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Record W2043131144 · doi:10.1386/sdf.6.1.43_1

Contemporary eco-food films: The documentary tradition

2012· article· en· W2043131144 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

aboutThe title or abstract carries a Canadian signal from the geographic lexicon.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueStudies in Documentary Film · 2012
Typearticle
Languageen
FieldAgricultural and Biological Sciences
TopicCulinary Culture and Tourism
Canadian institutionsnot available
Fundersnot available
KeywordsDocumentary filmArtVisual artsMedia studiesAestheticsSociologyPolitical scienceArt history

Abstract

fetched live from OpenAlex

ABSTRACTThis article examines the central role food has played in documentary films as early as the Lumiere Brothers' 1895 view, Repas de bebe/Baby's Breakfast through the more recent eco-food films from United States, Canadian and European film-makers. Responding to non-fiction works of Michael Pollan, popular US documentaries such as Food, Inc. by Robert Kenner (2008) and King Corn by Aaron Woolf (2007) assert clear positions through their talking heads approach to exposition but draw on a limiting nostalgic view of food production. Austria's We Feed the World by Erwin Wagenhofer (2005) and multiple National Film Board of Canada documentaries, on the other hand, provide a depth of evaluation supported by multiple examples missing in both Food, Inc. and King Corn, yet weaken their arguments with an evenhanded approach to food ecology. Germany's Our Daily Bread by Nikolaus Geyrhalter (2005), however, comes closest to capturing the truth, offering fragmented observations that closely replicate the segmente...

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesInsufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.262
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.001
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0010.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.071
GPT teacher head0.286
Teacher spread0.214 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it