{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":123,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":123,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"query_hash":"649f78dc9458","filters":{"venue":"Volume !"}},"results":[{"id":"W2088554638","doi":"10.4000/volume.2039","title":"Deux exemples de presse musicale jeune en France, de 1966 à 1969 : Salut Les Copains et Rock &amp; Folk","year":2004,"lang":"fr","type":"article","venue":"Volume !","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":48,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.01960193512664157,"gpt":0.2354549119820862,"spread":0.2158529768554446,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002824549,0.0003642,0.0005604831,0.00005276544,0.003510766,0.0002104984,0.000316432,0.0002288167,0.003354029],"category_scores_gemma":[0.0001674896,0.0003139131,0.0004790657,0.0001342667,0.0003500084,0.0001999188,0.0001423651,0.0004431663,0.000662746],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00168326,"about_ca_system_score_gemma":0.0001018155,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.03764617,"about_ca_topic_score_gemma":0.05551428,"domain_scores_codex":[0.997808,0.000203228,0.0004202066,0.0004188767,0.0003206728,0.0008289578],"domain_scores_gemma":[0.9989848,0.0001571787,0.0001414361,0.0002731837,0.0001702141,0.0002732448],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003834883,0.001032848,0.006526097,0.0004217778,0.000803234,0.00008162476,0.4098249,0.002700663,0.0002798568,0.1402568,0.4331318,0.004901983],"study_design_scores_gemma":[0.0004626504,0.0001046163,0.001370515,0.0001169229,0.0003110392,0.00000513082,0.003888064,0.000157834,0.00001218342,0.005676052,0.9874465,0.0004484309],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.7593246,0.0494075,0.003677108,0.1734062,0.001299871,0.0003795314,0.0005083273,0.0002527568,0.01174405],"genre_scores_gemma":[0.3863477,0.007549778,0.0009445015,0.001095806,0.00295382,0.00006451154,0.00005324797,0.00005099314,0.6009397],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.5891957,"threshold_uncertainty_score":0.9999313,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2003169415","doi":"10.4000/volume.295","title":"Lettre ouverte sur les musiques « noires », « afro-américaines » et « européennes »","year":2008,"lang":"fr","type":"article","venue":"Volume !","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":30,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"International Laboratory for Brain, Music and Sound Research","funders":"","keywords":"Humanities; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.05255770583779338,"gpt":0.2157336642047527,"spread":0.1631759583669594,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001495688,0.0004261685,0.0004259165,0.00009514624,0.001757299,0.0001625333,0.0003216456,0.000208581,0.0224316],"category_scores_gemma":[0.00008640117,0.0003879122,0.000288411,0.00008371571,0.00112124,0.0005760272,0.00008860198,0.0004216612,0.001312054],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006749393,"about_ca_system_score_gemma":0.0001040824,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005860998,"about_ca_topic_score_gemma":0.01773858,"domain_scores_codex":[0.9980708,0.0002705537,0.000395184,0.0004623262,0.0003000855,0.0005010852],"domain_scores_gemma":[0.9989368,0.00007452972,0.0001658523,0.0003856145,0.0002818746,0.0001553606],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002072383,0.0002418606,0.0006157969,0.0001645684,0.00006970777,0.0002715273,0.06128532,0.000008925263,0.0001030745,0.08005923,0.8523323,0.004826979],"study_design_scores_gemma":[0.0002863719,0.0001276991,0.002057653,0.0001698931,0.00006772181,0.00007447188,0.003055762,0.0001142118,0.00002270708,0.0003382451,0.9931636,0.0005215918],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.2685357,0.06145724,0.00006840237,0.02222517,0.007467471,0.0004093566,0.000790017,0.0005745624,0.6384721],"genre_scores_gemma":[0.2058987,0.001588072,0.00008258897,0.00210611,0.003711496,0.00001885638,0.00007184156,0.00006534118,0.7864569],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1479849,"threshold_uncertainty_score":0.9998573,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1542355519","doi":"10.4000/volume.456","title":"Les Scènes métal","year":2006,"lang":"fr","type":"article","venue":"Volume !","topic":"Metallurgy and Cultural Artifacts","field":"Social Sciences","cited_by":20,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.03478280975989177,"gpt":0.287060575977571,"spread":0.2522777662176792,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002299014,0.0001165,0.0001301269,0.00001714547,0.0005824926,0.00008555691,0.0001618362,0.0001517644,0.02956714],"category_scores_gemma":[0.00003697238,0.0001046798,0.0001126764,0.0002651284,0.0005020057,0.0003144529,0.00002925988,0.0001159073,0.01918206],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00005283388,"about_ca_system_score_gemma":0.00003790131,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0274209,"about_ca_topic_score_gemma":0.00755685,"domain_scores_codex":[0.9988309,0.000161268,0.0001739239,0.0001909945,0.000262329,0.0003806175],"domain_scores_gemma":[0.9996601,0.00002793656,0.00006370066,0.00009733553,0.00005707841,0.00009380282],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000008177976,0.0002199653,0.01226949,0.00003353223,0.00003071206,0.00004469048,0.002765112,0.00007637801,0.0006154674,0.4681844,0.05875418,0.4569979],"study_design_scores_gemma":[0.00007728879,0.00002336758,0.02847069,0.00002152516,0.000022808,0.000004320805,0.0006212983,0.0001383019,0.0001493782,0.007338332,0.9629691,0.0001636308],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6280311,0.00317956,0.00005035623,0.01092669,0.001652688,0.00007883603,0.000002669862,0.00006508629,0.356013],"genre_scores_gemma":[0.5655867,0.00004617572,0.0001429523,0.00007320511,0.0008985506,0.00000236039,0.000005361548,0.00000449661,0.4332401],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9042149,"threshold_uncertainty_score":0.9815816,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2049863671","doi":"10.4000/volume.3055","title":"Le DIY comme dynamique contre-culturelle ?","year":2012,"lang":"fr","type":"article","venue":"Volume !","topic":"Literature and Culture Studies","field":"Arts and Humanities","cited_by":14,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Punk; Art; Political science; Art history","retraction":null,"screen_n_in":null,"score":{"opus":0.01981318158251041,"gpt":0.2208371371790428,"spread":0.2010239555965324,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001588597,0.0003073344,0.0003548693,0.00003119175,0.001129639,0.0003304074,0.0001678819,0.00018741,0.002729211],"category_scores_gemma":[0.00002449817,0.0002503055,0.0002065977,0.00005230213,0.0004903504,0.0006283244,0.0001006104,0.0003686894,0.001714885],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004162139,"about_ca_system_score_gemma":0.00003513402,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00195327,"about_ca_topic_score_gemma":0.002717566,"domain_scores_codex":[0.9985567,0.0001116498,0.0002738925,0.0002082815,0.0001589156,0.0006905787],"domain_scores_gemma":[0.9992633,0.00003932579,0.00009787776,0.0002472701,0.0001712652,0.0001809463],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000007075904,0.0002039319,0.0005970886,0.0000606292,0.0001208391,0.000003598612,0.03669453,3.103607e-7,0.00001194827,0.5171992,0.4445727,0.0005281274],"study_design_scores_gemma":[0.0004096051,0.00007383972,0.0005403172,0.0001042274,0.0001125737,0.00001372713,0.01005875,0.00002196884,0.00002658682,0.001406373,0.9868607,0.0003713235],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.001450988,0.1943913,0.00003530243,0.02837004,0.006042195,0.0002544493,0.000429478,0.0001105754,0.7689157],"genre_scores_gemma":[0.4530245,0.0003431046,0.00003812649,0.001576354,0.004842084,0.00002131389,0.00007863381,0.00002398568,0.5400519],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.542288,"threshold_uncertainty_score":0.9999949,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2015678861","doi":"10.4000/volume.651","title":"Le critique rock, le fanzine et le magazine : « Ça s’en va et ça revient »","year":2006,"lang":"fr","type":"article","venue":"Volume !","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":13,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Saint Paul University","funders":"","keywords":"Humanities; Art; Philosophy","retraction":null,"screen_n_in":null,"score":{"opus":0.01039362831464974,"gpt":0.2175279923057635,"spread":0.2071343639911137,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004286101,0.0003394957,0.000425982,0.00006542008,0.0008954882,0.000238289,0.0002457395,0.0002106325,0.01210546],"category_scores_gemma":[0.00003549386,0.0003519481,0.0002516639,0.0000752042,0.0002230797,0.0005270594,0.00008890282,0.0005095881,0.002410016],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00007502484,"about_ca_system_score_gemma":0.0003790838,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.008526339,"about_ca_topic_score_gemma":0.03003058,"domain_scores_codex":[0.9980347,0.0003463076,0.000475325,0.0004427652,0.0002370325,0.0004639296],"domain_scores_gemma":[0.9991122,0.00003624285,0.0001437386,0.0004052779,0.0001836599,0.0001188519],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000008034656,0.0003517316,0.000007723569,0.0001819595,0.00001691374,0.00003210696,0.003708828,0.00005333213,0.0001725726,0.4870536,0.5078429,0.0005703089],"study_design_scores_gemma":[0.0006512892,0.0001150827,0.0003349336,0.0002950931,0.00005325061,0.0000294769,0.001281712,0.0001202364,0.0000517642,0.003649053,0.9929646,0.0004534923],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.00195821,0.04481351,0.0007712934,0.05431221,0.001855409,0.0003742955,0.0004330011,0.0001492167,0.8953329],"genre_scores_gemma":[0.1756089,0.0004232481,0.000184188,0.003944284,0.002005595,0.00004340865,0.0002973013,0.00005667893,0.8174365],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.4851217,"threshold_uncertainty_score":0.9998932,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2091605250","doi":"10.4000/volume.629","title":"Cold Press: Early Punk Fanzines in Canada’s Capital","year":2006,"lang":"en","type":"article","venue":"Volume !","topic":"Media, Communication, and Education","field":"Social Sciences","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Carleton University","funders":"","keywords":"Punk; Memoir; Politics; Reading (process); Musical; National identity; Media studies; Close reading; Capital (architecture); Sociology; Identity (music); Political science; Gender studies; Aesthetics; Art history; History; Art; Visual arts; Literature; Law","retraction":null,"screen_n_in":null,"score":{"opus":0.01392691065560272,"gpt":0.2425375009257792,"spread":0.2286105902701764,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002038378,0.00004292439,0.00006241082,0.00002671208,0.0001623256,0.00003954184,0.0002249322,0.00003389052,0.0001250013],"category_scores_gemma":[0.00007706881,0.00004702749,0.00001201935,0.0001211554,0.0000558442,0.0001360751,0.00001334882,0.00006011482,0.00002764923],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003201141,"about_ca_system_score_gemma":0.001605266,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9987903,"about_ca_topic_score_gemma":0.9993602,"domain_scores_codex":[0.9993063,0.00009230265,0.0001244169,0.00008692111,0.000201785,0.0001882278],"domain_scores_gemma":[0.9996287,0.00005143139,0.00004112761,0.0001710076,0.00005426639,0.00005349242],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.00000249859,0.0000670529,0.7620796,0.000007731033,0.000003257799,0.000001432167,0.03220083,0.00002126764,0.0000535032,0.01389683,0.1899867,0.001679287],"study_design_scores_gemma":[0.00008664681,0.000005169242,0.5862373,0.000008387686,0.000002893185,9.722365e-8,0.005079973,0.00004143348,0.00004515104,0.0008044362,0.4075963,0.0000921707],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9514705,0.0005114687,0.000006637971,0.00253919,0.0005018801,0.0001206093,0.000005134113,0.00001941998,0.04482519],"genre_scores_gemma":[0.9836678,0.00007358346,0.0000941724,0.000051257,0.0003087737,0.00002056881,0.00001115109,0.000004225101,0.01576848],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2176096,"threshold_uncertainty_score":0.2847672,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1907374615","doi":"10.4000/volume.3808","title":"Consommer