{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":927,"total_is_capped":false,"direct_labels_cover":1,"predictions_cover":927,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"eb089206ae02","filters":{"venue":"Voix et Images"}},"results":[{"id":"W2000310123","doi":"10.7202/290058ar","title":"Les origines de l’écriture migrante. L’immigration littéraire au Québec au cours des deux derniers siècles","year":2006,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":25,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","authors":[{"name":"Daniel Chartier","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0128696732748977,"gpt":0.258088746140503,"spread":0.2452190728656053,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0005275526,0.0002584008,0.0002623225,0.0003254078,0.002754742,0.0005954697,0.0003181271,0.0003025825,0.0002895791],"category_scores_gemma":[0.0001667002,0.0003261467,0.0002336875,0.0004812798,0.003659004,0.0008041758,0.00002815802,0.0003071855,0.0001771437],"about_ca_system_candidate":true,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003554745,"about_ca_system_score_gemma":0.006720068,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9987491,"about_ca_topic_score_gemma":0.9998652,"domain_scores_codex":[0.997852,0.0003235283,0.0003011666,0.0003606766,0.0003720599,0.0007906023],"domain_scores_gemma":[0.9990077,0.0001870514,0.0001517573,0.00020506,0.0001776669,0.0002707821],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004489545,0.0004369859,0.2376749,0.0006973282,0.0001335912,0.0002450364,0.1011392,0.0003129064,0.001806203,0.03295312,0.4481216,0.1764342],"study_design_scores_gemma":[0.0002105785,0.00003834188,0.07695553,0.0002059894,0.0001296875,0.00002134796,0.008253137,0.00002571089,0.0002449878,0.001186644,0.9123569,0.0003711594],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8650249,0.05546315,0.0005447886,0.05928748,0.001433679,0.0002533408,0.0007945611,0.000177149,0.01702089],"genre_scores_gemma":[0.6514072,0.002947779,0.000671697,0.0004036106,0.002254735,0.00002265993,0.00004122427,0.00005000805,0.3422011],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4642353,"threshold_uncertainty_score":0.9999191,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1989308788","doi":"10.7202/201388ar","title":"Paul Lejeune ou le missionnaire possédé","year":2006,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":15,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Pierre Berthiaume","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01484813051343021,"gpt":0.2264610754185052,"spread":0.211612944905075,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001448014,0.0003064224,0.0004050375,0.00004589207,0.004321144,0.0003261765,0.0001874852,0.0001169472,0.001627144],"category_scores_gemma":[0.00003657276,0.0002309925,0.0004174873,0.0001016484,0.0005714009,0.0003220461,0.0001003055,0.0002656954,0.0005782321],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004807996,"about_ca_system_score_gemma":0.00003693445,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04753516,"about_ca_topic_score_gemma":0.007416385,"domain_scores_codex":[0.9983934,0.0001158458,0.0003803989,0.0003466482,0.0002829987,0.0004806693],"domain_scores_gemma":[0.9992626,0.00007903663,0.0001314232,0.0001956948,0.0002133473,0.0001178438],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000006816317,0.0003016194,0.0001208281,0.0000753889,0.0001150398,0.00006086447,0.009499317,0.00001660278,0.0001126939,0.06941248,0.9158464,0.004431972],"study_design_scores_gemma":[0.0002609068,0.00006621271,0.0006890313,0.00007445669,0.0001622112,0.000003642519,0.003018459,0.00002155584,0.00006588718,0.01063406,0.9846358,0.0003678232],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"other","genre_scores_codex":[0.02860794,0.08104842,0.00007449553,0.8542405,0.001301556,0.0001307457,0.0007356255,0.0001273773,0.0337334],"genre_scores_gemma":[0.1384889,0.004151787,0.0001288637,0.0005604936,0.002266245,0.00001149167,0.00005365545,0.00002757289,0.854311],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.85368,"threshold_uncertainty_score":0.9992855,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2065483227","doi":"10.7202/201001ar","title":"Le métaféminisme et la nouvelle prose féminine au Québec","year":2006,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":14,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","authors":[{"name":"Lori Saint-Martin","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.007771090092194587,"gpt":0.2499062866725765,"spread":0.2421351965803819,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0007831608,0.0001717043,0.0002290558,0.0002431225,0.001072097,0.0005180615,0.000290325,0.0001992441,0.001061381],"category_scores_gemma":[0.0001239896,0.0002393203,0.0001463274,0.0003795198,0.002166466,0.0005815514,0.00007138914,0.0002932815,0.001058084],"about_ca_system_candidate":true,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0007608375,"about_ca_system_score_gemma":0.01033262,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9951878,"about_ca_topic_score_gemma":0.998359,"domain_scores_codex":[0.9981527,0.0004283145,0.0002626124,0.0003306344,0.000324675,0.0005010577],"domain_scores_gemma":[0.9991465,0.0002216351,0.0001297378,0.0002285379,0.00007917963,0.0001943666],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001128699,0.0004801665,0.001282497,0.00009549988,0.00002851114,0.0001157695,0.03603782,0.00002916023,0.000350614,0.2591733,0.6866421,0.01575328],"study_design_scores_gemma":[0.0003185699,0.00004826436,0.0148374,0.00004003147,0.00003601243,0.0000108001,0.002308581,0.00000444317,0.00007216786,0.001018311,0.9810222,0.0002832046],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.07085452,0.006147993,0.0001019862,0.2327631,0.001690266,0.0002794752,0.0009393104,0.0001273608,0.687096],"genre_scores_gemma":[0.2518967,0.0003538624,0.0003739018,0.0007479108,0.0006799399,0.00001761207,0.00001633966,0.00002861922,0.7458851],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.2943802,"threshold_uncertainty_score":0.9998518,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2027114923","doi":"10.7202/290054ar","title":"Des salons aux annales : les réseaux et associations des femmes de lettres à Montréal au tournant du XXe siècle","year":2006,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":13,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Art","authors":[{"name":"Chantal Savoie","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03283305934321113,"gpt":0.2840167863339364,"spread":0.2511837269907253,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.001016843,0.0002349537,0.0002975243,0.0003524175,0.004578528,0.001115153,0.000340555,0.0002233184,0.0004516406],"category_scores_gemma":[0.0007748666,0.0002981661,0.000281608,0.0005160174,0.003589444,0.001032941,0.00007542581,0.0003282662,0.0002053643],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002555507,"about_ca_system_score_gemma":0.002766199,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9828243,"about_ca_topic_score_gemma":0.9962367,"domain_scores_codex":[0.9973553,0.0006696717,0.0003548724,0.0003156869,0.0004122977,0.0008921513],"domain_scores_gemma":[0.9985868,0.0004747457,0.0002040757,0.0001864131,0.0002499858,0.0002979334],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000008704364,0.0004317154,0.1100849,0.00007905193,0.0001081222,0.0001529001,0.02558157,0.0006548435,0.0006831794,0.07300572,0.7632145,0.02599477],"study_design_scores_gemma":[0.0001646523,0.0000322429,0.4870739,0.00008285791,0.00008932608,0.00001033009,0.002830285,0.00002634224,0.00007940827,0.01415518,0.4951957,0.000259757],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.664742,0.06002664,0.000716528,0.224677,0.0009404066,0.0002471851,0.00348872,0.000201032,0.0449605],"genre_scores_gemma":[0.8115491,0.01198541,0.00199828,0.0007846537,0.001305804,0.00002840631,0.00005374143,0.00005662959,0.172238],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.376989,"threshold_uncertainty_score":0.9999471,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2050478122","doi":"10.7202/201447ar","title":"Une littérature en devenir : la réécriture textuelle et le dynamisme du champ littéraire. Les écrivaines québécoises au Canada anglais","year":2006,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":11,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Barbara Godard","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.005731004985642087,"gpt":0.2173155048305856,"spread":0.2115844998449436,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000478578,0.0006393375,0.0006348891,0.0001660036,0.001084653,0.0008130234,0.000427639,0.0002966566,0.0005760791],"category_scores_gemma":[0.0003163102,0.0005704255,0.0003369895,0.0002675011,0.0006608649,0.0003025858,0.0001737591,0.0006315996,0.00002797424],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002203021,"about_ca_system_score_gemma":0.002935045,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9930877,"about_ca_topic_score_gemma":0.9967966,"domain_scores_codex":[0.9971728,0.0004195236,0.0005744997,0.0006048278,0.0004934179,0.0007349732],"domain_scores_gemma":[0.9980115,0.0005477917,0.0002462008,0.0004986616,0.0005008516,0.0001949824],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001898568,0.0004345019,0.001910254,0.0003191316,0.0002659901,0.0004854089,0.004511953,0.0003654071,0.00005099449,0.7571061,0.2311688,0.003362492],"study_design_scores_gemma":[0.0004975828,0.00005090578,0.006269183,0.0002778519,0.0002924365,0.00003284535,0.007409918,0.0003839896,0.0001016111,0.006733769,0.9772235,0.0007263899],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01566577,0.04731454,0.0002070816,0.283522,0.001774835,0.0002983859,0.008155254,0.0001653202,0.6428968],"genre_scores_gemma":[0.7862756,0.002601942,0.0002208038,0.001120935,0.008193924,0.00002353022,0.0006149429,0.0001011559,0.2008472],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.7706099,"threshold_uncertainty_score":0.9996747,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2010060643","doi":"10.7202/201301ar","title":"Henri-Raymond Casgrain, historien","year":2006,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"HIV Legal Network; Université Laval","funders":"","keywords":"Humanities; Art; Art history; Philosophy","authors":[{"name":"Maurice Lemire","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.008898507483305323,"gpt":0.2367501776342044,"spread":0.2278516701508991,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004526302,0.000154638,0.0002019172,0.0002993413,0.001067926,0.0005075224,0.0002792827,0.0001846572,0.003459997],"category_scores_gemma":[0.0001030399,0.0002286125,0.0001601745,0.0004976216,0.001947384,0.0005621624,0.00004137513,0.0002535018,0.001740916],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002019781,"about_ca_system_score_gemma":0.0009521772,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9260204,"about_ca_topic_score_gemma":0.9219822,"domain_scores_codex":[0.9983106,0.0002232866,0.0002415694,0.0003165734,0.0003788808,0.0005290616],"domain_scores_gemma":[0.9992353,0.00009065253,0.0001150179,0.0002439045,0.0001048138,0.0002103576],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000002557103,0.00007515787,0.0001670796,0.00003133263,0.00001054492,0.0001142298,0.005692589,0.000007413942,0.0001191614,0.06652609,0.9172106,0.01004321],"study_design_scores_gemma":[0.0001539836,0.00002479509,0.00259064,0.0000282221,0.00004484694,0.00000799874,0.0006129829,0.000003274164,0.00001807023,0.004692131,0.9915529,0.0002701908],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.01794619,0.09273022,0.0001367031,0.1249714,0.01077816,0.00030173,0.00177868,0.0001864388,0.7511705],"genre_scores_gemma":[0.0281443,0.001485597,0.000334301,0.0007725089,0.001656187,0.00000967666,0.00001872968,0.00002704585,0.9675516],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.2163812,"threshold_uncertainty_score":0.9990364,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2002428112","doi":"10.7202/009222ar","title":"Le monde de Moncton, Moncton ville du monde","year":2004,"lang":"fr","type":"article","venue":"Voix et