{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":13,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":13,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"8bee5b54fad6","filters":{"venue":"Yearbook for Traditional Music"}},"results":[{"id":"W2401497366","doi":"10.1017/s0740155800012650","title":"Daughters of Tradition, Mothers of Invention: Music, Teaching, and Gender in Evolving Contexts","year":2010,"lang":"en","type":"article","venue":"Yearbook for Traditional Music","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":20,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Dance; Style (visual arts); Variety (cybernetics); Sociology; Visual arts; Aesthetics; Gender studies; Art; History; Computer science","authors":[{"name":"Louise Wrazen","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1181083808737741,"gpt":0.2883304156073422,"spread":0.1702220347335682,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002746567,0.00008748197,0.0001611054,0.0001497297,0.00005497989,0.000007866152,0.0001029787,0.0000799198,0.001749595],"category_scores_gemma":[0.00004573995,0.00009717255,0.00008217149,0.00005174399,0.0002144546,0.0001890662,0.000007774771,0.0002069446,0.000006638436],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001457242,"about_ca_system_score_gemma":0.00003115638,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00005669094,"about_ca_topic_score_gemma":0.00003415024,"domain_scores_codex":[0.9993182,0.00004322897,0.0002087221,0.0001661327,0.0001331108,0.000130612],"domain_scores_gemma":[0.9995118,0.0001556572,0.0001189049,0.0001235375,0.00003669009,0.00005336981],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","study_design_scores_codex":[0.0002037271,0.0008483857,0.007090037,0.000185328,0.0001814109,0.000005574255,0.01328903,0.000006838263,0.01465127,0.913067,0.04693628,0.003535083],"study_design_scores_gemma":[0.003775647,0.0003748474,0.8091431,0.0001047029,0.0000616664,0.0000276896,0.001155766,0.0001210495,0.0003142466,0.1805153,0.004143717,0.0002622319],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9547904,0.00006967651,0.0002940742,0.0001255909,0.000545962,0.0002435234,0.0003030411,0.00001253675,0.04361522],"genre_scores_gemma":[0.9980828,0.000001044876,0.001228122,0.000247163,0.0001380875,0.00001538952,0.00005279715,0.00001118429,0.0002234673],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8020531,"threshold_uncertainty_score":0.9991629,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2495731473","doi":"10.1017/s0740155800011632","title":"Revivals on the Edge: Northumberland and Cape Breton—A Keynote","year":2006,"lang":"en","type":"article","venue":"Yearbook for Traditional Music","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":17,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Cape; Musical; Scholarship; History; Identity (music); Rubric; Anthropology; Art history; Archaeology; Sociology; Art; Visual arts; Political science; Law; Aesthetics","authors":[{"name":"Burt Feintuch","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0710875984247998,"gpt":0.2235375415579056,"spread":0.1524499431331058,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002161036,0.00005021874,0.00006813434,0.00007908255,0.0009450267,0.0001497086,0.00008456055,0.00004142711,0.0008143517],"category_scores_gemma":[0.00004149983,0.00004949814,0.00005863303,0.00006888693,0.0004390482,0.0000552087,0.000003582283,0.00006771622,0.00007000779],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001472252,"about_ca_system_score_gemma":0.0002071022,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.03695293,"about_ca_topic_score_gemma":0.3734015,"domain_scores_codex":[0.9994209,0.0000347716,0.00008513976,0.0001220697,0.0001936908,0.0001434546],"domain_scores_gemma":[0.9995837,0.0002238271,0.00003366587,0.00007379177,0.00002971478,0.00005529199],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00000716217,0.00001828582,0.00004996236,0.000006719828,0.000005766036,0.000001921724,0.000556961,0.000001886876,0.00002095705,0.8088998,0.1893959,0.001034709],"study_design_scores_gemma":[0.0001330891,0.0000197375,0.01210794,0.0000157002,0.00001