{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":4,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":4,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"44e42e0d2836","filters":{"venue":"West 86th"}},"results":[{"id":"W4247947522","doi":"10.1086/662517","title":"Duplicitous Forms","year":2011,"lang":"en","type":"article","venue":"West 86th","topic":"Medieval Literature and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Iconography; Carving; Depiction; Art; Period (music); Art history; Visual arts; Aesthetics","authors":[{"name":"Sarah M. Guérin","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03894956557209003,"gpt":0.1967910433606736,"spread":0.1578414777885836,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000869251,0.0005325452,0.0003919892,0.001249958,0.004713915,0.004273657,0.001008642,0.0009685328,0.04263303],"category_scores_gemma":[0.002696133,0.0003065285,0.0001751408,0.001383613,0.01029181,0.003221498,0.005625859,0.001711897,0.00686152],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002203254,"about_ca_system_score_gemma":0.001317625,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003074899,"about_ca_topic_score_gemma":0.00988742,"domain_scores_codex":[0.9988598,0.0002364029,0.00005685243,0.000343411,0.0002949948,0.0002087112],"domain_scores_gemma":[0.99924,0.0001442387,0.00008953336,0.0003051353,0.0001221386,0.00009889121],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002352234,0.000009313096,0.0005232984,0.00004960269,0.000002665835,0.000255356,0.01398741,0.00003248408,0.00038919,0.9485979,0.007028436,0.02910087],"study_design_scores_gemma":[0.000006099313,0.000032812,0.001369169,0.000124203,0.000007300375,0.001287568,0.007259386,0.00008737201,0.0005133272,0.07598923,0.9133128,0.00001069647],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.04686919,0.001468973,0.004680757,0.001658638,0.0002949872,0.000061313,0.000233242,0.00008604042,0.9446468],"genre_scores_gemma":[0.6359631,0.001359331,0.003917075,0.0006317277,0.0001747544,0.00007912951,0.0003352966,0.0001762619,0.3573634],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.04263303,"threshold_uncertainty_score":0.1426217,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4378192511","doi":"10.1086/725984","title":"Omega Flowers and Bloomsbury Modernism","year":2022,"lang":"en","type":"article","venue":"West 86th","topic":"Joseph Conrad and Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Modernism (music); Omega; Art; Art history; Philosophy; Linguistics","authors":[{"name":"Alison Syme","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01284717453849275,"gpt":0.185490490871971,"spread":0.1726433163334783,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001335193,0.0002427031,0.0001718959,0.001010816,0.01042505,0.006492238,0.0004581205,0.001777929,0.007655637],"category_scores_gemma":[0.001227528,0.0002135306,0.0001391358,0.000734992,0.0282633,0.004124352,0.004006636,0.003601578,0.0004582926],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.02358883,"about_ca_system_score_gemma":0.003236222,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0418283,"about_ca_topic_score_gemma":0.102541,"domain_scores_codex":[0.9988111,0.0005701889,0.00002512715,0.0001719462,0.0001899886,0.000231622],"domain_scores_gemma":[0.9996355,0.00016355,0.00003930755,0.00006132534,0.00003992945,0.00006043374],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000007185098,0.000003795891,0.0001040799,0.00001176062,8.230385e-7,0.00003959745,0.01405059,0.00001761421,0.00007234338,0.9759763,0.005066881,0.004648978],"study_design_scores_gemma":[0.000007690534,0.00001040643,0.0009096255,0.0001695172,0.000002567866,0.0001298149,0.01617989,0.00007728587,0.0002030787,0.1601242,0.8221754,0.00001057666],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.05736357,0.02403535,0.0008994251,0.0679819,0.0004896305,0.000009107634,0.00003501246,0.0000233794,0.8491627],"genre_scores_gemma":[0.8241134,0.006055951,0.0007481618,0.006270205,0.0002762552,0.00002231093,0.00001768555,0.00003669068,0.1624592],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.0418283,"threshold_uncertainty_score":0.1711497,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4408928596","doi":"10.1086/735325","title":"P<i>a</i>inture: The Temporal and Emotional Labor of Stale Bread in the French Studio","year":2024,"lang":"en","type":"article","venue":"West 