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Record W1965026344 · doi:10.1386/sfc.11.2.111_1

Processions of trauma in <i>Hiroshima mon amour</i> : Towards an ethics of representation

2011· article· en· W1965026344 on OpenAlexaff
Nina Varsava

Bibliographic record

VenueStudies in French Cinema · 2011
Typearticle
Languageen
FieldPsychology
TopicMemory, Trauma, and Commemoration
Canadian institutionsUniversity of British Columbia
Fundersnot available
KeywordsRepresentation (politics)ArtArt historyPsychologyPolitical scienceLaw

Abstract

fetched live from OpenAlex

ABSTRACTThis article examines Hiroshima mon amour's generative meta-representational sensibilities. I suggest that the film exemplifies an ethics of representation that resists the violence of positivist accounts of history. Resnais and Duras deconstruct the commemorative systems that hold traumatic histories in general, and Hiroshima's singularly traumatic history in particular, in place. The film incites criticism of the injustice that archival discourses enact on the particularities of trauma, and raises questions about the ethics as well as the truth-value of conventional commemorative tropes. I argue that Hiroshima mon amour enacts an Adornian ethic through a representational (self-)deconstruction that complicates, unsettles, but ultimately does not prohibit its own closure. The film demonstrates how the integration of memory, and its incorporation into words and commemorative overtures, facilitates a reductive remembering that is always a kind of forgetting; such integration, I suggest, while to som...

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.002
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Theoretical or conceptual · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.036
Threshold uncertainty score0.071

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.002
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0080.014
Scholarly communication0.0050.003
Open science0.0010.003
Research integrity0.0020.002
Insufficient payload (model declined to judge)0.0040.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.260
GPT teacher head0.446
Teacher spread0.186 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designTheoretical or conceptual
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations4
Published2011
Admission routes1
Has abstractyes

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Same venueStudies in French CinemaSame topicMemory, Trauma, and CommemorationFrench-language works237,207