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Record W1596652867

Folk Song: Tradition, Revival, and Re-Creation

2006· article· en· W1596652867 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

aboutThe title or abstract carries a Canadian signal from the geographic lexicon.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueWestern Folklore · 2006
Typearticle
Languageen
FieldArts and Humanities
TopicFolklore, Mythology, and Literature Studies
Canadian institutionsnot available
Fundersnot available
KeywordsAmateurScholarshipHistorySubject (documents)MusicalFolkloreClassicsLiteratureArt historySociologyArtLawLibrary science
DOInot available

Abstract

fetched live from OpenAlex

Folk Song: Tradition, Revival, and Re-Creation. Edited by Ian Russell and David Atkinson. (Aberdeen: Elphinstone Institute, University of Aberdeen, 2004. Pp. 550, introductions, photographs, illustrations, maps, tables, musical notation, bibliography, indices. £20.00 paper) This volume contains the proceedings of the 1998 Sheffield Conference that celebrated the centenary of the (English) Folk Song Society. Since it was the first such conference for many years, the book is of interest and importance for that reason alone; but there are few academic jobs in English folk music scholarship, and still less money, so most of its practitioners are amateur in the sense that they do their work for love, and that factor brings to the volume a quality and sense of engagement lacking in other proceedings. More than fifty papers were given at the conference: the book contains two introductory essays, followed by thirty-six essays evenly divided into three sections-Reviving and re-creating folk traditions; Those who made it happen; and Singers and Songs. In a short review it is not possible to do more than notice the best and examine some general trends. star essay of the first section is David Atkinson's Revival: Genuine or Spurious (no. 12), a nod to the Handler and Linnekin article of 1984. Most of us think we understand what we mean by tradition, but this understanding is at best very hazy: empiricists (like your reviewer) tend to shy away from the topic altogether. Atkinson manfully and successfully grapples with his subject, though his essay would be better had he written in English rather than Academese: Thus while tradition depends essentially upon a personal, volitional, affective engagement across time, and/or space, and does not inhere specifically in cultural products, these are nonetheless necessary for the instantiation of tradition. Is it really necessary to make readers tease out the meaning behind passages like these? section Those who made it happen is divided equally into The Men and The Women. In the male section, the most interesting essays address the Telfer manuscript (by John Wesley Barker, no.13) and Peter Kennedy and the BBC folk music recording scheme (E. David Gregory, no. 18), with strong contributions by Martin Graebe (on Sabine Baring-Gould, no. 14) and John Francmanis (on Frank Kidson5), though Francmanis should beware of drawing wide-ranging conclusions from a tiny evidence base. Amongst the women, by far the most enjoyable essay is by Martin Lovelace, on Maud Karpeles' collecting trips to Newfoundland in 1929-1930 (no. 22), though it is marred by a carping attitude which chides Karpeles for failing to meet the standards of a later generation of collectors, and compares her work unfavorably with that of an American collector (Elisabeth Greenleaf, in Newfoundland at the same time) without telling us how well Greenleaf met these more exacting standards. …

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.806
Threshold uncertainty score0.718

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.025
GPT teacher head0.241
Teacher spread0.217 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it