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Record W1519984783 · doi:10.3138/jcs.38.1.23

The Two Giovannis: P.K. Page’s Two Modernisms

2004· article· en· W1519984783 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

venuePublished in a venue whose home country is Canada.
aboutThe title or abstract carries a Canadian signal from the geographic lexicon.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueJournal of Canadian Studies · 2004
Typearticle
Languageen
FieldArts and Humanities
TopicPoetry Analysis and Criticism
Canadian institutionsnot available
Fundersnot available
KeywordsPoeticsPoetryLiteratureModernism (music)History of literatureFree verseHistoryArtArt history

Abstract

fetched live from OpenAlex

Although P.K. Page published more of her poetry in the west-coast poetry magazine Contemporary Verse (1941-1953) than any other modernist periodical, critics and literary historians have primarily attended to her early affiliations with the Preview (1942-1945) group in Montreal. By shifting attention from her Preview period to her long-term involvement with the Contemporary Verse group, this study moves towards a reconfiguration of critical and literary-historical perspectives on the relationships among modernist poetics, gender, and little-magazine production that inform Page’s participation in Canadian modernist literary culture from the early 1950s to the mid-1950s. With the publication of her two “Giovanni” poems (“Giovanni and the Indians” and “After Rain”) in 1956 as its terminal points, this reconfigured history attends to the doubly-gendered contexts of Page’s modernist poetry and poetics, namely the sociality of gender in modernist little-magazine culture and the gender of her two modernisms.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Theoretical or conceptual · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.818
Threshold uncertainty score0.982

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0010.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.074
GPT teacher head0.295
Teacher spread0.221 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it