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4,299,418 works, Canadian by any of four routes.

Every filter state is a URL; the URL is the query; the query is citable via /q/⟨hash⟩. The page, the API and the export parse the same parameters.

The current cohort, streamed from the database: every work column, the machine labels, the provisional scores, and the per-row validation status. Exports are capped at 100,000 rows. Mints a permanent /q/ link for this exact query. The same filters always produce the same link, whoever asks.

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Early Theatre
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Direct Codex and Gemma labels are unvalidated and sparse. Distilled predictions cover the full frame and are also unvalidated. Choose the evidence source explicitly; absence of a direct label is never a negative label.

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venuejournal
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The four routes compose: require the funder route and exclude affiliation to get the funder-only stratum no affiliation-based frame ever sees.

524 results · 1 filter active ·
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20002025
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Machine labels · sparse coverage
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An unlabeled work is unknown, not a negative. Label coverage is reported on every query.
524 works in the cohort · of 4,299,418page 5 of 11

Labels cover 0 of 524 works in this cohort. The rest are unlabeled, which is not a negative label: the label table is sparse today and grows as labeling rounds land.

Distilled predictions cover 524 of 524 works in this cohort. Predictions are machine_predicted_unvalidated teacher distillation outputs. Candidate is the union; consensus is the intersection.

affvenueunlabeled
Editorial
Helen Ostovich, Melinda J. Gough, Erin E. Kelly, Sarah Elizabeth Johnson
2017· editorial· en· Early Theatre· Arts and Humanities
distilled prediction:candidate · metaepi_narrow+sts+insufficient_payloadconsensus · insufficient_payload
0
citations
venueno affunlabeled
The Erotics of Salvage
John Yargo
2023· article· en· Early Theatre· Arts and Humanities
distilled prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
Early Theatre
2014· paratext· en· Early Theatre· Arts and Humanities
distilled prediction:candidate · metaepi_narrow+insufficient_payloadconsensus · insufficient_payload
0
citations
venueno affunlabeled
Afterword
John J. McGavin
2021· article· en· Early Theatre· Arts and Humanities
distilled prediction:candidate · insufficient_payloadconsensus · insufficient_payload
0
citations
affvenueno abstractunlabeled
Editorial
Helen Ostovich
2004· editorial· es· Early Theatre
distilled prediction:candidate · metaepi_narrow+scholarly_communication+research_integrity+insufficient_payloadconsensus · metaepi_narrow+research_integrity+insufficient_payload
0
citations
affvenueunlabeled
Editorial
Erin E. Kelly
2023· editorial· en· Early Theatre· Arts and Humanities
distilled prediction:candidate · metaepi_narrow+insufficient_payloadconsensus · insufficient_payload
0
citations
venueno affunlabeled
'Players' in Context
Mark Chambers
2021· article· en· Early Theatre· Arts and Humanities
distilled prediction:candidate · insufficient_payloadconsensus · none
0
citations
affvenueunlabeled
Editorial
Melinda J. Gough, Erin E. Kelly
2024· editorial· en· Early Theatre· Social Sciences
distilled prediction:candidate · insufficient_payloadconsensus · none
0
citations
venueno affunlabeled
What is Commedia dell’Arte Today? A Review Essay
Pavel Drábek
2019· review· fr· Early Theatre· Arts and Humanities
distilled prediction:candidate · metaepi_narrow+scholarly_communication+insufficient_payloadconsensus · insufficient_payload
0
citations
venueno affunlabeled
Witches in Space: Introduction
Sarah O'Malley
2023· article· en· Early Theatre· Economics, Econometrics and Finance
distilled prediction:candidate · insufficient_payloadconsensus · none
0
citations
affvenueunlabeled
Editorial
Helen Ostovich, Melinda J. Gough, Erin E. Kelly, Sarah Elizabeth Johnson
2015· editorial· en· Early Theatre· Arts and Humanities
distilled prediction:candidate · metaepi_narrow+insufficient_payloadconsensus · insufficient_payload
0
citations

How this was built: Screen · Findings · About