{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":19,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":19,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"760425e02cb9","filters":{"venue":"Women s Writing"}},"results":[{"id":"W2051039929","doi":"10.1080/09699080802444850","title":"“GOD, OR SOMETHING LIKE THAT”: ELIZABETH STUART PHELPS'S CHRISTIAN SPIRITUALISM","year":2008,"lang":"en","type":"article","venue":"Women s Writing","topic":"Religious Studies and Spiritual Practices","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Spiritualism; Christianity; Doctrine; Philosophy; Religious studies; Literature; Aesthetics; Art; Theology","authors":[{"name":"Roxanne Harde","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.09190723422650646,"gpt":0.2775842021571064,"spread":0.1856769679306,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007684212,0.000350845,0.0005227402,0.0001506615,0.002857668,0.0004902104,0.000336879,0.00008672108,0.002760899],"category_scores_gemma":[0.0002034018,0.0002823436,0.0001327793,0.00009940612,0.0004425693,0.00071655,0.0002138378,0.0004759703,0.0004076463],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000114303,"about_ca_system_score_gemma":0.00007665067,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001458077,"about_ca_topic_score_gemma":0.0006730643,"domain_scores_codex":[0.9973496,0.0001126304,0.0005550074,0.0004912923,0.0005446114,0.0009468636],"domain_scores_gemma":[0.9985367,0.0004702783,0.0002936603,0.000342066,0.0001673127,0.0001899806],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002023139,0.0003712986,0.002220412,0.0003034132,0.0004752342,0.0008179595,0.8139564,0.0000130189,0.0001220028,0.04026096,0.1321866,0.00907034],"study_design_scores_gemma":[0.0006588464,0.0002558347,0.0001463581,0.00009693709,0.00002624289,0.00006697,0.2195858,0.00005671891,0.00003526341,0.0006289224,0.777953,0.0004891407],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7872338,0.00247299,0.00003812004,0.002228749,0.001048466,0.0003210167,0.00003207312,0.0004263119,0.2061985],"genre_scores_gemma":[0.9752534,0.001357956,0.0003642211,0.003334033,0.002386685,0.00007889192,0.00001013063,0.00006643718,0.01714824],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6457663,"threshold_uncertainty_score":0.9999629,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2480966194","doi":"10.1080/09699082.2016.1207910","title":"“News from Scotland”: Female Networks in the Travel Narratives of Elizabeth Isabella Spence","year":2016,"lang":"en","type":"article","venue":"Women s Writing","topic":"Travel Writing and Literature","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Manitoba","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Romance; Narrative; Evocation; Travel writing; Sublime; History; Context (archaeology); Art history; Literature; Art; Archaeology","authors":[{"name":"Pam Perkins","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02215939860096727,"gpt":0.2297719414339471,"spread":0.2076125428329798,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004983938,0.0001550186,0.0002450867,0.0000547337,0.0001898079,0.0001728257,0.0002726945,0.00005874587,0.0006794736],"category_scores_gemma":[0.00003316453,0.0000871388,0.00005425528,0.00006369827,0.000223357,0.0001707323,0.00002972988,0.0002065072,0.00001295821],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002443184,"about_ca_system_score_gemma":0.00001813933,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001557181,"about_ca_topic_score_gemma":0.0004041918,"domain_scores_codex":[0.9986721,0.0001587738,0.0003792608,0.000238404,0.0001810293,0.0003704714],"domain_scores_gemma":[0.9991904,0.0003676981,0.0001314044,0.0002193045,0.00005006388,0.00004115183],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00006343031,0.0001412776,0.0223015,0.00006036165,0.00004537268,0.00002596177,0.8383319,0.000009207957,0.002385873,0.1170233,0.001266296,0.01834546],"study_design_scores_gemma":[0.001975871,0.0002422006,0.02261437,0.002327884,0.00001464976,0.000007450054,0.9044392,0.0001119944,0.00049309,0.009190165,0.05793791,0.0006452089],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9513388,0.0007285115,0.0001046256,0.0006047962,0.0001323599,0.00012904,0.00007087059,0.00002725256,0.04686379],"genre_scores_gemma":[0.9957932,0.00003935153,0.0001048543,0.000375422,0.001012356,0.00002238073,0.000009255395,0.00001663971,0.002626565],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1078331,"threshold_uncertainty_score":0.7439759,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2996042041","doi":"10.1080/09699082.2019.1654175","title":"Dissenting Cosmopolitanism and Helen Maria Williams’s Prison Verse","year":2019,"lang":"en","type":"article","venue":"Women s Writing","topic":"Scottish History and National Identity","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Tyndale University College & Seminary","funders":"","keywords":"Cosmopolitanism; Dissenting opinion; Sociology; Faith; Poetry; Rhetorical question; Conversation; Identity (music); Literature; Aesthetics; Art; Law; Philosophy; Politics; Theology","authors":[{"name":"Natasha