136825,0.000001294806,0.00006467095,0.000004292372,0.000002144226,0.05424465,0.9333215,0.00007364128],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3140246,0.0007202391,0.0000425254,0.01258367,0.000886099,0.0008275087,0.0005221945,0.00006987157,0.6703233],"genre_scores_gemma":[0.9536915,0.00007596667,0.00008358871,0.002578212,0.003481587,0.00009955613,0.00006845428,0.00002038524,0.03990073],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7546552,"threshold_uncertainty_score":0.9694601,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2484963115","doi":"10.5921/yeartradmusi.45.2013.0058","title":"Music, Health, and Socio-Economic Status: A Perspective on Urban Poverty in Canada","year":2013,"lang":"en","type":"article","venue":"Yearbook for Traditional Music","topic":"Musicians’ Health and Performance","field":"Medicine","cited_by":13,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Poverty; Musical; The arts; Dance; Livelihood; Welfare; Economic growth; Social exclusion; Social Welfare; Sustainability; Sociology; Political science; Visual arts; Geography; Economics; Art","authors":[{"name":"Klisala Harrison","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06359723908161316,"gpt":0.2605197625875521,"spread":0.1969225235059389,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008075767,0.0001343485,0.0002549424,0.0000974522,0.0001046983,0.00001145383,0.00003857757,0.00004606061,0.001079516],"category_scores_gemma":[0.00002343361,0.0001273321,0.00004244138,0.00004637877,0.00004556427,0.0000999945,0.000005555675,0.0002009547,0.00004880877],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002469792,"about_ca_system_score_gemma":0.004306891,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.567533,"about_ca_topic_score_gemma":0.3814908,"domain_scores_codex":[0.9989029,0.00001863138,0.0002414702,0.0002649806,0.0001578588,0.0004141775],"domain_scores_gemma":[0.9992409,0.0001508107,0.00007082781,0.0001171526,0.00004113843,0.00037913],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"observational","study_design_scores_codex":[0.0004366317,0.0001513724,0.01278292,0.0004151428,0.00005023905,0.000007795507,0.003435618,0.0000193888,0.00002566297,0.04024361,0.9376996,0.004731978],"study_design_scores_gemma":[0.007587299,0.001949806,0.8429663,0.000450923,0.00002264331,0.00004160898,0.006076767,0.004042057,0.00001933826,0.01540612,0.1209144,0.0005227386],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9701999,0.0005180573,0.000006774691,0.01367871,0.0008455267,0.001606607,0.0005029612,0.00002276055,0.01261866],"genre_scores_gemma":[0.9453562,0.00008873178,0.000270359,0.05240156,0.00123544,0.0002399426,0.000148287,0.00002493079,0.0002345263],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8301834,"threshold_uncertainty_score":0.9998336,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3117467891","doi":"10.1017/ytm.2020.7","title":"Fostering Reconciliation through Collaborative Research in Unama’ki: Engaging Communities through Indigenous Methodologies and Research-Creation","year":2020,"lang":"en","type":"article","venue":"Yearbook for Traditional Music","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Indigenous; Sociology; Political science; Ecology","authors":[{"name":"Marcia Ostashewski","is_ca":false},{"name":"Shaylene Johnson","is_ca":false},{"name":"Graham R. Marshall","is_ca":false},{"name":"Clifford Paul","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.9068522865710997,"gpt":0.4468745900385988,"spread":0.4599776965325009,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.001652107,0.0001472097,0.0002702892,0.0001439629,0.001511546,0.0004380926,0.0001971105,0.00007211118,0.0003831073],"category_scores_gemma":[0.0004887274,0.0001371818,0.00004453853,0.0002278568,0.001449312,0.000664173,0.000287881,0.0005452163,0.00002487575],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002117999,"about_ca_system_score_gemma":0.0001018681,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0007507249,"about_ca_topic_score_gemma":0.0009084611,"domain_scores_codex":[0.99765,0.0009192493,0.0002725748,0.0002833249,0.0004624641,0.0004124333],"domain_scores