Over here : international perspectives on art and culture
Why this work is in the frame
A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.
Bibliographic record
Abstract
This anthology drew on Fisher's research on art, multiculturalism and globalisation, associated with eight years experience as Editor of the journal Third Text (1991-1999). Fisher co-edited the volume with the Cuban international curator and critic Gerardo Mosquera with a jointly authored Introduction. The project was begun in 1999 and over three years were spent researching, translating and selecting the final list of 22 contributors. Although the contributions were drawn from countries as divergent as China, India, Indonesia, Martinique and Lebanon, special attention was given to critical debates from the Spanish and Portuguese-speaking ex-colonial world, little of which had been translated into English. The book's significance must be assessed against a background of commentaries on cultural politics and postcolonial theory dominated by diasporic intellectuals in Euro-American metropolitan centres, anthologised in MIT's Out There, 1990. Whilst Out There addressed marginality ‘internal' to the West, by contrast, Over Here presented art critics, historians and cultural theorists speaking from different global contexts who offered alternative critical positions towards modernity and globalisation to those of Western metropolitanism. The originality of the book rested in its challenge to the notion of the homogenisation of art under globalization through its investigation of the way internationalized aesthetic codes are re-articulated through local experience and symbolic systems. The volume represented the first published attempt to re-draw the critical art field from a global perspective, and many of the issues it advanced have since been further debated, for example, in the Venice Biennale international conference of 2005, ‘Where Art Worlds Meet', in which some Over Here contributors were invited to participate (Fisher, Mosquera and Geeta Kapur). MIT Press has recently reprinted the book. Reviews appeared in The Art Book, 2005; ‘Must Reads', ARCO Contemporary Art, Madrid, 2005; Publ.H-Gender-Mideast, Fordham University USA, 2006; Parachute, Canada, 2006. Portfolio available.
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.000 | 0.000 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.000 | 0.000 |
| Science and technology studies | 0.000 | 0.001 |
| Scholarly communication | 0.000 | 0.000 |
| Open science | 0.000 | 0.000 |
| Research integrity | 0.001 | 0.001 |
| Insufficient payload (model declined to judge) | 0.002 | 0.000 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it