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Record W2054396306 · doi:10.3138/cras-s031-01-03

The Price of Publishing Modernism: Ezra Pound and the Exile in America

2001· article· en· W2054396306 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

venuePublished in a venue whose home country is Canada.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueCanadian Review of American Studies · 2001
Typearticle
Languageen
FieldArts and Humanities
TopicPoetry Analysis and Criticism
Canadian institutionsnot available
Fundersnot available
KeywordsPound (networking)PoetryArtModernism (music)PublishingAmerican poetryArt historyLiteratureHistoryClassics

Abstract

fetched live from OpenAlex

When Ezra Pound began his association with the little magazine Poetry in 1912, he wrote to tell its editor, Harriet Monroe, that her plan for a publication “seems not only sound, but the only possible method. There is no other magazine in America which is not an insult to the serious artist and to the dignity of his art” (Paige 43–44). Published in Chicago, Poetry was a death knell for the genteel literary preten­sions of high-circulation magazines in the United States. But while Pound sug­gested to Monroe that it was not “any of the artist’s business whether or not he circulates,” he confessed that he too had been “nevertheless tempted, on the verge of starting a quarterly” (43–44). By this time, of course, the poet was well estab­lished in Europe, and over the subsequent decade he would rely heavily upon magazines like Blast, the Dial, the Egoist, the English Review, the Little Review, and the New Age to print his work. But it would be fifteen years before Pound edited his own magazine: four numbers of the Exile appeared between the spring of 1927 and the autumn of 1928 while the poet lived in Rapallo, Italy.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.001
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesScience and technology studies
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Review · Consensus signal: none
Teacher disagreement score0.860
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0010.001
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0010.000
Bibliometrics0.0000.000
Science and technology studies0.0000.003
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.041
GPT teacher head0.282
Teacher spread0.240 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it