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Record W1524985567 · doi:10.7202/1062099ar

Writing the Erasure of Emotions in Dystopian Young Adult Fiction: Reading Lois Lowry’s The Giver and Lauren Oliver’s Delirium

2019· article· en· W1524985567 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

venuePublished in a venue whose home country is Canada.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueNarrative Works · 2019
Typearticle
Languageen
FieldArts and Humanities
TopicThemes in Literature Analysis
Canadian institutionsnot available
Fundersnot available
KeywordsDystopiaNarrativeContext (archaeology)PsychologyFeelingReading (process)PsychoanalysisPoliticsSociologySocial psychologyAestheticsLiteratureHistoryArtPolitical scienceLaw

Abstract

fetched live from OpenAlex

Young Adult (YA) dystopian fiction blends the traditional developmental narrative with a heightened concern with issues regarding the individual against society, often in the context of a post-apocalyptic world. In this article, I examine the way Lois Lowry’s The Giver (1993) and Lauren Oliver’s Delirium (2011) focus on the state’s regulation over or removal of their people’s emotions and decisions in the context of the representation of future societies. If we consider the place of emotions in YA literature in general, with its interest in adolescents’ interaction with their families, each other, their school, or other communities, we can accept the validity of emotions as a prism through which to examine the text’s didactic and social purposes. Specifically, by deploying a discourse that emphasizes the dangerous consequences of unbridled emotions in earlier historical times, dystopian texts ask us to think about the political potential of feelings as catalysts for social change.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Qualitative · Consensus signal: Qualitative
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.183
Threshold uncertainty score0.968

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0010.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.009
GPT teacher head0.219
Teacher spread0.210 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it