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Greece or Rome?: The Uses of Antiquity in Late Eighteenth‐ and Early Nineteenth‐Century British Literature

2009· article· en· W2078534888 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

affAt least one author lists a Canadian institution in the pinned OpenAlex snapshot.

Bibliographic record

VenueLiterature Compass · 2009
Typearticle
Languageen
FieldArts and Humanities
TopicScottish History and National Identity
Canadian institutionsConcordia University
Fundersnot available
KeywordsModernityScholarshipPoliticsPeriod (music)LiteratureLong nineteenth centuryOpposition (politics)HistoryDominance (genetics)Ancient GreekClassical antiquityClassicsSociologyAestheticsAncient historyPhilosophyArtLawEpistemologyPolitical science

Abstract

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Abstract Traditionally, literary and artistic production in late eighteenth‐ and early nineteenth‐century Britain has been understood as constituting a modernity in opposition to classical values and aesthetic standards. In thinking about the relevance of classical antiquity in the later eighteenth and early nineteenth century, however, one prominent trend in recent scholarship has been the recognition of an increasing fascination with Greece and Greek culture. This article surveys arguments for the rise of Hellenism and its importance for thinking about the literary works of this period. In the face of claims for the dominance of the Greek example, the article further considers the legacy of Rome and explores the scholarly debate over its continued relevance in the period. Ultimately, the article suggests the need to consider the deployment of both Roman and Greek examples in framing contemporary understandings of such central aspects of modernity as democracy, popular revolt, and tyranny in a period whose political culture was dominated by reaction and anxieties about revolution.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.645
Threshold uncertainty score0.772

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0010.001
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.016
GPT teacher head0.226
Teacher spread0.211 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it