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Record W1998341046 · doi:10.3167/hrrh2009.350208

Kolberg: Goebbels' Wunderwaffe as Counterfactual History

2009· article· en· W1998341046 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

venuePublished in a venue whose home country is Canada.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueHistorical Reflections/Réflexions Historiques · 2009
Typearticle
Languageen
FieldArts and Humanities
TopicGerman History and Society
Canadian institutionsnot available
Fundersnot available
KeywordsNazismMovie theaterIdeologyArtHistoryArt historyLawPolitical scienceGermanArchaeologyPolitics

Abstract

fetched live from OpenAlex

The most expensive film produced in the Third Reich, Veit Harlan's Kolberg (1945) represents a culmination of Nazi cinema's interwoven ideological and artistic ambitions, aiming simultaneously to entertain, impress, and instruct spectators. Joseph Goebbels, who served as the film's unofficial executive producer, conceived it as a psychological miracle weapon capable of preserving national unity in increasingly hopeless circumstances and turning the tide of the war. In theory this was to be achieved by drawing a parallel between the civilian militia's successful defense of Kolberg during the Napoleonic Wars and Germany's situation in early 1945. However, close study of the film's production, distribution, and reception suggests that the film largely failed to achieve its propagandistic goals for a variety of factors, especially Goebbels' obsessive meddling with the script and editing process.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesMeta-epidemiology (narrow), Science and technology studies, Insufficient payload (model declined to judge)
Consensus categoriesInsufficient payload (model declined to judge)
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.408
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0010.001
Meta-epidemiology (broad)0.0010.001
Bibliometrics0.0000.000
Science and technology studies0.0020.000
Scholarly communication0.0000.001
Open science0.0000.000
Research integrity0.0000.001
Insufficient payload (model declined to judge)0.0080.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.073
GPT teacher head0.281
Teacher spread0.208 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it