la musique à l’ère du numérique : vers une analyse des environnements sonores","year":2013,"lang":"fr","type":"article","venue":"Volume !","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art","retraction":null,"screen_n_in":null,"score":{"opus":0.01607334446524146,"gpt":0.2237956982760594,"spread":0.2077223538108179,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002848014,0.0003046316,0.0003496284,0.0001402063,0.0006057701,0.0002271976,0.000762402,0.0003656374,0.001278158],"category_scores_gemma":[0.0001471303,0.0003030712,0.000147987,0.0005341392,0.001855403,0.0006715526,0.0005622294,0.0003981832,0.001838733],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000120391,"about_ca_system_score_gemma":0.0001080276,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007679415,"about_ca_topic_score_gemma":0.002307083,"domain_scores_codex":[0.9980812,0.0002432927,0.0003302502,0.0005446983,0.0001802686,0.000620259],"domain_scores_gemma":[0.99877,0.0001708188,0.0001299755,0.0006609255,0.0001259878,0.0001423044],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001104481,0.0006373331,0.2681094,0.0001400716,0.0007941319,0.0002498683,0.04504922,0.0000846704,0.0003133629,0.1823563,0.3216634,0.1805912],"study_design_scores_gemma":[0.0006982116,0.000155671,0.1317036,0.00009995397,0.00004688753,0.00006019484,0.003692763,0.008884286,0.0001442266,0.03158031,0.8224013,0.0005326143],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8430351,0.009922735,0.06142508,0.04699366,0.001710897,0.0005303421,0.00002657408,0.000378998,0.03597664],"genre_scores_gemma":[0.9669598,0.001182223,0.006886316,0.001152747,0.000156727,0.0000892992,0.000005001301,0.000018812,0.02354911],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5007379,"threshold_uncertainty_score":0.9999421,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2599995781","doi":"10.4000/volume.2651","title":"Bitch et Beurette, quand féminité rime avec liberté","year":2011,"lang":"fr","type":"article","venue":"Volume !","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Fédération des Maisons D'Hébergement pour Femmes","funders":"","keywords":"Humanities; Art; Appropriation; Philosophy; Linguistics","retraction":null,"screen_n_in":null,"score":{"opus":0.07318332009091004,"gpt":0.2350407302792727,"spread":0.1618574101883626,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002193432,0.0002890965,0.00032431,0.00008055984,0.0005626658,0.000555653,0.0002831712,0.0001953614,0.05580483],"category_scores_gemma":[0.00003285108,0.0002790959,0.000229712,0.00007014945,0.0005154272,0.0009028965,0.0001303389,0.0004084192,0.008157325],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003922708,"about_ca_system_score_gemma":0.00004722245,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.02057791,"about_ca_topic_score_gemma":0.0201491,"domain_scores_codex":[0.9984518,0.0001107749,0.0003781127,0.0003449194,0.0002263934,0.0004879994],"domain_scores_gemma":[0.9991968,0.00003422056,0.0001281907,0.0003280556,0.0001400723,0.0001727086],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000345106,0.0003912335,0.001389631,0.0001760049,0.000125607,0.0001343196,0.1453191,2.051134e-7,0.00007906575,0.5399176,0.3103055,0.002127085],"study_design_scores_gemma":[0.0003556981,0.0002140804,0.006254121,0.0001369241,0.0001225107,0.00002685522,0.002671798,0.00005690078,0.0001079091,0.00618902,0.9834347,0.0004295032],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.3780196,0.01019544,0.00001620069,0.008143571,0.004614088,0.0002951779,0.0003845292,0.0001899699,0.5981414],"genre_scores_gemma":[0.1974751,0.0005547576,0.0001725014,0.001236042,0.001373309,0.00001295615,0.00004705648,0.00004434851,0.7990839],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.6731291,"threshold_uncertainty_score":0.9999661,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2029599245","doi":"10.4000/volume.692","title":"Une introduction à la transphonographie","year":2010,"lang":"fr","type":"article","venue":"Volume !","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université Laval; Musée de la Civilisation","funders":"","keywords":"Humanities; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.07372813229498745,"gpt":0.2635982021095677,"spread":0.1898700698145802,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0001439118,0.0001755274,0.0001467663,0.00007348702,0.0001415771,0.001262059,0.0003239327,0.0001779072,0.0003960695],"category_scores_gemma":[0.0000440662,0.0001467781,0.0001319901,0.0009270186,0.0003584557,0.002829832,0.00005511457,0.0004060933,0.0007198815],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001085161,"about_ca_system_score_gemma":0.00005444715,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001937482,"about_ca_topic_score_gemma":0.001185526,"domain_scores_codex":[0.9988602,0.00003676961,0.0001954497,0.0003643863,0.0001839435,0.0003592757],"domain_scores_gemma":[0.9991091,0.00002629438,0.00005748595,0.0004401525,0.0001236604,0.0002433093],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00000810255,0.0002329501,0.0001725993,0.00003175248,0.00002882249,0.00007386359,0.002420334,0.00002893428,0.01434333,0.4280866,0.3348165,0.2197562],"study_design_scores_gemma":[0.000185651,0.00009794968,0.007873747,0.00001312593,0.0000146507,0.0003627159,0.00001548899,0.00251006,0.00153807,0.01429715,0.9728675,0.000223929],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2615454,0.004599289,0.03759073,0.3202319,0.04086215,0.0004494148,0.00005970943,0.0006060412,0.3340554],"genre_scores_gemma":[0.7525317,0.0001734076,0.005538969,0.0005478901,0.003490299,0.000005030569,0.00001610703,0.00001927452,0.2376773],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.638051,"threshold_uncertainty_score":0.9997748,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3046098457","doi":"10.4000/volume.7843","title":"Oublier « The grain of the voice » : étudier la voix dans les chansons","year":2020,"lang":"fr","type":"article","venue":"Volume !","topic":"French Literature and Poetry","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Francophone University Association","funders":"","keywords":"Art","retraction":null,"screen_n_in":null,"score":{"opus":0.02456518055693097,"gpt":0.2070972055097459,"spread":0.182532024952815,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001909281,0.0001960559,0.0001957857,0.0000205598,0.0006329638,0.0002004087,0.0004627552,0.0001221604,0.001803067],"category_scores_gemma":[0.00007885561,0.0001102381,0.0002414856,0.0001554446,0.000958881,0.0001346303,0.0001388971,0.0004964762,0.0002043638],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000157457,"about_ca_system_score_gemma":0.00006281002,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001327648,"about_ca_topic_score_gemma":0.002217613,"domain_scores_codex":[0.9988072,0.000251976,0.0002462614,0.0002001361,0.0002178313,0.0002765959],"domain_scores_gemma":[0.9992279,0.0001379386,0.0001196523,0.0003465168,0.0000963909,0.00007163998],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000008023956,0.00005691324,0.001489828,0.0001211441,0.000105428,0.000004952454,0.1437106,0.000005519817,0.00009984136,0.314041,0.538036,0.0023207],"study_design_scores_gemma":[0.0001587072,0.00006990302,0.002703084,0.00009967085,0.0001179105,0.000004173345,0.004816599,0.0002863849,0.00009633554,0.0006232652,0.9908779,0.0001461215],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.03526537,0.05385568,0.000153295,0.4155621,0.00557553,0.0005537829,0.002591869,0.00007398341,0.4863684],"genre_scores_gemma":[0.5330858,0.0002146096,0.00002225011,0.00305958,0.002768959,0.00001404579,0.00001296062,0.00002859091,0.4607932],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.4978205,"threshold_uncertainty_score":0.9991094,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1599974144","doi":"10.4000/volume.3999","title":"Art, science, technologie","year":2014,"lang":"fr","type":"article","venue":"Volume !","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Canadian Nautical Research Society","funders":"","keywords":"Humanities; Sociology; Philosophy","retraction":null,"screen_n_in":null,"score":{"opus":0.168663796013644,"gpt":0.294029265554717,"spread":0.125365469541073,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003866904,0.0001859327,0.0001772299,0.0001646575,0.000325754,0.002546122,0.001202382,0.0001241586,0.0001613018],"category_scores_gemma":[0.0005117175,0.0001433045,0.00007520254,0.001528316,0.001366211,0.004316117,0.0006969539,0.0001898783,0.007599267],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00008797244,"about_ca_system_score_gemma":0.0001887835,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001263017,"about_ca_topic_score_gemma":0.00002733181,"domain_scores_codex":[0.9980904,0.00002236525,0.0002037601,0.0005216002,0.0004169532,0.0007449379],"domain_scores_gemma":[0.9986047,0.00003352794,0.00007877762,0.0007437241,0.000232842,0.0003064118],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[8.206671e-7,0.00006642412,0.0001298357,0.00001047559,0.000003612992,0.00001976574,0.0001493054,0.00002585641,0.00111798,0.6418846,0.1629166,0.1936747],"study_design_scores_gemma":[0.0001145097,0.0002180447,0.002099718,0.0000476606,0.000004838299,0.0001104919,0.00001276927,0.04389733,0.002463102,0.03596962,0.9148216,0.0002403365],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.0104576,0.001807229,0.05649431,0.02723533,0.004403031,0.0001576447,0.000007138153,0.0004909404,0.8989468],"genre_scores_gemma":[0.5512775,0.00003561515,0.005515389,0.001373954,0.0002808965,0.000003108761,0.000001452306,0.00000841869,0.4415036],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.751905,"threshold_uncertainty_score":0.9984893,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2775451902","doi":"10.4000/volume.5437","title":"Du charivari au big data. Les musiques populaires au prisme des sound studies","year":2017,"lang":"fr","type":"article","venue":"Volume !","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"McGill University","funders":"","keywords":"Humanities; Art; Philosophy","retraction":null,"screen_n_in":null,"score":{"opus":0.2783541589249349,"gpt":0.3127466480930139,"spread":0.03439248916807902,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0004701148,0.0003892624,0.0004867385,0.00005718479,0.01141651,0.0008214999,0.001192941,0.0001992639,0.002851175],"category_scores_gemma":[0.0003584245,0.0003377666,0.0001384886,0.00001913421,0.004482617,0.001076595,0.0007159422,0.000325301,0.0005021443],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003742497,"about_ca_system_score_gemma":0.0002180922,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.05807712,"about_ca_topic_score_gemma":0.3707565,"domain_scores_codex":[0.9980663,0.0001347751,0.0003728466,0.0005748369,0.0002567245,0.0005944823],"domain_scores_gemma":[0.9976785,0.0000442135,0.0003490713,0.001547653,0.0002310486,0.0001494813],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002326125,0.0002091847,0.01450192,0.0006595231,0.0004098341,0.00008838492,0.2899169,7.417173e-7,0.00000926859,0.2100098,0.4212084,0.06296276],"study_design_scores_gemma":[0.0002302167,0.0001065538,0.01278109,0.0003867469,0.0002327281,0.00001503504,0.01755775,0.00003917411,0.000004501536,0.01506247,0.9531418,0.0004419271],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6414956,0.06580349,0.0001107396,0.01008449,0.02479202,0.0005146387,0.001640267,0.0002513739,0.2553073],"genre_scores_gemma":[0.6448367,0.0009924724,0.0000957971,0.0002479906,0.01525931,0.00001948554,0.0001270722,0.00003960969,0.3383816],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5319334,"threshold_uncertainty_score":0.9999074,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2083994850","doi":"10.4000/volume.901","title":"Œuvres musicales, reprises et Strange Little Girls","year":2010,"lang":"fr","type":"article","venue":"Volume !","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art; Philosophy","retraction":null,"screen_n_in":null,"score":{"opus":0.02224329860013871,"gpt":0.2485971615574682,"spread":0.2263538629573295,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003662664,0.0002689568,0.0003932998,0.0001069869,0.0005844099,0.0002951531,0.0003091551,0.0003285329,0.1332003],"category_scores_gemma":[0.0001726018,0.0002478196,0.0003354325,0.00009175761,0.001350526,0.0002826985,0.000116964,0.0008826859,0.003893835],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001694551,"about_ca_system_score_gemma":0.00008763987,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003654897,"about_ca_topic_score_gemma":0.02380025,"domain_scores_codex":[0.9982939,0.000139162,0.0003747675,0.0004895762,0.0002073664,0.0004952392],"domain_scores_gemma":[0.9987391,0.0001990284,0.0001261854,0.0005732366,0.0001461107,0.0002163869],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002012494,0.0005548637,0.001487678,0.00008091845,0.0001798044,0.00004751705,0.005123416,0.000002769824,0.0004674501,0.6094466,0.3618368,0.02075203],"study_design_scores_gemma":[0.0002365825,0.00009998784,0.01078871,0.00003161939,0.0002765892,0.000008134993,0.0002785411,0.0001845422,0.0000653333,0.006442546,0.9812691,0.0003182995],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6575575,0.004014625,0.00007114491,0.04183843,0.00788607,0.0002468483,0.0005740781,0.0001593299,0.287652],"genre_scores_gemma":[0.6210581,0.0002192566,0.0002748139,0.00360376,0.004236346,0.00002519236,0.00006714628,0.00003089842,0.3704845],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6194323,"threshold_uncertainty_score":0.9999974,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1998334205","doi":"10.4000/volume.1359","title":"Espaces de solidarités, de divergences et de conflits dans la musique montréalaise émergente","year":2005,"lang":"fr","type":"article","venue":"Volume !","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.009223901185758901,"gpt":0.2496764545868117,"spread":0.2404525534010528,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001077735,0.0001647755,0.0002090977,0.0001878051,0.001138782,0.0004181025,0.0004106373,0.0003237372,0.003682291],"category_scores_gemma":[0.0002057171,0.0002415879,0.0001734677,0.0003601608,0.001529593,0.0004637112,0.00006342784,0.0003319553,0.0006273449],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002304703,"about_ca_system_score_gemma":0.00364804,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.8531733,"about_ca_topic_score_gemma":0.9847689,"domain_scores_codex":[0.9977009,0.00067365,0.0002249918,0.0002902744,0.0002888685,0.0008213484],"domain_scores_gemma":[0.9989352,0.00008992062,0.0001149755,0.0001815617,0.00006725474,0.0006111424],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002250191,0.0002894496,0.04969583,0.00009151463,0.0001200626,0.0002356207,0.2924073,0.00140557,0.0004516512,0.1374821,0.4922478,0.02555063],"study_design_scores_gemma":[0.000157617,0.00002691996,0.01655803,0.00005796188,0.00007120457,0.00001911998,0.004132931,0.001189063,0.0000281504,0.0009681467,0.9765221,0.0002687948],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6457642,0.03662176,0.001414567,0.05341365,0.002293983,0.0002915605,0.0003458612,0.0001565534,0.2596979],"genre_scores_gemma":[0.5366876,0.01900635,0.0009824433,0.002293527,0.001199736,0.00002459749,0.000007181982,0.00003030854,0.4397683],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4842743,"threshold_uncertainty_score":0.9972285,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2051383532","doi":"10.4000/volume.4344","title":"Psycherelic Rock","year":2014,"lang":"en","type":"article","venue":"Volume !","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Centre for Interdisciplinary Research in Music Media and Technology","funders":"","keywords":"Sound (geography); Rock music; Appeal; Aesthetics; Musical; Collective memory; Popular music; History; Art; Literature; Visual arts; Acoustics; Political science; Law","retraction":null,"screen_n_in":null,"score":{"opus":0.01867948344329756,"gpt":0.1839940783311343,"spread":0.1653145948878367,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00004444699,0.00005211511,0.00005840561,0.00001245608,0.0002110589,0.00003941227,0.00007396241,0.00002282481,0.04661609],"category_scores_gemma":[0.00000741752,0.00004208017,0.0000358218,0.000008728399,0.0000283987,0.00005646311,0.000006724706,0.00006013447,0.005229999],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000007048252,"about_ca_system_score_gemma":0.000004243906,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00003692422,"about_ca_topic_score_gemma":0.0006370179,"domain_scores_codex":[0.9996866,0.00001615857,0.00006092732,0.00008701492,0.00005888641,0.00009043801],"domain_scores_gemma":[0.9997995,0.000004044263,0.00001949612,0.0001213911,0.00002321805,0.00003231179],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000001647444,0.00001445035,0.00003327094,0.000004672243,0.000003669443,2.660534e-7,0.01024856,0.000001241288,0.00002269873,0.1805318,0.8065353,0.002602431],"study_design_scores_gemma":[0.00007433991,0.00002531418,0.00006649566,0.000004298789,0.000004529858,5.758695e-7,0.0003076883,0.0001406859,0.000003930265,0.001173896,0.9981277,0.00007052605],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01607427,0.0001092174,0.0001340745,0.0002709306,0.0009513166,0.00003557937,0.000002927301,0.00009689831,0.9823248],"genre_scores_gemma":[0.6419066,4.669942e-7,0.00001351678,0.0009634174,0.00103172,0.000003993228,0.000004425928,0.000005625588,0.3560702],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.6262546,"threshold_uncertainty_score":0.9955446,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2801408687","doi":"10.4000/volume.5537","title":"Le clip vidéo et ses contextes : musiques populaires et postmodernité dans les années 1980","year":2018,"lang":"fr","type":"article","venue":"Volume !","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Humanities; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.04399521333366824,"gpt":0.2698830083282272,"spread":0.225887794994559,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002805183,0.0003637918,0.0003972842,0.00008415172,0.00186861,0.001385419,0.0003339407,0.0002020821,0.00320487],"category_scores_gemma":[0.00009466871,0.0003515074,0.0002570958,0.0000545536,0.001842797,0.001364027,0.0001987483,0.0003402933,0.001015879],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004997136,"about_ca_system_score_gemma":0.0001318789,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.1497521,"about_ca_topic_score_gemma":0.5859931,"domain_scores_codex":[0.9980847,0.0002847336,0.0004294388,0.0004328214,0.0002612907,0.0005069711],"domain_scores_gemma":[0.9989295,0.00008035822,0.0001701532,0.0003235093,0.0003596065,0.0001368974],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004073805,0.0002723171,0.0048529,0.0001580735,0.0001004723,0.00002746424,0.1398418,0.000001348565,0.0006747209,0.7990567,0.05219816,0.002775342],"study_design_scores_gemma":[0.0003263354,0.0003957247,0.01592749,0.0003565378,0.00008875946,0.00002287221,0.02387794,0.0001433729,0.0003736792,0.01001104,0.9479703,0.0005059168],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7911526,0.008044173,0.00005330805,0.02778282,0.001645135,0.0002574559,0.000857563,0.0002706758,0.1699363],"genre_scores_gemma":[0.7583063,0.0008578569,0.000118087,0.001769658,0.001813882,0.00001363373,0.000110745,0.00004596146,0.2369639],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8957722,"threshold_uncertainty_score":0.9998937,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2800171625","doi":"10.4000/volume.5575","title":"“L’homme au bouquet de fleurs” de Maxime Le Forestier : le clip comme approfondissement de la chanson","year":2018,"lang":"fr","type":"article","venue":"Volume !","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Cegep de Saint Jerome","funders":"","keywords":"Art; Humanities","retraction":null,"screen_n_in":null,"score":{"opus":0.1993411612924792,"gpt":0.3331304669070869,"spread":0.1337893056146076,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0007921467,0.000351367,0.0003042976,0.00008761181,0.0005591076,0.001461313,0.0008305968,0.0002847513,0.0001028468],"category_scores_gemma":[0.0001489569,0.0003218888,0.0001719168,0.0003920243,0.0006604909,0.001667836,0.0004821146,0.0003092973,0.0004322175],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0005258069,"about_ca_system_score_gemma":0.001250789,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02616988,"about_ca_topic_score_gemma":0.001607383,"domain_scores_codex":[0.9971216,0.0002896785,0.0003382505,0.0005110602,0.0002873024,0.001452102],"domain_scores_gemma":[0.9982368,0.0001014699,0.0001470922,0.0006393007,0.0001552122,0.0007201142],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006245042,0.0012241,0.007799726,0.0001371566,0.0001153248,0.0004178292,0.0289164,0.0001252253,0.003286624,0.5807747,0.3311212,0.0460192],"study_design_scores_gemma":[0.0008032156,0.000661475,0.02570586,0.0001628892,0.00003581569,0.0006612845,0.0002949825,0.05148445,0.006973581,0.0679106,0.8447176,0.0005883066],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.4261447,0.003767737,0.3009428,0.04735353,0.002437223,0.0006784323,0.00008994678,0.0004007557,0.2181849],"genre_scores_gemma":[0.8934298,0.00003422309,0.008747919,0.003177113,0.001039004,0.00002484708,0.00001833996,0.00004003322,0.09348871],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5135964,"threshold_uncertainty_score":0.9999233,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2158417028","doi":"10.4000/volume.3770","title":"Auditeurs en exil : le cas des Chiliens à Montréal et leur rapport à deux chansons emblématiques","year":2013,"lang":"fr","type":"article","venue":"Volume !","topic":"Media, Communication, and Education","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Université de Montréal; Université Laval; Musée de la Civilisation","funders":"","keywords":"Art; Political science; Humanities","retraction":null,"screen_n_in":null,"score":{"opus":0.04543854750183523,"gpt":0.3128972450935189,"spread":0.2674586975916837,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.001179871,0.0002036631,0.0002473503,0.00009529031,0.0008778261,0.0001726195,0.0005622825,0.0002273842,0.001470565],"category_scores_gemma":[0.0004651689,0.0002232915,0.0001168917,0.0004311456,0.0006860719,0.0009411168,0.00009292017,0.0002841069,0.001823784],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002186747,"about_ca_system_score_gemma":0.0009345438,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.2097361,"about_ca_topic_score_gemma":0.07645027,"domain_scores_codex":[0.9975481,0.0008898534,0.0003713802,0.0002915941,0.0003251666,0.0005739129],"domain_scores_gemma":[0.9983929,0.0002352054,0.0002026209,0.0005738646,0.0002623926,0.0003329581],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000002937737,0.0004117863,0.06035757,0.00007171215,0.00005704887,0.00000171659,0.5475172,0.00002126966,0.00009911155,0.0110736,0.3039763,0.07640968],"study_design_scores_gemma":[0.0002227316,0.00009263218,0.368165,0.0001223453,0.00006433972,0.00001203816,0.06576096,0.001181174,0.00008958307,0.01610578,0.547748,0.0004353692],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.876518,0.01257151,0.0007951619,0.0708942,0.001944826,0.000515261,0.00001927132,0.0001414058,0.03660037],"genre_scores_gemma":[0.864333,0.01214583,0.003394645,0.0006077684,0.0008513333,0.0001599826,0.00005393891,0.00003163401,0.1184218],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4817563,"threshold_uncertainty_score":0.9994422,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3038811761","doi":"10.4000/volume.8121","title":"Le human beatbox entre musique et parole : quelques indices acoustiques et physiologiques","year":2020,"lang":"fr","type":"article","venue":"Volume !","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Centre Intégré de Santé et de Services Sociaux des Laurentides","funders":"Agence Nationale de la