MétaCan
Menu
Back to cohort
Record W1565023749 · doi:10.1080/17400300701670659

SLAPSTICK AND MIS‐REMEMBRANCE

2007· article· en· W1565023749 on OpenAlexaff
Rob King

Bibliographic record

VenueNew Review of Film and Television Studies · 2007
Typearticle
Languageen
FieldArts and Humanities
TopicTheater, Performance, and Music History
Canadian institutionsUniversity of Toronto
Fundersnot available
KeywordsComicsStyle (visual arts)AppealLiteratureArtHistoryPerformance artArt historyLaw

Abstract

fetched live from OpenAlex

This paper examines Buster Keaton's much‐maligned Columbia shorts (1939–41) through the lens of late 1930s ‘old‐time’ slapstick revivalism. Mobilizing the concept of ‘mis‐remembrance’ (adapted from Barbara Myerhoff), the paper begins by considering how, by the late 1930s, Keaton was nostalgically misidentified as a protégé of the Keystone studios, mistakenly thought of as a veteran of slapstick's ‘pie and chase’ days of the early 1910s. It then argues that transformations in Keaton's late comic form are best seen in the light of the same process, a mis‐remembrance that assimilated Keaton's performances to the throwback style of Sennett‐era knockabout. Finally, the paper locates the origins of that nostalgia in changes in small‐town and rural cultures in 1930s America, arguing that the retrospective cast of Depression‐era regional cultures created a space in which residual forms, like early film slapstick, could still be enjoyed for their ‘old‐time’ appeal.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.002
metaresearch head score (Gemma)0.005
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.036
Threshold uncertainty score0.072

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0020.005
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0020.002
Science and technology studies0.0070.021
Scholarly communication0.0060.004
Open science0.0010.004
Research integrity0.0010.003
Insufficient payload (model declined to judge)0.0060.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.043
GPT teacher head0.291
Teacher spread0.249 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations4
Published2007
Admission routes1
Has abstractyes

Explore more

Same venueNew Review of Film and Television StudiesSame topicTheater, Performance, and Music HistoryFrench-language works237,207