_gemma":[0.9952672,0.00401543,0.00006691303,0.000104712,0.0005021552,0.00004366224],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0001487555,0.00005283928,0.00006327931,0.0001011225,0.00004875252,0.000005985785,0.3827122,0.00004023875,0.00009803946,0.6097811,0.003359122,0.003588577],"study_design_scores_gemma":[0.0008598436,0.0008604937,0.0009576894,0.0001371721,0.0000152076,0.000001321363,0.2634111,0.0001490592,0.0001400399,0.5430553,0.1901766,0.0002362444],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6491266,0.002180106,0.0005788,0.01366409,0.0006102491,0.003422426,0.0009386066,0.0002514232,0.3292277],"genre_scores_gemma":[0.9929897,0.000222671,0.00407853,0.0009962555,0.0007956271,0.000538282,0.0001451372,0.00002347867,0.0002103672],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.343863,"threshold_uncertainty_score":0.9997883,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3003580926","doi":"10.1017/ytm.2019.6","title":"Sustainability and Indigenous Aesthetics: Musical Resilience in Sámi and Indigenous Canadian Theatre","year":2019,"lang":"en","type":"article","venue":"Yearbook for Traditional Music","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Indigenous; Flourishing; Politics; Colonialism; Cultural assimilation; Gender studies; Modernity; Sociology; Aesthetics; History; Political science; Media studies; Art; Law; Psychology","authors":[{"name":"Klisala Harrison","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07454246098275023,"gpt":0.2116673472459098,"spread":0.1371248862631596,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001723605,0.0001410353,0.0001985653,0.0001308793,0.0003649947,0.0001557267,0.0001011717,0.00006157986,0.0006665741],"category_scores_gemma":[0.00002988616,0.0001230781,0.00004175563,0.00003599031,0.0005184672,0.0001279899,0.00003344128,0.0001351859,0.00002918098],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002263097,"about_ca_system_score_gemma":0.0002135223,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.01724196,"about_ca_topic_score_gemma":0.08103199,"domain_scores_codex":[0.9989715,0.00002861537,0.0001582807,0.000313444,0.0001479665,0.0003802138],"domain_scores_gemma":[0.9994808,0.0001695455,0.00003349261,0.0001061415,0.00007571192,0.0001342381],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001078366,0.00033429,0.01931884,0.0002127,0.00005109248,0.00007264481,0.1418293,0.00003124273,0.00001255991,0.8203925,0.00184444,0.01579254],"study_design_scores_gemma":[0.001797453,0.001423803,0.2978807,0.00007017208,0.00004866033,0.00002872007,0.03005622,0.00009367557,0.000003463635,0.1817714,0.4860919,0.0007338618],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9738441,0.0001565856,8.985221e-7,0.0006921845,0.0001768974,0.0009363997,0.0002133571,0.00002331742,0.02395629],"genre_scores_gemma":[0.9981474,0.000009302747,0.00003778734,0.000806356,0.0001845617,0.00008351277,0.00002494556,0.00001175069,0.0006943698],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6386211,"threshold_uncertainty_score":0.9893023,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2907439485","doi":"10.5921/yeartradmusi.50.2018.0165","title":"Squaring Off: The Forgotten Caller in Cape Breton Square Dancing","year":2018,"lang":"en","type":"article","venue":"Yearbook for Traditional Music","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Dance; Square (algebra); Cape; Visual arts; Active listening; Art; Nova scotia; History; Geography; Sociology; Archaeology; Communication; Mathematics; Geometry","authors":[{"name":"Heather