review","topic":"Diverse Music Education Insights","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"MacEwan University","funders":"","keywords":"Musical; Character (mathematics); Musical analysis; Music","authors":[{"name":"Shawn O. Henry","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04445771430806136,"gpt":0.2840116665504535,"spread":0.2395539522423921,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003790467,0.001546344,0.0008361206,0.005021893,0.001798197,0.003192054,0.002002912,0.002867839,0.03466674],"category_scores_gemma":[0.007908066,0.0007797223,0.0005698031,0.002885044,0.002965979,0.003903765,0.002963538,0.004112516,0.04001068],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001075746,"about_ca_system_score_gemma":0.002639085,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00939926,"about_ca_topic_score_gemma":0.04397138,"domain_scores_codex":[0.9986717,0.0005030424,0.0002009288,0.0001247772,0.0004253826,0.0000742253],"domain_scores_gemma":[0.9955772,0.002486752,0.000171298,0.0002133225,0.001201206,0.0003502363],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002160811,0.00008832744,0.0002299745,0.0005500133,0.00001033142,0.0001363673,0.001083738,0.0001853745,0.0007947889,0.007446032,0.7392827,0.2501706],"study_design_scores_gemma":[0.000005180018,0.00002072764,0.0005668089,0.0005731231,0.000003231836,0.0003346952,0.0004722207,0.0001287233,0.0001569054,0.003788971,0.9939359,0.00001357352],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"methods","genre_scores_codex":[0.001939659,0.3635428,0.2568994,0.1033342,0.01958706,0.001286598,0.004349496,0.00789673,0.2411641],"genre_scores_gemma":[0.01316871,0.2770654,0.3006042,0.05056613,0.009964649,0.002250551,0.002733793,0.004240154,0.3394064],"genre_candidate":"methods","genre_consensus":null,"teacher_disagreement_score":0.03466674,"threshold_uncertainty_score":0.1159718,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4387139823","doi":"10.1080/23268263.2023.2258745","title":"Professional Voice and Text Coaching: Sparking Innovation in the Classroom","year":2023,"lang":"en","type":"article","venue":"Voice and Speech Review","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Alberta","funders":"","keywords":"Coaching; Presentation (obstetrics); Professional development; Management; Audio visual; Pedagogy; Sociology; Psychology; Media studies; Multimedia; Medicine; Computer science","authors":[{"name":"Betty Moulton","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1615761529068777,"gpt":0.3087240776460027,"spread":0.147147924739125,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005977221,0.0001897118,0.0004703269,0.001539545,0.0008224123,0.004123637,0.0008355723,0.001956586,0.004222551],"category_scores_gemma":[0.01588949,0.0001199499,0.0003699182,0.001113408,0.002740955,0.004194023,0.002782323,0.001622709,0.0007011981],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001131881,"about_ca_system_score_gemma":0.003612339,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001138998,"about_ca_topic_score_gemma":0.003577901,"domain_scores_codex":[0.9954448,0.002788737,0.0002472302,0.0003692879,0.000836003,0.0003140652],"domain_scores_gemma":[0.9818631,0.01463709,0.0008320967,0.0004281347,0.001300572,0.0009390228],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001248908,0.0001180938,0.0007744763,0.01158889,0.00007523873,0.0001739454,0.005537879,0.00005212052,0.0004911323,0.01997061,0.02094467,0.940148],"study_design_scores_gemma":[0.0001720158,0.0004597701,0.00794776,0.03834177,0.000243756,0.001596272,0.01875223,0.0001649954,0.001353869,0.03068714,0.9002365,0.00004388648],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.01103395,0.9412151,0.001259646,0.02699501,0.00214206,0.00002924144,0.00002158474,0.00003176456,0.01727157],"genre_scores_gemma":[0.2435307,0.7268171,0.003344951,0.01488499,0.004639341,0.0001375675,0.00007067592,0.00005213359,0.006522547],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.005977221,"threshold_uncertainty_score":0.03161097,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2314928115","doi":"10.1080/23268263.2007.10769754","title":"Essay Transgender Voice: An Unexpected Journey","year":2007,"lang":"en","type":"article","venue":"Voice and Speech