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Record W1968122349 · doi:10.1386/sdf.7.2.147_1

Indicting Truth: Jean-Luc Godard’s Sympathy for the Devil and 1960s documentary cinema

2013· article· en· W1968122349 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

affAt least one author lists a Canadian institution in the pinned OpenAlex snapshot.

Bibliographic record

VenueStudies in Documentary Film · 2013
Typearticle
Languageen
FieldArts and Humanities
TopicMusic History and Culture
Canadian institutionsUniversity of British Columbia
Fundersnot available
KeywordsMovie theaterSympathyArtDocumentary filmPost truthLiteratureArt historyAestheticsPoliticsPsychologyPolitical scienceSocial psychologyLaw

Abstract

fetched live from OpenAlex

ABSTRACTUncharacteristic of a Jean-Luc Godard film from the 1960s, Sympathy for the Devil (1968) is largely ignored in Godard scholarship, dismissed as a high-profile, minor work that squanders its political-cum-‘rockumentary’ pretensions by diverging into quotidian Rolling Stones footage and esoteric didacticism. Yet considering its status as Godard's first commercial documentary, especially in the light of his written tirades against the mode in Cahiers du Cinema, the perceived shortcomings of the film reveal a calculated self-effacement that criticizes what it ostensibly participates in. Substantiated by interviews, criticisms, a shelved omnibus entry and the unrealized potential of One Plus One (Godard's intended title), this article proposes that Sympathy for the Devil is most effectively understood as Godard's indictment of the documentary mode, borrowing methodological signatures from the era's two divergent ‘truth’ cinemas—direct cinema and cinema-verite—only to subvert their aims with a perversio...

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesInsufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.147
Threshold uncertainty score0.994

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0010.001
Scholarly communication0.0000.001
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0070.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.055
GPT teacher head0.283
Teacher spread0.228 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it