86th","topic":"Architecture, Design, and Social History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"St. Francis Xavier University","funders":"","keywords":"Studio; Emotional labor; Psychology; Business; Sociology; Art; Social psychology; Visual arts","authors":[{"name":"Catherine Girard","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01992426233622866,"gpt":0.2261077551691895,"spread":0.2061834928329608,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00175709,0.000469084,0.0001518548,0.001015111,0.007297729,0.006773196,0.0004211291,0.000900623,0.00698734],"category_scores_gemma":[0.001873101,0.0001447946,0.0002726221,0.0005039189,0.01278297,0.001778782,0.002029261,0.001160255,0.0006071939],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007049341,"about_ca_system_score_gemma":0.001534774,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03638244,"about_ca_topic_score_gemma":0.07171641,"domain_scores_codex":[0.9984562,0.001008008,0.00001803286,0.000104372,0.0002038403,0.0002093971],"domain_scores_gemma":[0.9991723,0.0003357827,0.00009879224,0.00007145271,0.0001126614,0.0002090787],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001604823,0.00005869876,0.006764761,0.0001084874,0.00001314909,0.001717325,0.7698689,0.0002217189,0.003842442,0.1668129,0.01005331,0.04037777],"study_design_scores_gemma":[0.00001398801,0.0001639259,0.02038312,0.000191721,0.00001552635,0.001371749,0.4085669,0.0002996916,0.00140961,0.005540465,0.561994,0.00004932992],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6480098,0.004979634,0.005992438,0.008670609,0.0003848537,0.00003390411,0.00006253256,0.0001458437,0.3317203],"genre_scores_gemma":[0.9733751,0.0004390441,0.0006477128,0.0002845892,0.0000562646,0.00000658208,0.00001226241,0.00003193801,0.02514645],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.03638244,"threshold_uncertainty_score":0.07234132,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2728164298","doi":"10.1086/693811","title":"You Say You Want a Revolution? Records and Rebels 1966–1970: Victoria and Albert Museum, LondonSeptember 10, 2016–February 26, 2017Catalogue<i>You Say You Want a Revolution? Records and Rebels 1966–1970</i>Edited by Victoria Broakes and Geoffrey MarshLondon: V&amp;A Publishing, 2016.320 pp.; 200 color ills.Cloth $60.00ISBN 9781851778911","year":2017,"lang":"en","type":"article","venue":"West 86th","topic":"Digital and Traditional Archives Management","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Exhibition; Politics; Ideology; Media studies; History; Civilization; Period (music); Art history; Cliché; Mainstream; Sociology; Law; Literature; Aesthetics; Art; Political science; Archaeology","authors":[{"name":"Elizabeth Kutesko","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0184558147533016,"gpt":0.2213742159029809,"spread":0.2029184011496793,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009113356,0.0008613762,0.0005126357,0.001927675,0.003975899,0.00614494,0.0008529709,0.001108635,0.3375926],"category_scores_gemma":[0.001787743,0.0006488325,0.0003516003,0.005661726,0.002278781,0.004660827,0.003336796,0.002842606,0.1444384],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008576642,"about_ca_system_score_gemma":0.007067508,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1866389,"about_ca_topic_score_gemma":0.4645098,"domain_scores_codex":[0.9990135,0.00009888144,0.0000479287,0.0001247225,0.0005116721,0.000203302],"domain_scores_gemma":[0.9991591,0.00009443045,0.00009394746,0.0001179086,0.000239957,0.0002946251],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002229996,0.000005644811,0.0002428565,0.0002879321,0.000003156509,0.00005325649,0.001401015,0.00002295235,0.0001637774,0.004570358,0.9600837,0.03314314],"study_design_scores_gemma":[7.162506e-7,0.00000121255,0.0005615425,0.0001088772,4.635527e-7,0.0000148882,0.0004298475,0.000001081324,0.0000285116,0.00009046117,0.9987601,0.000002404385],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.003547467,0.116555,0.0002710184,0.01935799,0.007052949,0.00009253631,0.008984845,0.0002682204,0.84387],"genre_scores_gemma":[0.006335512,0.02207992,0.0001340153,0.000389409,0.0004196271,0.00002187516,0.001317487,0.0001604389,0.9691417],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.3375926,"threshold_uncertainty_score":0.9448438,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}