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Record W2056521534 · doi:10.12745/et.12.1.801

The Rise of Commercial Playing in 1540s London

2009· article· en· W2056521534 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

venuePublished in a venue whose home country is Canada.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueEarly Theatre · 2009
Typearticle
Languageen
FieldEconomics, Econometrics and Finance
TopicHistorical Economic and Social Studies
Canadian institutionsnot available
Fundersnot available
KeywordsContext (archaeology)Turning pointPoint (geometry)Performance artVisual artsMedia studiesArtHistoryAdvertisingArt historySociologyAestheticsBusinessPeriod (music)Archaeology

Abstract

fetched live from OpenAlex

The advent of custom-built playhouses such as the Theatre in the 1570s has rightly been seen as an important turning point in the development of English theatre, but these playhouses did not arise in a vacuum, as some scholars have long recognized. This paper argues that a similar turning point occurred more than thirty years earlier in the early 1540s, when commercial playing -- in which players had to find a venue and attract their own audience, rather than being hired for a specific occasion -- became widely popular in London. Only in the late 1530s and early 1540s do we start to see evidence of players paying to rent out livery company halls, and at the same time we find the earliest records of London authorities trying to control playing that was occurring outside official channels. This paper provides much previously unknown information about the people and places named in these records, allowing us to gain a fuller picture of the social context and physical conditions of this early London playing.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Observational · Consensus signal: Observational
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.352
Threshold uncertainty score0.257

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.022
GPT teacher head0.213
Teacher spread0.191 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it