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Record W2080308567 · doi:10.1177/1354856507072860

War, Art and the Internet

2007· article· en· W2080308567 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

aboutThe title or abstract carries a Canadian signal from the geographic lexicon.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueConvergence The International Journal of Research into New Media Technologies · 2007
Typearticle
Languageen
FieldSocial Sciences
TopicMilitary History and Strategy
Canadian institutionsnot available
Fundersnot available
KeywordsThe InternetPaintingMainstreamContext (archaeology)Media studiesNewspaperSociologyDigital mediaArgument (complex analysis)HistoryArtVisual artsLawPolitical science

Abstract

fetched live from OpenAlex

The internet facilitates outrage, encourages debate, and ultimately accommodates balanced response. It allows for knowledge to be acquired and then shaped into shared meanings and understandings. Even if the digital record of the mainstream media is perhaps the more informed and balanced, the arguably greater significance of the internet - content aside - lies in its exemplification of the value of free communication. This argument is explored in the context of two 1996 paintings by contemporary Canadian painter Gertrude Kearns. The works were the subject of controversy when they went on display at the new Canadian War Museum, which opened on 5 May 2005. While Kearns’s works had previously been reproduced in a newspaper and a journal, they had not been exhibited in public before. The two compositions portray Master Corporal Clayton Matchee and Private Kyle Brown, the Canadian soldiers responsible for the 1993 murder of Shidane Arone, a Somali youth.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.012
metaresearch head score (Gemma)0.010
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesMetaresearch, Science and technology studies
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Theoretical or conceptual · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.424
Threshold uncertainty score0.998

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0120.010
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.005
Scholarly communication0.0000.000
Open science0.0030.000
Research integrity0.0000.001
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.077
GPT teacher head0.395
Teacher spread0.317 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it