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Record W1496044645 · doi:10.3138/tric.31.2.143

Romance, Recognition and Revenge in Marie Clements’s <i>The Unnatural and Accidental Women</i>

2010· article· en· W1496044645 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

affAt least one author lists a Canadian institution in the pinned OpenAlex snapshot.
venuePublished in a venue whose home country is Canada.

Bibliographic record

VenueTheatre Research in Canada · 2010
Typearticle
Languageen
FieldArts and Humanities
TopicFolklore, Mythology, and Literature Studies
Canadian institutionsMount Allison University
Fundersnot available
KeywordsRomanceTragedy (event)NarrativeLiteratureDramaAccidentalEconomic JusticePlot (graphics)PhilosophyHistoryArtLaw

Abstract

fetched live from OpenAlex

This essay considers the relationship of Marie Clements’s The Unnatural and Accidental Women to European traditions of drama and folk narrative, and especially its relation to the genres of revenge tragedy and romance. It argues that Clements transforms and subsumes the latter in a feminist, maternal romance. In contrast to the traditional family romance, from Homer’s Odyssey to Shakespeare’s Pericles, and its folktale analogues (Cinderella and Peau d’Asne, and the related Dear as Salt), which operate to gratify paternal wishes, Clements’s romance gratifies a mother’s desire for reunion and reconciliation with her daughter. In contrast to the resolution of Renaissance revenge plots, in which the revenger typically dies to satisfy the claims of justice, here the female protagonist achieves a rebirth symbolized by the recognition she shares with her mother. Like the romance tradition which it transforms, the play offers us a vision of an ideal world, here symbolized in “the first supper” that concludes the play.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.806
Threshold uncertainty score0.345

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0010.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.001
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.042
GPT teacher head0.281
Teacher spread0.239 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it