Images","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"Université de Moncton","funders":"","keywords":"Art; Humanities","authors":[{"name":"Benoît Doyon-Gosselin","is_ca":true},{"name":"Jean Morency","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01913323306501207,"gpt":0.26031145134643,"spread":0.2411782182814179,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0007108349,0.0003655375,0.0004518913,0.00008056815,0.001297052,0.0002206848,0.0004691507,0.0003255149,0.0002552562],"category_scores_gemma":[0.0004151629,0.0003982673,0.0002992627,0.0006334028,0.001610246,0.0006345183,0.0001896169,0.0004211864,0.0004747233],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000767034,"about_ca_system_score_gemma":0.0008578451,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1880631,"about_ca_topic_score_gemma":0.01541609,"domain_scores_codex":[0.9972218,0.0003387542,0.0003699458,0.0004815323,0.0005606902,0.001027266],"domain_scores_gemma":[0.9988732,0.0001959672,0.0001686876,0.0002635799,0.0001741607,0.0003243628],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002357817,0.000880102,0.002282166,0.00008794868,0.0002753558,0.0001881713,0.1037381,0.001078238,0.001583767,0.6548543,0.2239817,0.01102667],"study_design_scores_gemma":[0.001078787,0.000137158,0.008728128,0.0001124452,0.00009025444,0.000006103929,0.01141267,0.0000412729,0.002608248,0.09684876,0.8783099,0.0006262806],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1283263,0.1515873,0.003143958,0.2574468,0.0050319,0.0007679287,0.000487756,0.0005599073,0.4526481],"genre_scores_gemma":[0.8935763,0.02952328,0.001967281,0.001652732,0.001538335,0.00004970903,0.000008825889,0.00005935155,0.07162414],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.76525,"threshold_uncertainty_score":0.9998469,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2074559802","doi":"10.7202/201277ar","title":"Hétérogénéité énonciative et renouvellement du genre : le Journal intime de Nicole Brossard","year":2006,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Barbara Havercroft","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.007915419082129532,"gpt":0.2451427993303094,"spread":0.2372273802481799,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001751881,0.0001828034,0.0002516366,0.0002933926,0.001768528,0.001223966,0.0003648553,0.0001800887,0.002317126],"category_scores_gemma":[0.0001653897,0.0002478027,0.0002312585,0.0003850473,0.0008450124,0.000730582,0.00008741844,0.0005157151,0.000561985],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002174724,"about_ca_system_score_gemma":0.004091372,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.6035183,"about_ca_topic_score_gemma":0.7409756,"domain_scores_codex":[0.9974905,0.0007240716,0.000373547,0.0002713291,0.0004713404,0.0006692163],"domain_scores_gemma":[0.9989273,0.0001296992,0.0002765772,0.00016339,0.0002088883,0.0002941566],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000100421,0.000231905,0.0007602674,0.00002436465,0.00005445242,0.0001132058,0.02126813,0.0001358197,0.0003209141,0.02951314,0.9393914,0.008176319],"study_design_scores_gemma":[0.0004507939,0.00007503336,0.01264001,0.00007283272,0.00006233227,0.00003916421,0.00719414,0.00001984081,0.0001400397,0.005082196,0.9739377,0.0002859494],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.09028402,0.04322729,0.003807065,0.3167416,0.006684758,0.0007329338,0.002504472,0.0001740549,0.5358438],"genre_scores_gemma":[0.1734385,0.008406007,0.003630234,0.003930487,0.003554954,0.00002355298,0.00003103241,0.00006942853,0.8069158],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.3128111,"threshold_uncertainty_score":0.9999974,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1573200506","doi":"10.7202/011859ar","title":"Écrire-traduire entre les langues","year":2005,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Translation Studies and Practices","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Humanities; Art; Trope (literature); Philosophy; Literature","authors":[{"name":"Gillan Lane-Mercier","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03650390519023142,"gpt":0.2928900486459647,"spread":0.2563861434557333,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000188051,0.0002267991,0.000210873,0.00005827369,0.0006279801,0.0004614619,0.0001271966,0.00007356404,0.009976313],"category_scores_gemma":[0.00001653416,0.0002001542,0.00013458,0.00003568782,0.000384162,0.0009745107,0.00003512339,0.0002417518,0.001358687],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000207958,"about_ca_system_score_gemma":0.00002536418,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002697816,"about_ca_topic_score_gemma":0.003856373,"domain_scores_codex":[0.9988706,0.0001327904,0.0002560316,0.0002326385,0.0001921115,0.0003158461],"domain_scores_gemma":[0.9992505,0.0003210725,0.0001159053,0.0001616086,0.00008475804,0.00006616264],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002655206,0.0001501522,0.0003658684,0.000156191,0.0001756834,0.00001998918,0.028447,0.00003740794,0.00007245901,0.1338138,0.2870421,0.5496928],"study_design_scores_gemma":[0.0002927312,0.0000513731,0.0008760396,0.0001000641,0.0001179619,0.000009008411,0.005875249,0.00003906083,0.0002405318,0.0002148294,0.9919255,0.0002575883],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.005073746,0.1695219,0.00009444894,0.2823764,0.001308203,0.0001645938,0.00241187,0.0001789249,0.5388699],"genre_scores_gemma":[0.3088799,0.03559826,0.001184555,0.001843294,0.005274598,0.00001588165,0.00005136714,0.00005414733,0.647098],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.7048835,"threshold_uncertainty_score":0.9994189,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2066077883","doi":"10.7202/008776ar","title":"« Le mort n’est jamais mort »","year":2004,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Diverse Cultural and Historical Studies","field":"Social Sciences","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Martine-Emmanuelle Lapointe","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03106928030076594,"gpt":0.3046448317728666,"spread":0.2735755514721006,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002243272,0.0001960261,0.0002550107,0.00002965402,0.001011594,0.0001175416,0.0002700405,0.0001167486,0.0004474962],"category_scores_gemma":[0.0001275177,0.0001736294,0.0001716787,0.0003524051,0.00145262,0.0005861832,0.0001403269,0.0002068798,0.002326923],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002694658,"about_ca_system_score_gemma":0.0002196546,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.08340854,"about_ca_topic_score_gemma":0.00555474,"domain_scores_codex":[0.9985315,0.00007505139,0.0001947071,0.0003171752,0.0004071125,0.0004744156],"domain_scores_gemma":[0.999425,0.00004640434,0.00008019694,0.0001265591,0.0001370122,0.0001848436],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000009091329,0.0004876674,0.000663774,0.00004620158,0.0001203569,0.0001309102,0.02933942,0.0000967906,0.0002823206,0.8204594,0.1361257,0.01223837],"study_design_scores_gemma":[0.0003216311,0.00005787947,0.006058636,0.00004904344,0.00005404291,0.000002763664,0.005106248,4.111538e-7,0.0001875997,0.01073504,0.977159,0.0002676627],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.02781472,0.01657414,0.00009520975,0.2131568,0.00384514,0.000226966,0.0002949162,0.0001805458,0.7378115],"genre_scores_gemma":[0.733282,0.007409324,0.0008004688,0.001308313,0.0009301482,0.00001683032,0.000007654165,0.00001712607,0.2562281],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.8410333,"threshold_uncertainty_score":0.9984499,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2095473707","doi":"10.7202/290053ar","title":"Prolégomènes à une méthodologie d’analyse des réseaux littéraires. Le cas de correspondance de Henri-Raymond Casgrain","year":2006,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Literature and Culture Studies","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"Université du Québec à Trois-Rivières; Quebec Rehabilitation Research Network","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Manon Brunet","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03576576841354764,"gpt":0.2948885303681073,"spread":0.2591227619545597,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0009983549,0.0005940998,0.0006162545,0.0001535142,0.001507232,0.001033589,0.0003704508,0.000242088,0.0002296235],"category_scores_gemma":[0.0003852923,0.000492126,0.0003551473,0.0002836364,0.002097796,0.0007047281,0.0001628391,0.0005701447,0.00009249928],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002545659,"about_ca_system_score_gemma":0.000451057,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.04783097,"about_ca_topic_score_gemma":0.04639625,"domain_scores_codex":[0.9967311,0.0007135685,0.000530634,0.0005972922,0.0002801728,0.00114725],"domain_scores_gemma":[0.9983332,0.0004648567,0.000220276,0.0004258235,0.0004025449,0.0001533625],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002364656,0.0006891189,0.005752394,0.0007155573,0.0004614683,0.001110159,0.1129047,0.0001663255,0.004154882,0.2602963,0.6040265,0.00948617],"study_design_scores_gemma":[0.0006601335,0.0002221243,0.01574306,0.0003208172,0.0003251101,0.0001756587,0.01359633,0.00004247464,0.005170622,0.08010396,0.8829262,0.0007135207],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.2247207,0.4436466,0.00276441,0.1657505,0.002577059,0.001111949,0.00545815,0.0007460065,0.1532246],"genre_scores_gemma":[0.3065808,0.002889601,0.008145229,0.001928512,0.003631218,0.0001346211,0.0001071075,0.0001023356,0.6764805],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.5232559,"threshold_uncertainty_score":0.9997927,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2089861904","doi":"10.7202/009219ar","title":"Le rapport à la langue dans les romans de France Daigle : du refoulement à l’ironie 1","year":2004,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Université de Moncton","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Raoul Boudreau","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01017048051494258,"gpt":0.2351475912284398,"spread":0.2249771107134972,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006565893,0.0001363649,0.0001664511,0.0001364895,0.001008528,0.0002694972,0.000318939,0.0001564915,0.0007513853],"category_scores_gemma":[0.00006239871,0.0001908704,0.0001255462,0.0002458436,0.001399064,0.0003611558,0.00005023133,0.0002466887,0.0002925989],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0008138463,"about_ca_system_score_gemma":0.002717964,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.873542,"about_ca_topic_score_gemma":0.8952692,"domain_scores_codex":[0.9985856,0.0002174489,0.0001928409,0.0002711218,0.000266879,0.000466059],"domain_scores_gemma":[0.9993731,0.00005026934,0.00009097481,0.0002209446,0.00004156403,0.0002231305],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000008522778,0.0006440539,0.004509433,0.0001686153,0.0001022821,0.0007516703,0.1772374,0.0005227894,0.001875431,0.3798504,0.4130874,0.02124203],"study_design_scores_gemma":[0.0003638595,0.0000312605,0.01347114,0.00007012444,0.00003581534,0.00001485875,0.007251034,0.000002905307,0.0001760508,0.001578467,0.9767857,0.0002188165],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.1388026,0.01512787,0.003090497,0.2123703,0.001691039,0.0003408234,0.001226768,0.0001871212,0.627163],"genre_scores_gemma":[0.4305471,0.006099467,0.001672877,0.001195429,0.0009201823,0.00003849982,0.00002891154,0.00004856799,0.559449],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.5636983,"threshold_uncertainty_score":0.8227143,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1594344265","doi":"10.7202/016309ar","title":"Romans d’homme, voix de femme","year":2007,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Lori