Sparling","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.09240282045819108,"gpt":0.2498540911600313,"spread":0.1574512707018402,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003472554,0.00005501093,0.00007637019,0.0001671574,0.0009409328,0.0001180939,0.000167928,0.00005880371,0.001162474],"category_scores_gemma":[0.00006635663,0.00005991482,0.00007128313,0.0001563827,0.0005093112,0.000157171,0.000008703088,0.00009954633,0.00009697654],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0005536107,"about_ca_system_score_gemma":0.0004513268,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.06406642,"about_ca_topic_score_gemma":0.7863614,"domain_scores_codex":[0.9992244,0.0000382394,0.0001204293,0.0001484725,0.0002301538,0.000238273],"domain_scores_gemma":[0.9996176,0.0001253534,0.00003636393,0.0000946313,0.00005572838,0.00007031075],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000380221,0.00007593555,0.0006537263,0.00003613882,0.00002785864,0.00001102549,0.0470081,0.00002231876,0.0001695405,0.752876,0.1815655,0.01751577],"study_design_scores_gemma":[0.0002309589,0.00003045725,0.01798443,0.00003630163,0.000008451304,0.000001371532,0.001093087,0.00006205076,0.000004141811,0.01792366,0.9625179,0.0001071701],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5128919,0.0005610387,0.0005982682,0.01119167,0.003042563,0.001329848,0.0002215792,0.0001272006,0.4700359],"genre_scores_gemma":[0.9890152,0.00001517746,0.0001732286,0.001338225,0.002823667,0.00008965897,0.00002348476,0.00001716476,0.006504172],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7809525,"threshold_uncertainty_score":0.9997506,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2906905571","doi":"10.5921/yeartradmusi.50.2018.0091","title":"“From Identity to Alliance”: Challenging Métis “Inauthenticity” through Alliance Studies","year":2018,"lang":"en","type":"article","venue":"Yearbook for Traditional Music","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Identity (music); Alliance; Ethnomusicology; Sociology; Aesthetics; Gender studies; Epistemology; Literature; Musical; Art; Philosophy; Political science; Law","authors":[{"name":"Monique Giroux","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.4813712940166533,"gpt":0.3182699149965919,"spread":0.1631013790200614,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001344768,0.0002131137,0.0003040197,0.00002274783,0.0009020988,0.0002374668,0.000275376,0.00003976062,0.004104484],"category_scores_gemma":[0.0001089872,0.0001907247,0.0001503805,0.00005188806,0.0006827316,0.0005228596,0.0001178666,0.00009060801,0.00131073],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001147996,"about_ca_system_score_gemma":0.00001665077,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00008790036,"about_ca_topic_score_gemma":0.00060255,"domain_scores_codex":[0.9985679,0.00002293554,0.0002436747,0.0004274387,0.0003338851,0.0004041484],"domain_scores_gemma":[0.9991685,0.0002460052,0.00008048165,0.000163292,0.0002711296,0.00007055229],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003368681,0.00011477,0.00001128443,0.00002825505,0.0002509642,0.000005635858,0.02154317,0.000003218231,0.00005543807,0.8912795,0.08626717,0.0004069136],"study_design_scores_gemma":[0.0003655483,0.000303299,0.001045648,0.0001122824,0.00006635515,5.293481e-7,0.004143426,0.00001984499,0.00005480329,0.2953499,0.6982691,0.0002692853],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7532302,0.003535319,0.003248708,0.0138143,0.01411704,0.002827995,0.003293797,0.0007583431,0.2051743],"genre_scores_gemma":[0.9690366,0.0001371749,0.002908533,0.006315953,0.01270923,0.0004742676,0.0000726569,0.00004442364,0.008301158],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.612002,"threshold_uncertainty_score":0.9994668,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4205212106","doi":"10.1017/ytm.2021.3","title":"Music Research and the Sound Archive: A Meditation on Ethnomusicological Engagement with Collection-Oriented Research and Re(p)(m)atriation","year":2021,"lang":"en","type":"article","venue":"Yearbook for Traditional Music","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Ethnomusicology; Meditation; Visual arts; Poetry; Point (geometry); Art; Aesthetics; Psychology; Sociology; History; Literature; Musical; Archaeology","authors":[{"name":"Monique