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Record W1532705602 · doi:10.4000/gradhiva.66

Catlin, la peinture et l’« industrie du musée »

2006· article· fr· W1532705602 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

affAt least one author lists a Canadian institution in the pinned OpenAlex snapshot.

Bibliographic record

VenueGradhiva · 2006
Typearticle
Languagefr
FieldArts and Humanities
TopicHistorical Art and Culture Studies
Canadian institutionsCégep de Rivière-du-LoupMusée de la Civilisation
Fundersnot available
KeywordsArtHumanities

Abstract

fetched live from OpenAlex

Et si Catlin était en effet avant toute autre chose, comme il l’affirma lui-même à plusieurs reprises, un peintre d’histoire ? Et un peintre d’histoire européen ? Car le spectacle s’est imposé aux artistes anglo-saxons vers 1800 comme une exigence intrinsèque à la pratique de l’art dans une conjoncture très particulière autant qu’oubliée : la décomposition des structures académiques qui régissaient jusqu’alors l’exercice et la réception de l’art. Deux voies simultanément s’offrent alors aux praticiens de l’art : celle des déploiements spectaculaires et inédits de la peinture qu’illustrent transparents, tableaux mouvants, panoramas, dioramas, etc. Celle du show business, encore appelé museum industry : l’industrie de l’exposition, une aire culturelle interlope, où théâtre, attractions et « musées » réactivent, dans le contexte des métropoles modernes, l’antique économie des Wunderkammern de la Renaissance. Une phase de l’histoire culturelle de l’Europe dont nous ne voulons plus rien savoir.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesMeta-epidemiology (narrow), Insufficient payload (model declined to judge)
Consensus categoriesInsufficient payload (model declined to judge)
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Other · Consensus signal: none
Teacher disagreement score0.522
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0010.001
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.001
Insufficient payload (model declined to judge)0.0020.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.014
GPT teacher head0.199
Teacher spread0.185 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it