Saint-Martin","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02185915094634601,"gpt":0.2551923279453859,"spread":0.2333331769990399,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006033734,0.00031913,0.0004073939,0.00007285986,0.003291203,0.0002935135,0.0002408698,0.0001482177,0.002148474],"category_scores_gemma":[0.00009058797,0.0002574977,0.0004357995,0.0001299737,0.0006143953,0.0002902902,0.0001159896,0.0003967061,0.0007511515],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001316844,"about_ca_system_score_gemma":0.00002890405,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02332287,"about_ca_topic_score_gemma":0.01686698,"domain_scores_codex":[0.9980363,0.0001057036,0.0004134843,0.0003324698,0.0002916135,0.0008204639],"domain_scores_gemma":[0.9989918,0.000238312,0.0001299632,0.0002101195,0.0001935356,0.0002362766],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002560864,0.0004177056,0.0008549701,0.0001310302,0.0004944824,0.0002465141,0.1651348,0.00001186067,0.000170605,0.1535308,0.6654614,0.01352015],"study_design_scores_gemma":[0.0002324278,0.0001071047,0.001831031,0.00004956825,0.000277448,0.000008008792,0.007954388,0.00001679794,0.00006953273,0.003893301,0.9851717,0.000388665],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"other","genre_scores_codex":[0.1452017,0.03348878,0.001054334,0.7483191,0.002085923,0.0002135249,0.00101166,0.0001997182,0.06842528],"genre_scores_gemma":[0.1530113,0.007616611,0.0004881582,0.002135455,0.002591907,0.000009840032,0.00002485327,0.00004050397,0.8340814],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.7656561,"threshold_uncertainty_score":0.9999877,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1485572351","doi":"10.7202/011858ar","title":"Les lieux de l’écrivain anglo-québécois","year":2005,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"McGill University","funders":"","keywords":"Humanities; Art","authors":[{"name":"Martine-Emmanuelle Lapointe","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0184670154960779,"gpt":0.2773385520560372,"spread":0.2588715365599593,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006034378,0.000132508,0.0001646365,0.0002413496,0.0008542159,0.0004808652,0.0003163223,0.0001907106,0.005375138],"category_scores_gemma":[0.0001985176,0.0001915106,0.000148767,0.0003528217,0.001326486,0.0005012093,0.00004430408,0.0002806897,0.001851014],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001530703,"about_ca_system_score_gemma":0.001227307,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9325183,"about_ca_topic_score_gemma":0.9836423,"domain_scores_codex":[0.9984819,0.0002884895,0.0001837202,0.000243236,0.00025731,0.0005452984],"domain_scores_gemma":[0.9992412,0.0001154805,0.00007717735,0.0002016826,0.00006177239,0.0003026831],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000003023549,0.00008320695,0.000320406,0.00003317845,0.00002019324,0.00003986563,0.03017369,0.00002090362,0.0001476614,0.03029871,0.6265681,0.312291],"study_design_scores_gemma":[0.0001293288,0.00002254459,0.005228499,0.00004746979,0.00004034755,0.000008856264,0.002238154,0.00001732697,0.00006133506,0.0007542619,0.9912286,0.0002232875],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.07064529,0.08976261,0.0002683249,0.3949102,0.002026707,0.000245348,0.001081429,0.0002016588,0.4408585],"genre_scores_gemma":[0.05364446,0.01103926,0.001802406,0.002935504,0.001883227,0.00001044436,0.000006346768,0.00003003547,0.9286483],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.4877898,"threshold_uncertainty_score":0.9989262,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2136485322","doi":"10.7202/009889ar","title":"Persister et signer","year":2005,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Literature and Culture Studies","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"Université Laval","funders":"","keywords":"Humanities; Art; Ethnology; Political science; Sociology","authors":[{"name":"Chantal Savoie","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01961853732947052,"gpt":0.2580402568906619,"spread":0.2384217195611914,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001815917,0.0002712213,0.0002278807,0.00004656762,0.0004118387,0.0007450152,0.0001305113,0.00008869719,0.00580265],"category_scores_gemma":[0.00002198779,0.0002035585,0.0001994169,0.0000330235,0.0003814348,0.0008105628,0.00008185962,0.0003055182,0.001545947],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002907334,"about_ca_system_score_gemma":0.00002634511,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001900529,"about_ca_topic_score_gemma":0.0006821011,"domain_scores_codex":[0.9988839,0.0001183789,0.0002065394,0.0002656572,0.000176138,0.000349397],"domain_scores_gemma":[0.9994572,0.00006655881,0.00006031615,0.0001943151,0.0001557989,0.00006585552],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000009044337,0.0001200826,0.00002060098,0.00006374578,0.0001254354,0.00001386395,0.09357743,0.000005426084,0.00007739812,0.1865392,0.7153958,0.004051941],"study_design_scores_gemma":[0.0002688477,0.00008629792,0.0001688353,0.0001178007,0.0001155967,0.00001203244,0.005682015,0.000005183851,0.0002230125,0.0006163513,0.9924013,0.0003027488],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.0008536835,0.07418065,0.00002401178,0.2844982,0.001294755,0.000125606,0.001166254,0.00007928357,0.6377776],"genre_scores_gemma":[0.07209759,0.001366598,0.000497129,0.01426411,0.003837785,0.0000148376,0.0000347942,0.00003093228,0.9078562],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.2770054,"threshold_uncertainty_score":0.9992315,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1562893262","doi":"10.7202/037665ar","title":"Portrait de l’auteur dramatique en mutant 1","year":2009,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Military, Security, and Education Studies","field":"Social Sciences","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Philosophy; Art","authors":[{"name":"Yves Jubinville","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02158592538451514,"gpt":0.3335202805134999,"spread":0.3119343551289847,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00141488,0.0002066631,0.0002574991,0.00006999776,0.0004382255,0.0001073522,0.0002762377,0.0001645916,0.001009629],"category_scores_gemma":[0.0005357766,0.0002116941,0.000133503,0.000349738,0.0004423471,0.000411392,0.00003859785,0.0002847732,0.0003230401],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001518532,"about_ca_system_score_gemma":0.000560525,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.008182548,"about_ca_topic_score_gemma":0.001248134,"domain_scores_codex":[0.997899,0.0005743392,0.0003081918,0.0003027308,0.000315944,0.0005997999],"domain_scores_gemma":[0.9990373,0.0003123172,0.00009560494,0.0002081781,0.0001342416,0.0002123049],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000009839683,0.000649663,0.002035976,0.00009181129,0.0000775987,0.00005052477,0.3038782,0.00001355249,0.0004427748,0.1516408,0.4833189,0.05779033],"study_design_scores_gemma":[0.0001445096,0.00009338636,0.06516198,0.00008013433,0.00005344311,0.00001487486,0.01978161,0.00001890885,0.000307965,0.04980401,0.8642451,0.0002940306],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.1629112,0.06111527,0.0007721095,0.6760657,0.003091205,0.0004202524,0.0004811608,0.0002145715,0.09492854],"genre_scores_gemma":[0.8129998,0.01825804,0.003747219,0.006497575,0.001612971,0.00001930939,0.00001428615,0.00002010583,0.1568307],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.6695681,"threshold_uncertainty_score":0.9999036,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2005770438","doi":"10.7202/201298ar","title":"Henri-Raymond Casgrain et la paternité d’une littérature nationale","year":2006,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art; Humanities","authors":[{"name":"Manon Brunet","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.009959208759690861,"gpt":0.2337045237535492,"spread":0.2237453149938583,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002115149,0.0003255411,0.0002928023,0.00007003737,0.0007942952,0.0004172971,0.0001516969,0.0001464923,0.001267874],"category_scores_gemma":[0.00004575213,0.0002657735,0.0001893658,0.0001343844,0.0005645691,0.0003668435,0.00008335532,0.0004342487,0.0006376246],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006093088,"about_ca_system_score_gemma":0.00004602746,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003562224,"about_ca_topic_score_gemma":0.006746536,"domain_scores_codex":[0.9984778,0.0002095477,0.000303449,0.000321985,0.0003223849,0.0003648349],"domain_scores_gemma":[0.9992257,0.0001798521,0.0001064524,0.0001680828,0.0002503449,0.00006954508],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000009323516,0.0002579128,0.0001169956,0.00008683556,0.00005850012,0.00008357358,0.0167213,0.000009651379,0.0001690763,0.4142635,0.5659137,0.002309621],"study_design_scores_gemma":[0.0003018279,0.00006870482,0.00151554,0.00008788078,0.0000626048,0.00001659157,0.001895884,0.000005586629,0.00007199335,0.01467196,0.980951,0.0003504235],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.004470728,0.06306852,0.0000557112,0.0911257,0.001595377,0.0002098287,0.003456757,0.0001557697,0.8358616],"genre_scores_gemma":[0.08627126,0.001619362,0.0002329145,0.001349528,0.002274551,0.00003624872,0.0002409869,0.00004066311,0.9079345],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.4150373,"threshold_uncertainty_score":0.9999794,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1537024088","doi":"10.7202/045235ar","title":"Un nouveau régionalisme ?","year":2011,"lang":"fr","type":"article","venue":"Voix et Images","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","authors":[{"name":"Francis Langevin","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06329300343829586,"gpt":0.2739923921245864,"spread":0.2106993886862906,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005284626,0.000210762,0.0002575238,0.00004380692,0.0006347112,0.00006563526,0.0003250673,0.0001761579,0.004003208],"category_scores_gemma":[0.000187431,0.0002128245,0.0001861232,0.0003961171,0.00163191,0.0003776213,0.0001213454,0.0002333809,0.001285346],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001498373,"about_ca_system_score_gemma":0.0001361408,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04169504,"about_ca_topic_score_gemma":0.002858206,"domain_scores_codex":[0.9982035,0.0003327743,0.0002310204,0.0002903561,0.000384609,0.0005577646],"domain_scores_gemma":[0.9992557,0.0001589705,0.0001068309,0.0001609912,0.000142914,0.0001745639],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000005688917,0.0002351117,0.001344954,0.00002170823,0.0001139705,0.00004299869,0.09615749,2.776394e-7,0.00001964172,0.6223924,0.2602249,0.01944087],"study_design_scores_gemma":[0.0001930006,0.0000640745,0.02245674,0.00004132361,0.00006138516,0.000001798898,0.003578923,0.000002577314,0.0002080958,0.07535942,0.8977345,0.000298145],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01263678,0.0796848,0.0003208171,0.07428538,0.007375183,0.0002846376,0.000461901,0.0002047968,0.8247457],"genre_scores_gemma":[0.5135545,0.01961577,0.004733077,0.00290687,0.002013908,0.00003483543,0.00000853733,0.00004588971,0.4570866],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.6375096,"threshold_uncertainty_score":0.9994923,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2051618011","doi":"10.7202/201195ar","title":"Les premières mères, Le Premier Jardin","year":2006,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Psychoanalysis and Psychopathology Research","field":"Psychology","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Lori Saint-Martin","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03045802116831908,"gpt":0.3686940227494014,"spread":0.3382360015810824,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.002098665,0.0005592136,0.0007147575,0.0004733253,0.0003660085,0.000265665,0.0008195864,0.0007311231,0.006468761],"category_scores_gemma":[0.00009524619,0.0005625663,0.0005214721,0.0007469613,0.0009165222,0.0003161369,0.0001656534,0.0011886,0.003207465],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001051084,"about_ca_system_score_gemma":0.0001382145,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02432428,"about_ca_topic_score_gemma":0.001085505,"domain_scores_codex":[0.9939123,0.002211839,0.0007926626,0.001208598,0.0005204397,0.001354195],"domain_scores_gemma":[0.9972982,0.000608513,0.0002608244,0.001370076,0.0002318973,0.0002305058],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002063447,0.001629189,0.03754032,0.0001082587,0.000416594,0.000326488,0.0007042184,0.00006484736,0.008289905,0.01918818,0.8608707,0.07065501],"study_design_scores_gemma":[0.001629903,0.0001536886,0.190366,0.0001145924,0.0001542112,0.0001943354,0.0002722074,0.00003739817,0.001016085,0.006229442,0.7993213,0.000510837],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.0615522,0.06430005,0.001433175,0.07598924,0.002630722,0.0005481543,0.001621174,0.0001778471,0.7917475],"genre_scores_gemma":[0.4232603,0.0006230602,0.0009410723,0.0003218775,0.001160939,0.00009525933,0.0001042847,0.00009385918,0.5733994],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.3617081,"threshold_uncertainty_score":0.9996826,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1995189896","doi":"10.7202/201386ar","title":"Le