Giroux","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.6517047003821675,"gpt":0.3540222835146823,"spread":0.2976824168674852,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.002009479,0.0001377665,0.0002031823,0.0001949002,0.002764823,0.0004549805,0.0000939364,0.00005614162,0.001287534],"category_scores_gemma":[0.0006917864,0.00008746185,0.00004641521,0.0002147534,0.002700215,0.0001215261,0.000103103,0.0005280221,0.00002506512],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001218365,"about_ca_system_score_gemma":0.0001008664,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00005541915,"about_ca_topic_score_gemma":0.001056573,"domain_scores_codex":[0.9976387,0.0005357391,0.000204022,0.0004470152,0.0008308366,0.0003436574],"domain_scores_gemma":[0.9930337,0.00595192,0.00005554599,0.000135909,0.0007468587,0.00007604977],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0008700597,0.0002917156,0.0000280837,0.00002863678,0.00009510951,0.00001138717,0.01305066,0.000004896433,0.00003034603,0.9363587,0.04894949,0.0002809121],"study_design_scores_gemma":[0.004669238,0.003034821,0.006427327,0.00007586737,0.00005053397,0.000007495014,0.02063157,0.0002029331,0.00002020659,0.6857426,0.2789323,0.0002050685],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8120803,0.0003221768,0.0002243747,0.01645962,0.0009153988,0.003189983,0.000333776,0.00009878057,0.1663756],"genre_scores_gemma":[0.9914163,0.00004357705,0.0004290495,0.0009835653,0.001633059,0.001148584,0.0001869749,0.00001996566,0.004138908],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2506161,"threshold_uncertainty_score":0.9996254,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2773145599","doi":"10.5921/yeartradmusi.49.2017.0149","title":"Unimagining Song: Making Kin in the Vocal Scene","year":2017,"lang":"en","type":"article","venue":"Yearbook for Traditional Music","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Utterance; Variety (cybernetics); Linguistics; Meaning (existential); Context (archaeology); Perspective (graphical); Aesthetics; Psychology; Sociology; History; Computer science; Visual arts; Art; Philosophy","authors":[{"name":"Chris Tonelli","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.5781495709220608,"gpt":0.2925036879952289,"spread":0.2856458829268319,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002154311,0.00009753816,0.0001179884,0.00003925541,0.001045923,0.000593561,0.0003424257,0.00002260781,0.001321472],"category_scores_gemma":[0.00007919706,0.00006781462,0.00008346378,0.000009400199,0.0004864657,0.0001980942,0.00004486844,0.0001200821,0.00008183417],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003479797,"about_ca_system_score_gemma":0.00001624113,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00004862381,"about_ca_topic_score_gemma":0.0002720411,"domain_scores_codex":[0.9993133,0.00002120664,0.0001202414,0.000158597,0.0001822683,0.0002043926],"domain_scores_gemma":[0.9995313,0.0001879454,0.00007231387,0.0001544761,0.00003650829,0.00001740161],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002058388,0.0000709549,0.0001691883,0.000008904738,0.0000167437,0.00001316326,0.003401617,0.000002601718,0.000006200253,0.9806686,0.01337211,0.002249354],"study_design_scores_gemma":[0.0006908406,0.000142903,0.04574739,0.00005769514,0.00002655904,0.000003276266,0.002372642,0.0002545477,0.000001994295,0.1332144,0.8172982,0.0001895822],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.107115,0.00007812813,0.00006850129,0.0073285,0.001258231,0.0005426189,0.0001959561,0.00006094889,0.8833521],"genre_scores_gemma":[0.9955574,0.000001025152,0.0001894223,0.001914802,0.00152286,0.00009732047,0.00001674685,0.000009212903,0.0006912017],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8884424,"threshold_uncertainty_score":0.9995915,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4391752214","doi":"10.1017/ytm.2023.18","title":"A History of Chinese Musical Instrument Education in Toronto","year":2023,"lang":"en","type":"article","venue":"Yearbook for Traditional Music","topic":"Diverse Music Education Insights","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"China; Music education; Immigration; Diaspora; Chinese education; Variety (cybernetics); Bridge (graph theory); Musical; History; Sociology; Pedagogy; Visual arts; Gender studies; Art; Computer science; Medicine; Archaeology","authors":[{"name":"YAO