Recherche","keywords":"Humanities; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.03902080008562053,"gpt":0.3059101868957913,"spread":0.2668893868101708,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0004121266,0.0004148778,0.0004264792,0.0001056916,0.0004821723,0.0003968112,0.000724812,0.0002871933,0.0006225063],"category_scores_gemma":[0.0004663762,0.0004337699,0.0001900038,0.0005116427,0.0008207404,0.001682739,0.0003958754,0.000774727,0.0004583801],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006028515,"about_ca_system_score_gemma":0.0004658909,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001596827,"about_ca_topic_score_gemma":0.0005190082,"domain_scores_codex":[0.9961034,0.001113355,0.0004368444,0.001193661,0.0004350363,0.0007177179],"domain_scores_gemma":[0.998799,0.0001211882,0.0002698975,0.0003931282,0.00007642624,0.0003403555],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002282291,0.0002871854,0.0006246941,0.0001086256,0.000005104543,0.00009292168,0.007273723,0.00008707542,0.9401699,0.01410239,0.03429021,0.002935339],"study_design_scores_gemma":[0.0008945612,0.003138674,0.04208853,0.0003949809,0.00008392715,0.00006280444,0.002416873,0.003973535,0.2818525,0.006678478,0.6568974,0.001517683],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9345081,0.0002929284,0.0008907784,0.04728464,0.0008976413,0.000505763,0.0001850192,0.0005931434,0.014842],"genre_scores_gemma":[0.9179816,0.001692409,0.0002708317,0.07458735,0.0005655959,0.00004307315,0.00003121157,0.0000471937,0.004780757],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6583174,"threshold_uncertainty_score":0.9998114,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2606062747","doi":"10.4000/volume.5321","title":"Jamaica: A State of Language, Music and Crisis of Nation","year":2017,"lang":"en","type":"article","venue":"Volume !","topic":"Caribbean history, culture, and politics","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Lyrics; Colonialism; Battle; State (computer science); Popular music; Creole language; History; Independence (probability theory); Lingua franca; Population; Linguistics; Official language; Sociology; Literature; Art; Ancient history; Demography","retraction":null,"screen_n_in":null,"score":{"opus":0.02733764945026464,"gpt":0.2967998218939183,"spread":0.2694621724436537,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002144469,0.00002950846,0.00008165104,0.00002336568,0.0001900185,0.00001966088,0.00009600473,0.00003002962,0.00005803897],"category_scores_gemma":[0.0001679146,0.0000291651,0.00002608768,0.00002469762,0.0002324464,0.00007918985,0.00001636295,0.00003018362,0.00000430462],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002172178,"about_ca_system_score_gemma":0.00004434106,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01380478,"about_ca_topic_score_gemma":0.00475248,"domain_scores_codex":[0.9996207,0.00003532583,0.00007662189,0.00005929233,0.0001276325,0.00008042878],"domain_scores_gemma":[0.9996301,0.00001747135,0.0001062163,0.0001309069,0.00007838357,0.00003694491],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003806061,0.0001575092,0.05648285,0.0003016337,0.00008866618,0.00001088353,0.6142967,0.000003495908,0.004559162,0.07895766,0.2111164,0.033987],"study_design_scores_gemma":[0.000917902,0.0001105644,0.27363,0.00007688128,0.0001002483,0.000001195298,0.04199711,0.00006392141,0.002603828,0.007575752,0.6725901,0.0003324441],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9609452,0.0002416112,0.00001270316,0.0002034355,0.0001865255,0.00005600036,0.00005363821,0.000008522733,0.03829231],"genre_scores_gemma":[0.9955895,0.0000399299,0.00007673918,0.00003146873,0.00007791357,9.080994e-7,0.000001915889,0.000002635128,0.004179013],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5722995,"threshold_uncertainty_score":0.9927624,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2135874944","doi":"10.4000/volume.3415","title":"Scream from the Heart: Yoko Ono’s Rock and Roll Revolution","year":2012,"lang":"fr","type":"article","venue":"Volume !","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art; Philosophy","retraction":null,"screen_n_in":null,"score":{"opus":0.02062185149586092,"gpt":0.1970187792061541,"spread":0.1763969277102931,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001980705,0.0001678274,0.0001787189,0.00001412632,0.001203279,0.0001358381,0.0001077077,0.0001309108,0.02776571],"category_scores_gemma":[0.00002643598,0.0001238063,0.00008618495,0.00002642706,0.0002463834,0.0004135012,0.00004746706,0.0002605461,0.002834999],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006314538,"about_ca_system_score_gemma":0.00002507795,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004042698,"about_ca_topic_score_gemma":0.002316456,"domain_scores_codex":[0.9990312,0.0001373119,0.0001728941,0.0001796368,0.0001365984,0.0003423065],"domain_scores_gemma":[0.9994394,0.00004606762,0.00006718945,0.0002681367,0.00004550593,0.0001337119],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001514518,0.00008783762,0.002314385,0.00002209289,0.00003415914,7.12027e-7,0.03519291,0.000001695754,0.00002892815,0.06163866,0.8991961,0.00146735],"study_design_scores_gemma":[0.0001916448,0.00004488832,0.01097244,0.0000784986,0.0001047199,0.000007209258,0.002999413,0.0001267529,0.000004308116,0.0006295022,0.9846627,0.0001779561],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.2006754,0.4697813,0.000103587,0.01970523,0.01271443,0.0005984586,0.001257943,0.0001455301,0.2950181],"genre_scores_gemma":[0.5680407,0.000203642,0.00004756236,0.002109599,0.009357275,0.000011724,0.00005308892,0.000019139,0.4201572],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.4695777,"threshold_uncertainty_score":0.9979414,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2606661391","doi":"10.4000/volume.5236","title":"Langue, musique et crise de la nation jamaïcaine","year":2017,"lang":"fr","type":"article","venue":"Volume !","topic":"Caribbean history, culture, and politics","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art; Humanities","retraction":null,"screen_n_in":null,"score":{"opus":0.02963992226970545,"gpt":0.3347382552736028,"spread":0.3050983330038974,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009164208,0.0001112109,0.0001336256,0.00003098211,0.0008793208,0.0002363337,0.000314946,0.0002941505,0.0008429979],"category_scores_gemma":[0.0007376441,0.0001249999,0.0001028046,0.00005329619,0.0007901177,0.0002833371,0.00004221763,0.0002488377,0.0003414649],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003401877,"about_ca_system_score_gemma":0.0002561417,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0400779,"about_ca_topic_score_gemma":0.01164387,"domain_scores_codex":[0.9987558,0.0004089368,0.0001268952,0.0001655976,0.0002127756,0.0003300684],"domain_scores_gemma":[0.999172,0.00009548021,0.0001417767,0.0003072674,0.0001130093,0.0001704737],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000004471473,0.00007699085,0.003822614,0.00004011661,0.00001851407,0.00003527311,0.036859,0.000009314427,0.00005035237,0.457634,0.4957521,0.005697265],"study_design_scores_gemma":[0.0001985025,0.00001986998,0.01134354,0.00003554949,0.00003686857,0.000006211278,0.001295235,0.0002876202,0.0000145076,0.005531413,0.981074,0.0001567102],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.06685811,0.003969775,0.000288556,0.02414124,0.004293637,0.0001721442,0.0001750955,0.00007873516,0.9000227],"genre_scores_gemma":[0.7246817,0.0004667201,0.0002586894,0.001600008,0.002219991,0.000006975014,0.00001656231,0.00001635873,0.270733],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.6578236,"threshold_uncertainty_score":0.9663143,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2967959587","doi":"10.4000/volume.6656","title":"Le heavy metal comme cas limite","year":2019,"lang":"fr","type":"article","venue":"Volume !","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Réseau Technoscience","funders":"","keywords":"Geology","retraction":null,"screen_n_in":null,"score":{"opus":0.03459603964576587,"gpt":0.2096205752046146,"spread":0.1750245355588487,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001258055,0.0001907244,0.0002666,0.00003514591,0.0006211831,0.0001484479,0.0001766073,0.0001351398,0.07414232],"category_scores_gemma":[0.000007093006,0.0001902149,0.0001968035,0.00003498077,0.0003130468,0.0003141695,0.00004981806,0.0003046984,0.0183727],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00005628018,"about_ca_system_score_gemma":0.00009868789,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002556451,"about_ca_topic_score_gemma":0.004111457,"domain_scores_codex":[0.9989688,0.00008551936,0.0002064767,0.0002484904,0.0001568233,0.0003339092],"domain_scores_gemma":[0.9993935,0.00002028102,0.00007621774,0.0003315889,0.00007054224,0.000107894],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001329608,0.0001284212,0.00009038997,0.00008703356,0.00005365966,0.00001607871,0.01986084,0.000004145963,0.00003902422,0.5171782,0.4613074,0.001221475],"study_design_scores_gemma":[0.000333824,0.0001484482,0.0001477843,0.00005970624,0.00006209446,0.00001800352,0.003015527,0.000121032,0.00002650645,0.0007065895,0.9950859,0.0002745843],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.07403307,0.01654966,0.000008848025,0.006765102,0.008244985,0.0002369797,0.0002341974,0.00007751302,0.8938497],"genre_scores_gemma":[0.3022626,0.00002542711,0.0000192348,0.001802088,0.001355022,0.000005507753,0.00003626498,0.00002180923,0.6944721],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.5337784,"threshold_uncertainty_score":0.9823916,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1924066056","doi":"10.4000/volume.3056","title":"Contre-cultures : Musiques, Théorie et Scènes","year":2012,"lang":"fr","type":"article","venue":"Volume !","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Queen's University","funders":"","keywords":"Art","retraction":null,"screen_n_in":null,"score":{"opus":0.0177198084289431,"gpt":0.2387069319343871,"spread":0.220987123505444,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002740943,0.0002846956,0.0002762869,0.00003515218,0.0007942846,0.0002197425,0.0001744805,0.000215779,0.07516696],"category_scores_gemma":[0.00003881721,0.0002399955,0.0001760298,0.00003897373,0.000525646,0.0007541503,0.00004838418,0.0003617447,0.002969883],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00007874478,"about_ca_system_score_gemma":0.00005774033,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001122395,"about_ca_topic_score_gemma":0.002903817,"domain_scores_codex":[0.9985622,0.0001838066,0.0002537858,0.0002199916,0.0002074393,0.0005727434],"domain_scores_gemma":[0.9992263,0.00003246146,0.0001138588,0.0002661834,0.0001299968,0.000231168],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000007891304,0.0001352592,0.0002146487,0.00005803146,0.00003769105,0.000004874229,0.04604497,5.823083e-7,0.00001848528,0.4528705,0.498843,0.001764075],"study_design_scores_gemma":[0.0002465821,0.0000599277,0.0005004482,0.00009929496,0.0001045168,0.00001478669,0.004554551,0.000008096814,0.00001823286,0.002188638,0.9918434,0.0003615282],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.008846815,0.09461159,0.00001975045,0.006602032,0.01079705,0.0002398201,0.0003596964,0.0001564001,0.8783668],"genre_scores_gemma":[0.2340457,0.0002169478,0.00005865336,0.003242234,0.007732709,0.00002126669,0.00007855005,0.00002993573,0.7545739],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.4930004,"threshold_uncertainty_score":0.9978064,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1695958294","doi":"10.4000/volume.3572","title":"Countercultures: Music, Theory and Scenes","year":2012,"lang":"en","type":"article","venue":"Volume !","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Queen's University","funders":"","keywords":"Art; Visual arts; Computer science","retraction":null,"screen_n_in":null,"score":{"opus":0.02333894337022401,"gpt":0.1986789218924043,"spread":0.1753399785221803,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001700849,0.00007801683,0.00007630094,0.00001483464,0.0003278537,0.000060704,0.00005163717,0.00003158832,0.02224174],"category_scores_gemma":[0.0000123905,0.00005553073,0.00002795708,0.000008327758,0.0001829892,0.0002348014,0.00001594859,0.00006564307,0.0003948566],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000009733103,"about_ca_system_score_gemma":0.000004712473,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00002324426,"about_ca_topic_score_gemma":0.0002573717,"domain_scores_codex":[0.9995922,0.00004136814,0.00006602759,0.0000800394,0.00006828643,0.0001520778],"domain_scores_gemma":[0.9997851,0.00001330686,0.00002307977,0.00009056726,0.00002674958,0.00006120283],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000008684408,0.00002696712,0.0002496902,0.00001601131,0.00001119039,6.536368e-7,0.1301212,3.064694e-8,0.00007649445,0.5121878,0.3559169,0.001384355],"study_design_scores_gemma":[0.00007248876,0.00001114508,0.000347928,0.000009355962,0.00001545315,0.00000395588,0.007667713,0.000001345592,0.000009515863,0.0008407803,0.9909261,0.00009424558],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4050559,0.007453009,0.00002217872,0.0001160598,0.002206925,0.0001317534,0.00004787388,0.0001415743,0.5848247],"genre_scores_gemma":[0.8526785,0.000007445125,0.00001039904,0.001223883,0.001619675,0.0000069192,0.000008503379,0.00000791934,0.1444368],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.6350091,"threshold_uncertainty_score":0.9786521,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4243338190","doi":"10.4000/volume.4190","title":"Souvenirs, souvenirs","year":2014,"lang":"fr","type":"paratext","venue":"Volume !","topic":"Nostalgia and Consumer Behavior","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Mathematics","retraction":null,"screen_n_in":null,"score":{"opus":0.02190136665294232,"gpt":0.3157584347211487,"spread":0.2938570680682064,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000480428,0.001207738,0.001512367,0.0003841922,0.0004144047,0.000203654,0.001297467,0.002283853,0.225029],"category_scores_gemma":[0.00005861844,0.001379882,0.000875462,0.0004563609,0.0007468444,0.0001077582,0.000311962,0.001890869,0.6650242],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002624466,"about_ca_system_score_gemma":0.0004327205,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002547286,"about_ca_topic_score_gemma":0.0002549985,"domain_scores_codex":[0.9937732,0.0009651952,0.001188887,0.001720172,0.0005550467,0.001797508],"domain_scores_gemma":[0.9961047,0.0002105098,0.0006662125,0.002172223,0.0002232969,0.000623045],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009726979,0.0004986602,0.01015946,0.0002268276,0.0003675138,0.0001605762,0.001032445,0.000004045712,0.0001868672,0.001250147,0.9006138,0.0854024],"study_design_scores_gemma":[0.00154526,0.0003450726,0.01055023,0.0002609239,0.0008022907,0.0001828707,0.0003375286,0.00004248721,0.00004595927,0.0001715016,0.9842454,0.001470424],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.0641722,0.02385986,0.001914992,0.003663894,0.07163379,0.001699603,0.002207285,0.0003550593,0.8304933],"genre_scores_gemma":[0.06106662,0.0002465067,0.0003292173,0.000787332,0.002753947,0.0002880084,0.0009817358,0.0003254397,0.9332212],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.4399952,"threshold_uncertainty_score":0.9990114,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2772683300","doi":"10.4000/volume.394","title":"L’analyse des silences dans les musiques populaires actuelles","year":2008,"lang":"fr","type":"article","venue":"Volume !","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Francophone University Association","funders":"","keywords":"Humanities; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.3057823670739925,"gpt":0.3085474183298266,"spread":0.002765051255834039,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00009814933,0.000336148,0.0003233382,0.00009754351,0.0008117604,0.0009644983,0.0006862336,0.0001531074,0.0002564625],"category_scores_gemma":[0.0001617455,0.0002518014,0.0002431473,0.0005622425,0.001156398,0.003856933,0.0002957417,0.0001712997,0.0003880752],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000113934,"about_ca_system_score_gemma":0.000174524,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02915614,"about_ca_topic_score_gemma":0.006581993,"domain_scores_codex":[0.9980258,0.0001072536,0.0003660416,0.0005054052,0.0003680454,0.0006274704],"domain_scores_gemma":[0.9987338,0.00007927108,0.0001403872,0.0004580819,0.0002220135,0.0003664425],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003566135,0.001162836,0.1729543,0.0002836086,0.0003555689,0.003461365,0.1521915,0.0007313844,0.004834982,0.07530497,0.1985821,0.3901018],"study_design_scores_gemma":[0.0005043281,0.0009444785,0.4464291,0.0007335662,0.0001306681,0.002678083,0.003274686,0.02235013,0.01480991,0.03692069,0.4694622,0.001762199],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8977513,0.02479904,0.00724506,0.002961209,0.001014761,0.0001381472,0.00003454104,0.0002474498,0.0658085],"genre_scores_gemma":[0.8826306,0.001891293,0.004985354,0.0002918364,0.000331167,0.000004263152,0.000009184619,0.00001546423,0.1098408],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3883396,"threshold_uncertainty_score":0.9999934,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3159641123","doi":"10.4000/volume.8984","title":"Des instrumentistes sur le devant de la scène. Apprentissage du métier et modalités de travail dans deux scènes de renouveau musical en Grèce","year":2021,"lang":"fr","type":"article","venue":"Volume !","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.01547603240058579,"gpt":0.2193666324535553,"spread":0.2038906000529695,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009359823,0.0004070704,0.0004295676,0.00006201384,0.001305381,0.0006443925,0.0003556924,0.0003955897,0.009572171],"category_scores_gemma":[0.000214534,0.0004375475,0.0003037816,0.0001145778,0.001414759,0.0004932593,0.0001495823,0.0006135835,0.0001427805],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004477911,"about_ca_system_score_gemma":0.001040857,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004467726,"about_ca_topic_score_gemma":0.02116883,"domain_scores_codex":[0.9965115,0.001367387,0.0004306583,0.0005492725,0.0002871939,0.0008539514],"domain_scores_gemma":[0.9987954,0.0001820144,0.0001205553,0.0004148997,0.0001602236,0.0003268486],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006152613,0.001786418,0.01334101,0.0011,0.0003954196,0.001288011,0.4086364,0.0001553549,0.01076523,0.3420026,0.2019857,0.0184823],"study_design_scores_gemma":[0.0008119288,0.00008048434,0.0138878,0.0003662918,0.0002388683,0.000542641,0.02276622,0.001013517,0.000974259,0.004186897,0.9545812,0.0005498736],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8889189,0.008328891,0.001672952,0.001269589,0.001144514,0.0001702629,0.0003194316,0.000126757,0.09804868],"genre_scores_gemma":[0.7179878,0.0005396629,0.00191058,0.0006476843,0.001169654,0.00004781623,0.0001055758,0.00007554681,0.2775157],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7525955,"threshold_uncertainty_score":0.9999948,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2006351374","doi":"10.4000/volume.116","title":"Jeux de couleurs dans le candombe afro-uruguayen","year":2011,"lang":"fr","type":"article","venue":"Volume !","topic":"Diaspora, migration, transnational identity","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Institute of Particle Physics","funders":"","keywords":"Humanities; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.05337104652897928,"gpt":0.2767954344764372,"spread":0.2234243879474579,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000948513,0.0001690844,0.0002018368,0.00007496343,0.000548353,0.0001007626,0.0004638124,0.000202315,0.003172928],"category_scores_gemma":[0.0001458149,0.0002116931,0.00015102,0.0005282058,0.0008969176,0.0008003303,0.00003257635,0.0001751987,0.0009247094],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004056124,"about_ca_system_score_gemma":0.0009910368,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.194315,"about_ca_topic_score_gemma":0.2377151,"domain_scores_codex":[0.9980072,0.0003290644,0.0002995537,0.0003161875,0.0005151405,0.0005328288],"domain_scores_gemma":[0.9990836,0.00006566085,0.0001276865,0.0002261307,0.0002354975,0.0002614723],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","study_design_scores_codex":[0.00002884114,0.0005381572,0.2597837,0.00003821133,0.0001021248,0.00003778986,0.1180991,0.00003940038,0.0002115939,0.5517154,0.06666965,0.002735978],"study_design_scores_gemma":[0.0008889994,0.00007439392,0.5358543,0.00004302232,0.0001489292,0.000007331761,0.01679093,0.0007063527,0.0004468524,0.05242096,0.3921058,0.0005120484],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7833051,0.00160212,0.00508655,0.009402635,0.002627948,0.0003698027,0.000211485,0.00013777,0.1972566],"genre_scores_gemma":[0.852769,0.0002526978,0.001478513,0.0002759533,0.0004009826,0.00002199791,0.00002906621,0.00002413692,0.1447476],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4992945,"threshold_uncertainty_score":0.9998532,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2091140060","doi":"10.4000/volume.1094","title":"L’Ontologie du rock de Roger Pouivet","year":2010,"lang":"fr","type":"article","venue":"Volume !","topic":"Diverse Cultural and Historical Studies","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Philosophy; Geology","retraction":null,"screen_n_in":null,"score":{"opus":0.03199776340060786,"gpt":0.2632984539020663,"spread":0.2313006905014584,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001972091,0.0001241368,0.0001768285,0.00001443948,0.0008432814,0.0000631741,0.0002702597,0.0002068661,0.006302055],"category_scores_gemma":[0.0003394967,0.0001054644,0.000124536,0.0002210876,0.0004200152,0.0001949706,0.0001029636,0.0002755573,0.00555021],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001975194,"about_ca_system_score_gemma":0.00007198632,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01500843,"about_ca_topic_score_gemma":0.006510998,"domain_scores_codex":[0.9989021,0.00006712085,0.0001215449,0.0002097176,0.0002096584,0.0004898231],"domain_scores_gemma":[0.9994875,0.00005332258,0.00005609173,0.00009322583,0.0001109439,0.0001989713],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000008966252,0.0002002636,0.04618812,0.00001590779,0.00005921121,0.00005056278,0.0104154,0.000003609317,0.0004410493,0.1991877,0.7127718,0.03065744],"study_design_scores_gemma":[0.00009878595,0.00003320472,0.01491627,0.000006008911,0.00003653689,0.00000291644,0.001452262,0.00005764253,0.00001468379,0.001885909,0.9813314,0.0001643582],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2196503,0.005867296,0.00008385049,0.09560624,0.01653939,0.0001851331,0.00004704955,0.0001926926,0.6618281],"genre_scores_gemma":[0.737255,0.0005680184,0.0003024234,0.0004515997,0.001635807,0.000006914062,0.000001568644,0.000005374823,0.2597733],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.5176048,"threshold_uncertainty_score":0.9952241,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W319099235","doi":"10.4000/volume.4334","title":"L’évocation mémorielle des boîtes à chansons au Québec","year":2014,"lang":"fr","type":"article","venue":"Volume !","topic":"Nostalgia and Consumer Behavior","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.02802192977250309,"gpt":0.306358105555203,"spread":0.2783361757827,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003344516,0.0002497395,0.0002529582,0.00009658403,0.0003738027,0.00005337908,0.0002582555,0.0002885297,0.00642834],"category_scores_gemma":[0.0001212778,0.0002869559,0.0001373618,0.00024541,0.0004894511,0.0001420597,0.00005725276,0.0002545544,0.01321679],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003053797,"about_ca_system_score_gemma":0.0004054086,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.2327296,"about_ca_topic_score_gemma":0.07777873,"domain_scores_codex":[0.9981285,0.0003206132,0.0003033016,0.0004387073,0.0001491018,0.0006597439],"domain_scores_gemma":[0.9988013,0.0001501185,0.0001116227,0.0006128835,0.0001056094,0.0002184964],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002817578,0.0004646426,0.4189825,0.00006839442,0.00006681631,0.00001086432,0.007761141,0.000001268369,0.001015374,0.006875372,0.03678269,0.5279428],"study_design_scores_gemma":[0.0005140337,0.0001996136,0.3366,0.00005972924,0.0001830525,0.00003750694,0.0007647185,0.0001299108,0.0004090061,0.0004783653,0.6603292,0.0002949406],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9263346,0.007918579,0.003136586,0.01179188,0.00548265,0.0002924176,0.00005753396,0.0001464829,0.04483924],"genre_scores_gemma":[0.7160947,0.00004352192,0.0002910126,0.0002232376,0.0006221993,0.00006115439,0.00002497269,0.00004399078,0.2825952],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6235464,"threshold_uncertainty_score":0.9999583,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1737957772","doi":"10.4000/volume.4473","title":"Stone Deaf Forever: Discourses of Loudness","year":2015,"lang":"en","type":"article","venue":"Volume !","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Loudness; Popular music; Art; Dance; Electronic dance music; Studio; Visual arts; Literature; History; Media