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Record W2064052890 · doi:10.1093/notesj/gjm213

JOHN LYLY, The Woman in the Moon, ed. LEAH SCRAGG.

2007· article· en· W2064052890 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

aboutThe title or abstract carries a Canadian signal from the geographic lexicon.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueNotes and Queries · 2007
Typearticle
Languageen
FieldArts and Humanities
TopicTheater, Performance, and Music History
Canadian institutionsnot available
Fundersnot available
KeywordsRevelsDramaThe RenaissanceClassicsHistoryLiteratureArtArt historyMedia studiesSociology

Abstract

fetched live from OpenAlex

LEAH SCRAGG's handsome new edition of The Woman in the Moon is the last but one item in Manchester University Press's invaluable Revels Plays series of the plays of John Lyly. Students of English Renaissance drama should be particularly grateful to editor and press for this latest volume, which, one trusts, will revive the critical fortunes of this very interesting play. Theatrically, it has not done so badly. Scragg lists a recent revival by the remarkable Poculi Ludique Societas at Toronto in 2000, a tantalisingly underdocumented production by the London University Dramatic Society in 1953, and a performance in 1928 at Bryn Mawr, with the young Katharine Hepburn taking the demanding lead role of Pandora—quite literally ‘starring’ in the case of this astronomical drama. But the play has not been read as much as it should be, and it is to be hoped that Scragg's new edition will at last provide students with the sort of text that will provoke and inform a more widespread and enthusiastic response than has hitherto been the case.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.938
Threshold uncertainty score0.861

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0010.001
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.019
GPT teacher head0.215
Teacher spread0.196 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it