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Record W2036297812 · doi:10.1353/mln.2010.0009

Blanchissez-moi tous ces Nègres (review)

2010· article· fr· W2036297812 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

aboutThe title or abstract carries a Canadian signal from the geographic lexicon.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueMLN · 2010
Typearticle
Languagefr
FieldSocial Sciences
TopicAfrican history and culture studies
Canadian institutionsnot available
Fundersnot available
KeywordsArtArt historyIconHistory

Abstract

fetched live from OpenAlex

Reviewed by: Blanchissez-moi tous ces Nègres Claire Kew (bio) Serge Bilé , Blanchissez-moi tous ces Nègres. Paris: Pascal Galodé éditeurs, 2010. Serge Bilé, the Michael Moore of Francophone literature and film, has done it again. Scarcely a year after stirring up controversy with his Au secours, le prof est noir! (co-author Mathieu Méranville), and Et si Dieu n'aimait pas les Noirs? (co-author Audifac Ignace), Bilé turns his attention to a largely clandestine practice among individuals of African origin: skin whitening. The resulting work, Blanchissez-moi tous ces Nègres, is, in keeping with Bilé's previous works, a true eye-opener. Beginning in the 1980s, pop culture icon Michael Jackson, brought the practice of skin lightening into the public eye: Jackson's healthy chocolate complexion appeared to wane as he entered his twenties, and the singer had become nearly devoid of all color long before his 2009 passing. Although Jackson never publicly admitted to bleaching his skin—he attributed his lightening to a degenerative skin disease, vitiligo—the dramatic and uniform change in the color of his skin created speculation. Bilé cites not only Jackson, but also more recent public figures, including pop star and model Beyoncé, and baseball great Sammy Sosa, as examples of the troubling practice. Lest we assume that the attempt to lighten the skin of an individual of African descent is a recent phenomenon, Bilé takes his readers on a historical journey from the inception of the practice centuries ago to its modern day ramifications. According to Bilé, the desire of some individuals of African descent to become whiter can be traced back to the French colonial empire and attributed to a number of historical and cultural phenomena; phenomena which become the focus of his first chapter: "Changer un Noir en Blanc" or "Changing a Black to White" (17, my translation). Interestingly Bilé notes that among African ethnic communities that remain isolated from whites, the desired skin tone is the deepest, darkest complexion possible. Those whose skin is lighter are viewed as possessing a less desirable physical trait, whereas those whose complexion is darker are lauded. A reversal of values occurs once the triangle trade is instituted, and Africans become a source of forced labor for individuals possessing a light complexion. Light skin becomes synonymous with power and freedom. The pale appearance that was once shunned in African ethnic communities is suddenly coveted. The official French religion of Catholicism further reinforces the preference for a light epidermis. In the eyes of the Church, a "Black" individual is a fallen [End Page 990] "White": The former once possessed a pale complexion, but sinful acts have caused his skin tone to darken. Soon scientists and businessmen contributed to the growing social and religious pressure in favor of lighter skin. Deeply influenced by Biblical teachings, Western scientists viewed albinos born to parents of African origin as proof that white was the original color of all humans. Bilé traces the horrific practices—from the use of x-rays to acid dips to volatized silver nitrate—which were praised as scientifically proven ways to "save" those of a dark complexion by giving them a pale tone, and with it, a new start in life. Perhaps not as shocking, but just as disconcerting, are the advertising campaigns for bleaches and soaps, in which manufacturers claimed that their cleaning products were so effective that they could even whiten the skin of a black man. The global reach—from Geneva, to Paris, to Quebec—of this early twentieth century publicity campaign is both daunting and disturbing. It is not long before ads targeting "white" consumers, including one in which a black man happily displays his bleached right arm after dunking it in a powerful detergent, are transformed into publicity campaigns which target the "Black" population. By the middle of the twentieth century, Ebony, a traditionally "Black" magazine, is running an ad for skin lightening cream which promises everyone of dark complexion "a lighter, brighter" appearance. According to Bilé, skin-lightening campaigns aimed at "Blacks" began over 150 years ago in the Antilles in 1849—one year after the abolition of slavery—where on the island of Guadeloupe...

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesInsufficient payload (model declined to judge)
Consensus categoriesInsufficient payload (model declined to judge)
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Other · Consensus signal: none
Teacher disagreement score0.497
Threshold uncertainty score0.999

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0010.001
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0050.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.015
GPT teacher head0.283
Teacher spread0.268 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it