je incertain : fragmentations et dédoublements","year":2006,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Pierre L’Hérault","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02258500462219184,"gpt":0.3061151373220471,"spread":0.2835301326998553,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002674005,0.0002040446,0.0002057924,0.0001374613,0.0006034788,0.0007927847,0.0001501073,0.00005090574,0.004435789],"category_scores_gemma":[0.00004431776,0.0002082145,0.0001621772,0.00006560219,0.0002826827,0.0002977263,0.00007696512,0.0001583965,0.0003827295],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003475422,"about_ca_system_score_gemma":0.0002009396,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.08358958,"about_ca_topic_score_gemma":0.0175818,"domain_scores_codex":[0.9987088,0.0001128459,0.0003512709,0.0002590177,0.0002422318,0.0003258102],"domain_scores_gemma":[0.9992539,0.0001209736,0.0001421002,0.0002282948,0.0001904984,0.00006427071],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000040251,0.0003890421,0.0004338238,0.00003635039,0.0001135783,0.00002186004,0.001821075,0.0004331523,0.0000475292,0.8500695,0.1462154,0.0004146103],"study_design_scores_gemma":[0.0005410732,0.00004025832,0.0007687737,0.00006079344,0.0002567573,0.00000102181,0.003384772,0.0002581411,0.0002584045,0.04385371,0.9503028,0.0002734841],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.008034953,0.006379975,0.0009587132,0.06934893,0.001099274,0.0001948876,0.004293446,0.00007171345,0.9096181],"genre_scores_gemma":[0.6063371,0.0006577175,0.000802896,0.001348379,0.001898909,0.00002495468,0.0005304384,0.00003644835,0.3883632],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.8062158,"threshold_uncertainty_score":0.9964743,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2080911708","doi":"10.7202/013326ar","title":"Hellman’s Scrapbook de Robert Majzels : un autre regard sur la surconscience linguistique québécoise","year":2006,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Catherine Leclerc","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.009866670624478846,"gpt":0.2588755066850952,"spread":0.2490088360606163,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009975675,0.0004548386,0.0004773855,0.0002416167,0.0007023294,0.001304008,0.0004512889,0.0001856038,0.002321628],"category_scores_gemma":[0.0005842742,0.0004386376,0.0003810649,0.0001318334,0.001214637,0.0002738312,0.0001405599,0.0004085675,0.0002261169],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001121937,"about_ca_system_score_gemma":0.0006078445,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.2324807,"about_ca_topic_score_gemma":0.09724668,"domain_scores_codex":[0.9973121,0.0003106887,0.0005732127,0.0006096695,0.0003940056,0.0008003009],"domain_scores_gemma":[0.9979545,0.0005600759,0.0002630278,0.0005482662,0.0004557768,0.0002182889],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001702815,0.0005454152,0.002305449,0.0001564467,0.0001341086,0.0006770203,0.00284262,0.0004534745,0.0002079162,0.8536175,0.13761,0.001433076],"study_design_scores_gemma":[0.0003781052,0.00005765915,0.00124469,0.000278726,0.0004005741,0.00003132855,0.0004460236,0.0008279192,0.001267308,0.03265579,0.9618121,0.0005997844],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.01729608,0.02869427,0.0006307409,0.02090182,0.001553579,0.000277272,0.002648491,0.0002220546,0.9277757],"genre_scores_gemma":[0.3707094,0.00207974,0.0009608679,0.0008980569,0.003762315,0.00001910328,0.0000720724,0.0000711731,0.6214272],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.8242021,"threshold_uncertainty_score":0.9998065,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1504989332","doi":"10.7202/016578ar","title":"Laure Conan à l’épreuve du livre de piété","year":2007,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"Université Laval","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Marie-Andrée Beaudet","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02001318792944105,"gpt":0.279106595186726,"spread":0.2590934072572849,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00159223,0.0001287895,0.0001684093,0.0002375944,0.000841993,0.0004152177,0.0002974034,0.0002974236,0.003804715],"category_scores_gemma":[0.0003289669,0.0001828355,0.0001362994,0.0003904127,0.00144425,0.0004254179,0.00004399733,0.000399244,0.001266335],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001027493,"about_ca_system_score_gemma":0.0009556244,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.5455795,"about_ca_topic_score_gemma":0.8671523,"domain_scores_codex":[0.9984285,0.0002236169,0.0002003925,0.0002386859,0.0002832175,0.0006255441],"domain_scores_gemma":[0.998991,0.0002569121,0.00009176732,0.0001829121,0.0000940038,0.0003833895],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001056562,0.0001146188,0.001443282,0.00005380954,0.00003176317,0.0002953999,0.04837958,0.000003100533,0.0002243129,0.04943544,0.8681164,0.0318917],"study_design_scores_gemma":[0.000179707,0.00003941345,0.01721852,0.00005779221,0.00004202598,0.00001568651,0.004403052,0.000003148907,0.00006383697,0.001269381,0.9764943,0.0002131893],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.1270955,0.05185508,0.0009607572,0.2003987,0.009175366,0.0004760104,0.001564746,0.0002682785,0.6082056],"genre_scores_gemma":[0.1941408,0.006457058,0.0005656269,0.003250934,0.002112254,0.000005041131,0.00001040441,0.00003392957,0.793424],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.3215728,"threshold_uncertainty_score":0.9995113,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2003064703","doi":"10.7202/201384ar","title":"Poétique du récit contemporain : négation du genre ou émergence d’un sous-genre?","year":2006,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Andrée Mercier","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.008128331519518878,"gpt":0.2242212534998182,"spread":0.2160929219802993,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001080319,0.0002263614,0.0002678478,0.0003019674,0.001375328,0.0005382745,0.0003785762,0.0002664336,0.002479391],"category_scores_gemma":[0.000297336,0.000317524,0.0002072046,0.0006615108,0.001275145,0.0008451327,0.00005665198,0.000285793,0.0007569204],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0007265001,"about_ca_system_score_gemma":0.0008233842,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.8045882,"about_ca_topic_score_gemma":0.8022919,"domain_scores_codex":[0.9976221,0.0005286604,0.0004202171,0.0004440972,0.0004547822,0.0005301036],"domain_scores_gemma":[0.9988735,0.0001605187,0.0002553301,0.0002596539,0.0002194298,0.0002316085],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000135384,0.000214466,0.004575167,0.00008406715,0.00004726263,0.0002247507,0.01487216,0.00004772097,0.001011104,0.1324002,0.827095,0.01941466],"study_design_scores_gemma":[0.0002646191,0.0000383428,0.02583222,0.00005160647,0.00005088553,0.00001522369,0.001703228,0.00004667976,0.000154476,0.01479379,0.9566468,0.0004021552],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.3672978,0.0379493,0.003436965,0.3852018,0.00877012,0.001093412,0.002534699,0.0003888085,0.1933272],"genre_scores_gemma":[0.6190441,0.004509752,0.0005559309,0.001170508,0.002092171,0.0000346877,0.00005582991,0.00004613433,0.3724909],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.3840312,"threshold_uncertainty_score":0.9999277,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1504449237","doi":"10.7202/037662ar","title":"Le lieu de l’activité poïétique de l’auteur scénique","year":2009,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Université Laval","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Chantal Hébert","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01757005363294193,"gpt":0.2875408620069355,"spread":0.2699708083739935,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007959406,0.0002116347,0.0002732709,0.00006208499,0.0006064209,0.0001032859,0.0002782766,0.0001987099,0.0001470292],"category_scores_gemma":[0.0002936892,0.0002180865,0.0001587155,0.0004076515,0.0004017961,0.0006261562,0.00004914898,0.0003976988,0.0001488412],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002712284,"about_ca_system_score_gemma":0.0006438583,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.009943893,"about_ca_topic_score_gemma":0.0006025304,"domain_scores_codex":[0.9978319,0.0006926187,0.0002112724,0.0003115505,0.0002262051,0.000726463],"domain_scores_gemma":[0.9991303,0.0002863533,0.00008593494,0.0001702281,0.00006932256,0.0002578269],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003644834,0.0009802312,0.002455049,0.00006314179,0.00007303497,0.0002495912,0.08377495,0.00002871318,0.004058651,0.4583473,0.3218608,0.1280722],"study_design_scores_gemma":[0.0001511891,0.0001412107,0.008764558,0.0000629007,0.00002262626,0.00001217214,0.0008216132,0.00001960101,0.001329294,0.02109796,0.9673105,0.0002663589],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.07726446,0.0268231,0.006276,0.4916083,0.001248403,0.0003472329,0.0003095988,0.0003492689,0.3957736],"genre_scores_gemma":[0.6624535,0.004539008,0.005562252,0.007528474,0.0009543838,0.0000171009,0.000003895874,0.0000205435,0.3189208],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.6454498,"threshold_uncertainty_score":0.996649,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2075934227","doi":"10.7202/201047ar","title":"Jacques Ferron au regard de ses autres. Famille, nation, folie : une double version","year":2006,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Psychoanalysis and Psychopathology Research","field":"Psychology","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Université de Montréal","funders":"","keywords":"Art; Humanities; Philosophy","authors":[{"name":"Ginette Michaud","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02985115904107085,"gpt":0.3602219004983275,"spread":0.3303707414572567,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0020001,0.0005003397,0.000600061,0.0006407059,0.0004466954,0.0002139984,0.0006470112,0.0006570331,0.004119304],"category_scores_gemma":[0.0000603705,0.0005099876,0.0003940941,0.0011689,0.0006664216,0.0003820696,0.0001295598,0.0008143548,0.002881],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003854595,"about_ca_system_score_gemma":0.000288708,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0273646,"about_ca_topic_score_gemma":0.004266154,"domain_scores_codex":[0.9951077,0.001266762,0.0006857227,0.001016977,0.0005619264,0.00136098],"domain_scores_gemma":[0.9976459,0.0004264682,0.0002826322,0.001025058,0.000363158,0.0002568355],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0009163637,0.001184347,0.06967097,0.0001062189,0.0003067566,0.0003064488,0.001603204,0.0001581505,0.002817727,0.006062827,0.9009192,0.01594781],"study_design_scores_gemma":[0.003899052,0.0003613152,0.145533,0.0001570234,0.0002239661,0.0001747554,0.0006445862,0.00009911885,0.001314546,0.005789933,0.841278,0.000524762],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.3399079,0.01982009,0.001392977,0.07773362,0.003403655,0.0005413005,0.0008502144,0.0002221981,0.5561281],"genre_scores_gemma":[0.3968184,0.001945056,0.0008605038,0.0006695267,0.001177002,0.00007287371,0.0002319433,0.00008643601,0.5981383],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.07706409,"threshold_uncertainty_score":0.9997352,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2018622456","doi":"10.7202/201326ar","title":"Fictionnalisation