Review","topic":"Voice and Speech Disorders","field":"Medicine","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"VoiceAge (Canada)","funders":"","keywords":"Transgender; Psychology; Communication; Sociology; Psychoanalysis","authors":[{"name":"Douglas MacArthur","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04153211449690789,"gpt":0.3490655576971186,"spread":0.3075334432002106,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002898099,0.0006315356,0.0008893878,0.001644776,0.001746512,0.003759182,0.0009462021,0.007187399,0.006761942],"category_scores_gemma":[0.01303552,0.0002537022,0.0005791548,0.0008091863,0.003038017,0.006136694,0.002743126,0.007929887,0.002552278],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001658057,"about_ca_system_score_gemma":0.00292273,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000949578,"about_ca_topic_score_gemma":0.002823253,"domain_scores_codex":[0.998896,0.0004024778,0.0001388855,0.0001241241,0.0003175038,0.0001210489],"domain_scores_gemma":[0.9922363,0.004875976,0.000373695,0.0002205449,0.001487145,0.000806285],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"qualitative","study_design_scores_codex":[0.00003219596,0.00001465254,0.0001569661,0.0006346549,0.00001240642,0.001917414,0.0008056064,0.0000315497,0.0002689333,0.008964808,0.9072241,0.07993688],"study_design_scores_gemma":[0.000009077718,0.0000213761,0.0002161267,0.001112235,0.000008649429,0.00605817,0.001278082,0.00002112763,0.00005679707,0.004139239,0.9870668,0.00001228165],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"other","genre_scores_codex":[0.001033113,0.3722836,0.0006375204,0.3920534,0.2232693,0.0000117979,0.00006151181,0.00004729319,0.01060253],"genre_scores_gemma":[0.0219123,0.3273249,0.00140621,0.2126018,0.4033343,0.00004868128,0.0001349688,0.0001313531,0.03310546],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.007187399,"threshold_uncertainty_score":0.02262092,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2589540076","doi":"10.1080/23268263.2017.1285110","title":"Actor-centered rehearsals: giving freedom and voice to actors in the rehearsal room","year":2016,"lang":"en","type":"article","venue":"Voice and Speech Review","topic":"Diverse Music Education Insights","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Brock University","funders":"","keywords":"Rehearsing; Action (physics); Psychology; Scripting language; Hierarchy; Social psychology; Computer science; Visual arts; Art; Political science; Law","authors":[{"name":"Danielle Wilson","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07325742205941863,"gpt":0.2848301121435039,"spread":0.2115726900840853,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004799064,0.000515893,0.0005116672,0.0011896,0.0005433386,0.002174493,0.001592772,0.001103655,0.004844008],"category_scores_gemma":[0.007969067,0.0002102444,0.000512709,0.0007311967,0.002401546,0.002192968,0.002182693,0.001318958,0.001539172],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0007390833,"about_ca_system_score_gemma":0.001660176,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001192385,"about_ca_topic_score_gemma":0.003379096,"domain_scores_codex":[0.997083,0.001705357,0.0001939034,0.000222976,0.0006204798,0.0001743578],"domain_scores_gemma":[0.9962121,0.002613994,0.0003271809,0.0002038888,0.0004599835,0.0001828857],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"qualitative","study_design_scores_codex":[0.0004231969,0.0001519287,0.0005757387,0.0107162,0.0001047927,0.0003298287,0.007473984,0.000229658,0.005563182,0.01265648,0.01046818,0.9513069],"study_design_scores_gemma":[0.000276919,0.001259435,0.007395582,0.01268827,0.0002961165,0.003992919,0.01251785,0.0004179833,0.01497499,0.0105282,0.9355314,0.0001203022],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.03420714,0.8604532,0.04149009,0.005250868,0.002162466,0.0003360175,0.00009282941,0.0003711866,0.0556362],"genre_scores_gemma":[0.283175,0.6538138,0.03714138,0.002412878,0.001520095,0.0006000914,0.0002505731,0.0002820103,0.02080424],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.004844008,"threshold_uncertainty_score":0.02538019,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4322707634","doi":"10.1080/23268263.2023.2178073","title":"Editor’s