Duquette","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01027652948173706,"gpt":0.2048339891102997,"spread":0.1945574596285626,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003054207,0.0000877916,0.0001249665,0.00006390177,0.0003410089,0.0001854276,0.00007358962,0.00002684195,0.002478385],"category_scores_gemma":[0.00003525389,0.00009425219,0.00002833891,0.00002297318,0.00007782415,0.0003940022,0.0000554021,0.000102038,0.0002638101],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00009738318,"about_ca_system_score_gemma":0.00001488221,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00008356922,"about_ca_topic_score_gemma":0.00007775529,"domain_scores_codex":[0.9992196,0.00002887292,0.0001735551,0.0001847084,0.0001594,0.0002338483],"domain_scores_gemma":[0.9996386,0.00008131118,0.00007633066,0.00009359161,0.00005221733,0.00005800351],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002688123,0.00006479486,0.03787594,0.0001732955,0.00005340965,0.00001301002,0.03485817,9.632382e-7,0.001338118,0.9210112,0.002345319,0.002238927],"study_design_scores_gemma":[0.002003335,0.0002136807,0.03033326,0.0003181291,0.00004552942,0.00002282409,0.1258183,0.0003632169,0.000402696,0.02076617,0.8186978,0.001015066],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8719917,0.0001498073,0.000001458219,0.00005683693,0.0004011063,0.00009701642,0.000009765547,0.00005357446,0.1272388],"genre_scores_gemma":[0.9657613,0.00000728002,0.00005080416,0.0001579083,0.0003740772,0.00001012315,0.000009206467,0.00001326225,0.03361601],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.900245,"threshold_uncertainty_score":0.9984335,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2917809669","doi":"10.1080/09699082.2019.1582188","title":"Charlotte Lennox: An Independent Mind","year":2019,"lang":"en","type":"article","venue":"Women s Writing","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Simon Fraser University","funders":"","keywords":"Psychology; Psychoanalysis","authors":[{"name":"Betty A. Schellenberg","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01877779173144415,"gpt":0.2136263918754391,"spread":0.194848600143995,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001520622,0.0001068628,0.0001575928,0.00003280865,0.0003527525,0.0001104399,0.0001055004,0.00002427334,0.007348502],"category_scores_gemma":[0.000005194991,0.00008687612,0.00003753729,0.00002085435,0.00005056677,0.0002283356,0.0000446041,0.0001174229,0.001670818],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00007576316,"about_ca_system_score_gemma":0.000008096456,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00002683107,"about_ca_topic_score_gemma":0.0001716743,"domain_scores_codex":[0.9991546,0.00001507635,0.0001633821,0.0001968964,0.0001707925,0.0002993016],"domain_scores_gemma":[0.9996903,0.00001338166,0.00004607367,0.0001220117,0.00005704209,0.00007117515],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000294085,0.0001959567,0.00719808,0.00007747186,0.00009574986,0.00001712149,0.7730632,0.000002301258,0.001415424,0.1877589,0.003610374,0.02653599],"study_design_scores_gemma":[0.0002106043,0.0001243241,0.0004569644,0.00001704477,0.00000480736,0.000001331504,0.07549383,0.0000148783,0.0000321107,0.0003913073,0.9230658,0.0001870154],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6530899,0.00009389207,6.225598e-7,0.00009819737,0.0003246879,0.00006650259,0.000004171486,0.00003903648,0.346283],"genre_scores_gemma":[0.948893,0.000003717839,0.00001954638,0.0002721499,0.001026953,0.00002004353,0.000005475162,0.00001247226,0.04974664],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9194554,"threshold_uncertainty_score":0.9991065,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4400969599","doi":"10.1080/09699082.2024.2360609","title":"Reading Wollstonecraft after Godwin’s <i>Memoirs</i> : Wollstonecraft in Circulating, Subscription, and Private Libraries, 1799–1842","year":2024,"lang":"en","type":"article","venue":"Women s Writing","topic":"Religion, Gender, and Enlightenment","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Memoir; Reading (process); History; Psychology; Literature; Art; Linguistics; Philosophy; Art history","authors":[{"name":"Kandice Sharren","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01421102041987733,"gpt":0.2167181954983624,"spread":0.2025071750784851,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0005814223,0.0003481146,0.0003707198,0.0003398485,0.0003725064,0.001296217,0.0001620549,0.0001047564,0.0008423949],"category_scores_gemma":[0.0000287131,0.000331553,0.00008590826,0.0001747438,0.0002103219,0.0008726715,0.0001497701,0.0003473925,0.00009751257],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002840798,"about_ca_system_score_gemma":0.00006302139,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002505887,"about_ca_topic_score_gemma":0.00003843575,"domain_scores_codex":[0.9975086,0.00007560137,0.0006662227,0.0006377975,0.0003307872,0.0007809577],"domain_scores_gemma":[0.9993087,0.0001084338,0.00008370905,0.0002820631,0.00003670954,0.0001803744],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006581369,0.00009252385,0.02130635,0.0007902686,0.0001339243,0.0004369058,0.8016325,0.00001785125,0.001436397,0.1616926,0.007090555,0.005304292],"study_design_scores_gemma":[0.001078664,0.0001516193,0.00780451,0.001768572,0.00006270233,0.0001079045,0.2511365,0.001605593,0.0003375559,0.02964993,0.704938,0.001358515],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9603336,0.005816848,0.00003818718,0.000685346,0.0007483545,0.0002757408,0.00002211968,0.0003242576,0.03175547],"genre_scores_gemma":[0.9892085,0.0004895891,0.0002455624,0.0008104604,0.000759896,0.0001891983,0.00002409953,0.00008506008,0.008187593],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6978474,"threshold_uncertainty_score":0.9999136,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1994922334","doi":"10.1080/09699080100200140","title":"Red