studies; Aesthetics; Sociology; Acoustics","retraction":null,"screen_n_in":null,"score":{"opus":0.05302612950227845,"gpt":0.2334413449538255,"spread":0.180415215451547,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007493948,0.00006456582,0.0001142675,0.00001923388,0.00008936265,0.00001988412,0.00009608116,0.00002375721,0.005447732],"category_scores_gemma":[0.00001344483,0.00004953559,0.00004326663,0.00001561582,0.0001927895,0.0001247674,0.00001678404,0.00004838783,0.0002051979],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001614321,"about_ca_system_score_gemma":0.00003628233,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001745451,"about_ca_topic_score_gemma":0.001222019,"domain_scores_codex":[0.9995735,0.00001632589,0.0001031826,0.00008331169,0.0001282546,0.00009547458],"domain_scores_gemma":[0.9996613,0.000004237072,0.00005021513,0.0001395491,0.00008846662,0.00005627075],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001420058,0.00006509375,0.000266581,0.0000242865,0.00001488253,0.00000325389,0.06626121,0.000003501736,0.00002400291,0.1369005,0.7950128,0.001409712],"study_design_scores_gemma":[0.0001667033,0.00005097978,0.00006843044,0.00001384049,0.00001625834,0.000001305825,0.007324375,0.00001794139,0.00003744492,0.001505018,0.9907184,0.00007935477],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4561792,0.001037213,0.00009381348,0.000365777,0.002174164,0.0001458481,0.0001050506,0.00008031533,0.5398186],"genre_scores_gemma":[0.7754907,6.236037e-7,0.00002796199,0.0001061513,0.0004602086,0.00000449199,0.00001323031,0.000006796956,0.2238898],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.3193115,"threshold_uncertainty_score":0.9954614,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2990973753","doi":"10.4000/volume.7211","title":"Musique et hacking : de l’éthique aux pratiques","year":2019,"lang":"fr","type":"article","venue":"Volume !","topic":"Cybernetics and Technology in Society","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Hacker; Humanities; Art; Computer science; Computer security","retraction":null,"screen_n_in":null,"score":{"opus":0.01398582036300773,"gpt":0.2527536050956616,"spread":0.2387677847326538,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004861674,0.0002103774,0.0002387482,0.000047972,0.0002582828,0.0002718122,0.0002401614,0.0005210004,0.007967633],"category_scores_gemma":[0.00005738268,0.0002266656,0.0001619956,0.00004563297,0.0005114761,0.0001894255,0.0001483016,0.0008410825,0.001049181],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001224712,"about_ca_system_score_gemma":0.0002560065,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003313744,"about_ca_topic_score_gemma":0.002905981,"domain_scores_codex":[0.9987574,0.0001257615,0.0002518332,0.0002895018,0.0001239143,0.0004516062],"domain_scores_gemma":[0.9992001,0.00009524888,0.00011628,0.0003723385,0.0001487117,0.00006731586],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000002577248,0.00008209841,0.006726352,0.00008971486,0.00006600261,0.00001209186,0.02339782,0.000007090329,0.0001061087,0.9115878,0.05579475,0.002127579],"study_design_scores_gemma":[0.0002031193,0.0001524356,0.001487661,0.0001757753,0.0000352529,0.00001619904,0.003639154,0.001498565,0.0002106834,0.03776618,0.9545344,0.0002806217],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5482268,0.006700792,0.0002511551,0.03697466,0.002039454,0.0004085726,0.0001048679,0.0003150179,0.4049787],"genre_scores_gemma":[0.729378,0.001219427,0.0009419129,0.004144724,0.0005246208,0.00002099739,0.00001605039,0.00004349369,0.2637108],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8987396,"threshold_uncertainty_score":0.9997286,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2952873104","doi":"10.4000/volume.6689","title":"Rythme, affordance, enregistrement, ontologie de la performance dans l’EDM : de nouveaux objets d’étude pour la musicologie","year":2019,"lang":"fr","type":"article","venue":"Volume !","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.02085783232332832,"gpt":0.2423478028607225,"spread":0.2214899705373942,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006379539,0.0003730861,0.0004063818,0.00007568469,0.0006643106,0.0007653444,0.0005285979,0.0003621162,0.006810165],"category_scores_gemma":[0.00009937707,0.0003660802,0.0002387176,0.00007865989,0.0008388074,0.0007076465,0.0002200713,0.0006194025,0.002180656],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0005284604,"about_ca_system_score_gemma":0.0003436741,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005609392,"about_ca_topic_score_gemma":0.01373197,"domain_scores_codex":[0.99771,0.0002698888,0.000376838,0.0004453187,0.0002528459,0.0009451089],"domain_scores_gemma":[0.9988849,0.0001950181,0.0001972754,0.0004311228,0.0001219277,0.0001698091],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000167293,0.001668446,0.2536293,0.001868853,0.0004288551,0.0005706057,0.07776291,0.0003769063,0.006598928,0.3821928,0.259074,0.0156611],"study_design_scores_gemma":[0.0007745938,0.0002228894,0.1033832,0.0002579868,0.0001058307,0.00008636319,0.007034441,0.001529641,0.0002516459,0.001015879,0.8848472,0.0004903129],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7146053,0.001800674,0.0000396453,0.001471933,0.001106554,0.0002538494,0.0001100858,0.0001369283,0.280475],"genre_scores_gemma":[0.6581894,0.001743063,0.0004553781,0.0003582515,0.0006753438,0.00003014192,0.00002220753,0.00002998875,0.3384962],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6257732,"threshold_uncertainty_score":0.9998791,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1595958374","doi":"10.4000/volume.775","title":"Deux ouvrages de George Plasketes (ed.) : « Like a Version – Cover Songs in Popular Music » &amp; Play It Again: Cover Songs in Popular Music","year":2010,"lang":"fr","type":"article","venue":"Volume !","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Cover (algebra); George (robot); Popular music; Art; Art history; Visual arts; Engineering","retraction":null,"screen_n_in":null,"score":{"opus":0.01614487800168817,"gpt":0.2113462588500669,"spread":0.1952013808483787,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000793307,0.0007325929,0.000780315,0.0003764463,0.0008789396,0.0003583722,0.0006056689,0.00088623,0.07856458],"category_scores_gemma":[0.0001912767,0.000769822,0.0003767523,0.0002545491,0.0006212688,0.0009779939,0.0002151195,0.001832487,0.006602773],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000474076,"about_ca_system_score_gemma":0.0002463434,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006112153,"about_ca_topic_score_gemma":0.08052098,"domain_scores_codex":[0.9960281,0.0003002351,0.000792436,0.0009322524,0.0005940726,0.001352915],"domain_scores_gemma":[0.9983674,0.00008213807,0.0003069176,0.0007600144,0.0001330856,0.0003504034],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001650054,0.0006829205,0.01087506,0.0003517721,0.0000700299,0.0004284541,0.1008978,0.0001529317,0.001611518,0.007921858,0.8755768,0.001265874],"study_design_scores_gemma":[0.001713175,0.0001326251,0.001871721,0.0004907734,0.0001171392,0.00003206034,0.006265845,0.0005073037,0.00003094921,0.0005257463,0.987349,0.0009636255],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.970235,0.004327233,0.00001398746,0.001162713,0.007489878,0.0006105219,0.000408748,0.0001057277,0.01564612],"genre_scores_gemma":[0.5305317,0.0001865051,0.0001562458,0.002818148,0.001817592,0.00006713487,0.0003975309,0.0001147951,0.4639103],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4482642,"threshold_uncertainty_score":0.9994753,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1942449589","doi":"10.4000/volume.2306","title":"Walter Benjamin et le jazz : une introduction","year":2003,"lang":"fr","type":"article","venue":"Volume !","topic":"Walter Benjamin Studies Compilation","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art; Philosophy; Art history","retraction":null,"screen_n_in":null,"score":{"opus":0.0213054505718886,"gpt":0.2272099674312469,"spread":0.2059045168593583,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003579458,0.0002693977,0.0002740968,0.0001122191,0.0007080917,0.0002680594,0.0001153526,0.00009471161,0.004234186],"category_scores_gemma":[0.00007881366,0.0002978735,0.0001144687,0.0001388267,0.000395572,0.0005389187,0.00005988124,0.0002730988,0.001758143],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001230811,"about_ca_system_score_gemma":0.00006963426,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00135322,"about_ca_topic_score_gemma":0.001333189,"domain_scores_codex":[0.9982677,0.0002444776,0.0003882395,0.0004314197,0.0002287781,0.0004394007],"domain_scores_gemma":[0.9991563,0.00004639561,0.0001433549,0.0003842778,0.0001944865,0.00007517633],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000008103536,0.0001863343,0.0003157108,0.00005915394,0.00006436837,0.000004406532,0.006397741,0.0001199523,0.00003506652,0.6651221,0.3228225,0.00486464],"study_design_scores_gemma":[0.0004775953,0.0001286324,0.001915164,0.0000378676,0.00006201339,0.00001515962,0.00247352,0.0004503089,0.0001325112,0.006078025,0.9879,0.0003292673],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.05756998,0.02601594,0.004307488,0.1929279,0.02919519,0.0008708328,0.0002593872,0.0003305946,0.6885226],"genre_scores_gemma":[0.5040827,0.0003660339,0.0005371453,0.0005304039,0.005136184,0.00002666972,0.00009249496,0.00006176042,0.4891666],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.6650775,"threshold_uncertainty_score":0.9999473,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3214848143","doi":"10.4000/volume.9800","title":"Experts / non experts des musiques populaires : au-delà des frontières","year":2021,"lang":"fr","type":"article","venue":"Volume !","topic":"Education, sociology, and vocational training","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.1872349615753555,"gpt":0.423509855761507,"spread":0.2362748941861515,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0009988048,0.000249145,0.0003107856,0.00006756654,0.001711686,0.0001342975,0.0002853826,0.0003295216,0.001627509],"category_scores_gemma":[0.001274463,0.0002797472,0.0001930875,0.0004108843,0.003685641,0.0006276756,0.00007008473,0.0001361808,0.0001089433],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004674082,"about_ca_system_score_gemma":0.0009055992,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01521603,"about_ca_topic_score_gemma":0.01409574,"domain_scores_codex":[0.9971275,0.0009476883,0.0003737339,0.0005027161,0.0003187318,0.0007295696],"domain_scores_gemma":[0.998418,0.0004913907,0.0001296816,0.0002693978,0.0004402451,0.0002512755],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.000004176541,0.0003648082,0.1681124,0.0000985933,0.00009761997,0.0000205068,0.6887285,0.000009423538,0.0002943457,0.02994019,0.03780511,0.07452442],"study_design_scores_gemma":[0.0001958409,0.00006573769,0.08483539,0.0003325067,0.00004680889,0.00001556826,0.576952,0.00008879098,0.000304304,0.0274027,0.3093242,0.0004361868],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.905182,0.02963136,0.0007399878,0.01524767,0.007175975,0.0001532931,0.0000189489,0.000107712,0.04174304],"genre_scores_gemma":[0.9063167,0.00474439,0.01244812,0.0007281167,0.00669572,0.00007182789,0.00006221694,0.00003626003,0.06889666],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2715191,"threshold_uncertainty_score":0.9999655,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3038136471","doi":"10.4000/volume.8086","title":"Quelques éléments de flow dans le rap français des débuts (1984-1991)","year":2020,"lang":"fr","type":"article","venue":"Volume !","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art","retraction":null,"screen_n_in":null,"score":{"opus":0.02955870085967064,"gpt":0.2346246780680815,"spread":0.2050659772084109,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0002805254,0.0002788995,0.0003553674,0.00005683187,0.0008175399,0.000159556,0.0009796353,0.0003079742,0.0001586028],"category_scores_gemma":[0.000189832,0.0003021241,0.0001519123,0.0005477219,0.0009452411,0.0005016002,0.0006445434,0.0004215559,0.0006858563],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00009155227,"about_ca_system_score_gemma":0.0001571522,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003463889,"about_ca_topic_score_gemma":0.000699556,"domain_scores_codex":[0.9979696,0.0001795726,0.0003042656,0.0006017446,0.0002291901,0.0007156654],"domain_scores_gemma":[0.9990757,0.00004940264,0.00008391932,0.0004778973,0.00009113157,0.0002219544],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004112793,0.0005348141,0.1283791,0.0004155585,0.0005615302,0.0005629308,0.1973973,0.0002200612,0.001437044,0.1063087,0.2115297,0.3526122],"study_design_scores_gemma":[0.001013202,0.000487357,0.1012489,0.0001658279,0.00007712456,0.00006273115,0.001169101,0.12246,0.001886221,0.03437828,0.7362806,0.0007706908],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.2589686,0.02177295,0.6536076,0.05120831,0.001914207,0.0002813039,0.0000587451,0.000853395,0.01133486],"genre_scores_gemma":[0.9168001,0.0008838286,0.05970614,0.007290164,0.0004298947,0.00003908577,0.0000072912,0.00003007696,0.01481341],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.6578315,"threshold_uncertainty_score":0.9999431,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1945685539","doi":"10.4000/volume.3026","title":"« Make-Believe Ballroom Times » : de l’influence du DJing sur les modes d’interprétation et de composition des musiques populaires anglo-américaines","year":2012,"lang":"fr","type":"article","venue":"Volume !","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.02276591880470058,"gpt":0.2520341035955123,"spread":0.2292681847908117,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005859592,0.000296519,0.0003448067,0.0001553522,0.0009599925,0.0002937184,0.0001915721,0.0002151636,0.002089397],"category_scores_gemma":[0.0001358373,0.0002902571,0.0002258526,0.0001005493,0.0007141939,0.0008918043,0.00009465074,0.0002572043,0.0001243189],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002339788,"about_ca_system_score_gemma":0.00007809572,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01704952,"about_ca_topic_score_gemma":0.008077123,"domain_scores_codex":[0.9980187,0.0004748593,0.0003771373,0.000274007,0.0001704754,0.0006848392],"domain_scores_gemma":[0.9989117,0.0002625976,0.0001801941,0.0001811707,0.0002702657,0.0001941004],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","study_design_scores_codex":[0.0001613291,0.001313901,0.1474525,0.0006426928,0.0005399115,0.00005423747,0.09004565,0.002200385,0.004544328,0.6994826,0.01713184,0.03643055],"study_design_scores_gemma":[0.001055521,0.0005605639,0.546743,0.00181129,0.001815978,0.0002111474,0.01072772,0.06040084,0.001716782,0.06228245,0.310786,0.001888636],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9698722,0.006336509,0.003784472,0.005810693,0.0003408219,0.0001479427,0.00009323337,0.0001461781,0.01346795],"genre_scores_gemma":[0.9860094,0.0006076095,0.001638519,0.00225884,0.001315154,0.00003580707,0.00009545928,0.00003507601,0.008004094],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6372002,"threshold_uncertainty_score":0.9999549,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2051253325","doi":"10.4000/volume.2493","title":"Techniques électroniques et art musical : son, geste, écriture","year":2002,"lang":"fr","type":"article","venue":"Volume !","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art; Musical; Humanities; Visual arts","retraction":null,"screen_n_in":null,"score":{"opus":0.02503235719468648,"gpt":0.2510991473101574,"spread":0.2260667901154709,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004206669,0.0003451686,0.0004086153,0.0001367891,0.0003759867,0.000231768,0.000850443,0.0006127944,0.001023507],"category_scores_gemma":[0.0001288749,0.0003454819,0.0001680862,0.0004881802,0.0006399832,0.0006112094,0.0005729832,0.0009973828,0.001268903],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001068443,"about_ca_system_score_gemma":0.00005275083,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00007045089,"about_ca_topic_score_gemma":0.0002150518,"domain_scores_codex":[0.9977084,0.0001763083,0.0003387965,0.0006982448,0.0002844325,0.0007938476],"domain_scores_gemma":[0.9986874,0.00008454318,0.0001034436,0.0008574082,0.0001532969,0.000113859],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000002116727,0.0002018403,0.0006628871,0.00003207405,0.00004286168,0.00008807399,0.003504312,3.338083e-7,0.00004864536,0.172537,0.7035517,0.1193281],"study_design_scores_gemma":[0.0001197084,0.0003318938,0.002456242,0.00009651476,0.00002579627,0.000156814,0.00003655269,0.003710848,0.0003574254,0.0256208,0.9667059,0.0003815462],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"other","genre_scores_codex":[0.01400842,0.05435318,0.2341236,0.420424,0.004373757,0.0009122763,0.00004834427,0.005050206,0.2667062],"genre_scores_gemma":[0.2580673,0.007178129,0.09438812,0.01509511,0.00121992,0.0001737408,0.00000931154,0.0000698939,0.6237985],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.4053289,"threshold_uncertainty_score":0.9998997,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2552288821","doi":"10.4000/volume.5098","title":"Michel Delville, Radiohead OK Computer","year":2016,"lang":"en","type":"article","venue":"Volume !","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Cegep de Saint Jerome","funders":"","keywords":"Art","retraction":null,"screen_n_in":null,"score":{"opus":0.08883536489512679,"gpt":0.2577319902383565,"spread":0.1688966253432297,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00005319592,0.0001168407,0.0001183549,0.00004259774,0.00006456126,0.0003557254,0.0004577248,0.00004484605,0.00005870179],"category_scores_gemma":[0.00001680014,0.00006041381,0.00006872651,0.0001622242,0.00004621815,0.001502511,0.0001986367,0.00003748788,0.001315229],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003368649,"about_ca_system_score_gemma":0.00002517683,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00005507285,"about_ca_topic_score_gemma":0.000009640504,"domain_scores_codex":[0.9991379,0.00001697749,0.0001379795,0.0002693524,0.0001589149,0.0002788815],"domain_scores_gemma":[0.9992996,0.00003676182,0.00003962776,0.0003880312,0.00006620631,0.0001697704],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000005207095,0.00007922787,0.001070736,0.000006329406,0.00002450319,0.00007535804,0.0003859152,0.000006185245,0.0082196,0.0448692,0.7208496,0.2244081],"study_design_scores_gemma":[0.0005684834,0.0001633399,0.0122473,0.00004499798,0.000003206748,0.0001353611,0.000002609467,0.005793207,0.003476006,0.003546525,0.9736755,0.0003434848],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.04780015,0.000624375,0.8876618,0.01132722,0.00141741,0.0001897607,0.00001280926,0.0005788534,0.05038759],"genre_scores_gemma":[0.9012,0.00003303988,0.02888018,0.004073448,0.0005031836,0.000006045129,0.000002761765,0.00001601639,0.06528535],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8587816,"threshold_uncertainty_score":0.9994624,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2989681992","doi":"10.4000/volume.7254","title":"Hacking Jeff Minter’s Virtual Light Machine: Unpacking the Code and Community Behind an Early Software-Based Music Visualizer","year":2019,"lang":"en","type":"article","venue":"Volume !","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Computer science; Hacker; Code (set theory); Software; Multimedia; Visualization; World Wide Web; Artificial intelligence; Computer security; Programming language","retraction":null,"screen_n_in":null,"score":{"opus":0.0203682622805118,"gpt":0.2494990073338204,"spread":0.2291307450533086,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007673749,0.0001966522,0.0002342313,0.000101653,0.0009916689,0.0002520246,0.001181717,0.0001294487,0.00004357037],"category_scores_gemma":[0.0001075355,0.0001457884,0.00005937295,0.0001772202,0.0002266924,0.0003722316,0.0006951481,0.0007087845,0.00007037415],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002851618,"about_ca_system_score_gemma":0.00003309946,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0004225121,"about_ca_topic_score_gemma":0.001072055,"domain_scores_codex":[0.9985374,0.0004047081,0.0002025011,0.0003259432,0.0002070982,0.0003223873],"domain_scores_gemma":[0.9983774,0.0003315905,0.0001023467,0.001068901,0.00006155751,0.00005824652],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.00008947658,0.000719928,0.7351494,0.0001087021,0.0002999355,0.00004943741,0.11591,0.00009719547,0.002093419,0.02982295,0.009804437,0.1058551],"study_design_scores_gemma":[0.004672492,0.003787485,0.6892345,0.0004343609,0.0001417729,0.0001164494,0.004471743,0.1703888,0.002539604,0.01402606,0.1077624,0.00242436],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9271154,0.0001879887,0.07033359,0.001055451,0.0004578886,0.0001866558,0.000008386514,0.0003469897,0.0003075773],"genre_scores_gemma":[0.9957196,0.000002788598,0.002256639,0.001127882,0.00003627617,0.00001223766,0.000003859126,0.00001439471,0.0008263055],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1702916,"threshold_uncertainty_score":0.7627216,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2729765728","doi":"10.4000/volume.4858","title":"Sheila, Take a Bow","year":2016,"lang":"en","type":"article","venue":"Volume !","topic":"Gender, Feminism, and Media","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Centre for Interdisciplinary Research in Music Media and Technology; Musée de la Civilisation","funders":"","keywords":"Media studies; Art history; Sociology; Political science; History; Gender studies","retraction":null,"screen_n_in":null,"score":{"opus":0.02718597799635727,"gpt":0.2841351774415472,"spread":0.2569491994451899,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003001685,0.00004966668,0.00007188693,0.00003039558,0.0001636122,0.00002323706,0.0001610916,0.00007190271,0.001308208],"category_scores_gemma":[0.0001925919,0.00003518499,0.0000422918,0.0001077293,0.0001762478,0.00007734683,0.00001869941,0.00003434769,0.001634378],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004374945,"about_ca_system_score_gemma":0.0001605976,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002944315,"about_ca_topic_score_gemma":0.0008898827,"domain_scores_codex":[0.9992817,0.00004683092,0.00007973551,0.000133551,0.0001863401,0.0002718296],"domain_scores_gemma":[0.9996493,0.00004424073,0.00002469939,0.0001300027,0.0000337347,0.0001180408],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001114025,0.00006935162,0.0646569,0.000007712073,0.00002563732,0.00001316983,0.04622779,5.902132e-8,0.003583042,0.022977,0.6324221,0.2300061],"study_design_scores_gemma":[0.0001664544,0.0000118747,0.01427998,0.000009687941,0.000005255114,2.571764e-7,0.004336887,7.120029e-7,0.0001551435,0.002135276,0.9788305,0.00006798973],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3746801,0.0004617409,0.0008864884,0.0160733,0.002806352,0.0002317722,0.00001252846,0.0002306406,0.6046171],"genre_scores_gemma":[0.8388593,0.00008884674,0.00009200782,0.0003260401,0.0003701539,0.000008493914,4.73279e-7,0.000005575895,0.1602491],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.4641792,"threshold_uncertainty_score":0.9996047,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4405178697","doi":"10.4000/12vkm","title":"David Hesmondhalgh : l’indie anglophone et le destin de l’alternative musicale, lettre française","year":2024,"lang":"fr","type":"article","venue":"Volume !","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Indie film; Art; Humanities; Literature","retraction":null,"screen_n_in":null,"score":{"opus":0.02245571305455521,"gpt":0.2806188382683366,"spread":0.2581631252137814,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006266028,0.00032448,0.0003984372,0.0001131645,0.0006382448,0.0005260002,0.0004671656,0.0004050818,0.003205721],"category_scores_gemma":[0.0001582032,0.0002848574,0.0003907668,0.001915214,0.000905501,0.000711388,0.0001236396,0.0007085069,0.001363344],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001768753,"about_ca_system_score_gemma":0.0004454601,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01543622,"about_ca_topic_score_gemma":0.006797506,"domain_scores_codex":[0.9972652,0.0005310921,0.0003326065,0.0006620621,0.0004207171,0.0007882976],"domain_scores_gemma":[0.9989858,0.0002085133,0.00009428573,0.0002395971,0.0001471947,0.0003246228],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003038575,0.0005605921,0.002849479,0.0002166712,0.0006833121,0.001376391,0.122186,0.0001201054,0.001577322,0.1319163,0.6448614,0.09362203],"study_design_scores_gemma":[0.0002390275,0.00008590677,0.002551543,0.0002136416,0.0002679675,0.00002267719,0.002887192,0.002068268,0.000145916,0.008204021,0.9829131,0.000400781],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5838194,0.1466464,0.00043264,0.1521981,0.008524744,0.0004743378,0.0004095511,0.0004258068,0.107069],"genre_scores_gemma":[0.7937034,0.0006923538,0.0006817916,0.007045263,0.003064558,0.00004164578,0.00006935772,0.00003350591,0.1946682],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3380516,"threshold_uncertainty_score":0.9999604,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2948166653","doi":"10.4000/volume.6481","title":"Les