de l’histoire, Le premier jardin d’Anne Hébert","year":2006,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Diverse Cultural and Historical Studies","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Université Laval","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Érick Falardeau","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02156095415326853,"gpt":0.2588864935765781,"spread":0.2373255394233096,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003216934,0.0001527159,0.0001770654,0.00003365166,0.001247296,0.0001075483,0.0001391823,0.0001208765,0.0004475742],"category_scores_gemma":[0.0001091453,0.0001426642,0.0001410294,0.0003254683,0.0006634826,0.0005262256,0.00004802106,0.0001449956,0.0004012471],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0007353926,"about_ca_system_score_gemma":0.00008822828,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1232966,"about_ca_topic_score_gemma":0.003770264,"domain_scores_codex":[0.9986976,0.0002012211,0.0001929742,0.000243532,0.0002944668,0.0003701943],"domain_scores_gemma":[0.9995134,0.00008003162,0.00009785856,0.00008524059,0.0001392252,0.00008422865],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000009999506,0.0002302571,0.001003326,0.00002816912,0.00003472655,0.00001051268,0.004353439,0.0001094618,0.0007015188,0.3093052,0.6747838,0.009429581],"study_design_scores_gemma":[0.0001874768,0.00002640551,0.01058874,0.00003291573,0.00004951198,0.000002182001,0.001295627,0.00001332889,0.0002182287,0.01106083,0.9763274,0.0001974001],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.007068609,0.01692446,0.0003041327,0.1125911,0.002560686,0.0001679459,0.0001922453,0.0001415872,0.8600492],"genre_scores_gemma":[0.4347772,0.0008949328,0.0004668472,0.0002821925,0.0008221847,0.00001445661,0.00001537559,0.000009673772,0.5627171],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.4277086,"threshold_uncertainty_score":0.9593318,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1480230738","doi":"10.7202/011857ar","title":"Yvette, Solange et Chantal","year":2005,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art","authors":[{"name":"Yan Hamel","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01678706004478103,"gpt":0.2779514052425673,"spread":0.2611643451977863,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004994869,0.0001127551,0.0001422592,0.0002143745,0.0005347303,0.0004683182,0.0002211218,0.0001339998,0.007012135],"category_scores_gemma":[0.0000715698,0.0001594143,0.0001134581,0.0002561275,0.0008942115,0.0008262939,0.00004664656,0.0002672132,0.00558335],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0005628666,"about_ca_system_score_gemma":0.0004986767,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.4462229,"about_ca_topic_score_gemma":0.9063184,"domain_scores_codex":[0.998744,0.0002126616,0.0001449208,0.0002193407,0.0002712835,0.0004078367],"domain_scores_gemma":[0.9994621,0.00006897328,0.00006641656,0.0001507198,0.00004150081,0.00021033],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000002871059,0.00008165047,0.00008643922,0.00002437031,0.00001711833,0.00003927133,0.01936605,0.000003747617,0.0001690821,0.02010914,0.8967553,0.06334495],"study_design_scores_gemma":[0.0001491165,0.00002252729,0.003345109,0.00003717372,0.00002495509,0.000008953802,0.0007785726,0.00001115593,0.00003494497,0.000330771,0.9950604,0.0001963534],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"other","genre_scores_codex":[0.02640004,0.04345537,0.0000889918,0.5335588,0.00401621,0.0002383727,0.001997641,0.0001492756,0.3900953],"genre_scores_gemma":[0.06637979,0.01035017,0.0006804541,0.009079142,0.002435372,0.00001092096,0.0000179864,0.00003014989,0.911016],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.5244796,"threshold_uncertainty_score":0.9951909,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2155908553","doi":"10.7202/011928ar","title":"L’Orient désorienté","year":2005,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Chinatown; Art; Philosophy; Political science","authors":[{"name":"Gilles Dupuis","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01103443512867863,"gpt":0.2636381950621074,"spread":0.2526037599334288,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004521986,0.0001150267,0.0001410193,0.0002260346,0.0007677985,0.0004696292,0.0002365474,0.0001256753,0.007127688],"category_scores_gemma":[0.0001098845,0.0001664688,0.0001247256,0.0004041677,0.001311298,0.0006905853,0.00004550294,0.0002223489,0.005691781],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001120941,"about_ca_system_score_gemma":0.0007030318,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.3740925,"about_ca_topic_score_gemma":0.7026046,"domain_scores_codex":[0.998566,0.0001767575,0.0001881937,0.0002551216,0.0003492494,0.0004646497],"domain_scores_gemma":[0.9992807,0.00006415135,0.00007569252,0.0002058675,0.00007590705,0.0002976928],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000002745186,0.0001080411,0.00007997288,0.00001877569,0.0000160537,0.00002085364,0.0168771,0.00001866785,0.00003427419,0.1038156,0.7496292,0.1293787],"study_design_scores_gemma":[0.0001447115,0.00002446853,0.001248519,0.0000308207,0.00003236483,0.000003525074,0.0009730241,0.000009671576,0.000044623,0.0007913215,0.9965012,0.0001957288],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.01844652,0.04645713,0.0002192294,0.3550838,0.008576108,0.0002612838,0.001049848,0.0001405074,0.5697656],"genre_scores_gemma":[0.03308184,0.005612199,0.0006935592,0.002112906,0.002064548,0.00000916749,0.000006517946,0.00001900443,0.9564003],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.3866347,"threshold_uncertainty_score":0.9950824,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2071014360","doi":"10.7202/201449ar","title":"L’androgynie, la peur de l’autre et les impasses de l’amour : La tournée d’automne de Jacques Poulin","year":2006,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Psychoanalysis and Psychopathology Research","field":"Psychology","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","authors":[{"name":"Lori Saint-Martin","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02197056257640872,"gpt":0.3883126192552054,"spread":0.3663420566787967,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":["research_integrity"],"category_scores_codex":[0.007790204,0.0007362597,0.0008949765,0.0006515128,0.0003436375,0.0005896298,0.0009768595,0.001339013,0.004134087],"category_scores_gemma":[0.0003835072,0.000747187,0.0006296348,0.0007602295,0.0009911637,0.0003592269,0.0001798817,0.002388311,0.0007733165],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000187402,"about_ca_system_score_gemma":0.0006444859,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.008440188,"about_ca_topic_score_gemma":0.001468459,"domain_scores_codex":[0.9864933,0.008916281,0.000844558,0.001095017,0.0004632547,0.002187615],"domain_scores_gemma":[0.9949557,0.002902675,0.0003531337,0.001054026,0.0002390444,0.0004954549],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003395857,0.002605943,0.219884,0.0001981129,0.0005955474,0.003555157,0.002292189,0.0001427979,0.01044767,0.01806823,0.6966465,0.0452242],"study_design_scores_gemma":[0.001938146,0.00024169,0.3290523,0.0001869281,0.0003071712,0.002835523,0.000759958,0.0001788321,0.0009079713,0.0091814,0.6538021,0.0006080299],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3318498,0.04492336,0.006363286,0.131884,0.0006729087,0.000420848,0.001648765,0.0003351242,0.4819019],"genre_scores_gemma":[0.6638978,0.007492682,0.005281802,0.001874828,0.001061765,0.0001452495,0.0001010394,0.000179216,0.3199656],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.332048,"threshold_uncertainty_score":0.9999574,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2000142874","doi":"10.7202/201070ar","title":"« Pour Monsieur le chanoine Groulx, qui m’a donné une âme » : les secrets de la dédicace","year":2006,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Diverse Cultural and Historical Studies","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Philosophy; Art; Political science","authors":[{"name":"Jean‐Pierre Chalifoux","is_ca":true},{"name":"Pierre Hébert","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02140387575321465,"gpt":0.2793609136249089,"spread":0.2579570378716942,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005414225,0.0002697135,0.0003280677,0.0000463905,0.001179618,0.0001810062,0.0002982347,0.0002134144,0.0004076296],"category_scores_gemma":[0.0002104412,0.0002347941,0.0001914298,0.0005176119,0.001435298,0.0003805496,0.0001693295,0.0003089136,0.0004129211],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002743605,"about_ca_system_score_gemma":0.0001514023,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.212741,"about_ca_topic_score_gemma":0.009763409,"domain_scores_codex":[0.9978796,0.0005037982,0.0002407485,0.0003649703,0.0003906803,0.0006201823],"domain_scores_gemma":[0.9990806,0.0003661672,0.0001355911,0.0001253377,0.0001273784,0.0001649534],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002616853,0.0006861461,0.003128568,0.00009768345,0.0000991434,0.0002023545,0.01287982,0.00005823534,0.004840279,0.2813723,0.6797032,0.01690612],"study_design_scores_gemma":[0.0004168006,0.00005069723,0.01918776,0.00006610153,0.00007125246,0.000009067589,0.007017344,0.00001685957,0.0003714625,0.01260303,0.959846,0.0003436812],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1172012,0.03779339,0.0003890647,0.2588379,0.001331405,0.0002777182,0.0003827303,0.000301566,0.5834851],"genre_scores_gemma":[0.6783171,0.004153475,0.0008498061,0.0003682181,0.001071315,0.00001512943,0.00001138154,0.00002048041,0.315193],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.561116,"threshold_uncertainty_score":0.9574627,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2012972205","doi":"10.7202/201464ar","title":"L’enfant du Torrent ou le sujet de l’oeuvre en puissance","year":2006,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Anne-Marie Picard","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0157742472219551,"gpt":0.2698140792519644,"spread":0.2540398320300093,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004065056,0.0002868493,0.0003180188,0.0001019589,0.0004908837,0.0006840912,0.0002462735,0.00009184715,0.002167999],"category_scores_gemma":[0.000116033,0.0002700625,0.0002615613,0.00005523937,0.0003604404,0.0001980497,0.00009244205,0.00022442,0.0002909721],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00007586444,"about_ca_system_score_gemma":0.0001706186,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0541638,"about_ca_topic_score_gemma":0.006734927,"domain_scores_codex":[0.9983842,0.0001372428,0.0003666278,0.0003394097,0.0002436473,0.0005288754],"domain_scores_gemma":[0.9990813,0.0001491744,0.0001470901,0.0003235452,0.0001884202,0.000110463],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000008118212,0.0004171624,0.0014008,0.00007632653,0.00009414525,0.0001231057,0.002973893,0.000288962,0.00008813012,0.7834753,0.2100518,0.001002228],"study_design_scores_gemma":[0.0003260988,0.00005245613,0.00317622,0.00009916607,0.0002692689,0.000009146856,0.001401188,0.0008684933,0.0006553257,0.01147326,0.9812916,0.0003777993],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.04232265,0.05748103,0.001405969,0.101293,0.003908762,0.000274976,0.004147783,0.0001830155,0.7889827],"genre_scores_gemma":[0.709456,0.00208245,0.0003439779,0.0004029894,0.007973702,0.00001571411,0.0001020232,0.00004365708,0.2795795],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.7720021,"threshold_uncertainty_score":0.9999751,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2151366507","doi":"10.7202/1025188ar","title":"Femmes, chroniques et billets dans les années 1930","year":2014,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art","authors":[{"name":"Chantal