and white: miss E. Pauline Johnson Tekahionwake and the other woman","year":2001,"lang":"en","type":"article","venue":"Women s Writing","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"White (mutation); Indigenous; Girl; Representation (politics); History; Period (music); Literature; Sociology; Gender studies; Art history; Genealogy; Art; Psychology; Law; Aesthetics; Political science; Politics; Developmental psychology","authors":[{"name":"Anne Collett","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.00948526627574217,"gpt":0.2283263307779035,"spread":0.2188410645021613,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00090897,0.00004561812,0.00009094383,0.0001076819,0.001180377,0.000332159,0.00007454301,0.000041543,0.0005222255],"category_scores_gemma":[0.00009575256,0.00004501922,0.00001536288,0.0002144933,0.0005205048,0.00009871908,0.00002317312,0.00007933658,0.00001096939],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001386814,"about_ca_system_score_gemma":0.00005972064,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.03223821,"about_ca_topic_score_gemma":0.23221,"domain_scores_codex":[0.999297,0.00009937136,0.00009918986,0.000121406,0.0001332361,0.000249776],"domain_scores_gemma":[0.9996862,0.00006544615,0.00003962913,0.00007303278,0.00001942398,0.0001162401],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002223141,0.00006427434,0.04472217,0.0001085201,0.00008113006,0.0001646249,0.539811,0.000005512088,0.0003005409,0.04152707,0.1087139,0.2642789],"study_design_scores_gemma":[0.0004076952,0.000005981393,0.00429845,0.00001370091,0.000003845595,0.000004998798,0.01958607,0.0000317411,3.282915e-7,0.0006468774,0.9749324,0.00006785589],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8077632,0.0008622988,0.000004897039,0.01443035,0.0000643888,0.0001273505,0.000005064084,0.00004864849,0.1766939],"genre_scores_gemma":[0.9692034,0.001093904,0.00004219883,0.00122645,0.0004085096,0.00001719475,0.00000100531,0.00000815001,0.02799916],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8662185,"threshold_uncertainty_score":0.9742062,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4412748717","doi":"10.1080/09699082.2025.2520067","title":"The Company She Keeps: Poetry on Female Martyr Saints in Early Modern Icelandic Manuscripts","year":2025,"lang":"en","type":"article","venue":"Women s Writing","topic":"Medieval Literature and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Alberta","funders":"","keywords":"Icelandic; Martyr; Poetry; History; Literature; Art; Philosophy; Linguistics; Archaeology","authors":[{"name":"Natalie Van Deusen","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02029971645323765,"gpt":0.2296749239999838,"spread":0.2093752075467461,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000490508,0.0001472213,0.0002024502,0.0001639857,0.0006645672,0.0003526691,0.0002198087,0.0000499152,0.000299113],"category_scores_gemma":[0.00003422857,0.0001109058,0.0000517129,0.00005692791,0.0001446631,0.0001160573,0.00005240029,0.000373411,0.0001184692],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001942668,"about_ca_system_score_gemma":0.00003467097,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00009723313,"about_ca_topic_score_gemma":0.0007433282,"domain_scores_codex":[0.9987506,0.00008548587,0.0003056827,0.0002318101,0.0002016668,0.0004247054],"domain_scores_gemma":[0.9994076,0.0001899541,0.00006329216,0.0002418886,0.00004188302,0.00005532685],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003075759,0.0002245684,0.008582881,0.0002996702,0.0001020804,0.0001090102,0.366527,0.000007771599,0.0001277637,0.5708101,0.03094758,0.02195402],"study_design_scores_gemma":[0.0007044388,0.00009777518,0.008478223,0.0004186038,0.00001039763,0.000001222073,0.01986497,0.0001777337,0.00001704085,0.006320602,0.9636761,0.0002329173],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5761381,0.001107212,0.000002506222,0.0003446332,0.0005730761,0.0001213363,0.00001096059,0.0000426344,0.4216596],"genre_scores_gemma":[0.9174173,0.0000152927,0.000006608948,0.001673413,0.0004280843,0.00004952066,0.000007822373,0.00001380152,0.08038812],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9327285,"threshold_uncertainty_score":0.5111381,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4388040787","doi":"10.1080/09699082.2023.2266082","title":"Anna Maria van Schurman: Letters and Poems to and from Her Mentor and Other Members