spécificités culturelles de la production de musique metal. Le cas de l’industrie de la musique live en France","year":2019,"lang":"fr","type":"article","venue":"Volume !","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Réseau Technoscience","funders":"","keywords":"Art; Humanities","retraction":null,"screen_n_in":null,"score":{"opus":0.0229271700455102,"gpt":0.2873155730293479,"spread":0.2643884029838377,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.002085953,0.0003133006,0.0003255908,0.00005248726,0.0006233614,0.0002336917,0.0003763485,0.00122315,0.001525672],"category_scores_gemma":[0.0006298041,0.0003050399,0.0001571401,0.0005289672,0.0007519035,0.0003436188,0.00009593894,0.001094672,0.0002026732],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001408598,"about_ca_system_score_gemma":0.001671503,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.08681146,"about_ca_topic_score_gemma":0.004231627,"domain_scores_codex":[0.9965655,0.001451002,0.0003211458,0.0005027739,0.0003019194,0.000857717],"domain_scores_gemma":[0.9988748,0.0002796738,0.0001881409,0.0002276562,0.0001551012,0.0002745693],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005240511,0.0005908392,0.1986344,0.0001792889,0.000339924,0.0001567528,0.1807755,0.0024172,0.01259477,0.03192586,0.5045189,0.06781407],"study_design_scores_gemma":[0.0002461946,0.00005231738,0.02775539,0.0001823196,0.00006435575,0.0001122916,0.02402464,0.0002195151,0.006582832,0.001453691,0.938877,0.0004293945],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.939281,0.004533233,0.0002567301,0.02362009,0.0009558789,0.0005629587,0.00002356381,0.0001108202,0.03065573],"genre_scores_gemma":[0.617027,0.00184826,0.001593801,0.0002842091,0.001254333,0.00004918308,0.0000107425,0.00003091394,0.3779015],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4343581,"threshold_uncertainty_score":0.9999402,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2009014068","doi":"10.4000/volume.2048","title":"La partition graphique et ses usages dans la scène improvisée","year":2004,"lang":"fr","type":"article","venue":"Volume !","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Institut d'Histoire de l'Amérique Française","funders":"","keywords":"Humanities; Philosophy; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.020515054683126,"gpt":0.2447821392759001,"spread":0.2242670845927741,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003957136,0.0002189688,0.0002753001,0.0001212884,0.00049465,0.0002548573,0.0001430766,0.0002721594,0.004730902],"category_scores_gemma":[0.00005178649,0.0002043335,0.0002541071,0.0001103437,0.001465225,0.0003347321,0.00006181285,0.0003981125,0.0005422431],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00005823254,"about_ca_system_score_gemma":0.00009719298,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005080076,"about_ca_topic_score_gemma":0.01925538,"domain_scores_codex":[0.9985853,0.0003451495,0.0002696315,0.0003141526,0.00014162,0.0003441224],"domain_scores_gemma":[0.999348,0.000127627,0.000103,0.0002192116,0.00008121707,0.0001209872],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001690523,0.0005017761,0.0005049239,0.00009617977,0.0001783877,0.0001194047,0.01219304,0.0001285595,0.0002978141,0.9665099,0.01559027,0.00386279],"study_design_scores_gemma":[0.000443039,0.0001917234,0.00531776,0.0001084438,0.0003152286,0.00002799239,0.0014765,0.0000884119,0.0001979983,0.03723212,0.954317,0.0002838011],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.765237,0.002078295,0.0009507313,0.03551297,0.001131152,0.0002216419,0.0003975486,0.0001651911,0.1943054],"genre_scores_gemma":[0.9379834,0.0006088423,0.0001030237,0.00207217,0.0007770945,0.00003995891,0.00007825845,0.00002424267,0.05831303],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9387267,"threshold_uncertainty_score":0.9986407,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2004558247","doi":"10.4000/volume.1026","title":"D’Annie Laurie à Lady Madonna : un siècle de reprises au Japon","year":2010,"lang":"fr","type":"article","venue":"Volume !","topic":"Asian Culture and Media Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Humanities; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.01234975492201855,"gpt":0.2736215388162921,"spread":0.2612717838942735,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006704388,0.0002033491,0.000264183,0.00003425663,0.0009945533,0.00006572322,0.0003295249,0.000343532,0.002444817],"category_scores_gemma":[0.0007673545,0.000196944,0.0001522122,0.0003787958,0.001203139,0.0002393349,0.0001178268,0.0004974249,0.001860409],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001265763,"about_ca_system_score_gemma":0.0004280661,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004845752,"about_ca_topic_score_gemma":0.01119082,"domain_scores_codex":[0.9980813,0.0001566762,0.0002292852,0.0003720724,0.0003380586,0.000822602],"domain_scores_gemma":[0.9989862,0.0001120135,0.0001187964,0.0003204468,0.0001193524,0.0003431888],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000246146,0.0004122052,0.1471521,0.00008151548,0.0001882158,0.0001436898,0.1372248,0.000001407645,0.001856588,0.04192205,0.449251,0.2217419],"study_design_scores_gemma":[0.0002019619,0.00005292078,0.04967971,0.00003542925,0.00008836236,0.000006384672,0.01005016,0.0000154114,0.0005469578,0.002709973,0.9363665,0.000246207],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4056036,0.004369746,0.00007099097,0.07597373,0.00847228,0.0003036843,0.0000471603,0.0001647808,0.504994],"genre_scores_gemma":[0.8223743,0.0006863096,0.001224107,0.0006953254,0.00391015,0.00002527486,0.000006150191,0.00002335998,0.1710549],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.4871156,"threshold_uncertainty_score":0.9989167,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4388596031","doi":"10.4000/volume.11688","title":"Le synthétiseur Yamaha DX7 dans la musique sénégalaise","year":2023,"lang":"fr","type":"article","venue":"Volume !","topic":"African Studies and Ethnography","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art; Humanities","retraction":null,"screen_n_in":null,"score":{"opus":0.0181671545015574,"gpt":0.268189610325758,"spread":0.2500224558242006,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007308069,0.0002070431,0.0002953152,0.0001317084,0.001397165,0.00009141702,0.000382475,0.0002470704,0.0003951406],"category_scores_gemma":[0.0001976027,0.0002347489,0.0002774367,0.002570668,0.001866977,0.0002114405,0.000226082,0.0002747024,0.002815374],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006289246,"about_ca_system_score_gemma":0.0002739055,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0121823,"about_ca_topic_score_gemma":0.006278166,"domain_scores_codex":[0.9977738,0.0003504039,0.0002552629,0.0004051529,0.0004001066,0.0008152672],"domain_scores_gemma":[0.99901,0.000287602,0.00009866462,0.0002806975,0.00008555719,0.0002375021],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000009105205,0.0001632292,0.02631889,0.00008230613,0.0001329178,0.0002049571,0.112108,0.00004461969,0.00009830285,0.2132881,0.6244715,0.02307809],"study_design_scores_gemma":[0.0001462973,0.00004402719,0.01662538,0.00005783696,0.00004268306,0.000002888819,0.06304559,0.0001899122,0.000008032687,0.002571277,0.9169913,0.0002748001],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2035568,0.003777301,0.0001768314,0.04101744,0.003514988,0.0003028453,0.0001336739,0.0005441749,0.746976],"genre_scores_gemma":[0.8629429,0.002873369,0.0001074972,0.0002753306,0.0008500104,0.00003987124,0.000006998046,0.00003756468,0.1328665],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.6593861,"threshold_uncertainty_score":0.9999029,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4235232716","doi":"10.4000/volume.1662","title":"Présentation","year":2005,"lang":"fr","type":"article","venue":"Volume !","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Computer science","retraction":null,"screen_n_in":null,"score":{"opus":0.02457674412392614,"gpt":0.2771262757053383,"spread":0.2525495315814122,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0000811654,0.00009904367,0.0001134696,0.00005916075,0.0002790785,0.0002646853,0.00007135577,0.00004339419,0.03851163],"category_scores_gemma":[0.00002861733,0.0001007598,0.0001112188,0.00002768727,0.0001581715,0.0001381136,0.00001908001,0.00007464291,0.006417801],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004163281,"about_ca_system_score_gemma":0.00003367463,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001757887,"about_ca_topic_score_gemma":0.001542623,"domain_scores_codex":[0.9993147,0.00002128116,0.0001861153,0.0001411586,0.0001357771,0.000200948],"domain_scores_gemma":[0.9995975,0.00001418129,0.00006304363,0.000139353,0.0001174177,0.00006842974],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000002235185,0.0001042847,0.0002930266,0.00001774939,0.00005662786,0.000004918966,0.002626707,0.0001051747,0.000002245047,0.6276081,0.3517843,0.01739466],"study_design_scores_gemma":[0.0001279685,0.00002587121,0.0001565097,0.00002117099,0.0001947846,0.00000113628,0.001011392,0.009968641,0.0000190552,0.001850155,0.9864849,0.0001383559],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.006934017,0.0133331,0.0002011305,0.03490023,0.005720313,0.00008028479,0.0001522217,0.00004496441,0.9386337],"genre_scores_gemma":[0.2758894,0.0003385362,0.0002709833,0.0005079395,0.03604814,0.000003364467,0.00004542981,0.00001414031,0.6868821],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.6347007,"threshold_uncertainty_score":0.9943558,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4400573677","doi":"10.4000/12vka","title":"JBZ (Abidjan) et Bogolan (Bamako) : itinéraire biographique de deux “studios live” de légende et de leurs principaux protagonistes","year":2024,"lang":"fr","type":"article","venue":"Volume !","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Service de Recherche et d'EXpertise en Transformation des Produits Forestiers","funders":"Agence Nationale de la Recherche","keywords":"Art; Humanities","retraction":null,"screen_n_in":null,"score":{"opus":0.05746628819321082,"gpt":0.3029951725272959,"spread":0.245528884334085,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0009512572,0.0004827514,0.0004150045,0.0002269477,0.0008847862,0.002498799,0.0004094251,0.0003191431,0.003987897],"category_scores_gemma":[0.0001270179,0.0004831751,0.0005325461,0.0002017312,0.0006730771,0.0008046886,0.0002319557,0.0009754031,0.0009949021],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004533098,"about_ca_system_score_gemma":0.0007199892,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.02965957,"about_ca_topic_score_gemma":0.09755288,"domain_scores_codex":[0.9970832,0.0004391454,0.0004886817,0.0006018427,0.0002968064,0.001090313],"domain_scores_gemma":[0.9989241,0.0001376362,0.0001132833,0.0003520542,0.0001461236,0.0003267892],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004342412,0.0004621653,0.01599818,0.002272293,0.0005668636,0.0009611291,0.1779159,0.0000245055,0.001473119,0.6962726,0.1016533,0.002356553],"study_design_scores_gemma":[0.0002801298,0.0002661015,0.01241958,0.001096628,0.0002704892,0.0002378778,0.01043323,0.0006737144,0.0002146919,0.007146019,0.9663069,0.0006546032],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8632426,0.02847056,0.0001878593,0.02986276,0.001855976,0.0011014,0.001052776,0.0007743164,0.07345176],"genre_scores_gemma":[0.721287,0.004276089,0.0007234293,0.002780715,0.002056817,0.0002480767,0.0001102076,0.0001222998,0.2683954],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8646536,"threshold_uncertainty_score":0.9997829,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}