Savoie","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02666952108638209,"gpt":0.2837690348364557,"spread":0.2570995137500736,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009808764,0.0001865363,0.0002430066,0.000266695,0.001159807,0.0007452661,0.0003702715,0.0002095859,0.001705837],"category_scores_gemma":[0.0002894851,0.0002339658,0.0001586337,0.0002978479,0.002415743,0.0006336584,0.00007180921,0.0003108539,0.0007385987],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0006512335,"about_ca_system_score_gemma":0.0008220479,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.7937912,"about_ca_topic_score_gemma":0.9514124,"domain_scores_codex":[0.9978604,0.0007305132,0.0002273463,0.0003517123,0.0003357788,0.0004942356],"domain_scores_gemma":[0.9990337,0.0002144881,0.0001234491,0.0002745159,0.00009130711,0.0002625255],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000004235158,0.0001053004,0.001103151,0.0001132313,0.00003279728,0.00002604943,0.04096167,0.00001189738,0.0004920175,0.1001765,0.7882886,0.06868452],"study_design_scores_gemma":[0.0001435233,0.00007009029,0.01012985,0.0001088927,0.00003894023,0.000005059082,0.001564643,0.00001870353,0.0001588423,0.002539527,0.9849245,0.0002974184],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.04961951,0.03596364,0.001531103,0.3602243,0.004703271,0.0003803832,0.001513291,0.0003494927,0.545715],"genre_scores_gemma":[0.2651378,0.02287303,0.001146648,0.003488029,0.001704511,0.00002656225,0.00003669934,0.00006494923,0.7055218],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.3567362,"threshold_uncertainty_score":0.9992067,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2516115919","doi":"10.7202/1036931ar","title":"Autres temps, autres espaces","year":2016,"lang":"fr","type":"article","venue":"Voix et Images","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Université Laval","funders":"","keywords":"Mathematics","authors":[{"name":"Marie-Frédérique Desbiens","is_ca":true},{"name":"Denis Saint-Jacques","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02884646999961557,"gpt":0.2880392719981998,"spread":0.2591928019985842,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006499668,0.0003183266,0.0003899742,0.00008169622,0.0008214912,0.000205114,0.0004306801,0.0002314045,0.004257043],"category_scores_gemma":[0.0007260413,0.0002267478,0.0002235792,0.0004228125,0.002711267,0.0007375929,0.0001814216,0.0001715251,0.00150235],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003004771,"about_ca_system_score_gemma":0.0001948648,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01581365,"about_ca_topic_score_gemma":0.01579097,"domain_scores_codex":[0.9973387,0.0005422405,0.000297473,0.0004460235,0.0005570127,0.0008185186],"domain_scores_gemma":[0.9983292,0.0008816133,0.000168402,0.000240458,0.0001520051,0.0002283029],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000007137799,0.0001252563,0.002861885,0.00003557784,0.0001207542,0.00002279996,0.01534282,6.365402e-7,0.000352773,0.1461325,0.7448762,0.09012164],"study_design_scores_gemma":[0.0003372011,0.00008410431,0.00770725,0.0002421059,0.00005517945,9.806126e-7,0.003249972,0.000001331267,0.0006123393,0.01643548,0.9708981,0.0003759725],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"other","genre_scores_codex":[0.02377601,0.1582505,0.0003741354,0.4636806,0.007763502,0.0004060091,0.001125454,0.0004426807,0.3441811],"genre_scores_gemma":[0.177868,0.03932772,0.000477039,0.000550725,0.001624323,0.00002723451,0.000001722913,0.00003093517,0.7800923],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.4631299,"threshold_uncertainty_score":0.9992751,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1489587667","doi":"10.7202/1015164ar","title":"La franco-américanité de Louis Dantin vue à travers son amitié littéraire avec Marine Leland","year":2013,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Université de Sherbrooke","funders":"","keywords":"Humanities; Art","authors":[{"name":"Patricia Godbout","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.009029120778534435,"gpt":0.2092445767534738,"spread":0.2002154559749394,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002535965,0.0004052357,0.0005668101,0.00007057661,0.001916857,0.000608889,0.0002591805,0.0001916443,0.0106322],"category_scores_gemma":[0.00008484079,0.0003161884,0.0004296424,0.0001297772,0.0008250743,0.0003772429,0.0001690612,0.0005390727,0.001012161],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0006400722,"about_ca_system_score_gemma":0.00003779775,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.08263745,"about_ca_topic_score_gemma":0.01202493,"domain_scores_codex":[0.9979201,0.0002845828,0.0004100994,0.0004061756,0.000294756,0.000684273],"domain_scores_gemma":[0.9989004,0.0002620334,0.0001596088,0.0002277044,0.0002143211,0.0002359974],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002269422,0.0005655827,0.005903645,0.0004018983,0.0009021225,0.0002133184,0.2813259,0.0000228184,0.0001771421,0.02264237,0.5360504,0.1517721],"study_design_scores_gemma":[0.0004292917,0.000136698,0.01546871,0.0000777871,0.0002740774,0.00001406946,0.017911,0.000123624,0.0000252854,0.002569207,0.9624615,0.0005087581],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.5587612,0.007908882,0.0001650574,0.3292525,0.001024379,0.0004279584,0.0007449057,0.0001960778,0.1015191],"genre_scores_gemma":[0.3619257,0.01273837,0.0003394489,0.0009700882,0.001785759,0.00005906005,0.0000516367,0.00005466223,0.6220753],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.5205562,"threshold_uncertainty_score":0.999929,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2226868123","doi":"10.7202/1033960ar","title":"Pour en finir avec Octobre","year":2015,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Université du Québec à Chicoutimi","funders":"","keywords":"Art; Humanities","authors":[{"name":"François Ouellet","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04848098695743791,"gpt":0.3078294964923622,"spread":0.2593485095349243,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004817699,0.000250736,0.0002997857,0.0001172904,0.0001986932,0.0006353506,0.0002337897,0.00009524234,0.005530766],"category_scores_gemma":[0.0005598175,0.0002240404,0.0002068081,0.00004796455,0.000288518,0.0002123122,0.0001227054,0.000234985,0.002634788],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006264208,"about_ca_system_score_gemma":0.0002949974,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004983994,"about_ca_topic_score_gemma":0.0008880121,"domain_scores_codex":[0.9986097,0.0001486777,0.0002960125,0.0002836741,0.0002869485,0.000374992],"domain_scores_gemma":[0.9987169,0.0002031457,0.0001148883,0.0003326579,0.0003984265,0.0002340147],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000009731016,0.0002076676,0.0002330243,0.00004855365,0.0001673937,0.0001361479,0.01537347,0.00007185144,0.00000837815,0.4293445,0.5520316,0.002367615],"study_design_scores_gemma":[0.0004101008,0.00007695725,0.0001807643,0.00007605891,0.0003332364,0.000008154116,0.005313652,0.0007123728,0.0001199386,0.02696974,0.9654834,0.0003156191],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.006693903,0.01881928,0.0003230651,0.07424524,0.003172081,0.0001277704,0.003023762,0.00009852982,0.8934964],"genre_scores_gemma":[0.2228065,0.0006890313,0.0006166926,0.001222493,0.00749136,0.000007522305,0.00007286392,0.00004498803,0.7670486],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.4134518,"threshold_uncertainty_score":0.9981418,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2077303378","doi":"10.7202/006758ar","title":"L’autofiction de France Daigle. Identité, perception visuelle et réinvention de soi","year":2003,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Cécilia W. Francis","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02156294060086468,"gpt":0.3022470954240422,"spread":0.2806841548231775,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009210315,0.0002327496,0.000223796,0.000157886,0.000581161,0.0007952552,0.0001150296,0.0001272301,0.006964909],"category_scores_gemma":[0.0002241489,0.0002504644,0.0002712771,0.00007980302,0.000222474,0.0004681523,0.00002835183,0.0002661587,0.0005743242],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000128723,"about_ca_system_score_gemma":0.0001441478,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005886538,"about_ca_topic_score_gemma":0.001058032,"domain_scores_codex":[0.9983134,0.0003557981,0.000328682,0.0003183217,0.0002474572,0.0004363933],"domain_scores_gemma":[0.9991909,0.00006293537,0.0001689556,0.0002479115,0.000212627,0.0001167208],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001121852,0.0005565913,0.003985047,0.0002184977,0.0001846549,0.00004269187,0.01063574,0.0008120906,0.002273936,0.9317706,0.04714642,0.002362503],"study_design_scores_gemma":[0.0004544446,0.00009358107,0.005265979,0.000203187,0.0005442408,0.00002094405,0.00476059,0.003610005,0.0008561735,0.0357277,0.9480522,0.0004109293],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3335741,0.02518243,0.05418684,0.02154679,0.006420809,0.0005536724,0.00152544,0.0003445128,0.5566654],"genre_scores_gemma":[0.6855872,0.00552815,0.001069408,0.0008251086,0.00149037,0.00001986586,0.00009387991,0.00004722726,0.3053388],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9009058,"threshold_uncertainty_score":0.9999948,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2128740919","doi":"10.7202/1030203ar","title":"Esthétique du Slam et de la poésie orale dans la région frontalière de Gatineau-Ottawa","year":2015,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"University of Waterloo","funders":"","keywords":"Humanities; Political science; Geography; Art","authors":[{"name":"François Paré","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01658795995156341,"gpt":0.2976377454908445,"spread":0.2810497855392811,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0015413,0.0003139765,0.000339695,0.0001065702,0.0002580814,0.0009947727,0.0002588166,0.0001883503,0.0006882547],"category_scores_gemma":[0.0006653761,0.0002946102,0.0002218745,0.00006113867,0.0006731477,0.0002793322,0.0001106471,0.0003712798,0.0001677232],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001528596,"about_ca_system_score_gemma":0.0005882462,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03080203,"about_ca_topic_score_gemma":0.008967976,"domain_scores_codex":[0.9978339,0.0007895987,0.0003387711,0.000310097,0.0002607461,0.0004668733],"domain_scores_gemma":[0.998588,0.0003700151,0.000169563,0.0003186325,0.0002766915,0.0002770487],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001706766,0.0003944543,0.005960313,0.00007318479,0.0001595903,0.0005422496,0.03097957,0.0004251084,0.0001412779,0.701115,0.259755,0.000437159],"study_design_scores_gemma":[0.0006606806,0.0001204395,0.001688439,0.0001537644,0.0004509608,0.0001049622,0.01230947,0.001843047,0.0006279048,0.03714772,0.9444441,0.0004484724],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.07522948,0.003356066,0.002528091,0.02478953,0.0006754086,0.0001517114,0.001437267,0.0001306626,0.8917018],"genre_scores_gemma":[0.8034022,0.001318286,0.003156319,0.001145288,0.002844084,0.00002597364,0.00016373,0.00008584539,0.1878582],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.7281728,"threshold_uncertainty_score":0.9999506,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2032510616","doi":"10.7202/201445ar","title":"Le Canada anglais : une invention québécoise?","year":2006,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Annette Hayward","is_ca":false},{"name":"André