Note: Gratitude to an Editor of Note","year":2023,"lang":"en","type":"article","venue":"Voice and Speech Review","topic":"Attention Economy in Education and Business","field":"Business, Management and Accounting","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Winnipeg","funders":"","keywords":"Gratitude; Psychology; Psychoanalysis; Philosophy; Social psychology","authors":[{"name":"Shannon Vickers","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.024322016158605,"gpt":0.3151497132802548,"spread":0.2908276971216498,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007530213,0.001433424,0.002051014,0.001721334,0.002399877,0.00726109,0.003330771,0.009361703,0.02430642],"category_scores_gemma":[0.1123841,0.0007024468,0.001369536,0.001191454,0.001729073,0.004214223,0.001863332,0.01727068,0.02697721],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00198827,"about_ca_system_score_gemma":0.01077535,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002744543,"about_ca_topic_score_gemma":0.006147926,"domain_scores_codex":[0.9929872,0.0009001644,0.0009563462,0.001010293,0.003649416,0.000496584],"domain_scores_gemma":[0.894923,0.01608411,0.00592995,0.002047863,0.07438273,0.006632368],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000008397798,0.000002330921,0.00002844454,0.00004938649,0.000002945847,0.00006970033,0.00001593426,0.000005859482,0.00002101812,0.0001331316,0.997669,0.001993787],"study_design_scores_gemma":[0.00001546068,0.0000139903,0.0002645585,0.0002694297,0.00001220044,0.0003937014,0.0001051587,0.00007843407,0.0001119833,0.0004347671,0.9982761,0.0000242038],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"editorial","genre_gemma":"editorial","genre_scores_codex":[0.0000890583,0.003175912,0.0001921602,0.322767,0.6711616,0.00003402929,0.0001280052,0.0001175204,0.002334622],"genre_scores_gemma":[0.00285402,0.005833461,0.000760359,0.3950922,0.5613885,0.0001172243,0.0001246623,0.0002215184,0.03360805],"genre_candidate":"editorial","genre_consensus":"editorial","teacher_disagreement_score":0.02430642,"threshold_uncertainty_score":0.08131307,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4225421328","doi":"10.1080/23268263.2022.2067635","title":"Feeling the Beat in Our Bones: Embodying Rhythm and Meter in Actor Training","year":2022,"lang":"en","type":"article","venue":"Voice and Speech Review","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Feeling; Rhythm; Period (music); Terminology; Drama; Beat (acoustics); Aesthetics; Psychology; Visual arts; Sociology; Art; Social psychology; Linguistics; Philosophy","authors":[{"name":"Michael Elliott","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1108083164622809,"gpt":0.3283388815984608,"spread":0.2175305651361799,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008787291,0.0003257618,0.000340288,0.001467647,0.001903178,0.007630246,0.0008739987,0.001394263,0.002477947],"category_scores_gemma":[0.008674555,0.0001748297,0.0002012324,0.001384831,0.01458499,0.005157832,0.002965284,0.002186003,0.0003856783],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003297271,"about_ca_system_score_gemma":0.003746944,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006335091,"about_ca_topic_score_gemma":0.01596777,"domain_scores_codex":[0.9949361,0.003740014,0.0001494032,0.0002920444,0.0006092071,0.0002731869],"domain_scores_gemma":[0.9928467,0.005828675,0.0004652559,0.0002004309,0.0004150072,0.0002440703],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001644105,0.0000844782,0.002674027,0.005661674,0.00005071296,0.0006557083,0.2835991,0.0003042135,0.001850642,0.2490167,0.009610805,0.4463273],"study_design_scores_gemma":[0.00002761241,0.0003123811,0.01280146,0.01206737,0.00008946062,0.002094007,0.2968827,0.0003557949,0.003008045,0.03534344,0.6369546,0.00006306875],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.1451496,0.5951934,0.0140773,0.02965009,0.002164586,0.0000995043,0.00004318959,0.00005544744,0.213567],"genre_scores_gemma":[0.789233,0.1929418,0.002771583,0.001730781,0.0006675758,0.00005374884,0.00003346096,0.00005315781,0.01251472],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.008787291,"threshold_uncertainty_score":0.04647219,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}