of Her Circle <b>Anna Maria van Schurman: Letters and Poems to and from Her Mentor and Other Members of Her Circle</b> , edited and translated by Anne R. Larsen and Steve Maiullo, The Other Voice in Early Modern Europe, the Toronto Series, 81, New York and Toronto, Iter, 2021, 402 pp., $65.95, ISBN 978-1-64959-012-1.","year":2023,"lang":"en","type":"article","venue":"Women s Writing","topic":"Historical Studies of British Isles","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Poetry; Art; Philosophy; Literature","authors":[{"name":"Felicity Lyn Maxwell","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01828764000235948,"gpt":0.2162896530124061,"spread":0.1980020130100466,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0007126422,0.0006353262,0.0009547182,0.0000928731,0.0005706783,0.0006687915,0.0002110643,0.0001731802,0.0004454846],"category_scores_gemma":[0.00004225009,0.0005728632,0.00004545794,0.0001652126,0.0008522844,0.0008368223,0.0003637064,0.0002765592,0.000002250481],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001202664,"about_ca_system_score_gemma":0.00001850557,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.08475956,"about_ca_topic_score_gemma":0.05898059,"domain_scores_codex":[0.9964783,0.0003091561,0.0007802577,0.001115001,0.0004820249,0.0008352161],"domain_scores_gemma":[0.9984707,0.0003339202,0.0002660855,0.0003804513,0.00007581376,0.0004730432],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.002296699,0.0003239358,0.0893144,0.0007516237,0.002707825,0.00009626069,0.6374578,0.00001467031,0.06661565,0.0003758094,0.112769,0.08727622],"study_design_scores_gemma":[0.009031375,0.000852067,0.1088295,0.001156881,0.0004391861,0.00003671817,0.05501283,0.0005572839,0.0001589273,0.0003118921,0.821508,0.002105303],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9363542,0.05600921,0.000009334402,0.003800236,0.0001970953,0.001071595,0.000726369,0.00006422843,0.001767784],"genre_scores_gemma":[0.9848186,0.003143156,0.0004354001,0.006076448,0.0008643276,0.000141458,0.00003219405,0.0003214212,0.004166961],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7087389,"threshold_uncertainty_score":0.9996723,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4396733837","doi":"10.1080/09699082.2024.2352264","title":"Decadent Women: Yellow Book Lives <b>Decadent Women: Yellow Book Lives</b> , by Jad Adams, London, Reaktion Books, 2023, 392 pp., £20, ISBN 9781 7891 4789 6","year":2024,"lang":"en","type":"article","venue":"Women s Writing","topic":"Colonialism, slavery, and trade","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Red Deer Polytechnic","funders":"","keywords":"History; Ancient history; Art","authors":[{"name":"Heather Marcovitch","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01006161659054326,"gpt":0.2716836220882664,"spread":0.2616220054977231,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00290271,0.0008075763,0.0009375572,0.0004165461,0.001664329,0.001464947,0.001043985,0.0004538123,0.003325419],"category_scores_gemma":[0.0002520257,0.0008877134,0.0003626852,0.001001277,0.0008098126,0.001530138,0.0003499539,0.00112406,0.001087301],"about_ca_system_candidate":true,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003981214,"about_ca_system_score_gemma":0.0008732575,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0008905887,"about_ca_topic_score_gemma":0.0003535755,"domain_scores_codex":[0.9915091,0.0007155972,0.0012878,0.001606302,0.001848185,0.003032949],"domain_scores_gemma":[0.9968237,0.0007753182,0.0003838711,0.0006643161,0.0001685228,0.001184318],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002628508,0.0006789762,0.0009214886,0.0006165071,0.0005792498,0.0008433639,0.62019,0.00002815223,0.005158126,0.00227884,0.3440558,0.02438673],"study_design_scores_gemma":[0.0007860105,0.0003921688,0.0001149479,0.0004587205,0.00005208438,0.00002714709,0.1098359,0.0001388251,0.0007405787,0.001084421,0.8854011,0.0009680319],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8153949,0.09852809,0.0001070671,0.008942995,0.00367109,0.002274659,0.000308841,0.001780812,0.06899147],"genre_scores_gemma":[0.7495192,0.02182633,0.0001160935,0.004618905,0.003766248,0.001262438,0.00009439374,0.0002183489,0.2185781],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5413454,"threshold_uncertainty_score":0.9998423,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3113108408","doi":"10.1080/09699082.2020.1775764","title":"Picking Up Threads: Women and Labour in the Nineteenth Century","year":2020,"lang":"en","type":"article","venue":"Women s Writing","topic":"Historical Studies on Reproduction, Gender, Health, and Societal Changes","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Victoria","funders":"","keywords":"Period (music); Work (physics); History; Art; Engineering; Aesthetics; Mechanical engineering","authors":[{"name":"Mary Elizabeth Leighton","is_ca":true},{"name":"Lisa