Lamontagne","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.00608426719933462,"gpt":0.2053128836164691,"spread":0.1992286164171345,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002272851,0.0001006102,0.0001343756,0.0001506047,0.0008858678,0.0002971872,0.0001736497,0.00009147685,0.0007195658],"category_scores_gemma":[0.00004240158,0.0001575447,0.00008623934,0.0005423704,0.0007849591,0.0003949051,0.00002191535,0.0001494067,0.0001616777],"about_ca_system_candidate":true,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001271493,"about_ca_system_score_gemma":0.008357301,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9999956,"about_ca_topic_score_gemma":0.9999995,"domain_scores_codex":[0.998779,0.0001635476,0.0001878954,0.0002067549,0.0003147099,0.0003480671],"domain_scores_gemma":[0.9994934,0.00004487213,0.00009492717,0.0001446658,0.00007556361,0.0001466004],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000001429488,0.00004433517,0.0002343541,0.00002952824,0.000009083964,0.00005362531,0.0008186912,0.00001995521,0.00006293691,0.2003208,0.7931058,0.005299475],"study_design_scores_gemma":[0.000134906,0.000009490069,0.01313266,0.00003198535,0.00002562583,0.000002830309,0.0007145292,0.00000463481,0.0000272823,0.006820427,0.9789185,0.0001771206],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.01991088,0.01577215,0.00004798577,0.2609463,0.003876294,0.0001694316,0.001143122,0.00005922095,0.6980746],"genre_scores_gemma":[0.3780771,0.0005741931,0.00007293152,0.001036326,0.0006593418,0.000006549367,0.00003310571,0.00001748718,0.619523],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.3581662,"threshold_uncertainty_score":0.9972644,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1592392443","doi":"10.7202/011245ar","title":"Quand la biographie se « dramatise »","year":2005,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Université du Québec à Rimouski","funders":"","keywords":"Art; Humanities","authors":[{"name":"Frances Fortier","is_ca":true},{"name":"Caroline Dupont","is_ca":true},{"name":"Robin Servant","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03684016938736581,"gpt":0.267939316654148,"spread":0.2310991472667822,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002229081,0.0002463647,0.0002614454,0.0002192816,0.0004437587,0.0005157848,0.0001691417,0.00009699362,0.008693032],"category_scores_gemma":[0.00003039711,0.0002120957,0.0002576838,0.0001387984,0.0007023486,0.0008522759,0.0000460222,0.0002719336,0.001319795],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002916051,"about_ca_system_score_gemma":0.00002896322,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004301507,"about_ca_topic_score_gemma":0.0006249761,"domain_scores_codex":[0.9986765,0.0002289394,0.0003183158,0.000265011,0.000182166,0.0003290371],"domain_scores_gemma":[0.9992559,0.0001962164,0.00009003391,0.0002323595,0.00007113152,0.000154336],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002405318,0.000612583,0.0001966783,0.000166688,0.0001579747,0.00008850884,0.02924944,0.00001389501,0.0001322538,0.2873979,0.6052205,0.07673952],"study_design_scores_gemma":[0.0002585647,0.00008076657,0.0003768785,0.0001106894,0.0001226538,0.00001401417,0.0003359916,0.000069667,0.0001394884,0.001644092,0.9965461,0.0003010171],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.04905793,0.1510157,0.0003373002,0.1176427,0.002282721,0.0002882214,0.005088152,0.0003559973,0.6739313],"genre_scores_gemma":[0.1363644,0.003588794,0.000786425,0.001188191,0.001778537,0.00001147365,0.0000433169,0.00003242844,0.8562064],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.3913257,"threshold_uncertainty_score":0.9994578,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1966741142","doi":"10.7202/009221ar","title":"Dépassement des frontières et ouverture dans Pas pire 1","year":2004,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Jeanette den Toonder","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01816692247388343,"gpt":0.2647190860220331,"spread":0.2465521635481497,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004565984,0.0001855334,0.0002096802,0.0001997859,0.001162816,0.000683135,0.0003416584,0.0001845284,0.001212516],"category_scores_gemma":[0.0001356405,0.0002374337,0.0001735039,0.0003335346,0.001975605,0.0008091096,0.00006782434,0.0003028085,0.0006098733],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001874663,"about_ca_system_score_gemma":0.001206102,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.7613645,"about_ca_topic_score_gemma":0.9735019,"domain_scores_codex":[0.9982882,0.0002508368,0.0002131202,0.000326165,0.0004077989,0.0005138592],"domain_scores_gemma":[0.9992422,0.00006166828,0.00009448919,0.0002338976,0.00008485008,0.0002828294],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001022106,0.0003338715,0.001294492,0.0001475129,0.0001052266,0.0002136712,0.1479641,0.0002656081,0.0005113877,0.1353458,0.684577,0.02923114],"study_design_scores_gemma":[0.0003221993,0.00005519727,0.0215908,0.0001639495,0.0000687314,0.000005094712,0.005427954,0.000001711163,0.000128375,0.01126497,0.9606873,0.0002837103],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"other","genre_scores_codex":[0.1317758,0.0873953,0.00487431,0.5073246,0.01066325,0.0008227866,0.003570031,0.0003624947,0.2532114],"genre_scores_gemma":[0.2623448,0.02048368,0.003863584,0.007913929,0.001223539,0.00004435686,0.00004414485,0.00007436145,0.7040076],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.4994107,"threshold_uncertainty_score":0.9997005,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1969925932","doi":"10.7202/006602ar","title":"Polémique sur un « mauvais livre » : L’appel de la race de Lionel Groulx*","year":2003,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","authors":[{"name":"Jean-Christian Pléau","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.009681163830647316,"gpt":0.2506009374108157,"spread":0.2409197735801684,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001783037,0.0001733816,0.0002120208,0.0002710048,0.0008855179,0.0006509395,0.0002989586,0.0003482613,0.002774908],"category_scores_gemma":[0.0008015953,0.0002509396,0.0001682743,0.000538508,0.001411906,0.0005331305,0.00003522363,0.0004688471,0.0006322404],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001198551,"about_ca_system_score_gemma":0.002239797,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.5463483,"about_ca_topic_score_gemma":0.421938,"domain_scores_codex":[0.9970663,0.001482566,0.0002026077,0.0003001484,0.0002479586,0.0007003744],"domain_scores_gemma":[0.9987553,0.0003938257,0.0001024793,0.0002366426,0.00008283902,0.0004288672],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001003503,0.0003682621,0.004214899,0.0001416006,0.00006927767,0.0003019571,0.03811333,0.00003734166,0.0008154584,0.2037833,0.7292864,0.02285816],"study_design_scores_gemma":[0.0002439136,0.00002627884,0.009205603,0.00007700085,0.00005423406,0.00004936517,0.001950511,0.00001086186,0.0002777817,0.008615225,0.9791991,0.0002901554],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.1730677,0.0806408,0.003150746,0.1488763,0.003693215,0.0006140279,0.001384902,0.0003260614,0.5882462],"genre_scores_gemma":[0.3164137,0.020018,0.002597025,0.002531783,0.0005174365,0.00002335897,0.000006235228,0.0000589331,0.6578335],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.2499127,"threshold_uncertainty_score":0.9999943,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2048080525","doi":"10.7202/201243ar","title":"Le jeu d’imitation dans Copies conformes de Monique LaRue","year":2006,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Imitation; Art history; Philosophy; Psychology","authors":[{"name":"Daniel Canty","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.088416159645001,"gpt":0.2952043705944354,"spread":0.2067882109494344,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0001794544,0.000218366,0.0001826626,0.00006211713,0.0001959943,0.002167026,0.0003023962,0.0001166731,0.00001819278],"category_scores_gemma":[0.0001325816,0.0001849784,0.0001005972,0.0002328207,0.000251049,0.004739045,0.0001358303,0.0001574778,0.0001228328],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006042429,"about_ca_system_score_gemma":0.0003943146,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01741295,"about_ca_topic_score_gemma":0.002542363,"domain_scores_codex":[0.9987262,0.00008959039,0.0002619851,0.0002721423,0.0001970865,0.000452979],"domain_scores_gemma":[0.9991422,0.000152322,0.0001127237,0.0002613323,0.0001939586,0.0001374341],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000005250096,0.0001699637,0.0003142057,0.00006223293,0.00001501024,0.0001118182,0.005025134,0.0006183824,0.01350649,0.8536856,0.1211799,0.00530606],"study_design_scores_gemma":[0.0008185061,0.0003260643,0.06195118,0.0002897724,0.00003398742,0.0004770638,0.0008292241,0.00534731,0.2421466,0.1744961,0.5124334,0.0008506855],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.08947248,0.00811352,0.2198917,0.09249129,0.001207801,0.0004540216,0.0004894731,0.0004379016,0.5874418],"genre_scores_gemma":[0.8031802,0.0002891024,0.01180755,0.00190295,0.0002127036,0.00001173423,0.00004066311,0.00001787212,0.1825372],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7137077,"threshold_uncertainty_score":0.9988688,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2083967995","doi":"10.7202/201303ar","title":"Les pèlerinages de Henri-Raymond Casgrain : de la référentialité à l’intertextualité","year":2006,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Travel Writing and Literature","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","authors":[{"name":"Pierre Rajotte","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01033290700077452,"gpt":0.2673142237321566,"spread":0.256981316731382,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008420668,0.0004431288,0.0003500983,0.0001527173,0.0006665499,0.001918729,0.000299573,0.0003041623,0.002011859],"category_scores_gemma":[0.00008151829,0.0004394694,0.0002845462,0.0000747196,0.0009943709,0.000328133,0.00009005857,0.0007282016,0.00009262479],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00009861951,"about_ca_system_score_gemma":0.00009988691,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03166416,"about_ca_topic_score_gemma":0.001443544,"domain_scores_codex":[0.9972849,0.0008011697,0.0004395018,0.0004273089,0.0002257233,0.0008213726],"domain_scores_gemma":[0.9987937,0.0004816267,0.0001449736,0.0003304299,0.0001110244,0.0001382726],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003546894,0.0004630798,0.000839545,0.0005781826,0.0001126906,0.0004868881,0.02645484,0.00004000233,0.002500921,0.7427882,0.2027502,0.02295002],"study_design_scores_gemma":[0.000537228,0.00009660175,0.01023266,0.0005750971,0.000117749,0.0002745449,0.004346153,0.00006174764,0.001341418,0.009684333,0.9722089,0.0005236028],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3467163,0.06510098,0.001159171,0.02620675,0.00151983,0.0003522944,0.008121897,0.000599966,0.5502229],"genre_scores_gemma":[0.5974665,0.00036773,0.0007645819,0.0004510185,0.001784191,0.00002008487,0.00008263351,0.00006529276,0.3989979],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.7694587,"threshold_uncertainty_score":0.9998057,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2016457126","doi":"10.7202/201234ar","title":"« Être est une activité de fiction. » L’écriture de Suzanne Jacob","year":2006,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Semiotics and Representation Studies","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Christl Verduyn","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01724766913702917,"gpt":0.2755475465556032,"spread":0.258299877418574,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002179643,0.0002590546,0.000255111,0.0001006701,0.0007719508,0.000452115,0.000124231,0.0001276961,0.0006623722],"category_scores_gemma":[0.0000536812,0.0002368337,0.0001634304,0.00009672812,0.0005199142,0.0003075425,0.0000719973,0.0003199818,0.0001402792],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000813779,"about_ca_system_score_gemma":0.00008308941,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02005448,"about_ca_topic_score_gemma":0.002311503,"domain_scores_codex":[0.9986361,0.0001233661,0.0002629172,0.0002856725,0.0001978494,0.0004940568],"domain_scores_gemma":[0.9991198,0.0003000802,0.0001160715,0.000213521,0.0001723209,0.00007827718],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000287875,0.0005464245,0.004807688,0.0001830686,0.0002042144,0.000138693,0.01517286,0.001279785,0.001836019,0.1183085,0.8532426,0.004251413],"study_design_scores_gemma":[0.0004729048,0.0000614234,0.01819177,0.0001685482,0.0001582872,0.00005362181,0.01042101,0.0002216843,0.003530072,0.006174198,0.960216,0.0003304342],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2109789,0.08724984,0.001299987,0.209231,0.004165986,0.0005057729,0.003450837,0.0003762872,0.4827414],"genre_scores_gemma":[0.5164633,0.005756884,0.0005260452,0.0007675822,0.003093386,0.00002126511,0.00005926917,0.0000521525,0.4732601],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.3054844,"threshold_uncertainty_score":0.9864711,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2014421833","doi":"10.7202/006601ar","title":"Le