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4,299,418 works, Canadian by any of four routes.

Every filter state is a URL; the URL is the query; the query is citable via /q/⟨hash⟩. The page, the API and the export parse the same parameters.

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The current cohort, streamed from the database: every work column, the machine labels, the provisional scores, and the per-row validation status. Exports are capped at 100,000 rows. Mints a permanent /q/ link for this exact query. The same filters always produce the same link, whoever asks.

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French Historical and Cultural Studies
Retraction
Abstract
Evidence source
Study design
Label agreement
Label status

Direct Codex and Gemma labels are unvalidated and sparse. Distilled predictions cover the full frame and are also unvalidated. Choose the evidence source explicitly; absence of a direct label is never a negative label.

affaffiliation
fundfunder
venuejournal
aboutaboutness

The four routes compose: require the funder route and exclude affiliation to get the funder-only stratum no affiliation-based frame ever sees.

2,197 results · 1 filter active ·
Results by year
20002025
Publication date
Categories
Machine labels · sparse coverage
Evidence
Language
Type
Citations
An unlabeled work is unknown, not a negative. Label coverage is reported on every query.
2,197 works in the cohort · of 4,299,418page 42 of 44

Labels cover 8 of 2,197 works in this cohort. The rest are unlabeled, which is not a negative label: the label table is sparse today and grows as labeling rounds land.

Distilled predictions cover 2,197 of 2,197 works in this cohort. Predictions are machine_predicted_unvalidated. The Gemma side is a direct model label for every work (title-only); the Codex side is a distilled, calibrated classifier. Candidate is the union; consensus is the intersection.

venueno affno abstractunlabeled
L’art et la guerre
Ioana Georgescu
2004· article· fr· Vie des arts· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
Towards a Latin Europe
Romy Golan
2014· article· en· The Journal of Art Historiography· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
Lilith and Adam Redux
Barbara Hantman
2011· article· en· Women in Judaism A Multidisciplinary e-Journal· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
fundno affunlabeled
Cuatro textos sobre obras de Blanchot
Rafael Conte
2001· article· en· Revista anthropos: Huellas del conocimiento· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
Catwoman & Le travail du sexe
Nathalie Laplante
2001· article· fr· Canadian women's studies· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affaboutno abstractunlabeled
Des prisonniers allemands à Sherbrooke
Maryse Bilodeau
2002· article· fr· Érudit (Université de Montréal)· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affno abstractunlabeled
LE JOURNAL DE MONTRÉAL, 24 AOÛT 1970
2022· book-chapter· fr· Presses de l'Université Laval eBooks· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
aboutno affno abstractunlabeled
Manifestation internationale d’art de Québec
Nathalie Côté
2001· article· fr· Érudit (Université de Montréal)· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
Renouveau du cinéma québécois
Jean Trahan
2010· article· en· Cahiers du cinema· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affno abstractunlabeled
Orville Fisher, Official War Artist (1911-1999)
Laura Brandon
2000· article· en· Scholars Commons (Wilfrid Laurier University)· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affvenueno abstractunlabeled
Chronique d’archives
David Tremblay
2019· article· fr· Revue d histoire de l Amérique française· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
Réjean Legault : Member
2023· article· en· Industrias Culturais (Universidade de Coimbra)· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
Index des auteurs et des titres
2004· article· fr· L Actualité économique· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
aboutno affno abstractunlabeled
Entrangled Technologies. Sofian Audry and Jonathan Villeneuve, In collaboration with Myriam Bessette and Samuel St-Aubin, Trace . Installation collective en trois temps. Galerie Art Mûr, Montreal. September 13 — 28, 2008Sofian Audry and Jonathan Villeneuve, In collaboration with Myriam Bessette and Samuel St-Aubin, Trace . Installation collective en trois temps. Galerie Art Mûr, Montreal. September 13 — 28, 2008
Valérie Lamontagne
2009· article· en· ETC· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
La chair offerte / Willing Flesh
Peter Dubé
2009· article· en· Espace Sculpture· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
venueno affno abstractunlabeled
Julie Favreau : la performance chorégraphique
Anne-Marie St-Jean Aubre
2013· article· fr· Esse/Esse arts + opinions· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
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