MétaCan
Menu
Back to cohort
Record W1969265974 · doi:10.3138/md.47.3.480

"Before" and "After" in Stoppard's <i>Arcadia</i>

2004· article· en· W1969265974 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

venuePublished in a venue whose home country is Canada.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueModern Drama · 2004
Typearticle
Languageen
FieldArts and Humanities
TopicLandscape and Cultural Studies
Canadian institutionsnot available
Fundersnot available
KeywordsArcadiaDramaArtPlot (graphics)Reading (process)Relation (database)Close readingExcellenceLiteraturePhilosophyEpistemologyComputer scienceLinguisticsMathematics

Abstract

fetched live from OpenAlex

The title of Tom Stoppard's Arcadia, seemingly unconnected with its plot, provides the most important clue for the reading of the play. Arcadia is the neoclassical cultural site par excellence. By choosing to call his play by that name, Stoppard places his work within a rich tradition of art works in various medial by various artists, from Virgil to Poussin and beyond. Some of these works are explicitly alluded to in the play; others are referred to only obliquely. The title positions this very modem drama within an almost infinite line of backward-looking, neoclassical regressions, hearkening back all the way to classical antiquity. In what follows, I provide an intertextual and intermedial reading of the play in relation to this environment of ideas and works on the landscape of Arcadia. Arcadia not only is the implicit focus of many of the discussions of landscape gardening in the play but also serves as the unseen vanishing point of the play's theatrical space, and the et in Arcadia ego motif is finally discovered to provide a model for the plot.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Qualitative · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.690
Threshold uncertainty score0.958

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.014
GPT teacher head0.199
Teacher spread0.186 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it