Surridge","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06050676519973747,"gpt":0.2521223664592603,"spread":0.1916156012595229,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004800892,0.0001138028,0.0001851737,0.00002407813,0.0007016404,0.000112707,0.0001069396,0.00002651426,0.0002631761],"category_scores_gemma":[0.00006093209,0.00008551705,0.00002461855,0.00008670938,0.0001132529,0.00009404604,0.00004955551,0.0002070549,0.00001279914],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001792159,"about_ca_system_score_gemma":0.0000160487,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001454203,"about_ca_topic_score_gemma":0.0001285298,"domain_scores_codex":[0.9988481,0.00007290968,0.0002100276,0.0002640192,0.0001852382,0.0004196389],"domain_scores_gemma":[0.9996399,0.00007510705,0.00006027816,0.00009496053,0.00003822173,0.00009158511],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.000007744956,0.00002036962,0.003590414,0.0001427062,0.00001470618,0.000003714938,0.970777,5.704642e-7,0.000005620278,0.01975396,0.001008587,0.00467458],"study_design_scores_gemma":[0.0001672862,0.00006949221,0.001801607,0.000008881831,0.000001650571,0.000001026077,0.5364115,0.000004255554,5.653235e-7,0.0003414011,0.4611016,0.00009068258],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9760594,0.00363778,0.00000160159,0.005627536,0.0003115215,0.0001665926,0.000009322041,0.00006180176,0.01412443],"genre_scores_gemma":[0.991563,0.001107951,0.000009666322,0.003920838,0.001827826,0.00006837537,0.000002173151,0.000012535,0.00148762],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.460093,"threshold_uncertainty_score":0.5396522,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3134503209","doi":"10.1080/09699082.2021.1879437","title":"A Woman’s Thoughts About Men: Malthus and Middle-Class Masculinity in Dinah Mulock Craik’s <i>John Halifax, Gentleman</i>","year":2021,"lang":"en","type":"article","venue":"Women s Writing","topic":"Historical Economic and Social Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Ideology; Depiction; Masculinity; Narrative; Sociology; Gender studies; Politics; Aesthetics; Psychoanalysis; Literature; Psychology; Philosophy; Law; Art","authors":[{"name":"Helena Goodwyn","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03387238887709781,"gpt":0.2212288470084791,"spread":0.1873564581313813,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0007434521,0.0002145001,0.0007226264,0.0001122288,0.0003541491,0.0001058014,0.0001440742,0.0001410492,0.0002515027],"category_scores_gemma":[0.0002379847,0.000275547,0.0001086736,0.0002689619,0.00009314345,0.000185622,0.0001950099,0.0002652578,0.0001891379],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0007732777,"about_ca_system_score_gemma":0.00003967896,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0005399509,"about_ca_topic_score_gemma":0.0004064055,"domain_scores_codex":[0.9977985,0.00004715058,0.0008635116,0.000612925,0.00004700435,0.0006308797],"domain_scores_gemma":[0.9991602,0.0001363716,0.0002623034,0.0002275755,0.00003364153,0.0001798539],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001094596,0.001067274,0.5514712,0.001086573,0.0005676585,0.0007578601,0.1102192,0.00007897904,0.00004805305,0.3163966,0.009891381,0.008305764],"study_design_scores_gemma":[0.003845374,0.0001205339,0.1730333,0.0002170571,0.00001765777,0.00002672868,0.02667752,0.001623014,0.00004714413,0.0396359,0.7532266,0.001529169],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8314078,0.009740097,0.0001269946,0.001222032,0.0003155373,0.0001695967,0.00009373364,0.00004803249,0.1568762],"genre_scores_gemma":[0.9891229,0.001843063,0.0004051515,0.0009442446,0.00041394,0.0001066239,0.00001000866,0.00003231854,0.007121717],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7433352,"threshold_uncertainty_score":0.9999697,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4400650952","doi":"10.1080/09699082.2024.2375894","title":"The Gulf Between Heroine and Woman: How <i>The Cry’s</i> Oppositional Double Structure Challenges and Educates Readers","year":2024,"lang":"en","type":"article","venue":"Women s Writing","topic":"Themes in Literature Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Cape Breton University","funders":"","keywords":"History; Psychology","authors":[{"name":"Veronica Litt","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02557523636652987,"gpt":0.2388863035487075,"spread":0.2133110671821776,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0003149037,0.0001528493,0.0001520778,0.00005348746,0.0008128791,0.001710221,0.0001458015,0.00003917587,0.0001257991],"category_scores_gemma":[0.00001226437,0.00008725654,0.00003893172,0.00004077451,0.0003996683,0.0002671594,0.00008559785,0.0002532563,0.000002667577],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003012467,"about_ca_system_score_gemma":0.00001700987,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000008660538,"about_ca_topic_score_gemma":0.00006174812,"domain_scores_codex":[0.9991159,0.00004603036,0.0001464598,0.0002484293,0.0001635172,0.0002796335],"domain_scores_gemma":[0.9992394,0.0004469845,0.00004204155,0.0001692643,0.00004564756,0.0000566182],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002248775,0.00001006024,0.0001466973,0.0002865652,0.0005835021,0.00001097164,0.3095733,9.682226e-7,0.0002252789,0.6286751,0.008806573,0.05165852],"study_design_scores_gemma":[0.0002210397,0.00005604445,0.0003547273,0.000201285,0.0001109696,0.00003596523,0.1879684,0.00002928926,0.00008676388,0.03637682,0.774304,0.0002546371],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7727861,0.1205117,0.00000405131,0.0846774,0.0004680537,0.0002304282,0.000145122,0.0001590928,0.02101806],"genre_scores_gemma":[0.9908915,0.0006986326,0.00004516447,0.0003385579,0.00273485,0.00002803003,0.00002186136,0.00002285964,0.005218583],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7654974,"threshold_uncertainty_score":0.9993261,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7093095180","doi":"10.1080/09699082.2025.2548063","title":"“Who