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Record W1992343915 · doi:10.1017/s1479409800000859

A Bicentennial Reflection: Twenty-five Years with Fanny Hensel

2007· article· en· W1992343915 on OpenAlexaboutno aff
Marcia J. Citron

Bibliographic record

VenueNineteenth-Century Music Review · 2007
Typearticle
Languageen
FieldArts and Humanities
TopicTheater, Performance, and Music History
Canadian institutionsnot available
Fundersnot available
KeywordsArt historyMusicalOperaQuarter (Canadian coin)ArtSophisticationChosePerformance artHistoryMedia studiesVisual artsSociologyLawAestheticsPolitical science

Abstract

fetched live from OpenAlex

This paper originated in the keynote address delivered at the Fanny Hensel bicentenary conference organized by the University of Oxford, Faculty of Music and held at St Catherine's College, Oxford, 22–24 July 2005. As its title suggests, it marks a quarter-century acquaintance with Fanny Hensel. Although in recent years my research has expanded into opera on film, and that has obviously taken me into very different terrain, still Hensel continues to exert a special fascination. Preparing the edition of her letters to Felix Mendelssohn brought me into her private world, a world she assumed would remain private. I came to admire, and even love, her intelligence, her wit and her musical sophistication. It is not unusual for researchers to be enthusiastic about the person they are studying or to identify with them – this may be one reason for choosing that person in the first place, and is undoubtedly a reason why we chose to celebrate Fanny Hensel's bicentenary with the Oxford conference. In short, Fanny Hensel fascinates us.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.009
metaresearch head score (Gemma)0.014
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Commentary · Consensus signal: none
Teacher disagreement score0.014
Threshold uncertainty score0.046

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0090.014
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0010.000
Bibliometrics0.0030.002
Science and technology studies0.0090.009
Scholarly communication0.0100.011
Open science0.0010.004
Research integrity0.0050.006
Insufficient payload (model declined to judge)0.0060.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.026
GPT teacher head0.239
Teacher spread0.213 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreCommentary

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations6
Published2007
Admission routes1
Has abstractyes

Explore more

Same venueNineteenth-Century Music ReviewSame topicTheater, Performance, and Music HistoryFrench-language works237,207