CUI","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1415438477895054,"gpt":0.2594691989572774,"spread":0.117925351167772,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0000900293,0.00008654239,0.0001182967,0.0001420808,0.00004008311,0.0000141341,0.0000918398,0.0000262049,0.009357943],"category_scores_gemma":[0.00002330788,0.00008341423,0.00007620116,0.00003316151,0.0001333597,0.0002325463,0.00001062455,0.0000428206,0.0001182789],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0007758984,"about_ca_system_score_gemma":0.0006461303,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0007150928,"about_ca_topic_score_gemma":0.002780379,"domain_scores_codex":[0.9993297,0.00001474741,0.0002071797,0.0001522492,0.0001768142,0.0001193165],"domain_scores_gemma":[0.9996211,0.00008560676,0.00006505685,0.0001120147,0.00007438006,0.00004185905],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000146561,0.0002724009,0.00007046398,0.00004024505,0.00001093083,3.944719e-7,0.02269725,0.000001641891,0.00005870388,0.7898752,0.1854611,0.001496976],"study_design_scores_gemma":[0.0004534455,0.0000768401,0.02190989,0.00004888822,0.000009636842,8.618252e-7,0.003797948,0.00009786707,0.000003134053,0.05313879,0.920321,0.0001416232],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5783487,0.00009278893,0.000002679692,0.0003110196,0.005397967,0.0003551127,0.0001002009,0.00005940101,0.4153321],"genre_scores_gemma":[0.9712089,0.000005116297,0.0001189593,0.0005040478,0.001574646,0.0002440269,0.0003349136,0.00001698413,0.02599243],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7367365,"threshold_uncertainty_score":0.9915476,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4392511299","doi":"10.1017/ytm.2024.6","title":"Juni L. Yeung Standards of the Guqin: An English Language Introduction to the Chinese Seven-Stringed Zither. Fourth edition. Toronto: Toronto Guqin Society, 2018. Iv, 197pp. Photos, illustrations, tables, music scores, bibliography. ISBN 978-0-9866225-0-2.","year":2024,"lang":"en","type":"article","venue":"Yearbook for Traditional Music","topic":"Chinese history and philosophy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Bibliography; History; Library science; Art; Computer science","authors":[{"name":"CHUN YAN TSE","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03221905832075992,"gpt":0.2721545212305412,"spread":0.2399354629097813,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001415672,0.0002889849,0.0002659428,0.0002055479,0.001265239,0.0002393728,0.000587762,0.0001512968,0.002162111],"category_scores_gemma":[0.0001414928,0.0002097651,0.0004867691,0.001789724,0.0004574814,0.001258812,0.00004823872,0.0002728924,0.000007449476],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0006091498,"about_ca_system_score_gemma":0.0005700733,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006126731,"about_ca_topic_score_gemma":0.06688066,"domain_scores_codex":[0.9973378,0.0002485552,0.00040856,0.0005249598,0.001129341,0.0003507416],"domain_scores_gemma":[0.9986048,0.0002410626,0.0001395961,0.0005123717,0.00032527,0.0001769035],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001053205,0.0002423668,0.00006556855,0.0001325039,0.0001836025,0.000002125541,0.05527876,0.0003734393,0.0006920544,0.06404961,0.8778638,0.001010817],"study_design_scores_gemma":[0.0005599579,0.0002398363,0.002241275,0.000154775,0.000137183,0.00000572212,0.006917865,0.0003130673,0.00004971174,0.02430479,0.9646293,0.0004465109],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6051371,0.06939176,0.004853324,0.03990563,0.0854172,0.0164532,0.05917693,0.002371048,0.1172938],"genre_scores_gemma":[0.9653881,0.0004086471,0.001008806,0.0008254812,0.02989669,0.0003926619,0.0007914348,0.00007113811,0.001217077],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.360251,"threshold_uncertainty_score":0.99875,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4416101352","doi":"10.1017/ytm.2025.10022","title":"Hope, Heaviness, and Responsibility: Settler Listening to Female Inuit Singer-Songwriters","year":2024,"lang":"en","type":"article","venue":"Yearbook for Traditional Music","topic":"Indigenous Health, Education, and Rights","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Active listening; Indigenous; Narrative; Period (music)","authors":[{"name":"Anna