Shall Paint Anger?”: Emma Lyon and the Claims of Anger in Early Nineteenth-Century England","year":2025,"lang":"en","type":"article","venue":"Women s Writing","topic":"History of Emotions Research","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Anger","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.01562110402161162,"gpt":0.2365351190128276,"spread":0.220914014991216,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001077215,0.00009715655,0.0002143348,0.0002296358,0.0002615231,0.0001127614,0.0001540933,0.00003677095,0.0005414538],"category_scores_gemma":[0.0001007338,0.00007440898,0.00003911281,0.00008527505,0.0004924991,0.0001114331,0.00009658043,0.000227617,0.00001005033],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001037049,"about_ca_system_score_gemma":0.00003182732,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0003933194,"about_ca_topic_score_gemma":0.0006221543,"domain_scores_codex":[0.9988888,0.000188103,0.000280741,0.0001738744,0.0001767697,0.0002916953],"domain_scores_gemma":[0.9993274,0.0003250196,0.0000551187,0.0001733316,0.00008042194,0.00003868513],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003081461,0.0001961463,0.03890288,0.0005254186,0.0001192276,0.00003201281,0.4967597,0.000008247197,0.0002583644,0.4028741,0.002772378,0.05724338],"study_design_scores_gemma":[0.01031759,0.0004347291,0.0771479,0.001294776,0.00003940817,0.000004771965,0.1255122,0.001602787,0.00007948173,0.007667764,0.7752696,0.000628885],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8925761,0.001030483,0.000002663253,0.000437866,0.00008495524,0.0002034982,0.00001155943,0.0000189196,0.105634],"genre_scores_gemma":[0.9914877,0.00009769788,0.00002060791,0.0001256728,0.0001647784,0.00003932167,0.000003247848,0.00001002552,0.00805089],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7724973,"threshold_uncertainty_score":0.592854,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4395051906","doi":"10.1080/09699082.2024.2325830","title":"Voyeurism, Desire, and Narrative Subversion in Colette’s <i>Claudine</i> Novels","year":2024,"lang":"en","type":"article","venue":"Women s Writing","topic":"French Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Voyeurism; Subversion; Narrative; Art; Literature; Aesthetics; Sociology; Psychoanalysis; Psychology; Political science","authors":[{"name":"Sophie Yates","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.011240946336853,"gpt":0.2146863440801195,"spread":0.2034453977432665,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002366039,0.000124789,0.0001469483,0.0001283065,0.0002009939,0.0005175769,0.00005846842,0.00003933286,0.0005317933],"category_scores_gemma":[0.00001664696,0.0001129722,0.00002611409,0.0000720704,0.0001086219,0.0003785178,0.00003737849,0.0002190347,0.00002834792],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006277004,"about_ca_system_score_gemma":0.00002003086,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00004025895,"about_ca_topic_score_gemma":0.00005502655,"domain_scores_codex":[0.999125,0.00003186445,0.0001983703,0.0002332832,0.000117695,0.0002938102],"domain_scores_gemma":[0.9997044,0.0001164502,0.00001847128,0.00007124952,0.00003554321,0.00005390419],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000139512,0.00004092491,0.0002235861,0.000280105,0.00002524398,0.0002745931,0.3639172,6.925697e-7,0.00113602,0.6198798,0.008342815,0.005865006],"study_design_scores_gemma":[0.0008675936,0.0002531804,0.0004403625,0.001457607,0.00002192072,0.00004143152,0.1365555,0.0006666951,0.0006506456,0.02749126,0.8308908,0.000662936],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9107955,0.002757935,0.000008674318,0.001158421,0.0003165366,0.0001130633,0.00002302816,0.0001008343,0.08472598],"genre_scores_gemma":[0.9923429,0.00002390196,0.00004802602,0.001027013,0.000598846,0.000031233,0.000009203708,0.00001694716,0.005901927],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.822548,"threshold_uncertainty_score":0.5822763,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2889834491","doi":"10.1080/09699082.2018.1520408","title":"The House of Mirth, Second Norton Critical Edition","year":2018,"lang":"en","type":"article","venue":"Women s Writing","topic":"American and British Literature Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Calgary","funders":"","keywords":"Critical edition; Classics; Philosophy; Gerontology; Medicine; Art","authors":[{"name":"Michael Tavel