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Record W2073062103 · doi:10.1176/pn.43.6.0017

The Play—and the Musical—Is the Thing in D.C.

2008· article· en· W2073062103 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

aboutThe title or abstract carries a Canadian signal from the geographic lexicon.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenuePsychiatric News · 2008
Typearticle
Languageen
FieldArts and Humanities
TopicTheater, Performance, and Music History
Canadian institutionsnot available
Fundersnot available
KeywordsMusicalThe ThingArtAestheticsCommunicationLiteraturePsychologyComputer scienceTelecommunications

Abstract

fetched live from OpenAlex

Back to table of contents Previous article Next article Annual MeetingFull AccessThe Play—and the Musical—Is the Thing in D.C.Ken HausmanKen HausmanPublished Online:21 Mar 2008https://doi.org/10.1176/pn.43.6.0017Washington, D.C., has gained fame for a lot of reasons other than its array of theater offerings. But in fact, it is often considered to have one of the liveliest and most abundant theater scenes in the country, following only on the heels of New York and Chicago.In a dramatic riverfront setting, the Kennedy Center for the Performing Arts stages world premieres and traveling companies of plays and musicals, as well as the world's leading symphony, ballet, and opera companies. The National Symphony and Washington National Opera will have performances during the annual meeting.Credit: Washington, D.C., Convention & Tourism Corporation (WCTC)The most famous of the theater venues is the Kennedy Center, a five-theater complex that showcases pre- and post-Broadway productions of musicals and dramas, and sometimes offers world premiers of works by famous playwrights and the most respected names in musical theater. It is also the home of the National Symphony Orchestra and the Washington National Opera.In early May, as in every month for the last 20 years, "Shear Madness" will be playing in the center's Theater Lab. This murder mystery takes place in a unisex hair salon in Georgetown after the murder of the concert pianist who lives above the eponymous salon. Of course, all of the people in the salon have a motive to kill the musician. Its popularity no doubt derives from its inclusion of the audience in solving the mystery. It is now the second longest running play in the United States, following only its sister production in Boston.The symphony will have concerts on May 3 and 8, and the opera will be performing Handel's "Tamerlano" on May 4, with Washington National Opera Director Placido Domingo in one of the lead roles.Also there are free performances every evening on the Millenium stages in the Kennedy Center lobby.Washington is also justly proud of the nationally known Shakespeare Theatre Company, whose mission "is to present classic theatre in an accessible, skillful, imaginative, American style that honors playwrights' language and intentions while viewing their plays through a 21st-century lens." During the annul meeting the company is staging "Julius Caesar" and "Antony and Cleopatra." Expect innovative takes and several surprises.The Shakespeare Theatre in Washington D.C.'s trendy Penn Quarter neighborhood mounts innovative takes on plays by the eponymous writer as well as rethought versions of plays by other classical playwrights.Credit: Washington, D.C., Convention & Tourism Corporation (WCTC)The Shakespeare Theatre has been so successful that last year it built an additional venue, the Harman Center for the Arts, a block away, which presents plays by local, national, and international companies.One of Washington's unique theater experiences can be had at Theater J, which is part of the Washington D.C. Jewish Community Center. Theater J has gained international fame for presenting new and always thought-provoking works and rethinking older ones. It describes its mission as the" development and production of new work by major writers and emerging artists exploring many of the pressing moral and political issues of our time." Its repertoire celebrates the "distinctive urban voice and social vision that are part of the Jewish cultural legacy."During the annual meeting week Theater J will be presenting the world premiere of an innovative new musical, "David in Shadow and Light," which the theater describes as "an epic retelling of King David's astonishing trajectory from boy shepherd to superstar ruler to aging king as he wrestles with the lowest and the purest of human impulses."Another of the city's theatrical gems is Arena Stage, which has won a Tony Award for best regional theater. This May, as part of its Arthur Miller Festival, Arena Stage will present "Death of a Salesman." On Monday evenings the theater holds readings, screenings, and lectures that will delve into other of Miller's plays. As the theaters in its Southwest Washington complex are being renovated, Arena will perform for the next year at the Forum in the Crystal City Marriott in nearby Arlington, Va. The theater is next to the Crystal City Metro stop, about a 10-minute ride from downtown.The always surprising Studio Theater in the Logan Circle neighborhood never stages the traditional or the expected. For those staying a few days after the meeting, Studio will be presenting "The Internationalist," developed by New York's innovative theater company, 13P. The play" follows an American businessman lost in translation in this mysterious, multilingual romance."Another of the genuine treasures of the local theater scene is Signature Theater in Arlington, Va. Signature made its reputation by restaging musicals in creative, scaled down, and often startling ways, particularly those of Stephen Sondheim, the most honored Broadway composer of the last 50 years. Each year it stages one of his musicals, and Sondheim is a trustee of the theater.This May Signature will present one of the triad in its celebration of the Broadway composing/writing team of John Kander and Fred Ebb. The pair is most famous for writing "Chicago," "Cabaret," and" Kiss of the Spider Woman." In early May theater lovers can enjoy one of their rarely seen works, "The Happy Time." It's the story of "a world-traveling photographer, Georges Bonnard, who returns home to French-Canadian St. Pierre in search of his happy youth. Along the way, Bonnard fires up the romantic spirit of his home-town's inhabitants and tempts his godson with dreams of escape," according to Signature. The theater is a 10-minute cab ride from downtown D.C. Those staying in town until May 13 have a real treat in store—Kander and Ebb's "The Visit" will be staged and will star two-time Tony Award winners Chita Rivera and George Hearn.MORE INFORMATIONKennedy Center New Hampshire Ave. at the Potomac Washington, D.C. (202) 467-4600 http://kennedy-center.orgShakespeare Theatre 450 Seventh Street, N.W. Washington, D.C. (202) 547-1122 www.shakespearetheatre.org/about/index.aspxTheater J 16th and Q streets, N.W. Washington, D.C. (202) 777-3210 http://washingtondcjcc.org/center-for-arts/theater-j/Arena Stage 1800 S. Bell Street Arlington, Va. (202) 488-3300 www.arenastage.orgSignature Theater 4200 Campbell Avenue Arlington, Va. (703) 820-9771 www.sig-online.org▪ ISSUES NewArchived

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesScience and technology studies
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.624
Threshold uncertainty score0.999

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0020.001
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.017
GPT teacher head0.196
Teacher spread0.179 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it