Nigog  : la pratique polémique du poème en prose","year":2003,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Université Laval","funders":"","keywords":"Humanities; Subversion; Philosophy; Art; Political science","authors":[{"name":"Luc Bonenfant","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01073105197340147,"gpt":0.2585871741137745,"spread":0.247856122140373,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008052172,0.0002859719,0.0003199279,0.00012374,0.0004685199,0.0008496119,0.0001768342,0.0001535959,0.002160173],"category_scores_gemma":[0.0007973293,0.0002699814,0.0002077057,0.00006543037,0.0004363921,0.0002848999,0.00005693503,0.0003368105,0.0002755114],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004059562,"about_ca_system_score_gemma":0.0006668027,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006341655,"about_ca_topic_score_gemma":0.002300715,"domain_scores_codex":[0.9981158,0.0006221195,0.0003411795,0.0003363619,0.0001907132,0.0003938419],"domain_scores_gemma":[0.9988204,0.0003099048,0.0001445729,0.0003230892,0.0002712529,0.0001307424],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000005393686,0.0003881137,0.0002764894,0.00008676323,0.0001523048,0.00009559316,0.009866491,0.00003486928,0.00007961385,0.9455813,0.04308815,0.0003449701],"study_design_scores_gemma":[0.0003347699,0.00007231379,0.0002075257,0.00008372934,0.0001937055,0.00002152809,0.00408538,0.00005644624,0.001201769,0.02854502,0.9648359,0.0003618661],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.005080635,0.006105878,0.0006140666,0.04943749,0.000827823,0.0002489443,0.001000678,0.00008061523,0.9366038],"genre_scores_gemma":[0.5911621,0.002054941,0.0006611036,0.0009885706,0.002245853,0.00003050671,0.00003550724,0.0000562752,0.4027651],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.9217478,"threshold_uncertainty_score":0.9999753,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2165513544","doi":"10.7202/1008573ar","title":"Le discours sur la Grande Guerre","year":2012,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Military, Security, and Education Studies","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art; Political science","authors":[{"name":"Micheline Cambron","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03150008557658931,"gpt":0.3387759089092356,"spread":0.3072758233326464,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001165707,0.0001696884,0.0002125242,0.00004790619,0.0005978156,0.00007895423,0.0002007466,0.0001077533,0.0004504476],"category_scores_gemma":[0.0003535087,0.0001661811,0.0001265553,0.000262781,0.001063823,0.0009844458,0.00008105973,0.000194196,0.0004220165],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003463586,"about_ca_system_score_gemma":0.0002446483,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03075804,"about_ca_topic_score_gemma":0.004361067,"domain_scores_codex":[0.9981992,0.0005185335,0.0001922267,0.0002006771,0.0002995394,0.0005898779],"domain_scores_gemma":[0.9989619,0.000465689,0.00006914652,0.0001847538,0.0001030949,0.000215456],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000006594806,0.0007432188,0.01968573,0.00008443966,0.0000812462,0.00000229217,0.1650378,0.000001784148,0.00002900876,0.2220138,0.5759957,0.01631838],"study_design_scores_gemma":[0.0001769242,0.00001399134,0.04420443,0.00004210645,0.00004829312,0.000002861541,0.0403108,0.000001167749,0.00006090705,0.006917367,0.9080061,0.0002150301],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.08643764,0.1560027,0.0001249282,0.408533,0.009094455,0.0002606233,0.0003846022,0.0001086236,0.3390534],"genre_scores_gemma":[0.8642983,0.008066356,0.0001800794,0.0004205147,0.001522027,0.00001811815,0.000008787973,0.00001561132,0.1254702],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7778606,"threshold_uncertainty_score":0.9756962,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1604233665","doi":"10.7202/013242ar","title":"Deuils au pluriel","year":2006,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Multiculturalism, Politics, Migration, Gender","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"University of New Brunswick","funders":"","keywords":"Patience; Humanities; Art; Philosophy; Theology","authors":[{"name":"Marie Carrière","is_ca":true},{"name":"Catherine Khordoc","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0866644239445291,"gpt":0.3984274666782427,"spread":0.3117630427337136,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005295596,0.0002542542,0.0002190556,0.00006196673,0.0004567603,0.000265728,0.0002964594,0.0002278564,0.0008538104],"category_scores_gemma":[0.0002499739,0.0002450534,0.0001547458,0.000224077,0.001501761,0.000715638,0.00006316631,0.0002099283,0.001114628],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001055487,"about_ca_system_score_gemma":0.001002034,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.1807944,"about_ca_topic_score_gemma":0.03665772,"domain_scores_codex":[0.9975572,0.0004196937,0.0003761038,0.0003634816,0.0004742368,0.0008092457],"domain_scores_gemma":[0.9988982,0.000232241,0.000154958,0.0002711292,0.0002592181,0.0001842319],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000004681248,0.0002652554,0.01742145,0.0000687076,0.0000535623,0.00002443478,0.06180992,0.0001775207,0.001508862,0.2042065,0.7121213,0.00233778],"study_design_scores_gemma":[0.000259676,0.00001868654,0.08306818,0.00003803355,0.00005611425,0.000005753896,0.005241191,0.00007331065,0.002958424,0.002129167,0.9058115,0.0003398944],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.5448112,0.005641657,0.0007202137,0.2891887,0.004727054,0.0006109215,0.001179082,0.0002861003,0.1528351],"genre_scores_gemma":[0.3370837,0.000278602,0.001625221,0.004500858,0.002345669,0.00001299532,0.00004938365,0.00002943533,0.6540741],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.5012391,"threshold_uncertainty_score":0.9996631,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1505019866","doi":"10.7202/016310ar","title":"Masculinité et maternage dans Le vieux chagrin de Jacques Poulin 1","year":2007,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Education, sociology, and vocational training","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Université de Sherbrooke","funders":"","keywords":"Humanities; Philosophy; Art","authors":[{"name":"Isabelle Boisclair","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1213741804357173,"gpt":0.460662696295747,"spread":0.3392885158600296,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.009058445,0.0002008553,0.0002088768,0.00008323523,0.000492754,0.0001215522,0.0003614595,0.0002535327,0.0002859236],"category_scores_gemma":[0.0006574907,0.0002181108,0.0001348609,0.0002786828,0.001313732,0.0004673633,0.0000524549,0.0003340775,0.0002344314],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001336643,"about_ca_system_score_gemma":0.0004276651,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01000585,"about_ca_topic_score_gemma":0.001791409,"domain_scores_codex":[0.9972347,0.001183104,0.0003592496,0.0003342364,0.0002662167,0.0006225096],"domain_scores_gemma":[0.9979026,0.001412418,0.0001696091,0.0001943369,0.0001391253,0.000181935],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","study_design_scores_codex":[0.00001036994,0.000529456,0.04038574,0.0001200845,0.0001317626,0.00002716494,0.2481544,0.00003171327,0.001999227,0.6742282,0.01210273,0.02227918],"study_design_scores_gemma":[0.0004004354,0.00006143257,0.4435809,0.0001341677,0.00005568022,0.00002191228,0.2124799,0.00001340597,0.002178274,0.02432622,0.3162792,0.0004684384],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.616681,0.005666295,0.0136596,0.2013774,0.004396927,0.0003856469,0.0002803298,0.0002267369,0.157326],"genre_scores_gemma":[0.87957,0.006139923,0.01498557,0.003146806,0.003238251,0.0000367652,0.00005470755,0.00003903709,0.09278894],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.649902,"threshold_uncertainty_score":0.9965866,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2016456929","doi":"10.7202/201140ar","title":"Métrique et prosaïsme dans la poésie de Saint-Denys Garneau","year":2006,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Impact of AI and Big Data on Business and Society","field":"Decision Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Michel Lemaire","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04008948874335329,"gpt":0.3644111725764871,"spread":0.3243216838331339,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.005279049,0.0004333701,0.0005050459,0.0001567791,0.000364266,0.001995942,0.0009342764,0.0004402371,0.000605961],"category_scores_gemma":[0.00128368,0.0003408096,0.0003746328,0.0008770265,0.0007485992,0.001647007,0.0003298333,0.0005987367,0.0005689226],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002001024,"about_ca_system_score_gemma":0.0008704336,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01159984,"about_ca_topic_score_gemma":0.0009647713,"domain_scores_codex":[0.9956281,0.0009281973,0.0007226985,0.0006871474,0.001091522,0.0009423127],"domain_scores_gemma":[0.9969848,0.001305253,0.000304487,0.000751214,0.0003920785,0.0002621434],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000706032,0.001198804,0.02445835,0.0001301636,0.00006760495,0.0006059235,0.004598715,0.0004686348,0.0179057,0.07714009,0.8024695,0.07088595],"study_design_scores_gemma":[0.0008206494,0.0001296205,0.1724595,0.0001767595,0.00005204079,0.0003219176,0.001697738,0.0006102569,0.004072371,0.03199727,0.7870817,0.0005802448],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.4090529,0.01367998,0.1452199,0.3060997,0.003108986,0.001056325,0.0154357,0.0004269224,0.1059196],"genre_scores_gemma":[0.710589,0.002657192,0.01506906,0.004944841,0.0009033692,0.0000291446,0.0002027592,0.00008228118,0.2655224],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3015361,"threshold_uncertainty_score":0.9999044,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4386493488","doi":"10.7202/1105646ar","title":"Des études littéraires autochtones au Québec ? Un état des lieux","year":2023,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"Université Laval","funders":"","keywords":"Art; History","authors":[{"name":"Marie-Ève Bradette","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03757853935333726,"gpt":0.2872876878620048,"spread":0.2497091485086675,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts","insufficient_payload"],"category_scores_codex":[0.0008093774,0.0002412674,0.0002925271,0.0005179612,0.003209854,0.0007964639,0.0004832633,0.0001933049,0.00142744],"category_scores_gemma":[0.0006527976,0.0003096304,0.000238952,0.00144522,0.007147094,0.0008662712,0.0001434715,0.0002580198,0.003611311],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002169671,"about_ca_system_score_gemma":0.004516787,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9846335,"about_ca_topic_score_gemma":0.9979152,"domain_scores_codex":[0.9975853,0.0003544028,0.0003017467,0.0004168486,0.0004339406,0.0009077674],"domain_scores_gemma":[0.9986463,0.0003994555,0.0001106175,0.0002810147,0.0001497278,0.0004129146],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001560922,0.000180448,0.007500743,0.0005064229,0.0001698631,0.000305439,0.1487616,0.00006241848,0.0004282824,0.04801898,0.1886831,0.605367],"study_design_scores_gemma":[0.0001453566,0.00005896034,0.1004336,0.0001982085,0.00007682123,0.000009171639,0.006498199,0.00001287287,0.0001064603,0.008299654,0.883814,0.0003467462],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.6778712,0.09105735,0.0000617212,0.1588854,0.003735461,0.0004568796,0.00120178,0.0009985073,0.06573173],"genre_scores_gemma":[0.1941703,0.02836308,0.0007258031,0.0005785283,0.001130329,0.00005361711,0.00001772654,0.00007360597,0.774887],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7091553,"threshold_uncertainty_score":0.9999356,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}