Hoefnagels","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0806049582236969,"gpt":0.3140163865492157,"spread":0.2334114283255188,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0007699589,0.0000972889,0.0001164371,0.000159716,0.001891787,0.000179822,0.00009221429,0.00008337183,0.0003229624],"category_scores_gemma":[0.00001832418,0.00009003932,0.00005887234,0.0002509058,0.0001850276,0.0002340447,0.000001375024,0.0001040116,0.00006497512],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002514666,"about_ca_system_score_gemma":0.005026311,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003426695,"about_ca_topic_score_gemma":0.09043311,"domain_scores_codex":[0.9988584,0.00008558575,0.0001736281,0.0003122255,0.0002568285,0.0003133418],"domain_scores_gemma":[0.9991938,0.0004002889,0.00002317217,0.0001041326,0.00009301936,0.0001855332],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004424039,0.00006139085,0.00005116068,0.0001491862,0.00001980203,0.000005974511,0.2897409,0.000002777398,0.00003770975,0.7026317,0.005441496,0.001813658],"study_design_scores_gemma":[0.000101383,0.00008420116,0.00326682,0.0001440253,0.00001861476,0.000005535986,0.001726672,0.00002879064,0.00002243972,0.0224817,0.9719507,0.0001691623],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9506081,0.0005147433,0.0001752119,0.004631479,0.00188299,0.001126212,0.0002840079,0.0001608725,0.04061634],"genre_scores_gemma":[0.9746377,0.0001376388,0.002337594,0.0007313918,0.003163148,0.00004437528,0.0000830593,0.00003300612,0.01883204],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9665092,"threshold_uncertainty_score":0.9994076,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4292170553","doi":"10.1017/s0740155800012352","title":"The Art of the Early Egyptian Qanun.2008. Ontario Arts Council / Conseil des Arts de l'Ontario. ISBN 978-0-9809661-0-7. Distributed by http://www.georgedimitrisawa.com. Performed by the Traditional Arabic Music Ensemble. Annotated by George Dimitri Sawa. 15 pp. of notes in English. 10 colour photographs, 11 rhythmic notations. 8-item bibliography. 1 compact disc, 10 tracks (51:26).","year":2008,"lang":"en","type":"article","venue":"Yearbook for Traditional Music","topic":"Archaeology and Historical Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"The arts; Arabic; Art; Notation; Media arts; Visual arts; George (robot); Library science; Art history; Humanities; Computer science; Philosophy; Linguistics","authors":[{"name":"Owen Wright","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.09087346601583672,"gpt":0.2059416358230196,"spread":0.1150681698071829,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0006876155,0.0005466159,0.0007134125,0.0003780191,0.002851518,0.00007975152,0.0005200132,0.0002051717,0.001485935],"category_scores_gemma":[0.0002659914,0.000366042,0.0006679131,0.0008425727,0.005616257,0.000371946,0.00004395206,0.0007437611,0.00001921129],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0006276814,"about_ca_system_score_gemma":0.001151702,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.04213056,"about_ca_topic_score_gemma":0.3595456,"domain_scores_codex":[0.996424,0.0002156388,0.001041325,0.0005242209,0.0009891379,0.0008056766],"domain_scores_gemma":[0.9951451,0.002941382,0.0005652362,0.0003824109,0.0007858256,0.0001799847],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0006960967,0.00112103,0.01340049,0.0000437077,0.000459184,0.00000938317,0.03096378,0.0000357838,0.0003572818,0.009482085,0.9433444,0.00008681641],"study_design_scores_gemma":[0.002754631,0.000736645,0.1860333,0.0001170989,0.0002501889,0.00004535432,0.00118555,0.0001496364,0.0002725489,0.01188913,0.7959642,0.0006016333],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.982838,0.002312376,0.0001192628,0.001697207,0.0005910168,0.001417602,0.007210763,0.00009292032,0.003720871],"genre_scores_gemma":[0.9915014,0.0002322223,0.00005506133,0.000385074,0.0002172648,0.0004489092,0.001457083,0.00005494898,0.005648037],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.317415,"threshold_uncertainty_score":0.9998792,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}