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Record W1847912311 · doi:10.3138/topia.29.9

N.E. Thing Co. Ltd. and the Institutional Politics of Information 196671

2013· article· en· W1847912311 on OpenAlexvenueaboutno aff
Adam Lauder

Bibliographic record

VenueTOPIA Canadian Journal of Cultural Studies · 2013
Typearticle
Languageen
FieldArts and Humanities
TopicArt, Technology, and Culture
Canadian institutionsnot available
Fundersnot available
KeywordsThe artsArticulation (sociology)SociologySituatedSubjectivityPoliticsPeriod (music)EpistemologyMedia studiesArt historyAestheticsPhilosophyVisual artsArtComputer scienceLawPolitical science

Abstract

fetched live from OpenAlex

This paper presents a systematic analysis of concepts of information found in the visual art of the Vancouver-based conceptual company N.E. Thing Co. Ltd. The company’s evolving representations of “Sensitivity Information” are resolved into three distinct overlapping phases that correspond with co-president Iain Baxter’s deepening engagement with Marshall McLuhan’s critical information theory during the turbulent years of 1964 to 1971. The artist’s creative dialogue with information science is situated against the backdrop of an emerging information society in Canada, McLuhan’s discourse on the informationalization of the body and subjectivity, and an intensifying pedagogical crisis at Simon Fraser University’s Centre for Communication and the Arts,where Baxter taught alongside composer R. Murray Schafer,in the period leading up to, and immediately following, the firing of the university’s first president. A comparison of the information art of N.E. Thing Co. Ltd. with Schafer’s informatic writings reveals that the company’s articulation of Sensitivity Information constitutes what we would now recognize as a proto-deconstructionist destabilization of signal/noise binaries derived from Baxter’s fusion of McLuhan with Alan Watts’s popularization of Zen philosophy.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.003
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.431
Threshold uncertainty score0.857

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.003
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0020.003
Science and technology studies0.0100.013
Scholarly communication0.0140.003
Open science0.0000.002
Research integrity0.0020.002
Insufficient payload (model declined to judge)0.0070.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.026
GPT teacher head0.233
Teacher spread0.207 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations3
Published2013
Admission routes2
Has abstractyes

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Same venueTOPIA Canadian Journal of Cultural StudiesSame topicArt, Technology, and CultureFrench-language works237,207