Clarke","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.009865540846847601,"gpt":0.2295016762789559,"spread":0.2196361354321083,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002317463,0.00007426392,0.0001357023,0.00004135053,0.0005544149,0.0002331488,0.0001093625,0.00002100489,0.003466163],"category_scores_gemma":[0.00008010328,0.00005630911,0.00006138875,0.00005390588,0.0009072048,0.0001709898,0.00002850431,0.00009489797,0.00006475548],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002100167,"about_ca_system_score_gemma":0.00001527222,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00003908586,"about_ca_topic_score_gemma":0.0003470792,"domain_scores_codex":[0.999199,0.00003384495,0.0002408204,0.000126527,0.0001470148,0.0002527333],"domain_scores_gemma":[0.9993254,0.0001882482,0.00007211711,0.0001379162,0.0002277487,0.00004859286],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001031613,0.0002283347,0.0009656923,0.0001821424,0.0002879206,0.00003581654,0.1430869,2.128185e-7,0.002141987,0.6781613,0.1023582,0.07244839],"study_design_scores_gemma":[0.0002163484,0.0003137671,0.0003850535,0.00009290079,0.00003563638,0.000009274719,0.06916708,0.00006797691,0.001063386,0.003971849,0.9244415,0.000235207],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7694457,0.0002710814,0.00004092237,0.0005318631,0.000430069,0.00006065088,0.00005932337,0.00009176139,0.2290686],"genre_scores_gemma":[0.9923925,0.000009328069,0.00004396547,0.0005451093,0.003259317,0.00001235605,0.000004540387,0.00001493696,0.003717888],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8220834,"threshold_uncertainty_score":0.9974448,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2014395884","doi":"10.1080/09699082.2013.801127","title":"A MEDIATED INTIMACY: DINAH MULOCK CRAIK AND CELEBRITY CULTURE","year":2013,"lang":"en","type":"article","venue":"Women s Writing","topic":"Gender, Feminism, and Media","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Persona; Celebrity culture; Identity (music); Popular culture; Ideology; Reputation; Literature; Art; Sociology; Fin de siecle; Aesthetics; Humanities; Social science","authors":[{"name":"Rory Moore","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01304905190786058,"gpt":0.2717391939980944,"spread":0.2586901420902338,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005844434,0.0001074545,0.0001639643,0.00003999341,0.0004545253,0.0001595296,0.0001470678,0.0001160382,0.0004995546],"category_scores_gemma":[0.0005344692,0.0001009645,0.00002833875,0.0001908802,0.000181977,0.0002364547,0.0000701056,0.0001856097,0.0001347483],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00008059607,"about_ca_system_score_gemma":0.00008270956,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001052728,"about_ca_topic_score_gemma":0.0002006796,"domain_scores_codex":[0.9986622,0.0001039467,0.0001770746,0.0002311034,0.0002762975,0.0005493225],"domain_scores_gemma":[0.9992673,0.0001358893,0.00006621163,0.00009811029,0.00009574479,0.0003367646],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.000006451167,0.0001061883,0.06780577,0.00008098326,0.00003864649,0.00001761474,0.8670415,2.87542e-7,0.005117143,0.00238129,0.01239377,0.04501031],"study_design_scores_gemma":[0.0008893079,0.00007519486,0.04461573,0.00006362385,0.00001550818,0.000005619562,0.7939923,0.00007939071,0.00022367,0.004568699,0.1549833,0.000487664],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9428709,0.0002285962,0.00001283262,0.0008897741,0.0001457229,0.0002266153,0.000004436162,0.0001189995,0.05550209],"genre_scores_gemma":[0.9953461,0.0001815261,0.0003364237,0.0005444274,0.0004251684,0.00006930019,0.000005534438,0.00001047753,0.003080989],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1425896,"threshold_uncertainty_score":0.5469772,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2291071369","doi":"10.1080/09699082.2015.1103997","title":"“NICE” GRAMMARIANS: MAKING DISTINCTIONS OF CLASS, CHARACTER AND GENDER IN WOMEN'S FICTION, 1750–1830","year":2016,"lang":"en","type":"article","venue":"Women s Writing","topic":"Linguistic Variation and Morphology","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"University of Toronto","keywords":"Grammar; Vernacular; Linguistics; Character (mathematics); Normative; Sociology; Psychology; Philosophy; Epistemology","authors":[{"name":"Carol Percy","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03034665985517651,"gpt":0.3053866934661367,"spread":0.2750400336109602,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001064061,0.00006910993,0.0001406486,0.0001006857,0.0002183604,0.00003224744,0.0000786134,0.00008212648,0.0006367305],"category_scores_gemma":[0.001096815,0.00005980306,0.0000178531,0.0001722225,0.000137814,0.0001147917,0.00003935376,0.00007692272,0.00001029379],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002811351,"about_ca_system_score_gemma":0.00009075273,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000128857,"about_ca_topic_score_gemma":0.0001330243,"domain_scores_codex":[0.99888,0.0001408901,0.0002852356,0.000186694,0.0001436506,0.0003635417],"domain_scores_gemma":[0.9993458,0.0002673972,0.0001340904,0.00009265324,0.00008608084,0.0000739173],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","study_design_scores_codex":[0.00008410146,0.0001791398,0.2509339,0.00007809284,0.00006824175,0.00002506132,0.2010094,0.0000016927,0.003770578,0.489554,0.0003722121,0.05392357],"study_design_scores_gemma":[0.002636696,0.00009638638,0.4740646,0.000203796,0.00002231559,0.00001329445,0.09396562,0.00006078923,0.00004338752,0.04402707,0.3842959,0.0005701935],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.955416,0.00002408685,0.001175478,0.001651909,0.0004704885,0.0001364359,0.00001454896,0.00006002339,0.04105101],"genre_scores_gemma":[0.9981335,0.00003924845,0.000266313,0.0003141642,0.00037241,0.00005015075,0.000001273164,0.000007984469,0.0008148907],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4455269,"threshold_uncertainty_score":0.6971753,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4400650914","doi":"10.1080/09699082.2024.2375895","title":"Swarming Bees and Floating Signifiers in Margaret Cavendish’s <i>Poems and Fancies</i>","year":2024,"lang":"en","type":"article","venue":"Women s Writing","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"Brandon University","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Swarming (honey bee); Poetry; Art; Art history; Biology; Ecology; Literature","authors":[{"name":"Deanna Smid","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02056249816151601,"gpt":0.2276885378278014,"spread":0.2071260396662854,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003156769,0.0001109305,0.0001630698,0.000120866,0.000264254,0.000402314,0.00004316706,0.00002643683,0.000266158],"category_scores_gemma":[0.0000342119,0.0001001524,0.00002304363,0.00006568817,0.0001010306,0.000342716,0.00004639957,0.0001634589,0.000007219738],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006722693,"about_ca_system_score_gemma":0.00001355771,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0003282374,"about_ca_topic_score_gemma":0.0001903856,"domain_scores_codex":[0.9991036,0.00003196299,0.000225682,0.0002302269,0.00009502893,0.0003134697],"domain_scores_gemma":[0.9996527,0.000177425,0.00002432339,0.00004942456,0.00001312714,0.00008298956],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001751993,0.00003804047,0.006992935,0.001023423,0.00007421504,0.000321777,0.7718074,0.000007316779,0.001392016,0.1265917,0.002150567,0.0895831],"study_design_scores_gemma":[0.0002997381,0.0001304869,0.0004918287,0.0007014514,0.00002628181,0.00002131915,0.1306275,0.001957703,0.00009311057,0.004624194,0.8605096,0.0005167949],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9572882,0.003813801,0.000009392837,0.0002112926,0.0001785511,0.00005888403,0.00001986859,0.00008711726,0.03833286],"genre_scores_gemma":[0.9951613,0.00003424755,0.00005780109,0.0002051366,0.000430494,0.00001190011,0.000005514452,0.00001399926,0.004079599],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.858359,"threshold_uncertainty_score":0.4084098,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4388040774","doi":"10.1080/09699082.2023.2266085","title":"The Correspondence of Elizabeth Butler, Duchess of Ormonde <b>The Correspondence of Elizabeth Butler, Duchess of Ormonde</b> , edited by Naomi McAreavey, Renaissance English Text Society, 40, New York and Toronto: Iter Press, 2023, 440 pp., $79.95, ISBN 9781649590183.","year":2023,"lang":"en","type":"article","venue":"Women s Writing","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"The Renaissance; Order (exchange); Art; Art history; Alley; Classics; History; Archaeology","authors":[{"name":"H Gregg","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02412794872292475,"gpt":0.2351284949289666,"spread":0.2110005462060419,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.001459552,0.0004843664,0.0009908768,0.00004229721,0.0008921997,0.000124136,0.0009346266,0.0001863576,0.0003489187],"category_scores_gemma":[0.0006524705,0.0003335281,0.0002730866,0.000415117,0.001711638,0.0004038984,0.0004998441,0.0004336398,0.00001005476],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000158164,"about_ca_system_score_gemma":0.000163362,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002065113,"about_ca_topic_score_gemma":0.0008350895,"domain_scores_codex":[0.9960321,0.0002448088,0.001310598,0.0005881118,0.0009957519,0.0008286134],"domain_scores_gemma":[0.9956806,0.001543152,0.001011683,0.000664558,0.0009242693,0.0001757369],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004702317,0.0001640579,0.0004270145,0.0006453788,0.0003289253,0.000003127426,0.2406574,0.00001047429,0.01228047,0.005803909,0.7369612,0.0022477],"study_design_scores_gemma":[0.001377233,0.0005056873,0.0007022016,0.0009553889,0.0001661861,0.000003084351,0.2056725,0.000329926,0.005434776,0.0009256693,0.7832176,0.0007097556],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6552536,0.2917486,0.00005528,0.001036304,0.003855672,0.001854817,0.001271555,0.0003815606,0.04454269],"genre_scores_gemma":[0.9461864,0.009499026,0.00008139313,0.0001314407,0.0009765949,0.0001109377,0.00004106285,0.00007764342,0.04289547],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2909329,"threshold_uncertainty_score":0.9999117,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}